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Jacob's Pillow Dance Festival 2018 Runs June 20-August 26 with 350+ Performances, Talks, Events, Exhibits, Classes & Works
NATIONAL MEDAL OF ARTS | NATIONAL HISTORIC LANDMARK FOR IMAGES AND MORE INFORMATION CONTACT: Nicole Tomasofsky, Public Relations and Publications Coordinator 413.243.9919 x132 [email protected] JACOB’S PILLOW DANCE FESTIVAL 2018 RUNS JUNE 20-AUGUST 26 WITH 350+ PERFORMANCES, TALKS, EVENTS, EXHIBITS, CLASSES & WORKSHOPS April 26, 2018 (Becket, MA)—Jacob’s Pillow announces the Festival 2018 complete schedule, encompassing over ten weeks packed with ticketed and free performances, pop-up performances, exhibits, talks, classes, films, and dance parties on its 220-acre site in the Berkshire Hills of Western Massachusetts. Jacob’s Pillow is the longest-running dance festival in the United States, a National Historic Landmark, and a National Meal of Arts recipient. Founded in 1933, the Pillow has recently added to its rich history by expanding into a year-round center for dance research and development. 2018 Season highlights include U.S. company debuts, world premieres, international artists, newly commissioned work, historic Festival connections, and the formal presentation of work developed through the organization’s growing residency program at the Pillow Lab. International artists will travel to Becket, Massachusetts, from Denmark, Israel, Belgium, Australia, France, Spain, and Scotland. Notably, representation from across the United States includes New York City, Minneapolis, Houston, Philadelphia, San Francisco, and Chicago, among others. “It has been such a thrill to invite artists to the Pillow Lab, welcome community members to our social dances, and have this sacred space for dance animated year-round. Now, we look forward to Festival 2018 where we invite audiences to experience the full spectrum of dance while delighting in the magical and historic place that is Jacob’s Pillow. -
The New Yorker, March 9, 2015
PRICE $7.99 MAR. 9, 2015 MARCH 9, 2015 7 GOINGS ON ABOUT TOWN 27 THE TALK OF THE TOWN Jeffrey Toobin on the cynical health-care case; ISIS in Brooklyn; Imagine Dragons; Knicks knocks; James Surowiecki on Greece. Peter Hessler 34 TRAVELS WITH MY CENSOR In Beijing for a book tour. paul Rudnick 41 TEST YOUR KNOWLEDGE OF SEXUAL DIFFERENCE JOHN MCPHEE 42 FRAME OF REFERENCE What if someone hasn’t heard of Scarsdale? ERIC SCHLOSSER 46 BREAK-IN AT Y-12 How pacifists exposed a nuclear vulnerability. Saul Leiter 70 HIDDEN DEPTHS Found photographs. FICTION stephen king 76 “A DEATH” THE CRITICS A CRITIC AT LARGE KELEFA SANNEH 82 The New York hardcore scene. BOOKS KATHRYN SCHULZ 90 “H Is for Hawk.” 95 Briefly Noted ON TELEVISION emily nussbaum 96 “Fresh Off the Boat,” “Black-ish.” THE THEATRE HILTON ALS 98 “Hamilton.” THE CURRENT CINEMA ANTHONY LANE 100 “Maps to the Stars,” “ ’71.” POEMS WILL EAVES 38 “A Ship’s Whistle” Philip Levine 62 “More Than You Gave” Birgit Schössow COVER “Flatiron Icebreaker” DRAWINGS Charlie Hankin, Zachary Kanin, Liana Finck, David Sipress, J. C. Duffy, Drew Dernavich, Matthew Stiles Davis, Michael Crawford, Edward Steed, Benjamin Schwartz, Alex Gregory, Roz Chast, Bruce Eric Kaplan, Jack Ziegler, David Borchart, Barbara Smaller, Kaamran Hafeez, Paul Noth, Jason Adam Katzenstein SPOTS Guido Scarabottolo 2 THE NEW YORKER, MARCH 9, 2015 CONTRIBUTORS eric schlosser (“BREAK-IN AT Y-12,” P. 46) is the author of “Fast Food Nation” and “Command and Control: Nuclear Weapons, the Damascus Accident, and the Illusion of Safety.” jeFFrey toobin (COMMENT, P. -
Vision / Dance Innovations
2020 FEBRUARY PROGRAMS 02 /03 CLASSICAL (RE)VISION / DANCE INNOVATIONS The people you trust, trust City National. Top Ranked in Client Referrals* “City National helps keep my financial life in tune.” Michael Tilson Thomas Conductor, Educator and Composer Find your way up.SM Visit cnb.com *Based on interviews conducted by Greenwich Associates in 2017 with more than 30,000 executives at businesses across the country with sales of $1 million to $500 million. City National Bank results are compared to leading competitors on the following question: How likely are you to recommend (bank) to a friend or colleague? City National Bank Member FDIC. City National Bank is a subsidiary of Royal Bank of Canada. ©2018 City National Bank. All Rights Reserved. cnb.com 7275.26 PROGRAM 02 | CLASSICAL (RE)VISION PROGRAM 03 | DANCE INNOVATIONS TABLE OF CONTENTS 05 Greetings from the Artistic Director & Principal Choreographer 05 06 Board of Trustees Endowment Foundation Board 07 SF Ballet Leadership 08 Season News 10 Off Stage 13 Pointe and Counterpoint: The Story of Programs 02 and 03 14 PROGRAM 02 Classical (Re)Vision Bespoke Director's Choice Sandpaper Ballet 22 PROGRAM 03 Dance Innovations The Infinite Ocean The Big Hunger World Premiere Etudes 30 Artists of the Company 14 39 SF Ballet Orchestra 40 SF Ballet Staff 42 Donor Events and News 46 SF Ballet Donors 61 Thank You to Our Volunteers 63 For Your Information 64 Designing Sandpaper Ballet FOLLOW US BEFORE AND AFTER THE PERFORMANCE! San Francisco Ballet SFBallet youtube.com/sfballet SFBallet 42 San Francisco Ballet | Program Book | Vol. -
2018/2019 Season
Saturday, April 6, 2019 1:00 & 6:30 pm 2018/2019 SEASON Great Artists. Great Audiences. Hancher Performances. Kevin McKenzie Kara Medoff Barnett ARTISTIC DIRECTOR EXECUTIVE DIRECTOR Alexei Ratmansky ARTIST IN RESIDENCE STELLA ABRERA ISABELLA BOYLSTON MISTY COPELAND HERMAN CORNEJO SARAH LANE ALBAN LENDORF GILLIAN MURPHY HEE SEO CHRISTINE SHEVCHENKO DANIIL SIMKIN CORY STEARNS DEVON TEUSCHER JAMES WHITESIDE SKYLAR BRANDT ZHONG-JING FANG THOMAS FORSTER JOSEPH GORAK ALEXANDRE HAMMOUDI BLAINE HOVEN CATHERINE HURLIN LUCIANA PARIS CALVIN ROYAL III ARRON SCOTT CASSANDRA TRENARY KATHERINE WILLIAMS ROMAN ZHURBIN Alexei Agoudine Joo Won Ahn Mai Aihara Nastia Alexandrova Sierra Armstrong Alexandra Basmagy Hanna Bass Aran Bell Gemma Bond Lauren Bonfiglio Kathryn Boren Zimmi Coker Luigi Crispino Claire Davison Brittany DeGrofft* Scout Forsythe Patrick Frenette April Giangeruso Carlos Gonzalez Breanne Granlund Kiely Groenewegen Melanie Hamrick Sung Woo Han Courtlyn Hanson Emily Hayes Simon Hoke Connor Holloway Andrii Ishchuk Anabel Katsnelson Jonathan Klein Erica Lall Courtney Lavine Virginia Lensi Fangqi Li Carolyn Lippert Isadora Loyola Xuelan Lu Duncan Lyle Tyler Maloney Hannah Marshall Betsy McBride Cameron McCune João Menegussi Kaho Ogawa Garegin Pogossian Lauren Post Wanyue Qiao Luis Ribagorda Rachel Richardson Javier Rivet Jose Sebastian Gabe Stone Shayer Courtney Shealy Kento Sumitani Nathan Vendt Paulina Waski Marshall Whiteley Stephanie Williams Remy Young Jin Zhang APPRENTICES Jacob Clerico Jarod Curley Michael de la Nuez Léa Fleytoux Abbey Marrison Ingrid Thoms Clinton Luckett ASSISTANT ARTISTIC DIRECTOR Ormsby Wilkins MUSIC DIRECTOR Charles Barker David LaMarche PRINCIPAL CONDUCTOR CONDUCTOR PRINCIPAL BALLET MISTRESS Susan Jones BALLET MASTERS Irina Kolpakova Carlos Lopez Nancy Raffa Keith Roberts *2019 Jennifer Alexander Dancer ABT gratefully acknowledges: Avery and Andrew F. -
Cuban National Ballet on Tour of Europe
Cuban National Ballet on tour of Europe The Cuban National Ballet Company –BNC-, directed by ballet legend, Alicia Alonso, began a three month tour of Spain, Italy and France set to wind up in July. The Cuban ballet ensemble will return to stages where audiences have enjoyed its performances before and dance on new theaters, such as Pleyel in Paris. BNC is touring Madrid, Andalucía, Barcelona and cities in the Basque Country, while in Italy, the famous Cuban company is scheduled to perform in Torino and Ravena. The Cuban versions of classics such as The Nutcracker, Giselle and Don Quixote are included on the renowned troupe’s presentations with which they have received both critics and audiences acclaim worldwide in previous tours. BNC and Alonso obtained the Grand Prix de la Ville de Paris Award for its performance of Giselle at the Fourth International Dance Festival held at Les Champs Ellisée Theater in 1966. The company is also dancing the show The Magic of Dance that compiles excerpts of 19th century ballet hits, while in France a mixed bill of classical and contemporary pas de deux is included in its program. The main roles are performed by premier dancers Viengsay Valdés, Sadaise Arencibia, Anette Delgado, Grettel Morejón and Dani Hernández; first soloist Rafael Quenedit; soloists Patricio Revé Raúl Abreu and Ariel Martínez; principal Ginett Moncho and choriphee Claudia García, supported by its famous corps de ballet. In Paris the Cuban company will be joined by Cuban dancers Joel Carreño and Yolanda Correa, current stars with the Norwegian National Ballet; Cuba’s Osiel Gouneau, principal with the Munich Ballet in Germany, and Acosta Danza company dancer Luis Valle. -
The Nutcracker
American Ballet Theatre Kevin McKenzie Rachel S. Moore Artistic Director Chief Executive Officer Alexei Ratmansky Artist in Residence HERMAN CORNEJO · MARCELO GOMES · DAVID HALLBERG PALOMA HERRERA · JULIE KENT · GILLIAN MURPHY · VERONIKA PART XIOMARA REYES · POLINA SEMIONOVA · HEE SEO · CORY STEARNS STELLA ABRERA · KRISTI BOONE · ISABELLA BOYLSTON · MISTY COPELAND ALEXANDRE HAMMOUDI · YURIKO KAJIYA · SARAH LANE · JARED MATTHEWS SIMONE MESSMER · SASCHA RADETSKY · CRAIG SALSTEIN · DANIIL SIMKIN · JAMES WHITESIDE Alexei Agoudine · Eun Young Ahn · Sterling Baca · Alexandra Basmagy · Gemma Bond · Kelley Boyd Julio Bragado-Young · Skylar Brandt · Puanani Brown · Marian Butler · Nicola Curry · Gray Davis Brittany DeGrofft · Grant DeLong · Roddy Doble · Kenneth Easter · Zhong-Jing Fang · Thomas Forster April Giangeruso · Joseph Gorak · Nicole Graniero · Melanie Hamrick · Blaine Hoven · Mikhail Ilyin Gabrielle Johnson · Jamie Kopit · Vitali Krauchenka · Courtney Lavine · Isadora Loyola · Duncan Lyle Daniel Mantei · Elina Miettinen · Patrick Ogle · Luciana Paris · Renata Pavam · Joseph Phillips · Lauren Post Kelley Potter · Luis Ribagorda · Calvin Royal III · Jessica Saund · Adrienne Schulte · Arron Scott Jose Sebastian · Gabe Stone Shayer · Christine Shevchenko · Sarah Smith* · Sean Stewart · Eric Tamm Devon Teuscher · Cassandra Trenary · Leann Underwood · Karen Uphoff · Luciana Voltolini Paulina Waski · Jennifer Whalen · Katherine Williams · Stephanie Williams · Roman Zhurbin Apprentices Claire Davison · Lindsay Karchin · Kaho Ogawa · Sem Sjouke · Bryn Watkins · Zhiyao Zhang Victor Barbee Associate Artistic Director Ormsby Wilkins Music Director Charles Barker David LaMarche Principal Conductor Conductor Ballet Masters Susan Jones · Irina Kolpakova · Clinton Luckett · Nancy Raffa * 2012 Jennifer Alexander Dancer ABT gratefully acknowledges Avery and Andrew Barth for their sponsorship of the corps de ballet in memory of Laima and Rudolph Barth and in recognition of former ABT corps dancer Carmen Barth. -
Five Pioneering Black Ballerinas
_________________________________________________________________________________________________________________ Five Pioneering Black Ballerinas: ‘We Have to Have a Voice’ These early Dance Theater of Harlem stars met weekly on Zoom — to survive the isolation of the pandemic and to reclaim their role in dance history. The 152nd Street Black Ballet Legacy, from left: Marcia Sells, Sheila Rohan, Gayle McKinney-Griffith, Karlya Shelton-Benjamin and Lydia Abarca-Mitchell. By Karen Valby June 17, 2021 Last May, adrift in a suddenly untethered world, five former ballerinas came together to form the 152nd Street Black Ballet Legacy. Every Tuesday afternoon, they logged onto Zoom from around the country to remember their time together performing with Dance Theater of Harlem, feeling that magical turn in early audiences from skepticism to awe. Life as a pioneer, life in a pandemic: They have been friends for over half a century, and have held each other up through far harder times than this last disorienting year. When people reached for all manners of comfort, something to give purpose or a shape to the days, these five women turned to their shared past. In their cozy, rambling weekly Zoom meetings, punctuated by peals of laughter and occasional tears, they revisited the fabulousness of their former lives. With the 2 background of George Floyd’s murder and a pandemic disproportionately affecting the Black community, the women set their sights on tackling another injustice. They wanted to reinscribe the struggles and feats of those early years at Dance Theater of Harlem into a cultural narrative that seems so often to cast Black excellence aside. “There’s been so much of African American history that’s been denied or pushed to the back,” said Karlya Shelton-Benjamin, 64, who first brought the idea of a legacy council to the other women. -
Recibió Raúl Al Ministro De Seguridad Pública De Vietnam
MARTES 28 Noviembre del 2017 Año 59 de la Revolución No. 283 • Año 53 • Cierre 11:00 p.m. Edición Única • La Habana Precio 20 ¢ órgano oficial del comité central del partido comunista de cuba Asistió Raúl a las honras Recibió Raúl fúnebres de Armando Hart al Ministro de Seguridad Pública de Vietnam FOTO: ESTUDIOS REVOLUCIÓN leticia martínez hernández Las palabras centrales del de Cultura, «desde donde homenaje póstumo estuvie- rectificó errores, restauró la El General de Ejército Raúl ron a cargo de Miguel Díaz- comunicación con la van- Castro Ruz, Presidente de Canel Bermúdez, primer vi- guardia intelectual, impulsó los Consejos de Estado y de cepresidente de los Consejos la enseñanza artística y dise- Ministros, asistió en la ma- de Estado y de Ministros, ñó un sistema institucional ñana de este lunes a la sede quien evocó la valerosa vida que convirtió al pueblo en del Centro de Estudios Mar- de Hart, así como el extraor- protagonista de los sucesos tianos, donde desde la noche dinario ejemplo de lealtad, culturales». del domingo se realizaban espíritu de sacrificio, firmeza En su última etapa de tra- FOTO: ESTUDIOS REVOLUCIÓN las honras fúnebres del com- y apego absoluto a los princi- bajo se entregó a una de sus batiente revolucionario Ar- pios, que legó a las presentes pasiones centrales: el estudio El General de Ejército Raúl que unen a nuestros pueblos, mando Hart Dávalos, figura y futuras generaciones. y difusión de la vida y obra Castro Ruz, Presidente de los partidos y gobiernos. esencial de nuestra historia. «El sentido martiano -
Bolshoi Theater
FOR IMMEDIATE RELEASE Contact: Dick Caples Tel: 212.221.7909 E-mail: [email protected] Lar Lubovitch awarded the 20th annual prize for best choreography by the Prix Benois de la Danse at the Bolshoi Theater. He is the first head of an American dance company ever to be so honored. New York, NY, May 23, 2012 – Last night at the Bolshoi Theater in Moscow, Lar Lubovitch was awarded the 20th annual prize for best choreography by the Prix Benois de la Danse. Lubovitch is the first head of an American dance company ever presented with the award. He was honored for his creation of Crisis Variations, which premiered at the Baryshnikov Arts Center in New York City on November 9, 2011. The work, for seven dancers, is set to a commissioned score by composer Yevgeniy Sharlat, and the score was performed live at its premiere by the ensemble Le Train Bleu, under the direction of conductor Ransom Wilson. To celebrate the occasion, the Lar Lubovitch Dance Company performed the duet from Meadow for the audience of 2,500 at the Bolshoi. The dancers in the duet were Katarzyna Skarpetowska and Brian McGinnis. The laureates for best choreography over the previous 19 years include: John Neumeier, Jiri Kylian, Roland Petit, Angelin Preljocaj, Nacho Duato, Alexei Ratmansky, Boris Eifman, Wayne McGregor, Sidi Larbi Cherkaoui, and Jorma Elo. Other star performers and important international figures from the world of dance received prizes at this year’s award ceremony. In addition to the award for choreography given to Lubovitch, the winners in other categories were: For the best performance by a ballerina: Alina Cojocaru for the role of Julie in “Liliom” at the Hamburg Ballet. -
Se Retira Aurelie Dupont
INTERNACIONALES | FRANCIA Se Retira Aurelie Dupont Étoile de la Opera Nacional de París, Aurelie Dupont realizará su última función el 18 de mayo, como Manón en la magnífi ca versión de Kenneth MacMillan junto a Roberto Bolle de la Scala de Milán como Des Grieux Fue el Ministerio de Cultura y Comuni- cación francés el que informó sobre el re- tiro ofi cial de Aurelie Dupont. Su última función será transmitida en vivo, en el marco del ciclo Viva l’ Opera que se pro- yecta en cines europeos y algunos otros alrededor del mundo. Además será objeto de una grabación audiovisual dirigida por Cédric Klapisch. Esa última noche de Manón, se transmi- tirá además en la televisión francesa, el sábado 30 de mayo, después del docu- La francesa había ingresado al cuerpo de Foto . Patrick Fouque mental de 2009/10, dirigido por el mis- baile de la Opera Nacional de París, en mo cineasta: Aurélie Dupont, El Espacio 1987, a los 16 años, y en 1998 fue nom- de un Instante. brada étoile por Rudolf Nureyev luego de una función de Don Quijote. A lo largo de su carrera cosechó cantidad de premios, de ellos, se destacan la medalla de oro en el Concurso de Varna (Bulgaria) en 1992 y el Benois de la Danse en 2001. __BD Cristina Reale Recibí BALLETIN DANCE en tu casa Bailarina todos los meses Profesional Maestra de Ballet (Teatro Colón) SUSCRIPCIÓN A LA EDICIÓN IMPRESA: Individual: $ 11 c/u Método Vaganova Grupal: $ 7 c/u Puntas a Repertorio a Partenaire INFORMATE EN NUESTRO SITIO: Preparación ingreso www.balletindance.com.ar ISA Teatro Colón · IUNA · Otras entidades Clases grupales e individuales para todas las edades FORMAS DE PAGO Principiantes, intermedios, avanzados y profesionales Depósito o transferencia bancaria, Rapipago, Pagofácil y redes del interior del país 156-355-5975 | [email protected] Giro postal, Tarjeta de crédito o débito, Pago mis cuentas, Personalmente en efectivo Facebook: Escuela de Ballet Cristina Reale MAYO 2015 . -
Ballets Russes Press
A ZEITGEIST FILMS RELEASE THEY CAME. THEY DANCED. OUR WORLD WAS NEVER THE SAME. BALLETS RUSSES a film by Dayna Goldfine and Dan Geller Unearthing a treasure trove of archival footage, filmmakers Dan Geller and Dayna Goldfine have fashioned a dazzlingly entrancing ode to the rev- olutionary twentieth-century dance troupe known as the Ballets Russes. What began as a group of Russian refugees who never danced in Russia became not one but two rival dance troupes who fought the infamous “ballet battles” that consumed London society before World War II. BALLETS RUSSES maps the company’s Diaghilev-era beginnings in turn- of-the-century Paris—when artists such as Nijinsky, Balanchine, Picasso, Miró, Matisse, and Stravinsky united in an unparalleled collaboration—to its halcyon days of the 1930s and ’40s, when the Ballets Russes toured America, astonishing audiences schooled in vaudeville with artistry never before seen, to its demise in the 1950s and ’60s when rising costs, rock- eting egos, outside competition, and internal mismanagement ultimately brought this revered company to its knees. Directed with consummate invention and infused with juicy anecdotal interviews from many of the company’s glamorous stars, BALLETS RUSSES treats modern audiences to a rare glimpse of the singularly remarkable merger of Russian, American, European, and Latin American dancers, choreographers, composers, and designers that transformed the face of ballet for generations to come. — Sundance Film Festival 2005 FILMMAKERS’ STATEMENT AND PRODUCTION NOTES In January 2000, our Co-Producers, Robert Hawk and Douglas Blair Turnbaugh, came to us with the idea of filming what they described as a once-in-a-lifetime event. -
Goh Ballet Bayview Your Dance Journey Starts with Us
Goh Ballet Bayview Your Dance Journey Starts With Us GohBallet.com/Bayview Ballet Ballet Recognized to be a combination of intricate choreography, scenic design, atmospheric lighting, accentuated costuming, graceful movements and a personification of music,Ballet is a dance like no other. It can be used to express our deepest emotions or to tell the most profound stories and has been globally influential, defining the foundational techniques used in many other dance genres and cultures. In Canada, Goh Ballet was established over forty years ago by Choo Chiat and Lin Yee Goh, and has since grown into one of the most illustrious private dance schools in the world. Now under the directorship of Chan Hon Goh, former Principal Dancer of The National Ballet of Canada, Goh Ballet Academy is flourishing in the renaissance of a global arts community in Canada. We are looking to the future with agility, strength and poise. Dancers of Goh Ballet will be empowered to take the international stage with assurance. Polished holistic training programs are grounded by Goh Ballet’s core values: innovation for advancement, respect for the art-form, and care for balance and teamwork. Passionately mentored by a dedicated faculty, each dancer’s artistic versatility is allowed to shine at every level. An art form that touches human emotions beyond that of anything else, dance speaks to the soul. Goh Ballet cherishes and exudes beauty, grace and elegance by encouraging and introducing people to lead creatively inspired lives. The Arts are meant to be shared and Goh Ballet gives the highest level of care based upon principles of building and evolving perfection, inspiring possibilities and propelling motivation.