The Bolshoi Ballet's Splendid Production Of

Total Page:16

File Type:pdf, Size:1020Kb

The Bolshoi Ballet's Splendid Production Of MEDIA ALERT – May 7, 2018 The Bolshoi Ballet’s Splendid Production of ‘Coppelia’ Broadcast to U.S. Movie Theaters for a One-Day Event on Sunday, June 10 WHAT: The incomparable Bolshoi Ballet brings its production of the classic comedic ballet “Coppelia” to cinemas nationwide on Sunday, June 10, for one day only. Captured live from Moscow’s legendary Bolshoi Theatre earlier that same day, the performance marks the final production of the 2017-18 Bolshoi Ballet in Cinema Series, presented by Fathom Events in partnership with BY Experience and Pathé Live. Details regarding the 2018-19 series will be announced soon. The Bolshoi’s unique version of “Coppelia” exhibits a fascinating reconstruction by Russian ballet-master Sergei Vikharev in 2009 based on legendary choreographer Marius Petipa’s original 19th century choreographic notations currently archived at Harvard University Theatre Collection. The cheerful comedy features a feisty heroine, a boyish fiancé with a wandering eye, and an old dollmaker. Also not-to-be-missed is the company’s stunning corps de ballet in the divertissements and famous “dance of the hours,” and its principals abounding in youthful energy and irresistible humor. WHO: Fathom Events, BY Experience and Pathé Live WHEN: Sunday, June 10, 2018; 12:55 p.m. ET / 11:55 a.m. CT / 10:55 a.m. MT & 12:55 p.m. PT, HI, AK (pre-recorded playback) WHERE: Tickets for “Coppelia” are available at www.FathomEvents.com or participating theater box offices. Fans throughout the U.S. will be able to enjoy the event in nearly 350 select movie theaters through Fathom’s Digital Broadcast Network (DBN). For a complete list of theater locations visit the Fathom Events website (theaters and participants are subject to change). MEDIA CONTACTS: Jessica Nelson / [email protected] / 720-262-2753 Katherine Schwappach / [email protected] / 720-262-2713 Dianna Mesion / [email protected] / 917-829-0344 ASSETS: For trailer, artwork and photos, visit the Fathom Events press site. .
Recommended publications
  • Reviving Ballet in the Nineteenth Century: Music, Narrative, and Dance in Delibes's Coppélia by Arthur E. Lafex Submitted To
    Reviving Ballet in the Nineteenth Century: Music, Narrative, and Dance in Delibes’s Coppélia By Copyright 2013 Arthur E. Lafex Submitted to the graduate degree program in Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Music. ________________________________ Chairperson Alicia Levin ________________________________ Paul R. Laird ________________________________ David Alan Street Date Defended: April 15, 2013 The Thesis Committee for Author (Arthur E. Lafex) certifies that this is the approved version of the following thesis: Reviving Ballet in the Nineteenth Century: Music, Narrative, and Dance in Delibes’s Coppélia ________________________________ Chairperson Alicia Levin Date approved: April 15, 2013 ii Abstract Léo Delibes (1836-1891) wrote ballet scores that have inspired composers and have entertained generations of ballet lovers. His scores have been cited for their tunefulness, appropriateness for their narrative, and for their danceability. However, Delibes remains an obscure figure in music history, outside the musical canon of the nineteenth century. Likewise, his ballet music, whose harmonic resources are conventional and whose forms are variants of basic structures, has not received much scholarly and theoretical attention. This thesis addresses Delibes’s music by examining his ballet score for Coppélia, its support of narrative and also its support of dance. Chapter 1 begins with a historical view of ballet and ballet music up to the time of Delibes. Following a biographical sketch of the composer, a review of aspects of the score for Giselle by his mentor, Adolphe Adam (1803-1856) establishes a background upon which Delibes’s ballets can be considered.
    [Show full text]
  • Gp 3.Qxt 7/14/17 12:16 PM Page 1
    07-22 Jewels (Eve).qxp_Gp 3.qxt 7/14/17 12:16 PM Page 1 Lincoln Center Festival lead support is provided by American Express July 22 David H. Koch Theater Bolshoi Ballet Ballet Director Makhar Vaziev New York City Ballet Ballet Master in Chief Peter Martins Paris Opera Ballet Director of Dance Aurélie Dupont Jewels Choreography George Balanchine © The George Balanchine Trust Set Design Peter Harvey Lighting Design Mark Stanley New York City Ballet Orchestra Music Director Andrew Litton Approximate running time: 2 hours and 10 minutes, with two intermissions This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Made possible in part by members of the Producers Circle Major support is provided by LuEsther T. Mertz Charitable Trust. Additional support is provided by Jennie L. and Richard K. DeScherer, the Lepercq Charitable Foundation in Memory of Paul Lepercq, The Harkness Foundation for Dance, and The Joelson Foundation. Endowment support for the Lincoln Center Festival 2017 presentation of Jewels is provided by Blavatnik Family Foundation Fund for Dance. Public support for Festival 2017 is provided by the New York City Department of Cultural Affairs and New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. The Bolshoi Theatre gratefully acknowledges the support of its General Sponsor, Credit Suisse. Travelers is the Global Sponsor of New York City Ballet. 07-22 Jewels (Eve).qxp_Gp 3.qxt 7/14/17 12:16 PM Page 2 LINCOLN CENTER FESTIVAL 2017 JEWELS July 22, 2017, at 7:30 p.m.
    [Show full text]
  • FOR IMMEDIATE RELEASE D Films and Cineplex Entertainment Launch the Bolshoi Ballet Series
    FOR IMMEDIATE RELEASE D Films and Cineplex Entertainment Launch The Bolshoi Ballet Series ‐ Live from Moscow at select Cineplex Cinemas Across Canada Series Premieres with The Nutcracker ‐ December 19, 2010 at 11am EST Toronto, ON, November 25, 2010 – (TSX:CGX.UN) Cineplex Entertainment (“Cineplex”) and D Films Corporation are pleased to announce the launch of a four‐part series of live performances from the world‐renowned Bolshoi Ballet in Moscow, Russia. Each performance will be captured live in High Definition (HD) and digital surround sound, and broadcast via satellite to select Cineplex Entertainment cinemas across Canada. Keeping with Cineplex’s tradition in bringing the seasonal favourite, Tchaikovsky’s The Nutcracker, to cinema audiences, this will be the first live performance of the series. It will premiere on Sunday, December 19th at 11:00 am EST, (time shifted to 11:00 am CST and PST, and 12 pm MST). This ballet draws on all the imagination and fantasy of E.T.A. Hoffmann’s story of Christmas Eve and a night of magical adventures. With choreography by Yuri Grigorovich, this production stars Nina Kaptsova as Marie and Artem Ovcharenko as The Nutcracker/The Prince. “We’re very excited to partner with Cineplex Entertainment to bring the internationally renowned Bolshoi Ballet live to Cineplex theatres across Canada,” said Tony Cianciotta, President of Acquisitions for D Films. “These stunningly shot performances will appeal to audiences of all ages.” “The Bolshoi Ballet Series is another example of the extraordinary world class performances that Cineplex Entertainment presents to our guests across Canada as part of our Front Row Centre Events program,” said Pat Marshall, Vice President, Communications and Investor Relations, Cineplex Entertainment.
    [Show full text]
  • Mariinsky Ballet & Orchestra
    CAL PERFORMANCES PRESENTS PROGRAM Wednesday, October 10, 2012, 8pm PROGRAM Thursday, October 11, 2012, 8pm Friday, October 12, 2012, 8pm Saturday, October 13, 2012, 2pm & 8pm Swan Lake Sunday, October 14, 2012, 3pm Ballet in Four Acts Zellerbach Hall Act I Mariinsky Ballet & Orchestra of the Mariinsky Theatre Act II St. Petersburg, Russia INTERMISSION Valery Gergiev, Artistic & General Director Yury Fateev, Interim Ballet Director Act III Mikhail Agrest, Conductor INTERMISSION The Company Act IV Principals Music Pyotr Il’yich Tchaikovsky Ekaterina Kondaurova, Anastasia Kolegova, Oksana Skoryk Libretto Vladimir Begichev & Vasili Geltzer Yevgeny Ivanchenko, Danila Korsuntsev, Vladimir Schklyarov Choreography Marius Petipa & Lev Ivanov Alexander Sergeev, Maxim Zyuzin Revised Choreography & Stage Direction Konstantin Sergeyev Soloists Set Designer Igor Ivanov Olga Gromova, Maria Shirinkina, Olga Akmatova, Elena Bazhenova, Tatiana Bazhitova, Costume Designer Galina Solovieva Nadezhda Batoeva, Olga Belik, Victoria Brileva, Daria Grigoryeva, Ksenia Dubrovina, Valeria Zhuravleva, Ekaterina Ivannikova, Svetlana Ivanova, Keenan Kampa, Lidia Karpukhina, World Premiere Mariinsky Theatre, St. Petersburg, Victoria Krasnokutskaya, Liubov Kozharskaya, Lilia Lishchuk, Anna Lavrinenko, January 15, 1895 Anastasia Mikheikina, Olga Minina, Anastasia Nikitina, Ksenia Ostreykovskaya, Irina Prokofieva, Premiere of Sergeyev’s Version Mariinsky Theatre, St. Petersburg, Ksenia Romashova, Yulia Stepanova, Alisa Sodoleva, Irina Tolchilshchikova, Tatiana Tiliguzova,
    [Show full text]
  • 9780300154283.Pdf
    THE BALLET LOVER’S COMPANION i ii BallTHE et Lover’sCOMPANION ZOË ANDERSON YALE UNIVERSITY PRESS NEW HAVEN AND LONDON iii Published with assistance from the Nancy Batson Nisbet Rash Publication Fund Copyright © 2015 Zoë Anderson All rights reserved. This book may not be reproduced in whole or in part, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press) without written permission from the publishers. For information about this and other Yale University Press publications, please contact: U.S. Office: [email protected] www.yalebooks.com Europe Office: [email protected] www.yalebooks.co.uk Typeset in Adobe Caslon Pro by IDSUK (DataConnection) Ltd Printed in Great Britain by TJ International Ltd, Padstow, Cornwall Library of Congress Cataloging- in- Publication Data Anderson, Zoë. The ballet lover’s companion / Zoë Anderson. pages cm Includes bibliographical references and index. ISBN 978-0-300-15428-3 (hardback) 1. Ballet. 2. Ballet—History. I. Title. GV1787.A469 2015 792.809—dc23 2014047020 A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 iv This book is dedicated to my parents, Gavin and Maggie Anderson. v vi CONTENTS Preface ix Acknowledgements xii A Glossary of Ballet Terms xiii 1 Ballet’s Beginnings 1 2 The Romantic Ballet 6 3 Imperial Ballet 32 4 The Ballets Russes and After 67 5 National Ballets 114 6 Soviet Ballet 175 7 The Ballet Boom 205 8 International Ballet: Crossing Boundaries 270 Notes 334 Index of Ballet Titles 341 General Index 346 vii viii PREFACE allet may be venerable, but it isn’t a museum art form.
    [Show full text]
  • Coppélia Next Live from Moscow Season
    SEASON 2017 | 2018 COPPÉLIA NEXT LIVE FROM MOSCOW SEASON COPPÉLIA ACT I Ballet in three acts Every morning Coppélia, daughter of Coppélius, sits reading outside the window of her balcony. Swanilda suspects her fiancé, SCHEDULE Franz, to be one of her admirers. She superstitiously asks a straw of 16:55 – 17:00 Views of Moscow wheat if Franz loves her but the answer seems to be no. Swanilda 17:00 – 17:06 Introduction notices that Coppélius has dropped a key. With her friends, she 17:06 – 17:45 Act I decides to visit his mysterious house… 17:45 – 18:11 Intermission (with interviews) 18:11 – 18:39 Act II ACT II 18:39 – 19:05 Intermission (with interviews) 19:05 – 19:36 Act III In Coppélius’ house, Swanilda salutes Coppélia but the strange 19:36 – 19:42 Bows and Credits girl remains motionless: she is a life-sized doll! Suddenly Coppélius bursts into the room and Swanilda hides behind the curtains. A MUSIC LÉO DELIBES few minutes later, Coppélius seizes Franz who enters the house LA SYLPHIDE CHOREOGRAPHY SERGEI VIKHAREV using a ladder. Franz implores the old man and confesses his love Nov 11. 2018; 4 PM – LIVE MUSICAL DIRECTION PAVEL SOROKIN for Coppélia. Coppélius believes he can draw energy from Franz Presentation and interviews KATYA NOVIKOVA to bring Coppélia to life… DON QUICHOTE Dec. 2 2018 – 4 PM CAST ACT III NUTCRACKER SWANILDA MARGARITA SHRAINER Franz knows a joke has been played on him and thinks nothing Dec. 23 2018 – 4 PM - LIVE FRANZ ARTEM OVCHARENKO more of Coppélia.
    [Show full text]
  • Fichas Técnicas
    Fichas técnicas 1.- COPPÉLIA Fecha: 25 de noviembre del 2018 Horario: 12 m. Duración: 2h 45min Salas: (2) UVK Basadre, (1) UVK Panorama Música: Leo Delibes Coregrafía: Sergei Vikharev Libreto: Charles Nightter, Arthur Saint-Leon Elenco : Margarita Shrainer, Artem Ovcharenko, Alexei Loprevich Swanhilda nota que su prometido Franz está enamorado de la hermosa Coppélia que se sienta a leer en su balcón todos los días. Casi rompiendo a los dos novios, Coppélia no es lo que parece, y Swanhilda decide darle una lección a Franz… La versión única de Coppélia de Bolshoi exhibe una fascinante reconstrucción de la coreografía original del siglo XIX de esta comedia exuberante que involucra a una heroína luchadora, una novia infantil con un ojo errante y un viejo fabricante de muñecas. 2.- LA SÍLFIDE Fecha: 16 de diciembre del 2018 Horario: 12 m. Duración: 2h Salas: (2) UVK Basadre, (1) UVK Panorama Música: Herman Severin Løvenskiold Coreografía Johan Kobborg después de August Bournonville Libreto: Adolphe Nourrit y Filippo Taglioni Elenco: Estrellas, Solistas y Cuerpo de Baile del Bolshoi El día de su boda, el joven escocés James se despierta con un beso de una criatura con alas etéreas, un Sílfide. Prendado por su belleza, James arriesga todo para perseguir un amor inalcanzable... La Sílfide es uno de los ballets más antiguos del mundo y un tesoro en el estilo danés de Bournonville. Restaurada para el Bolshoi por el experto Johan Kobborg, esta producción es la obra maestra del romanticismo. 3.- DON QUIJOTE Fecha: 20 de enero del 2019 Horario : 12
    [Show full text]
  • Is This a Petipa Dance We Are Watching
    Is it a Petipa dance we are watching? To answer this question, I focus on dance movement style in one particular Petipa ballet; but in doing so, I seek to go further and to raise a more fundamental issue, namely, how we should distinguish between classroom technique and art? Petipa dances present a specific example of the problem that arises when choreographers draw on the classroom lexicon, or danse d’école, as a basis for their choreography – something that leads dancers and rehearsal directors to conflate the values of the classroom with those of the dance. Using a dance from The Sleeping Beauty (1890) as a framework, I explore the issue of dance art and the question of what, if anything, links performance of classroom technique with performance of the art work?1 To discuss dance art in relation to Petipa, I need to identify Petipa’s dance movement style.2 The danse d’école is not art, but Petipa’s dance is considered to be so, and that means analysing the ways in which Petipa’s choice of movement, use of space and phrasing, is different from that of the classroom; and demonstrating, in consequence, that it should not be performed the same way. A difficulty is that training affects aesthetic values and encourages dancers to move in a specific way (Morris, 2003). But, when the values inherent in the training are alien to those in place when the dance was conceived, performances can reflect more contemporary concerns, potentially leading to a focus on technique rather than on the expressive elements of the dances.
    [Show full text]
  • Ballet Del Teatro Mariinsky De San Petersburgo Yuri Fateev, Director Artístico
    Ballet del Teatro Mariinsky de San Petersburgo Yuri Fateev, director artístico Chopiniana Música: Fryderyk Chopin Coreografía: Michel Fokine (1908) Versión revisada por Agrippina Vaganova (1931) Argumento: Michel Fokine Diseño de escenografía sobre bocetos originales de Orest Allegri Duración: 35 minutos Estrenado el 8 de marzo de 1908 en el Teatro Mariinsky. Vals núm. 7-Mazurka: Maria Shirinkina Joven: Xander Parish Prelude: Xenia Fateyeva Vals núm. 11: Yana Selina 2 Chicas: Oxana Marchuk Svetlana Tychina Piano: Alexandra Zhilina DESCANSO In the Night Música: Fryderyk Chopin Coreografía: Jerome Robbins (1970) Puesta en escena: Ben Huys Diseño de vestuario: Anthony Dowell Iluminación: Jennifer Tipton Revisitado por Nicole Pearce Duración: 25 minutos Estreno mundial el 29 de enero de 1970 por el New York City Ballet, Nueva York. Estrenado en el Teatro Mariinsky el 18 de marzo de 1992. Estreno de la versión de Nicole Pearce el 5 de mayo de 2009. Con el permiso de The Robbins Rights Trust. Primer movimiento: Maria Shirinkina Vladimir Shklyanov Segundo movimiento: Daria Ionova Yevgeny Ivanchenko Tercer movimiento: Ekaterina Kondaurova Yuri Smekalov Piano: Liudmila Sveshnikova DESCANSO Marguerite and Armand Música: Franz Liszt (Sonata para piano en si menor) Orquestación de Dudley Simpson Coreografía: Frederick Ashton Repetidor de la producción en el Teatro Mariinsky: Grant Coyle Diseño de escenografía y vestuario: Cecil Beaton Concepto de luces original: John B. Read Duración: 30 minutos Estreno mundial el 12 de marzo de 1963 por el Royal
    [Show full text]
  • BALLET DEL TEATRE MARIÏNSKI LES QUATRE ESTACIONS ©Tata Baeva
    JULIOL - AGOST 2019 BALLET DEL TEATRE MARIÏNSKI LES QUATRE ESTACIONS ©Tata Baeva www.festivalperalada.com EL FESTIVAL ÉS POSSIBLE GRÀCIES A: BALLET DEL AUDITORI PARC Moltes gràcies per ajudar-nos a fer-ho possible! DEL CASTELL TEATRE MARIÏNSKI 4 DE JULIOL Presentat per: Patrocinador Principal: DE SANT PETERSBURG LES QUATRE ESTACIONS Amb el copatrocini de: ESPECTACLE INAUGURAL Estrena el 19 de juny de 2017, Teatre Mariïnski Amb la col·laboració de: Música de Max Richter (basada en la música dʼAntonio Vivaldi) Coreografia i disseny de decorats: Ilya ZHIVOI ® Disseny de vestuari: Sofia VARTANIAN Disseny tècnic: Alexei TANTSYREV Disseny dʼil·luminació: Konstantin BINKIN Solistes: Ekaterina KONDAUROVA i Roman BELIAKOV Amb el suport de: pantone 378 c Cos de Ball: Salome FIGUEIREDO DE SANTANA, Maxim ZENIN, Elizaveta KULIKOVA, Pavel OSTAPENKO, Svetlana TYCHINA, Roman MALYSHEV, Laura FERNÁNDEZ, Vyacheslav GNEDCHIK. CCI FRANCE ESPAGNE CÁMARA DE COMERCIO FRANCESA desde 1883 Global Partner of the Mariinsky Theatre: Mitjans de comunicació oficials: Mitjans de comunicació col·laboradors: El Festival dona suport a: Productes oficials: Festival Castell Peralada és membre de: El Festival dóna suport Agraïments: BENVINGUDA BIENVENIDA ienvenidos al Festival Castell de Pera- lada 2019. En esta edición presentamos Bun verano de sueños, con una progra- mación ambiciosa y diferente. Tal como dice nuestra nueva campaña de comuni- cación, el Festival ofrecerá “noches que nunca olvidarás”, porque realmente es el sentimiento que nuestro público nos ha transmitido desde siempre. Junto con mis hermanos y todo el equipo del Festival continuamos orgullosos de que la ópera y la danza marquen la diferencia en nuestra programación. Recordamos con gran orgullo que el pasado mes de enero llevamos nuestra propia producción de Madama Butterfly de Puccini a la Royal Ópera House de Mascate, en el Sultanato de Omán, siendo la primera vez que todo el equipo del Festival, junto a 170 profesionales de la lírica y el teatro, se desplaza para presentar una ópera fuera de Europa.
    [Show full text]
  • Audience Production Guide for Pittsburgh Ballet Theatre's
    AUDIENCE PRODUCTION GUIDE Audience Production Guide for Pittsburgh Ballet Theatre’s Coppélia April 13-15, 2012 The Benedum Center for the Performing Arts Production Sponsors Family Series Sponsor Student Matinee Sponsor In-Step Sponsor Pittsburgh Ballet Theatre’s Arts Education programs are also supported by the following: Allegheny Regional Asset District James M. and Lucy K. Schoonmaker Allegheny Technologies, Inc. Foundation Buncher Family Foundation Edith L. Trees Charitable Trust Anne L. and George H. Clapp Charitable and UPMC Health Plan Educational Trust Hilda M. Willis Foundation Claude Worthington Benedum Foundation Cleveland Brothers Equipment Co., Inc. Direct Energy Business Dominion Foundation Eat ‘n Park Restaurants, Inc. ESB Bank Cover photo by Duane Rieder First Commonwealth Bank Production Guide created by PBT’s Department of Arts Education and Community Engagement, 2012 Henry C. Frick Educational Fund of The Buhl Foundation The Huntington National Bank GENCO Supply Chain Solutions The Grable Foundation Hefren-Tillotson, Inc. The Heinz Endowments Net Health Systems Peoples Natural Gas Pennsylvania Council on the Arts Pennsylvania Department of Community and Economic Development PNC Bank PPG Industries, Inc. Richard King Mellon Foundation 2 Contents 4 Coppélia 4 The Benedum Center for the Performing Arts 5 The Foundation: Hoffmann’s Short Story The Sandman 6 Writer E.T.A. Hoffmann 7 Coppélia: A Story Ballet 7 What is a Story Ballet? Synopsis of Coppélia 9 Choreographer Arthur Saint-Léon 10 Music: Léo Delibes 11 Costumes in Coppélia 13 Coppélia and Pantomime 14 How Coppélia almost never happened 15 Coppélia in our Culture Coppélia production history 16 The story in other genres 17 For the Kids Make your own Russian Doll! 18 Coppélia Word Search 19 Review • Reflect • Respond How the Critics Responded Discussion Questions 3 Coppélia A perennial favorite of dancers and audience members alike, Coppélia delights with playful comedic antics and a “magical” storyline as a doll comes to life.
    [Show full text]
  • Coppélia-Study-Companion.Pdf
    The Jefferson Performing Arts Society Presents 1118 Clearview Parkway Metairie, LA 70001 504-885-2000 www.jpas.org 1 | P a g e Table of Contents Teacher’s Notes………………………..……………….………..……..3 Standards and Benchmarks…………………………....……….…..6 Background…………………………………….………….….……..……7 Coppélia: Re-Writing the Ending …………….…………….…...76 Comparing the Characters in Coppélia and the Paper Bag Princess …..…………….……………….…...87 Coppélia: Ballet Trailblazers, Arabesques, Jetés, Angles and Altitudes…………............…...…...107 The Choreography of Coppélia and Geometric Measurement………………….……….145 Additional Resources……………………………….…...…..…...184 2 | P a g e Teacher’s Notes • Music by Léo Delibes • Libretto by Charles-Louis-´Etienne Nuitter • Originally Choreographed by Arthur Saint-Léon Coppélia is a comic ballet based upon two stories by E. T. A. Hoffmann: Der Sandmann (The Sandman) and Die Puppe (The Doll). Dr. Coppélius is an inventor who has made a life-size dancing doll. It is so lifelike that Franz, a village youth, becomes infatuated with it and sets aside his true heart's desire, Swanhilda. She shows him his folly by dressing as the doll, pretending to make it come to life and ultimately saving him from an untimely end at the hands of the inventor. Coppélia was a trail blazer. Coppélia was the first ballet to incorporate traditional dances and music, including national dances like the Czárdás (Hungarian) and the Mazurka (Polish.) Coppélia was the first (and only) ballet to be danced by Guiseppina Bozzacchi, the 16 year old ballerina who originated the lead role of Swanhilda. In fact, Coppélia was the first time Guiseppina Bozzacchi ever danced ballet on stage. Coppélia was the first ballet to use automata, marionettes or automatized dolls.
    [Show full text]