Re-Examining and Redefining the Concepts

Total Page:16

File Type:pdf, Size:1020Kb

Re-Examining and Redefining the Concepts Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2016 Re-examining and Redefining the Concepts of Community, Justice, and Masculinity in the Works of René Depestre, Carlos Fuentes, and Ernest Gaines Jacqueline Nicole Zimmer Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Comparative Literature Commons Recommended Citation Zimmer, Jacqueline Nicole, "Re-examining and Redefining the Concepts of Community, Justice, and Masculinity in the Works of René Depestre, Carlos Fuentes, and Ernest Gaines" (2016). LSU Doctoral Dissertations. 4329. https://digitalcommons.lsu.edu/gradschool_dissertations/4329 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. Re-examining and Redefining the Concepts of Community, Justice, and Masculinity in the Works of René Depestre, Carlos Fuentes, and Ernest Gaines A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Interdepartmental Program in Comparative Literature by Jacqueline N. Zimmer B.S., Michigan State University, 2007 M.A., Louisiana State University, 2014 December 2016 i ACKNOWLEDGEMENTS I owe an enormous thanks to my advisor, Adelaide Russo, who has been my guiding light, pillar of support, exacting instructress, and tireless cheerleader from my first day of graduate school. I am perpetually in awe of her depths of knowledge and am eternally grateful for her patience, encouragement, and love. I could not and would not have completed this dissertation without her faith in my academic endeavors and her emotional investment in my personal development. Thank you for always holding me accountable to myself. I would also like to thank my committee members for the support, comments, and recommendations provided to me throughout the examination process and the writing of this dissertation. Thank you to Bryan McCann for his enthusiasm, thoughtful and pertinent feedback, and gentle guidance throughout these past three years. I would like to thank François Raffoul for his positivity and scrupulous editing. He has instilled in me a thorough understanding of contemporary continental philosophy and I am incredibly grateful for his encouragement, open-mindedness, and friendship. Solimar Otero is an exceptional scholar and mentor, and I greatly admire her grace, brilliance, and humor. There are many people who have loved and supported me throughout this process who seem to have understood better than I did what finishing this would mean for my sense of self and well-being. Thank you to Alex Disenhof, whose love, kindness, and patience has motivated me to keep going and to believe in myself. A project like this could not possibly be completed without my many friends, each of which has stood in the wings and offered support, and at times, a shoulder to cry on. In no particular order, thank you to Maggie Callahan, Marcey Hoffman, Melissa Leslie, Ashley Taylor, Rachael MACMillan-Coe, Soraya Landry, and Patricia Manetsch for being my cheerleaders, therapists, and confidantes. I love you all so, so much. I would like to thank Jack and Sue, for always knowing that I could do this if I believed I could. I am lucky to call you my parents. Thank you for your permission to embrace life without fear. Finally, I would like to thank my beloved pup Prim for being a constant source of unconditional love and understanding throughout our many journeys together during these past five years. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS ................................................................................................ ii ABSTRACT ....................................................................................................................... iv INTRODUCTION .............................................................................................................. 1 Chapter 1. REIMAGINING THE COMMUNITY….………………………………….. 55 I. Interrupting the Mythic Community…...……….…………………………………...…..…55 I.1 The Mythical Revolutionary Community in Los de Abajo and Gringo viejo…...……77 I.2 Fighting Fire with Water: From Négritude to Transcendence in Un arc-en-ciel pour l’Occident chrétien .......................................................................................................... 108 I.3 Disrupting the Plantation Order in A Gathering of Old Men .................................... 156 Chapter 2. RETHINKING JUSTICE….…………………………………………..……180 II. Responsibility, Hospitality, and a Democracy to come………………………….. ........ 180 II.1 Responsibility and Sacrifice in Le Mât de cocagne ................................................. 196 II.2 Hospitality and Coexistence in La región más transparente del aire ...................... 226 II.3 Fraternity, Friendship, and Law in A Lesson Before Dying ..................................... 251 Chapter 3. REDEFINING MASCULINITY……………………….……………..……287 III. Reconstructing Masculinity……………………………………………………… .. 287 III.1 Renewal and Mobility: Depestre’s Reimagined Masculinity ................................. 305 III.2 Fuentes, Hospitality, and the Father[land] .............................................................. 337 III.3 Dismantling the Rebuilding: Ernest Gaines and Black Subjectivity ...................... 374 CONCLUSION……………………………………………………………………….. 404 BIBLIOGRAPHY....……………………………………………………………………412 VITA.…………………………………………………………………………………...424 iii ABSTRACT In La Communauté desoeuvrée (1983) French philosopher Jean-Luc Nancy describes how a community is creating by bringing its members together under a collective identity. The invention of myths, such as the myth of racial superiority and the mythic revolutionary community, functions to sustain the hegemonic dominance wielded in Haiti by the United States and later by François Duvalier, the Porfiriato and its aftermath in Mexico, and white society in the United States Deep South. These myths often engender policies founded in the inhospitable treatment of those who are deemed lesser or ‘other’. Nancy’s conception of being singular plural posits that our exposure to the other remedies the mythic community, because such a configuration requires the perpetual exposure of the self to others, which maintains the fluidity of interpersonal relations and in turn keeps the community future-oriented. Jacques Derrida’s De la grammatologie (1967), Force de loi (1990), and Politiques de l’amitié (1994) offer a reconceptualization of the political implications of subjectivity, community, and responsibility allows us to identify individual behaviors that can foster the development of a democracy “to come” and which also align with Nancy’s re-inscription of community. This project examines how the mythic community is portrayed in René Depestre’s Le Mât de cocagne and Un arc-en-ciel pour l’Occident chrétien, Mariano Azuela’s Los de abajo, Carlos Fuentes’s La región más transparente del aire and Gringo viejo, and Ernest Gaines’s A Gathering of Old Men and A Lesson Before Dying. The authors’ representations of racial disharmony, marginalization, and violence function as a critique of colonialism, the mythic multicultural American community, and of “imperialist capitalist hegemonic patriarchy” to paraphrase bell hooks’s term. This project explores how the reverence for certain myths is linked to a rigid conception of hegemonic masculinity in which manhood is synonymous with domination. Thus, it is necessary to identify the conditions that marginalized men cultivate to achieve masculine subjectivity, and how patriarchal hegemonic masculinity may be challenged by new formulations of masculinities, which may allow such marginalized men to resist totalitarian powers and foster the sort of communal existence founded upon peace and tolerance of the Other. iv INTRODUCTION In his speech delivered at the Southern Christian Leadership Conference in 1967, titled “Where Do We Go From Here?” King declared The stability of the world house which is ours will involve a revolution of values to accompany the scientific and freedom revolution energizing the earth. We must rapidly begin the shift from a thing-oriented society to a person-oriented society. When machines and computers, profit motives and property rights are considered more important than people, the giant triplets of racism, materialism, and militarism are incapable of being conquered (186). Many scholars and activists, such as Martin Luther King Jr., have warned of the dangers of capitalism-induced homogeneity, which is the natural tendency of an increasingly globalized world. In La Création du monde ou la mondialisation [The Creation of the World or Globalization] (2002), Jean-Luc Nancy considers the dangers of our modern conception of globalization in terms of the difference between two concepts that are seemingly synonymous, and thus used interchangeably, namely, “globalization” and “mondialisation”, but which in fact designate the concept mondalisation as the only possible solution of the tendency towards globality, or the end-state (completion) of globalization. However, where globalization is defined as such in French, mondalisation
Recommended publications
  • Sixth Sunday After Pentecost Sexto Domingo Después De Pentecostés
    click below to see the service bulletin / haga clic a continuación para ver el boletín de servicio: Sixth Sunday after Pentecost Sexto Domingo después de Pentecostés 1 St. John’s Episcopal Church on the Green Welcomes You July 4, 2021 Sixth Sunday after Pentecost Holy Eucharist: Rite Two 9:30 Prelude Music Opening Sentences BCP 355 Blessed be God: Father, Son, and Holy Spirit. And blessed be his kingdom, now and for ever. Amen. Almighty God, to you all hearts are open, all desires known, and from you no secrets are hid: Cleanse the thoughts of our hearts by the inspiration of your Holy Spirit, that we may perfectly love you, and worthily magnify your holy Name; through Christ our Lord. Amen. Gloria BCP 356 Glory to God in the highest, and peace to his people on earth. Lord God, heavenly King, almighty God and Father, we worship you, we give you thanks, we praise you for your glory. Lord Jesus Christ, only Son of the Father, Lord God, Lamb of God, you take away the sin of the world: have mercy on us; you are seated at the right hand of the Father: receive our prayer. For you alone are the Holy One, you alone are the Lord, you alone are the Most High, Jesus Christ, with the Holy Spirit, in the glory of God the Father. Amen. 2 The Collect of the Day BCP 357 The Lord be with you. And also with you. Let us pray. O God, you have taught us to keep all your commandments by loving you and our neighbor: Grant us the grace of your Holy Spirit, that we may be devoted to you with our whole heart, and united to one another with pure affection; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, for ever and ever.
    [Show full text]
  • The Journey of Vodou from Haiti to New Orleans: Catholicism
    THE JOURNEY OF VODOU FROM HAITI TO NEW ORLEANS: CATHOLICISM, SLAVERY, THE HAITIAN REVOLUTION IN SAINT- DOMINGUE, AND IT’S TRANSITION TO NEW ORLEANS IN THE NEW WORLD HONORS THESIS Presented to the Honors College of Texas State University in Partial Fulfillment of the Requirements for Graduation in the Honors College by Tyler Janae Smith San Marcos, Texas December 2015 THE JOURNEY OF VODOU FROM HAITI TO NEW ORLEANS: CATHOLICISM, SLAVERY, THE HAITIAN REVOLUTION IN SAINT- DOMINGUE, AND ITS TRANSITION TO NEW ORLEANS IN THE NEW WORLD by Tyler Janae Smith Thesis Supervisor: _____________________________ Ronald Angelo Johnson, Ph.D. Department of History Approved: _____________________________ Heather C. Galloway, Ph.D. Dean, Honors College Abstract In my thesis, I am going to delve into the origin of the religion we call Vodou, its influences, and its migration from Haiti to New Orleans from the 1700’s to the early 1800’s with a small focus on the current state of Vodou in New Orleans. I will start with referencing West Africa, and the religion that was brought from West Africa, and combined with Catholicism in order to form Vodou. From there I will discuss the effect a high Catholic population, slavery, and the Haitian Revolution had on the creation of Vodou. I also plan to discuss how Vodou has changed with the change of the state of Catholicism, and slavery in New Orleans. As well as pointing out how Vodou has affected the formation of New Orleans culture, politics, and society. Introduction The term Vodou is derived from the word Vodun which means “spirit/god” in the Fon language spoken by the Fon people of West Africa, and brought to Haiti around the sixteenth century.
    [Show full text]
  • Breaking the Waves: Voodoo Magic in the Russian Cultural Ecumene
    Breaking the Waves: Voodoo Magic in the Russian Cultural Ecumene Galina Lindquist, University ofStockholm Introduction Globalization has become one of those contested terms that, having originated in the social sciences, seeped out into popular discourse, contributing to the already considerable tool-kit of late modem reflexivity. Like other such terms that have escaped tight disciplinary boundaries-most notably "culture"-"globalization" has been widely and diversely used (some would say misused), questioned, and contested. According to some, the global world carries with it unprecedented possibilities of a better life for all (Gates 1995). Others say that this point of view is itself a stance of cultural imperialism or that it reflects an utter lack of touch with the reality of inequality, dominance, and exploitation (Bauman 1998). But this reality is itself a global condition. Scholars who look for a theoretical compromise offer a minimnalistic understanding of globalization as a recognition of empirical conditions of "complex connectivity:...a dense network of unexpected interconnections and interdependencies" (Tomlinson 1999:2) that have become a feature of life in the world's most distant nooks and crannies. In this paper, I consider an empirical case of such unexpected, and indeed bizarre, interconnectedness. However, I start not from the idea of the "global," but, instead, from the notion of ecumene as proposed by Hannerz (1996). In his usage, adapted from Kroeber (1945), ecumene, "the entire inhabited world as Greeks then understood it," is an area of "connectedness and reachability,...of interactions, exchanges and related developments" (Hannerz 1996:7). In other words, ecumene is the world conceived as a single place, but, significantly, seen from a certain point of view by a situated cultural subject.
    [Show full text]
  • When the One Who Bears the Scars Is the One Who Strikes the Blow: History, Human Rights, and Haiti’S Restavèks
    WHEN THE ONE WHO BEARS THE SCARS IS THE ONE WHO STRIKES THE BLOW: HISTORY, HUMAN RIGHTS, AND HAITI’S RESTAVÈKS Laura Rose Wagner A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology. Chapel Hill 2008 Approved by: Michele Rivkin-Fish Peter Redfield Karla Slocum ©2008 Laura Rose Wagner ALL RIGHTS RESERVED ii ABSTRACT LAURA WAGNER : When the One Who Bears the Scars is the One Who Strikes the Blow: History, Human Rights, and Haiti’s Restavèks (Under the direction of Michele Rivkin-Fish and Peter Redfield) The practice of keeping restavèks , or unpaid domestic child laborers, in Haiti has come under scrutiny by both human rights activists and journalists, many of whom describe it as a form of slavery. While this description is not entirely inaccurate and may also be useful, it fails to reflect the variability of treatment of restavèks , the complex ways in which power is exercised, the ways in which people occupy “oppressor” and “oppressed” roles simultaneously, the various local understandings of restavèk relationships and human rights, and the particular historical meanings and memories attached to slavery in Haiti. By critically examining descriptions of restavèks in activist and journalistic discourse, and analyzing the data collected during my fieldwork in the Haitian community in South Florida, I point to more syncretic and inclusive ways of understanding and reforming the practice of keeping restavèk s. iii ACKNOWLEDGEMENTS Thanks first of all to my committee members, Michele Rivkin-Fish, Karla Slocum, and Peter Redfield, for their time, patience, advice, good humor, transcendence of geographical distance, and above all their insightful readings of my work.
    [Show full text]
  • Vodou and Political Reform in Haiti: Some Lessons for the International Community
    VODOU AND POLITICAL REFORM IN HAITI: SOME LESSONS FOR THE INTERNATIONAL COMMUNITY JOHN MERRILL The record of attempts by developed nations to promote democracy in the developing world is, at best, uneven. Foreign efforts to build democracy in places as diverse as Somalia and Vietnam have failed, in part because of developed nations' inability to understand traditional culture and religion. These foreigners have bypassed traditional local cultures in their designs for political reform, missing opportunities to lash reforms onto structures familiar to the people of the region. Today, the political potential of religious and cultural institutions remains largely untapped. Haiti, a chronic example of this problem, may provide the international community an opportunity to change its approach to intervention. Through- out Haiti's turbulent history, foreign attempts to influence its political dynamic invariably have been unsuccessful. Some initiatives have succeeded briefly but have failed over the longer term, in part because foreigners or Haitian elites who sought to control the nation's political behavior routinely have misunderstood, ignored, trivialized, or suppressed fundamental tenets of tra- ditional Haitian culture. Policies conceived first in Paris during the colonial era, then at the Vatican, later in Washington during the U.S. Marine occupation of 1915-1934, and most recently by the United Nations, have all tended to provoke internal friction and exacerbate social divisions, making stable gov- ernance and political development even more elusive. But the history of foreign initiatives in Haiti need not necessarily determine the outcome of the current attempt by the international community to con- tribute to Haiti's recovery and rehabilitation.
    [Show full text]
  • “I Wait for Me”: Visualizing the Absence of the Haitian Revolution in Cinematic Text by Jude Ulysse a Thesis Submitted in C
    “I wait for me”: Visualizing the Absence of the Haitian Revolution in Cinematic Text By Jude Ulysse A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Social Justice Education Ontario Institute for Studies in Education University of Toronto 2017 ABSTRACT “I wait for me” Visualizing the Absence of the Haitian Revolution in Cinematic Text Doctor of Philosophy Department of Social Justice Education Ontario Institute for Studies in Education University of Toronto 2017 In this thesis I explore the memory of the Haitian Revolution in film. I expose the colonialist traditions of selective memory, the ones that determine which histories deserve the attention of professional historians, philosophers, novelists, artists and filmmakers. In addition to their capacity to comfort and entertain, films also serve to inform, shape and influence public consciousness. Central to the thesis, therefore, is an analysis of contemporary filmic representations and denials of Haiti and the Haitian Revolution. I employ a research design that examines the relationship between depictions of Haiti and the country’s colonial experience, as well as the revolution that reshaped that experience. I address two main questions related to the revolution and its connection to the age of modernity. The first concerns an examination of how Haiti has contributed to the production of modernity while the second investigates what it means to remove Haiti from this production of modernity. I aim to unsettle the hegemonic understanding of modernity as the sole creation of the West. The thrust of my argument is that the Haitian Revolution created the space where a re-articulation of the human could be possible.
    [Show full text]
  • Johnny Hallyday 1 Johnny Hallyday
    Johnny Hallyday 1 Johnny Hallyday Johnny Hallyday Johnny Hallyday au festival de Cannes 2009. Données clés Nom Jean-Philippe Smet Naissance 15 juin 1943 Paris Pays d'origine France Activité principale Chanteur Activités annexes Acteur Genre musical RockBluesBalladeRock 'n' rollVariété françaiseRhythm and bluesPopCountry Instruments Guitare Années d'activité Depuis 1960 Labels Vogue Philips-Phonogram-Mercury-Universal Warner [1] Site officiel www.johnnyhallyday.com Johnny Hallyday 2 Composition du groupe Entourage Læticia Hallyday David Hallyday Laura Smet Eddy Mitchell Sylvie Vartan Nathalie Baye Johnny Hallyday, né Jean-Philippe Smet le 15 juin 1943 à Paris, est un chanteur, compositeur et acteur français. Avec plus de cinquante ans de carrière, Johnny Hallyday est l'un des plus célèbres chanteurs francophones et l'une des personnalités les plus présentes dans le paysage médiatique français, où plus de 2100 couvertures de magazines lui ont été consacrées[2]. Si Johnny Hallyday n'est pas le premier à chanter du rock 'n' roll en France[3], il est le premier à populariser cette musique dans l'Hexagone[4],[5]. Après le rock, il lance le twist en 1961 et l'année suivante le mashed potato (en)[6] et s'il lui fut parfois reproché de céder aux modes musicales[7], il les a toutefois précédées plus souvent que suivies. Les différents courants musicaux auxquels il s'est adonné, rock 'n' roll, rhythm and blues, soul, rock psychédélique, pop puisent tous leurs origines dans le blues. Johnny est également l'interprète de nombreuses chansons de variété, de ballades, de country, mais le rock reste sa principale référence[6].
    [Show full text]
  • Vodou and the U.S. Counterculture
    VODOU AND THE U.S. COUNTERCULTURE Christian Remse A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2013 Committee: Maisha Wester, Advisor Katerina Ruedi Ray Graduate Faculty Representative Ellen Berry Tori Ekstrand Dalton Jones © 2013 Christian Remse All Rights Reserved iii ABSTRACT Maisha Wester, Advisor Considering the function of Vodou as subversive force against political, economic, social, and cultural injustice throughout the history of Haiti as well as the frequent transcultural exchange between the island nation and the U.S., this project applies an interpretative approach in order to examine how the contextualization of Haiti’s folk religion in the three most widespread forms of American popular culture texts – film, music, and literature – has ideologically informed the U.S. counterculture and its rebellious struggle for change between the turbulent era of the mid-1950s and the early 1970s. This particular period of the twentieth century is not only crucial to study since it presents the continuing conflict between the dominant white heteronormative society and subjugated minority cultures but, more importantly, because the Enlightenment’s libertarian ideal of individual freedom finally encouraged non-conformists of diverse backgrounds such as gender, race, and sexuality to take a collective stance against oppression. At the same time, it is important to stress that the cultural production of these popular texts emerged from and within the conditions of American culture rather than the native context of Haiti. Hence, Vodou in these American popular texts is subject to cultural appropriation, a paradigm that is broadly defined as the use of cultural practices and objects by members of another culture.
    [Show full text]
  • Cantos De Las Communidades Haitianas En Cuba
    CANTOS DE LAS COMMUNIDADES HAITIANAS EN CUBA DANIEL MIRABEAU Los cantos de este artículo han sido recolectados con la ayuda de cantantes en Cuba, así como a partir de grabaciones comercializadas y a partir de captaciones vídeos disponibles en la toila. Las traducciones, las transcripciones musicales y las anotaciones son del autor. Las letras de canciones comprenden dos o tres entradas lingüísticas: criollo cubano, criollo haitiano y castellano. El lado criollo cubano respeta la escritura y pronunciación de las personas que ha transmitido los cantos. El lado criollo haitiano acerca a escritura contemporánea del criollo en Haití1. El lado castellano intenta acercar el sentido del texto original. Para los nombres propios y los nombres de estilos musicales, el contexto de la frase hace preferir la escritura en criollo cubano, criollo haitiano o en castellano. Dentro de la letra de canción, la parte solista figura sobre la columna de izquierda y la respuesta del coro sobre la columna de derecha, en itálico. Respecto a las partituras musicales, la voz solista y el coro se diferencian por su tipo de letra. Las microvariaciones en las repeticiones del solista son una interpretación libre del autor. Todas las transcripciones musicales de canción son voluntariamente unificadas sin alteraciones, excepto las accidentales. A cada uno de los intérpretes de transponer las partituras con arreglo a su tesitura de voz. Aparecen en este artículo los cantos interpretados por los grupos siguientes: Babul (Guantanamo), Ban Rara (Guantanamo), Cai Dijé o La Bel Kreyol2 (Camagüey), Conjunto Folklorico de Oriente (Santiago de Cuba), Cutumba (Santiago de Cuba), Galibata (Santiago de Cuba), Grupo Thompson (Santiago de Cuba), La Caridad (Palma Soriano), Lokosia (Guantanamo), Pilon de Cauto (Palma Soriano), Renacer haitiano (Ciego de Avila).
    [Show full text]
  • Country Christmas ...2 Rhythm
    1 Ho li day se asons and va ca tions Fei er tag und Be triebs fe rien BEAR FAMILY will be on Christmas ho li days from Vom 23. De zem ber bis zum 10. Ja nuar macht De cem ber 23rd to Ja nuary 10th. During that peri od BEAR FAMILY Weihnach tsfe rien. Bestel len Sie in die ser plea se send written orders only. The staff will be back Zeit bitte nur schriftlich. Ab dem 10. Janu ar 2005 sind ser ving you du ring our re gu lar bu si ness hours on Mon- wir wie der für Sie da. day 10th, 2004. We would like to thank all our custo - Bei die ser Ge le gen heit be dan ken wir uns für die gute mers for their co-opera ti on in 2004. It has been a Zu sam men ar beit im ver gan ge nen Jahr. plea su re wor king with you. BEAR FAMILY is wis hing you a Wir wünschen Ihnen ein fro hes Weih nachts- Merry Christmas and a Happy New Year. fest und ein glüc kliches neu es Jahr. COUNTRY CHRISTMAS ..........2 BEAT, 60s/70s ..................86 COUNTRY .........................8 SURF .............................92 AMERICANA/ROOTS/ALT. .............25 REVIVAL/NEO ROCKABILLY ............93 OUTLAWS/SINGER-SONGWRITER .......25 PSYCHOBILLY ......................97 WESTERN..........................31 BRITISH R&R ........................98 WESTERN SWING....................32 SKIFFLE ...........................100 TRUCKS & TRAINS ...................32 INSTRUMENTAL R&R/BEAT .............100 C&W SOUNDTRACKS.................33 C&W SPECIAL COLLECTIONS...........33 POP.............................102 COUNTRY CANADA..................33 POP INSTRUMENTAL .................108 COUNTRY
    [Show full text]
  • In the United States Bankruptcy Court for the District of Delaware
    IN THE UNITED STATES BANKRUPTCY COURT FOR THE DISTRICT OF DELAWARE In re: ) Chapter 11 ) PACIFIC ENERGY RESOURCES LTD., et al.,' ) Case No. 09-10785 (KJC) ) (Jointly Administered) Liquidating Debtors. ) AFFIDAVIT OF SERVICE STATE OF CALIFORNIA ) ) ss: COUNTY OF LOS ANGELES ) Ann Mason, being duly sworn according to law, deposes and says that she is employed by the law firm of Pachulski Stang Ziehl & Jones LLP, attorneys for the Debtors in the above- captioned action, and that on the 5 th day of October 2012 she caused a copy of the following documents to be served upon the parties on the attached service lists in the manner indicated: Liquidating Debtors’ Notice of Motion for Order Approving Assignment of Assets to Hilcorp Alaska, LLC and Distribution of the Proceeds Thereof ("Notice") Liquidating Debtors’ Motion for Order Approving Assignment of Assets to Hilcorp Alaska, LLC and Distribution of the Proceeds Thereof ("Motion") Because the service list was so large (nearly 9,000 parties), the copies of the Motion that were served on parties in interest other than the core service list did not contain copies of Exhibits A, B or D. However, the service copies of the Motion and the Notice advised parties in interest that they can obtain copies of Exhibits A, B and D by making a request, in writing, to counsel for the Liquidating Debtors at the address listed in the signature block to the Motion. The Liquidating Debtors (and the last four digits of each of their federal tax identification numbers) are: Pacific Energy Resources Ltd. (3442); Pacific Energy Alaska Holdings, LLC (tax I.D.
    [Show full text]
  • Giovanna Borradori 1 PO Box 136 — Poughkeepsie, NY 12604 Office: (845) 437-5535 — Mobile: (917) 957-9142 — E-Mail: [email protected]
    Giovanna Borradori 1 PO Box 136 Poughkeepsie, NY 12604 Office: (845) 437-5535 Mobile: (917) 957-9142 E-mail: [email protected] Education • Diplôme d’Etudes Approfondis, Université de Paris VIII – Vincennes-à-Saint Denis, 1988. Thèse: La Pensée Post-Philosophique. • Dottore in Filosofia, Summa cum Laude, Università degli Studi di Milano, 1985. Tesi: Estetica Americana Contemporanea tra Modernità e Oltrepassamento. Areas of Specialization • 19th-and 20th-Century Continental Philosophy • Social and Political Philosophy • Aesthetics and the Philosophy of Architecture Areas of Competence • History of Ancient Greek Philosophy Languages • Fluent: French, Italian, and Spanish • Reading knowledge of German, ancient Greek, and Latin Employment • Chair of the Philosophy Department, Vassar College 2012-2016 • Visiting Professor, Université Jean -Moulin Lyon 3, Lyon, France Spring 2016 • Full Professor, Vassar College 2005-Present • Visiting Professor, International University College of Turin, Italy Fall 2009, Spring 2011, 2012 • Visiting Professor, The Graduate School of Architecture, Columbia Spring 2000 University • Associate Professor, Vassar College 2000-2005 • Assistant Professor, Vassar College 1995-2000 • Visiting Assistant Professor, Vassar College 1991-1993, Spring 1995 • Adjunct Lecturer at Hunter College (CUNY) 1990-1991 1 Giovanna Borradori 2 PO Box 136 Poughkeepsie, NY 12604 Office: (845) 437-5535 Mobile: (917) 957-9142 E-mail: [email protected] Grants and Fellowships • Ford Scholar, Vassar College Summer 2016 • Lucretia
    [Show full text]