Shamanism Under Control?
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Dewald 1987. Carolyn Dewald, “Narrative Surface and Authorial
DEWALD, CAROLYN, Narrative Surface and Authorial Voice in Herodotus' "Histories" , Arethusa, 20:1/2 (1987:Spring/Fall) p.147 NARRATIVE SURFACE AND AUTHORIAL VOICE IN HERODOTUS' HISTORIES CAROLYN DEWALD It is a topos nowadays that an author does not just construct his text but also encodes into it a narrative contract: he writes into the text the rules by which his audience is to read it, how we are to under stand his performance as author and our own responsibilities and legitimate pleasures as readers. 1 Judged by the standards of later historical prose, the narrative contract that Herodotus establishes be tween himself, the author, and ourselves, his readers, is a peculiar one. Its rules are very odd indeed. Here I would like to explore two aspects of those rules: the construction of the narrative surface and of the authorial "I" within it. Both these aspects of Herodotus' rhetoric have generally been evaluated against the standard practices of history writing. But if we look at Herodotus' narrative surface and authorial voice on their own terms, the contract they suggest is not (at least in some essentials) a historical one. The Herodotus I would like to pro pose here is a heroic warrior. Like Menelaus on the sands of Egypt, he struggles with a fearsome beast - and wins. The antagonist that He rodotus struggles with is, like many mythic beasts, a polymorphously fearsome oddity; it consists of the logos, or collection of logoi, that comprise the narrative of the Histories. What Herodotus, like Mene laus, wants from his contest is accurate information. -
Herodotus in the North? Reflections on a Colossal Cauldron (4.81)
Herodotus in the North? Reflections on a Colossal Cauldron (4.81) Stephanie West Nearly 150 years ago J.W. Blakesley, in the introduction to his commentary, protested against anachronistic assumptions about the manner in which Herodotus gathered his material: ‘Every one accustomed to the facilities which the present time offers involuntarily attributes to any individual of the same social position with himself similar methods of effecting any given purpose — unconsciously forgetting the entirely different conditions of so cial existence which an interval of more than 2000 years implies’. In par ticular, the modem reader tends to underestimate the problems of travel. ‘The mere difficulties and dangers of locomotion were enormous. Until the time of Alexander the seas swarmed with pirates, and the land with banditti (Polybius, iii 58, 59). The only countries to which there is any satisfactory evidence of Greek visitors having resorted for the mere purpose of gratifying an intelligent curiosity are Lydia (under the reign of Croesus) and Egypt, with both of which places there existed direct commercial relations of con siderable importance. Where this was the case, the interest of the states whose revenue was increased by levying duties upon the merchants would induce them to render the access of foreigners something safer. But on the other hand, the very same interest would tend to confine traffic to certain definite channels, and to fetter it by arbitrary rules enforced in the most summary manner ... Admitting our author to have been as naturally inclined to travel as an Englishman of the present day, his means of gratifying this passion must have been very limited’.1 We might suppose that travel is substantially easier nowadays than it was in the mid-nineteenth century, and the difference from mid-fifth-century Herodotus, with a commentary by the Rev. -
HYPERBOREANS Myth and History in Celtic-Hellenic Contacts Timothy P.Bridgman HYPERBOREANS MYTH and HISTORY in CELTIC-HELLENIC CONTACTS Timothy P.Bridgman
STUDIES IN CLASSICS Edited by Dirk Obbink & Andrew Dyck Oxford University/The University of California, Los Angeles A ROUTLEDGE SERIES STUDIES IN CLASSICS DIRK OBBINK & ANDREW DYCK, General Editors SINGULAR DEDICATIONS Founders and Innovators of Private Cults in Classical Greece Andrea Purvis EMPEDOCLES An Interpretation Simon Trépanier FOR SALVATION’S SAKE Provincial Loyalty, Personal Religion, and Epigraphic Production in the Roman and Late Antique Near East Jason Moralee APHRODITE AND EROS The Development of Greek Erotic Mythology Barbara Breitenberger A LINGUISTIC COMMENTARY ON LIVIUS ANDRONICUS Ivy Livingston RHETORIC IN CICERO’S PRO BALBO Kimberly Anne Barber AMBITIOSA MORS Suicide and the Self in Roman Thought and Literature Timothy Hill ARISTOXENUS OF TARENTUM AND THE BIRTH OF MUSICOLOGY Sophie Gibson HYPERBOREANS Myth and History in Celtic-Hellenic Contacts Timothy P.Bridgman HYPERBOREANS MYTH AND HISTORY IN CELTIC-HELLENIC CONTACTS Timothy P.Bridgman Routledge New York & London Published in 2005 by Routledge 270 Madison Avenue New York, NY 10016 http://www.routledge-ny.com/ Published in Great Britain by Routledge 2 Park Square Milton Park, Abingdon Oxon OX14 4RN http://www.routledge.co.uk/ Copyright © 2005 by Taylor & Francis Group, a Division of T&F Informa. Routledge is an imprint of the Taylor & Francis Group. This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photo copying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. -
Pindar and Yeats: the Mythopoeic Vision
Colby Quarterly Volume 24 Issue 4 December Article 3 December 1988 Pindar and Yeats: The Mythopoeic Vision Ann L. Derrickson Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, Volume 24, no.4, December 1988, p.176-186 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Derrickson: Pindar and Yeats: The Mythopoeic Vision Pindar and Yeats: The Mythopoeic Vision by ANN L. DERRICKSON ROM THE Greece of Pindar to the Ireland of Yeats, 2,300 years canle Fcoursing down the riverbed of history, washing over the widening delta of poetry, leaving layers of political context and literary convention. Yet a shape emerges, despite the shifts of eras and of nations, a form fun damental to the lyric. Thinking about the two poets together, then, helps produce an understanding of what is basic to and defines the genre oflyric poetry. Its nature is not specifically a matter of theme but a relationship of reference; action serves to describe spirit. As in Yeats's phrase from "The Circus Animals' Desertion," the prime concern is "Character isolated by a deed." Because it is on this plane of human spirit that meaning distills from the works of Pindar and Yeats, their writing shares the label "lyric." For both poets the vital creative tension exists between a given occasion and its associated images, rather than between concepts of present and past or fact and fantasy. -
A Dictionary of Mythology —
Ex-libris Ernest Rudge 22500629148 CASSELL’S POCKET REFERENCE LIBRARY A Dictionary of Mythology — Cassell’s Pocket Reference Library The first Six Volumes are : English Dictionary Poetical Quotations Proverbs and Maxims Dictionary of Mythology Gazetteer of the British Isles The Pocket Doctor Others are in active preparation In two Bindings—Cloth and Leather A DICTIONARY MYTHOLOGYOF BEING A CONCISE GUIDE TO THE MYTHS OF GREECE AND ROME, BABYLONIA, EGYPT, AMERICA, SCANDINAVIA, & GREAT BRITAIN BY LEWIS SPENCE, M.A. Author of “ The Mythologies of Ancient Mexico and Peru,” etc. i CASSELL AND COMPANY, LTD. London, New York, Toronto and Melbourne 1910 ca') zz-^y . a k. WELLCOME INS77Tint \ LIBRARY Coll. W^iMOmeo Coll. No. _Zv_^ _ii ALL RIGHTS RESERVED INTRODUCTION Our grandfathers regarded the study of mythology as a necessary adjunct to a polite education, without a knowledge of which neither the classical nor the more modem poets could be read with understanding. But it is now recognised that upon mythology and folklore rests the basis of the new science of Comparative Religion. The evolution of religion from mythology has now been made plain. It is a law of evolution that, though the parent types which precede certain forms are doomed to perish, they yet bequeath to their descendants certain of their characteristics ; and although mythology has perished (in the civilised world, at least), it has left an indelible stamp not only upon modem religions, but also upon local and national custom. The work of Fruger, Lang, Immerwahr, and others has revolutionised mythology, and has evolved from the unexplained mass of tales of forty years ago a definite and systematic science. -
Aristeas of Proconnesos Anca Dan
Aristeas of Proconnesos Anca Dan To cite this version: Anca Dan. Aristeas of Proconnesos. I∆ΥMAMEIZOOΣ EΛΛHIΣMOΥ. Eγκυκλoπαιδϵια Mϵιζoνo& Eλληνισµoυ, Eυξϵινo& Πντo&, 2008. hal-02435581 HAL Id: hal-02435581 https://hal.archives-ouvertes.fr/hal-02435581 Submitted on 11 Jan 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. IΔΡΥΜA ΜΕΙΖΟΝΟΣ ΕΛΛΗΝΙΣΜΟΥ Συγγραφή : Dan Anca (12/3/2008) Για παραπομπή : Dan Anca , "Aristeas of Proconnesus", 2008, Εγκυκλοπαίδεια Μείζονος Ελληνισμού, Εύξεινος Πόντος URL: <http://www.ehw.gr/l.aspx?id=10756> Aristeas of Proconnesus Περίληψη : The poet and philosopher Aristeas was born in Proconnesus. The chronology of his life is uncertain. He probably lived in the 6th c. BC as the Suda lexicon informs us. The only poem associated with Aristeas is Arimaspea, divided into three books. Τόπος και Χρόνος Γέννησης Proconnesus (Propontis/Sea of Marmara), 6th c. BC Τόπος και Χρόνος Θανάτου Proconnesus (Propontis/Sea of Marmara ), 6th c. BC Κύρια Ιδιότητα Poet, philosopher 1. Life, chronology and identification Aristeas, son of Caÿstrobios or of Democharis,1 was born in Proconnesus (or, if we follow G. Huxley, in Old Proconnesus [modern Halone])2, one of the earliest Milesian foundations in the Propontis (the modern name, Sea of Marmara, is derived from its famous marble sources). -
Torresson Umn 0130E 21011.Pdf
The Curious Case of Erysichthon A Dissertation SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Elizabeth Torresson IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Advisor: Nita Krevans December 2019 © Elizabeth Torresson 2019 Acknowledgments First, I would like to thank the department for their support and especially the members of my committee: Nita Krevans, Susanna Ferlito, Jackie Murray, Christopher Nappa, and Melissa Harl Sellew. The seeds of this dissertation were planted in my senior year of college when Jackie Murray spread to me with her contagious enthusiasm a love of Hellenistic poetry. Without her genuine concern for my success and her guidance in those early years, I would not be where I am today. I also owe a shout-out to my undergraduate professors, especially Robin Mitchell-Boyask and Daniel Tompkins, who inspired my love of Classics. At the University of Minnesota, Nita Krevans took me under her wing and offered both emotional and intellectual support at various stages along the way. Her initial suggestions, patience, and encouragement allowed this dissertation to take the turn that it did. I am also very grateful to Christopher Nappa and Melissa Harl Sellew for their unflagging encouragement and kindness over the years. It was in Melissa’s seminar that an initial piece of this dissertation was begun. My heartfelt thanks also to Susanna Ferlito, who graciously stepped in at the last minute and offered valuable feedback, and to Susan Noakes, for offering independent studies so that I could develop my interest in Italian language and literature. -
Shen-Yen-I and the Shahnameh and the Possible Influence of the Former Upon the Persian Epic
Some Parallels Between the Feng- Shen-Yen-I and the Shahnameh and the Possible Influence of the Former Upon the Persian Epic By P a ul G. B rew st er That many of the characters in the Shahnameh have their counterparts in Saka legend has long been known by scholars, as has also the fact that there exist Chinese parallels of many of the apisodes in that epic. That Firdausi was himself aware of these admits of little doubt. It has been noted by students of the Shahnameh that in every legend with a parallel in the Chinese he has invariably included some lines unquestionably referring to China. When the Sakas, whose country originally extended from Bactria to Gandhar, were displaced by the Yueh-chi (c. 160 B.C., according to Chinese sources), they moved in two directions, to the south and east and to the west (the Herat, Seistan, Kash gar, and Bactria area). Parts of the former group appear to have wandered down to Northwest India, the main body remain ing in the Kashgar and Khotan region. It appears likely that both India and Persia were influenced, at least to some extent, by Saka dialects.1 It was in the west, too, that the Sakas came in contact with the Parthians, two of whose kings were slain in battles against them. There is a strong probability that it was the Parthians who gave to the Shahnameh the basic form in which it was later recorded by the Sassanians and, still later, came into the hands of Firdausi. -
Herodotus and the Scythians : DE ALVAREZ 119
Herodotus and the Scythians : DE ALVAREZ 119 Herodotus and the Scythians: Images and the Inquiry into the Soul LEO PAUL S. DE ALVAREZ Herodotus first began to interest me when I read the following sentence in Professor Leo Strauss’s essay, “Liberal Education and Responsibility”: “A hundred pages—no, ten pages—of Herodotus introduces us immeasurably better into the mysterious unity of oneness and variety in human things than many volumes written in the spirit predominant in our age.”1 After having studied Herodotus a little, I have been persuaded that Professor Strauss’s observation was correct. Unhappily, however, as has happened to Thucydides, Xenophon, Cicero, and almost all the classical authors, Herodotus is no longer regarded as necessary for a proper education. And where previous to the late nineteenth century every educated person would have had some acquaintance with Herodotus, one certainly cannot now assume that to be the case. We have replaced Herodotus with the social sciences, with a consequent LEO PAUL S. DE ALVAREZ is Professor Emeritus of Politics at the University of Dallas, where since 1964 he has taught extensively on topics including classical political philosophy, politics and the Bible, Machiavelli, and the works of Shakespeare. He has edited and translated Niccolò Machiavelli’s The Prince and is the author of The Machiavellian Enterprise: A Commentary on the Prince, as well as articles on the U.S. Constitution, the political religion of Abraham Lincoln, and the political philosophy of Shakespeare’s Greek plays. He is also the editor of Abraham Lincoln, the Gettysburg Address, and American Constitutionalism. -
Fantastic Beasts of the Eurasian Steppes: Toward a Revisionist Approach to Animal-Style Art
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2018 Fantastic Beasts Of The Eurasian Steppes: Toward A Revisionist Approach To Animal-Style Art Petya Andreeva University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Studies Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Andreeva, Petya, "Fantastic Beasts Of The Eurasian Steppes: Toward A Revisionist Approach To Animal- Style Art" (2018). Publicly Accessible Penn Dissertations. 2963. https://repository.upenn.edu/edissertations/2963 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2963 For more information, please contact [email protected]. Fantastic Beasts Of The Eurasian Steppes: Toward A Revisionist Approach To Animal-Style Art Abstract Animal style is a centuries-old approach to decoration characteristic of the various cultures which flourished along the urE asian steppe belt in the later half of the first millennium BCE. This astv territory stretching from the Mongolian Plateau to the Hungarian Plain, has yielded hundreds of archaeological finds associated with the early Iron Age. Among these discoveries, high-end metalwork, textiles and tomb furniture, intricately embellished with idiosyncratic zoomorphic motifs, stand out as a recurrent element. While scholarship has labeled animal-style imagery as scenes of combat, this dissertation argues against this overly simplified classification model which ignores the variety of visual tools employed in the abstraction of fantastic hybrids. I identify five primary categories in the arrangement and portrayal of zoomorphic designs: these traits, frequently occurring in clusters, constitute the first comprehensive definition of animal-style art. -
Momir P. Nikić SCYTHIANS: SCIENTIFIC GENOCIDE (4
Nikić M., Scythians: Scientific genocide (4)...; УЗ Д АНИЦА 2009, VI/2, стр. 23–37 Momir P. Nikić УДК: 811.1/.2’373.6 ; 94(1:3) ИД БРОЈ: 171620620 Оригинални научни рад Примљен: 8. јануар 2008. Прихваћен: 25. март 2008. SCYTHIANS: SCIENTIFIC GENOCIDE (4) OTHER SCYTHIAN RIDDLES Abstract: In final part of this paper author analyzes and shed new light on remaining scythian onomastic puzzles: ethnonyms, oronyms and hydronyms. The special care is devoted to the names of neighbouring tribes (“one-eyed” Arimaspians, Massagetae, Thyssagetae, Issedones…). After thorough review of existing linguistic interpretations of scythic oronyms, author provides also new interpretation of the names of the most important Scythian rivers (Tanais, Tiras, Panticapaeus… etc.). Key words: Scythian onomastic puzzles; ethnonyms;names of neighboring tribes; hydronyms; Arimaspians; Exampaeus; Issedones; Massagetai; Tanais; Panticapes; Euxine… We shall now validate our hypothesis and results by tackling other onomastic problems that remain tough puzzles for most modern linguists, mainly due to their addiction to the “Iranian theory”. We shall try to offer new solutions, treating Scythian as language close to the Vedic and Classical Sanskrit. a) Ἀργιππαῖοι, Argippaei (Herodotus, 1920; 1998: IV. 23). This people, far beyond those Scythians that split off from Royal ones (and Budinians and Iyrcae), are supposed to be “bald from birth”, to have “snub noses and large chins” and “to have a distinct language”, but “dress like Scythians”. They are depicted as druids: each “lives under a tree” and are “said to be holy”; “no one acts unjustly towards them and they do not have any weapons of war”. -
311827-Sample.Pdf
Sample file This specialist is available to the artificer. When you adopt this specialization at 3rd level, you gain proficiency with navigator's tools. If you already have this proficiency, you gain proficiency The archimidean is an artificer who uses principles with one other type of artisan’s tools of your choice. of mathematics to develop machines which are as unique as they are precise and deadly. Owing to their engineering expertise, machines created by Starting at 3rd level, when you cast a spell that archimideans are more deadly than similar deals bludgeoning, piercing, slashing, or force weapons created by their colleagues. damage, you can choose to deal extra damage These fantastical inventions so amaze those who equal to your artificer level. see them, that they are virtually indistinguishable from magic. An archimidean is not against social When you reach 5th level, you can lock on a target. engineering, and will sometimes use their At the beginning of your turn, you can use a bonus inventions to impress and gain recognition in social action to triangulate the distance to a target. Make interactions. a ranged weapon attack against the target. Archimidean Features If you hit, you gain advantage on spell attack Artificer Level Features rolls against the target and the target gains 3rd Tool Proficiency, Combat Calculus disadvantage on saving throws against your spells until the target moves from its location. 5th Tracer If you miss, you gain advantage on your next 9th Recalculate, Wings of Icarus ranged weapon attack against the target. 15th Spectacular Invention Once you reach 9th level, when you make an attack Starting at 3rd level, you always have certain spells roll, damage roll, or Constitution saving throw to prepared after you reach particular levels in this maintain concentration on a spell, you can use your class, as shown in the Archimidean Spells table.