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Partnering with Your Transplant Team the Patient’S Guide to Transplantation
Partnering With Your Transplant Team The Patient’s Guide to Transplantation U.S. DEPARTMENT OF HEALTH AND HUMAN SERVICES Health Resources and Services Administration This booklet was prepared for the Health Resources and Services Administration, Healthcare Systems Bureau, Division of Transplantation by the United Network for Organ Sharing (UNOS). PARTNERING WITH YOUR TRANSPLANT TEAM THE PATIENT’S GUIDE TO TRANSPLANTATION U.S. Department of Health and Human Services Health Resources and Services Administration Public Domain Notice All material appearing in this document, with the exception of AHA’s The Patient Care Partnership: Understanding Expectations, Rights and Responsibilities, is in the public domain and may be reproduced without permission from HRSA. Citation of the source is appreciated. Recommended Citation U.S. Department of Health and Human Services (2008). Partnering With Your Transplant Team: The Patient’s Guide to Transplantation. Rockville, MD: Health Resources and Services Administration, Healthcare Systems Bureau, Division of Transplantation. DEDICATION This book is dedicated to organ donors and their families. Their decision to donate has given hundreds of thousands of patients a second chance at life. CONTENTS Page INTRODUCTION.........................................................................................................................1 THE TRANSPLANT EXPERIENCE .........................................................................................3 The Transplant Team .......................................................................................................................4 -
Virtual Live Auction 5 Pm on Sunday, September 20
Virtual Live Auction 5 pm on Sunday, September 20 Auctioneer: Nick Nicholson Host: Bryan Batt 1. Join Seth Rudetsky as a Special Guest on Stars in the House Your name will be added to the roster of entertainment luminaries when you join Seth Rudetsky as a special guest on an episode of Stars in the House. Created with his husband, James Wesley, in response to the coronavirus pandemic, Stars in the House brings together music, community and education. Benefiting The Actors Fund, the daily livestream features remote performances from stars in their homes, conversing with Rudetsky and Wesley in between songs. The incredible 800 guests so far have included everyone from Annette Benning to Jon Hamm to Phillipa Soo. Don’t miss the opportunity to join for an episode and make your smashing debut as a special guest on Stars in the House. Opening bid: $500 2. Virtual Meeting with the Legendary Bernadette Peters There are few leading ladies as notably creative and compassionate as Bernadette Peters. The two-time Tony Award winner made her Broadway debut in 1967’s The Girl in the Freudian Slip. In the decades since, she’s created some of musical theater’s most memorable roles including Dot in Sunday in the Park with George and The Witch in Into the Woods. She’s a member of the Broadway Cares/Equity Fights AIDS Board of Trustees who has created memorable performances in stunning Broadway revivals, notably Annie Get Your Gun, Gypsy, Follies and, most recently, Hello Dolly!. Today, you can win a virtual meet-and-greet with this legend. -
Parent-Child Speech and Child Custody Speech Restrictions
PARENT-CHILD SPEECH AND CHILD CUSTODY SPEECH RESTRICTIONS Eugene Volokh* I. INTRODUCTION Percy Bysshe Shelley was a poet and a cad. He married his wife, Harriet West- brooke, when she was 16, but left her for Mary Wollstonecraft Godwin three years later. When he left, his and Harriet’s daughter was a year old, and Harriet was preg- nant with their son. Two years later, Harriet committed suicide. When Shelley decided to raise the children himself, Harriet’s parents refused to turn them over, and Shelley went to court. Though fathers had nearly absolute rights under then-existing English law, Shelley became one of the first fathers in English history to lose custody of his chil- dren.1 Percy Shelley was also an avowed atheist—and the Court of Chancery mostly re- lied on this, not on his infidelity or unreliability. Shelley shouldn’t be put in charge of the children’s education, the Lord Chancellor reasoned: Shelley endorsed atheism and sexual freedom, and would teach his children to do the same. Twenty years later, Justice Joseph Story likewise wrote that a father could lose his rights for “athe- istical and irreligious principles.”2 Shelley’s case may look like something out of another time and place. That time and place, it turns out, is 2001 Mississippi, where the state supreme court upheld an order giving a mother custody partly because she took the child to church more often than the father did, thus providing a better “future religious example.”3 Presumably * Gary T. Schwartz Professor of Law, UCLA School of Law ([email protected]). -
The Role of Religious Values in Judicial Decision Making
Indiana Law Journal Volume 68 Issue 2 Article 3 Spring 1993 The Role of Religious Values in Judicial Decision Making Scott C. Idleman Indiana University School of Law Follow this and additional works at: https://www.repository.law.indiana.edu/ilj Part of the Constitutional Law Commons, Courts Commons, and the Religion Law Commons Recommended Citation Idleman, Scott C. (1993) "The Role of Religious Values in Judicial Decision Making," Indiana Law Journal: Vol. 68 : Iss. 2 , Article 3. Available at: https://www.repository.law.indiana.edu/ilj/vol68/iss2/3 This Note is brought to you for free and open access by the Law School Journals at Digital Repository @ Maurer Law. It has been accepted for inclusion in Indiana Law Journal by an authorized editor of Digital Repository @ Maurer Law. For more information, please contact [email protected]. The Role of Religious Values in Judicial Decision Making SCOTT C. IDLEMAN* [U]nless people believe in the law, unless they attach a universal and ultimate meaning to it, unless they see it and judge it in terms of a transcendent truth, nothing will happen. The law will not work-it will be dead.' INTRODUCTION It is virtually axiomatic today that judges should not advert to religious values when deciding cases,2 unless those cases explicitly involve religion.' In part because of historical and constitutional concerns and in * J.DJM.P.A. Candidate, 1993, Indiana University School of Law at Bloomington; B.S., 1989, Cornell University. 1. HAROLD J. BERMAN, THE INTERACTION OF LAW AND RELIGION 74 (1974). 2. See, e.g., KENT GREENAWALT, RELIGIOUS CONVICTIONS AND POLITICAL CHOICE 239 (1988); Stephen L. -
Images of the Religious in Horror Films
Journal of Religion & Film Volume 5 Issue 2 October 2001 Article 7 October 2001 The Sanctification of ear:F Images of the Religious in Horror Films Bryan Stone Boston University School of Theology, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Stone, Bryan (2001) "The Sanctification of ear:F Images of the Religious in Horror Films," Journal of Religion & Film: Vol. 5 : Iss. 2 , Article 7. Available at: https://digitalcommons.unomaha.edu/jrf/vol5/iss2/7 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. The Sanctification of ear:F Images of the Religious in Horror Films Abstract Horror film functions both as a threat and a catharsis by confronting us with our fear of death, the supernatural, the unknown and irrational, ''the other" in general, a loss of identity, and forces beyond our control. Over the last century, religious symbols and themes have played a prominent and persistent role in the on-screen construction of this confrontation. That role is, at the same time, ambiguous insofar as religious iconography has become unhinged from a compelling moral vision and reduced to mere conventions that produce a quasi-religious quality to horror that lacks the symbolic power required to engage us at the deepest level of our being. Although religious symbols in horror films are conventional in their frequent use, they may have lost all connection to deeper human questions. -
The President Woodrow Wilson House Is a National Historic Landmark and House Museum
Autumn Newsletter 2013 The President Woodrow Wilson House is a national historic landmark and house museum. The museum promotes a greater awareness of President Wilson’s public life and ideals for future generations through guided tours, exhibitions and educational programs. Above photo: Back garden evening party at The President Woodrow Wilson House. The museum also serves as a community CELEBRATING THE PRESIDENT’S Woodrow Wilson’s legacy, preservation model and resource, dedicated to one hundred years later the stewardship and CENTENNIAL presentation of an Why should anyone care about the President Wilson revived the practice, authentic collection and President Woodrow Wilson House? abandoned for more than a century, of the property. That is a fair question to consider in President delivering the State of the Union 2013, the first of eight years marking the message in person before Congress. He centennial of President Wilson’s term in regularly appeared at the Capitol to The President office, 1913–1921. promote his legislative initiatives. In a Woodrow Wilson “President Wilson imagined the world recent interview, WILSON biographer A. House is a property of at peace and proposed a plan to achieve Scott Berg noted, “There's a room in the National Trust that vision,” answers Robert A. Enholm, Congress called the President's Room. No for Historic executive director of the Woodrow Wilson president has used it since Woodrow Preservation, a House in Washington, D.C. “The Wilson. No president used it before privately funded, non- challenge he issued almost a century ago Woodrow Wilson. He used it regularly.” profit corporation, remains largely unanswered today.” Before President Wilson the national helping people protect, During this centennial period, the government played a smaller role in the enhance and enjoy the Woodrow Wilson House will be developing everyday lives of Americans than is true places that matter to exhibitions and programs to explore the today. -
A Feminist Criticism of House
Lutzker 1 House is a medical drama based on the fictitious story of Dr . Gregory House, a cruelly sarcastic, yet brilliant, doctor . Dr . House works as a diagnostician at the Princeton-Plainsboro Hospital where he employs a team of young doctors who aspire to achieve greater success in their careers . Being a member of House’s team is a privilege, yet the team members must be able to tolerate Dr . House’s caustic sense of humor . Because of Dr . House’s brilliance, his coworkers and bosses alike tend to overlook his deviant and childish behaviors . Even though Dr . House’s leg causes him to be in severe pain every day, and has contributed to his negative outlook on life, both his patients and coworkers do not have much sympathy for him . The main goals of House’s outlandish behaviors are to solve the puzzle of his patients’ medical cases . Dr . House handpicks the patients whom he finds have interesting medical quandaries and attempts to diagnose them . By conferring with his team, and “asking” for permission from Dr . Lisa Cuddy, Dr . House is able to treat the patients as he sees fit . He usually does not diagnose the patients correctly the first time . However, with each new symptom, a new piece of the puzzle unfolds, giving a clearer view of the cause of illness . Dr . House typically manages to save the lives of his patients by the end of the episode, usually without having any physical contact with the patient . Dr . House has an arrogant and self-righteous personality . Some of the lines that are written for Dr . -
The Walt Disney Company Uk & Ireland
THE WALT DISNEY COMPANY UK & IRELAND Disney has operated in the UK and Ireland for more than 80 years There are nine Disney office locations across the UK and one in Ireland The UK has approximately 30m Disney fans (kids who really like one of our brands and teens/adults who report they strongly or very strongly relate to one of our brands - Disney, Marvel, Star Wars, Nat Geo or Pixar). Source: BES/Kids Tracker/CSR Across the five major European countries (UK, France, Germany, Italy, Spain), there are more than 180m Disney fans. Source: BES/Kids Tracker/CSR Studios In 2019, Disney’s UK box office (£473M, 35% Market Share) was the highest grossing year for a Motion Picture Association studio ever, exceeding 2018. Disney UK had seven of the top ten releases from the year: o #1 Avengers: Endgame (£88.7m) o #2 The Lion King (£76.0m) o #3 Toy Story 4 (£66.2m) o #5 Frozen 2 (£48.5m) o #6 Star Wars: The Rise of Skywalker (£46.9m) o #7 Captain Marvel (£39.5m) o #8 Aladdin (£37.2m) Seven of the top ten biggest films of all time at the UK box office are from Walt Disney Studios titles: o #1 Star Wars: The Force Awakens (£123.2m) o #4 Avatar (£94.0m) o #5 Avengers: Endgame (£88.7m) o #6 Star Wars: The Last Jedi (£82.6m) o #7 Titanic (£80.2m) o #8 The Lion King (£76.0m) o #9 Toy Story 3 (£74.0m) Disney+ Disney+ launched in the UK on March 24th, 2020, on the same day as Ireland, Germany, Spain, Italy, Austria and Switzerland. -
Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences and the Community at Large
NOVEMBER 2012 November 17 - December 29 Dr. Seuss Properties TM & (c) 1957 and 2012 Dr. Seuss Enterprises, L.P. All Rights Reserved. Welcome to Welcome to Whoville! We are pleased to be addressing you jointly for the very first time as we launch a new chapter in the history of The Old Globe. We look forward to honoring and building upon this theatre’s cherished traditions by creating extraordinary theatre for you. DOUG GATES No Globe tradition is more beloved than our annual Managing Director Michael G. Murphy with recently appointed production of Dr. Seuss’ How the Grinch Stole Artistic Director Barry Edelstein. Christmas! We celebrate its 15th Anniversary this year, a milestone that would not have been possible without the support of one very special person. For more than three decades, Audrey Geisel has been close to the heart of The Old Globe, providing support through her kindness, warm smile, charming wit and great generosity. She is a champion of the arts in this community, serving as philanthropist, advocate and leader for many institutions. The production that you see today is on our stage thanks to Theodor Geisel’s creativity and Audrey’s vision and most sincere friendship. Tens of thousands of children have come to know live theatre through the Grinch, and we are grateful to Audrey that each year we are able to mount this production and introduce more young people to this magical art form. We are so proud that for the last 15 years, our audiences have made The Old Globe part of their holiday celebrations. -
Diagnosis and Treatment of Wilson Disease: an Update
AASLD PRACTICE GUIDELINES Diagnosis and Treatment of Wilson Disease: An Update Eve A. Roberts1 and Michael L. Schilsky2 This guideline has been approved by the American Asso- efit versus risk) and level (assessing strength or certainty) ciation for the Study of Liver Diseases (AASLD) and rep- of evidence to be assigned and reported with each recom- resents the position of the association. mendation (Table 1, adapted from the American College of Cardiology and the American Heart Association Prac- Preamble tice Guidelines3,4). These recommendations provide a data-supported ap- proach to the diagnosis and treatment of patients with Introduction Wilson disease. They are based on the following: (1) for- Copper is an essential metal that is an important cofac- mal review and analysis of the recently-published world tor for many proteins. The average diet provides substan- literature on the topic including Medline search; (2) tial amounts of copper, typically 2-5 mg/day; the American College of Physicians Manual for Assessing recommended intake is 0.9 mg/day. Most dietary copper 1 Health Practices and Designing Practice Guidelines ; (3) ends up being excreted. Copper is absorbed by entero- guideline policies, including the AASLD Policy on the cytes mainly in the duodenum and proximal small intes- Development and Use of Practice Guidelines and the tine and transported in the portal circulation in American Gastroenterological Association Policy State- association with albumin and the amino acid histidine to 2 ment on Guidelines ; (4) the experience of the authors in the liver, where it is avidly removed from the circulation. the specified topic. -
Student Tour Operator Guide
DELIVERING BUSINESS ESSENTIALS TO NTA MEMBERS APRIL/MAY 2020 Marching on Students line up to learn lessons from the past PAGE 28 15 CITIES WITH SPACE OUT DEAR NOVEL ‘MY FIRST TRIP’ STUDENT SCENES IN HUNTSVILLE CORONAVIRUS ... PAGE 48 PAGE 15 PAGE 12 PAGE 8 A living-history program at the Gettysburg Heritage Center REVOLUTIONIZE YOUR CURRICULUM WITH DISCOUNTED, GUIDED TOURS Get out of the classroom and into history with a customized field trip to Colonial Williamsburg. History lives here and your students will never forget it. Roam through 18th-century America. Meet the patriots and be inspired by the moments of our independence. We oer a variety of options for for dining, lodging and tours. Book your school or youth group trip today. Call 1-800-228-8878, email [email protected], visit colonialwilliamsburg.com/grouptours April/May 2020 FEATURES CURRICULUM Museums 26 Corning Museum, you’re a real glass act | Perfectly peculiar | Innovation on display Historical Attractions 28 What’s the story here? | Gettysburg’s battlefield and beyond | Relive Canada’s ‘new West’ Arts and Performance 32 12 Get backstage (and under the lights) at the Alabama Theatre | AQS’s QuiltWeek Shows are sew cool | City Spotlight: Huntsville Playtime at the Opry After sizing up Huntsville’s attractions and arts—and Brussels sprouts— Courier’s Kendall Fletcher discovered why the Alabama city is a top spot for student groups. Adventure and Fun 36 Six unique adventures for students | Riding the rails in Colorado | Getting back to nature DEPARTMENTS 4 From the Editor 6 Voices of Leadership 15 Business 15 great destinations for student groups 7 InBrief While destinations await the return of travelers, school groups await See how NTA members and all professionals in the travel heading back out on the road. -
The Walt Disney Company: a Corporate Strategy Analysis
The Walt Disney Company: A Corporate Strategy Analysis November 2012 Written by Carlos Carillo, Jeremy Crumley, Kendree Thieringer and Jeffrey S. Harrison at the Robins School of Business, University of Richmond. Copyright © Jeffrey S. Harrison. This case was written for the purpose of classroom discussion. It is not to be duplicated or cited in any form without the copyright holder’s express permission. For permission to reproduce or cite this case, contact Jeff Harrison at [email protected]. In your message, state your name, affiliation and the intended use of the case. Permission for classroom use will be granted free of charge. Other cases are available at: http://robins.richmond.edu/centers/case-network.html "Walt was never afraid to dream. That song from Pinocchio, 'When You Wish Upon a Star,' is the perfect summary of Walt's approach to life: dream big dreams, even hopelessly impossible dreams, because they really can come true. Sure, it takes work, focus and perseverance. But anything is possible. Walt proved it with the impossible things he accomplished."1 It is well documented that Walt Disney had big dreams and made several large gambles to propel his visions. From the creation of Steamboat Willie in 1928 to the first color feature film, “Snow White and the Seven Dwarves” in 1937, and the creation of Disneyland in Anaheim, CA during the 1950’s, Disney risked his personal assets as well as his studio to build a reality from his dreams. While Walt Disney passed away in the mid 1960’s, his quote, “If you can dream it, you can do it,”2 still resonates in the corporate world and operations of The Walt Disney Company.