Artist Album 1 Charlie Parr Stumpjumper 2 Courtney Barnett

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Artist Album 1 Charlie Parr Stumpjumper 2 Courtney Barnett Sometimes I Sit and Think, and Sometimes I Just Sit 3 Kendrick Lamar To Pimp a Butterﬂy 4 Alabama Shakes Sound & Color 5 Bad Bad Hats Psychic Reader 6 Father John Misty I Love You, Honeybear 7 Flavor Crystals The Shiver of the Flavor Crystals 8 Greg Grease Born to Lurk, Forced to Work 9 Tame Impala Currents 10 Kurt Vile B’lieve I’m Goin Down 11 My Morning Jacket The Waterfall 12 Low Ones and Sixes 13 Beach House Depression Cherry 14 Twenty One Pilots Blurryface 15 Beach House Thank Your Lucky Stars 16 Lizzo Big GRRRL Small World 17 Keep Shelly in Athens Now I’m Ready 18 Jason Isbell Something More than Free 19 Neon Indian Vega Intl. Night School 20 Silversun Pickups Better Nature 21 Sufjan Stevens Carrie & Lowell 22 Best Coast California Nights 23 Ancient River Keeper of the Dawn 24 Gary Clark Jr. The Story of Sunny Boy Slim 25 The Mountain Goats Beat the Champ 26 Sleater-Kinney No Cities to Love 27 Modest Mouse Strangers to Ourselves 28 Strange Names Use Your Time Wisely 29 Pokey Lafarge Something in the Water 30 King Gizzard & the Lizard Wizard I’m In Your Mind Fuzz 31 Vince Staples Summertime ‘06 32 Muse Drones !1 Artist Album 33 Leon Bridges Coming Home 34 The Amazing Picture You 35 Carroll Carroll 36 Doomtree All Hands 37 BOYF White Boyfriend 38 Mac Demarco Another One 39 Unknown Mortal Orchestra Multi-Love 40 What Tyrants No Luck 41 Matt and Kim New Glow 42 Lupe Fiasco Tetsuo & Youth 43 Guante A Love Song, A Death Rattle, a Battle Cry 44 Tuxedo Tuxedo 45 Meg Myers Sorry 46 Black Diet The Good One 47 Lower Dens Escape from Evil 48 Disclosure Caracal 49 Spicy Tuna Melt Fashion Senseless 50 Ryan Adams 1989 51 Dawes All Your Favorite Bands 52 Gramma’s Boyfriend Perm 53 Chastity Belt Time to Go Home 54 Hobo Nephews of Uncle Frank American Shufﬂe 55 The Decemberists What a Terrible World, What a Beautiful World 56 Hardcore Crayons Zozzled 57 Motion City Soundtrack Panic Stations 58 Joywave How do You Feel Now? 59 Prof Liability 60 Brandi Carlile The Firewatcher’s Daughter 61 B. Dolan Kill the Wolf 62 King Gizzard & the Lizard Wizard Paper Mache Dream Balloon 63 Jamie xx In Colour 64 Marcus King Band Soul Insight !2 Artist Album 65 Deerhunter Fading Frontier 66 Freddie Gibbs and Madlib Piñata 67 Girlpool Before the World Was Big 68 New Order Music Complete 69 Bob Dylan The Cutting Edge Sampler 70 Edward David Anderson Lower Alabama: The Loxley Sessions 71 Natalie Prass Natalie Prass 72 Alex G Beach Music 73 Destroyer Poison Season 74 Chatham Rise/The Lightshines We Are the Sun 75 Soak Before We Forgot How to Dream 76 Zella Day Kicker 77 Viet Cong Viet Cong 78 The Arcs Yours, Dreamily 79 All Them Witches Dying Surfer Meets His Match 80 Toro Y Moi What For? 81 Doldrums Air Conditioned Nightmare 82 Gypsy Lumberjacks Giants of America 83 Nathaniel Rateliff & the Nightsweats Nathaniel Rateliff & the Nightsweats 84 Brilliant Beast Dissolve 85 The Internet Ego Death 86 Ben Folds and yMusic So There 87 Thee Oh Sees Mutilator Defeated at Last 88 Farao Till Its All Forgotten !3.

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Building Cold War Warriors: Socialization of the Final Cold War Generation
BUILDING COLD WAR WARRIORS: SOCIALIZATION OF THE FINAL COLD WAR GENERATION Steven Robert Bellavia A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Andrew M. Schocket, Advisor Karen B. Guzzo Graduate Faculty Representative Benjamin P. Greene Rebecca J. Mancuso © 2018 Steven Robert Bellavia All Rights Reserved iii ABSTRACT Andrew Schocket, Advisor This dissertation examines the experiences of the final Cold War generation. I define this cohort as a subset of Generation X born between 1965 and 1971. The primary focus of this dissertation is to study the ways this cohort interacted with the three messages found embedded within the Cold War us vs. them binary. These messages included an emphasis on American exceptionalism, a manufactured and heightened fear of World War III, as well as the othering of the Soviet Union and its people. I begin the dissertation in the 1970s, - during the period of détente- where I examine the cohort’s experiences in elementary school. There they learned who was important within the American mythos and the rituals associated with being an American. This is followed by an examination of 1976’s bicentennial celebration, which focuses on not only the planning for the celebration but also specific events designed to fulfill the two prime directives of the celebration. As the 1980s came around not only did the Cold War change but also the cohort entered high school. Within this stage of this cohorts education, where I focus on the textbooks used by the cohort and the ways these textbooks reinforced notions of patriotism and being an American citizen.
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MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division
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Copeland Bio 2014
Copeland - IXORA Aaron Marsh Bryan Laurenson Jonathan Bucklew Stephen Laurenson Copeland has reunited to release their sixth album after calling it quits in 2009. Here’s what you need to know: • Copeland formed in Lakeland, Florida in 2001. The band’s first album, Beneath Medicine Tree, came out in 2003 on indie label The Militia Group. The album’s layered melodies, combined with Marsh’s thoughtful, emotive croon, immediately engaged music fans, offering a nuanced take on the emo music of the early ‘00s. The group unveiled four subsequent albums between 2005 and 2008, including Eat, Sleep, Repeat on Columbia Records in 2006. Copeland signed with Tooth & Nail in 2008 and have partnered with the label to release their long awaited sixth album, Ixora. • In their heyday, the band played over 200 shows a year. They’ve toured with Brand New, Sparta, Goo Goo Dolls, The Rentals, Bob Mould, Switchfoot, Motion City Soundtrack and Guster. Copeland has also historically supported new artists and Paramore’s first ever show was opening for Copeland in Nashville in 2004. • Copeland officially broke up in October of 2009 after nine years as a band. They wrote on their website, “We have come to an extremely difficult decision. It has come time for us to move on from Copeland and follow other paths in our lives. To put your minds at ease, we assure you this is not a bitter break up. We all individually feel Copeland has run its course in our lives and it’s time for us to pursue what is next.” The band members added, “It has been discussed and we are not ruling out the possibility of recording one more album sometime in the future.” • The band members have pursued other musical endeavors over the past few years.
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Metaphors Found in Beach House's Selected Song Lyrics in Depression
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DELLORO-MASTERSREPORT-2012.Pdf (335.9Kb)
DISCLAIMER: This document does not meet current format guidelines Graduate School at the The University of Texas at Austin. of the It has been published for informational use only. Copyright by Carter Kenneth Delloro 2012 The Report Committee for Carter Kenneth Delloro Certifies that this is the approved version of the following report: Unity Through Uniqueness: The Subcultural Capital of Music Blogs APPROVED BY SUPERVISING COMMITTEE: Supervisor: Madhavi Mallapragada Joseph D. Straubhaar Unity Through Uniqueness: The Subcultural Capital of Music Blogs by Carter Kenneth Delloro, B.A. Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2012 Dedication This report is for my parents, who have supported me tirelessly throughout my educational experience. They are also the ones who instilled in me an intense appreciation for music and the performing arts. For all of that, I am eternally grateful. Without them, this report would not exist. Additionally, this report is dedicated to the thousands of dedicated music fans who pour their lives into their music blogs for little or no pay. Theirs is a labor of love and it continues to inspire me. Abstract Unity Through Uniqueness: The Subcultural Capital of Music Blogs Carter Kenneth Delloro, M.A. The University of Texas at Austin, 2012 Supervisor: Madhavi Mallapragada Recent scholarship on subcultural theory has cultivated an idea of subcultural capital around common signifiers. Points of departure within subcultures have been seen as deviations or potential threats to subcultural cohesion.
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Words and Guitar
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Andrew WK Lets Absurdism Flow at Largo | Pop & Hiss
Live review: Andrew W.K. lets absurdism ﬂow at Largo | Pop ... http://latimesblogs.latimes.com/music_blog/2009/10/live-revie... Like 72K Subscribe/Manage Account Place Ad LAT Store Jobs Cars Real Estate Rentals Classifieds Custom Publishing ENTERTAINMENT LOCAL U.S. WORLD BUSINESS SPORTS ENTERTAINMENT HEALTH LIVING TRAVEL OPINION DEALS Weekly Ad MOVIES TELEVISION MUSIC CELEBRITY ARTS & CULTURE COMPANY TOWN CALENDAR THE ENVELOPE FINDLOCAL IN THE NEWS: JUSTIN BIEBER 'CELEBRITY APPRENTICE' DAVID SCHWIMMER 'GAME OF THRONES' PRINCESS BEATRICE Search Pop & Hiss L.A. Times on Facebook Like 72K THE L.A. TIMES MUSIC BLOG Supreme Court orders California to release tens of thousands of prison inmates « Previous Post | Pop & Hiss Home | Next Post » 16,402 people shared this. In Joplin, there was no time to Live review: Andrew W.K. lets absurdism flow at Largo prepare 459 people shared this. October 9, 2009 | 3:28 pm (0) (2) Comments (0) Senate votes to extend Patriot Act 313 people shared this. advertisement Stay connected: About the Bloggers The musician lets his avant-garde tendencies soar with the Calder Quartet. Chris Barton Andrew W.K. had just finished a piano-and-string-quartet version of his pop-metal hit "Party Hard" August Brown on Thursday night when a young man from the audience bum-rushed the stage at Largo at the Gerrick Kennedy Coronet. There he stood, seemingly waiting for another of W.K.'s jubilant rockers like "Party Til You Randy Lewis Puke" or "It's Time to Party." Todd Martens Ann Powers Instead, W.K. (whose given last name is Wilkes-Krier) and the renowned chamber group the Calder Randall Roberts Quartet opted to play two versions of John Cage's entirely silent composition "4:33." Margaret Wappler It made for a bit of a transcendently awkward moment for the enthusiastic fan, who rifled in his pockets and looked genuinely confused at this turn of events.
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GODKILLER: Walk Among Us
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