Scottish Rite Freemasonry's Veneration of Nimrod
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AP World History the Epic of Gilgamesh Considering the Evidence
AP World History The Epic of Gilgamesh August 17, 2011 Considering the Evidence: Life and Afterlife in Mesopotamia and Egypt The advent of writing was not only a central The epic poem itself recounts the adventures of feature of the First Civilizations but also a great Gilgamesh, said to he part human and part divine. boon to later historians. Access to early written As the story opens, he is the energetic and yet records from these civilizations allows us some oppressive ruler of Uruk. The pleas of his people insight, in their own words, as to how these persuade the gods to send Enkidu, an uncivilized ancient peoples thought about their societies and man from the wilderness, to counteract this their place in the larger scheme of things. Such oppression. But before he can confront the erring documents, of course, tell only a small part of the monarch, Enkidu must become civilized, a process story, for they most often reflect the thinking of that occurs at the hands of a seductive harlot. the literate few—usually male, upper-class, When the two men finally meet, they engage in a powerful, and well-to-do—rather than the outlook titanic wrestling match from which Gilgamesh of the vast majority who lacked such privileged emerges victorious. Thereafter they bond in a deep positions. Nonetheless, historians have been friendship and undertake a series of adventures grateful for even this limited window on the life of together. In the course of these adventures, they at least some of our ancient ancestors. offend the gods, who then determine that Enkidu must die. -
The Epic of Gilgamesh
The Epic of Gilgamesh 47 The Epic of Gilgamesh Perhaps arranged in the fifteenth century B.C., The Epic of Gilgamesh draws on even more ancient traditions of a Sumerian king who ruled a great city in what is now southern Iraq around 2800 B.C. This poem (more lyric than epic, in fact) is the earliest extant monument of great literature, presenting archetypal themes of friendship, renown, and facing up to mortality, and it may well have exercised influence on both Genesis and the Homeric epics. 49 Prologue He had seen everything, had experienced all emotions, from ex- altation to despair, had been granted a vision into the great mystery, the secret places, the primeval days before the Flood. He had jour- neyed to the edge of the world and made his way back, exhausted but whole. He had carved his trials on stone tablets, had restored the holy Eanna Temple and the massive wall of Uruk, which no city on earth can equal. See how its ramparts gleam like copper in the sun. Climb the stone staircase, more ancient than the mind can imagine, approach the Eanna Temple, sacred to Ishtar, a temple that no king has equaled in size or beauty, walk on the wall of Uruk, follow its course around the city, inspect its mighty foundations, examine its brickwork, how masterfully it is built, observe the land it encloses: the palm trees, the gardens, the orchards, the glorious palaces and temples, the shops and marketplaces, the houses, the public squares. Find the cornerstone and under it the copper box that is marked with his name. -
Chastised Rulers in the Ancient Near East
Chastised Rulers in the Ancient Near East Dissertation Presented in partial fulfillment of the requirements for the degree doctor of philosophy in the Graduate School of The Ohio State University By J. H. Price, M.A., B.A. Graduate Program in Near Eastern Languages and Cultures The Ohio State University 2015 Dissertation Committee: Samuel A. Meier, Advisor Daniel Frank Carolina López-Ruiz Bill T. Arnold Copyright by J. H. Price 2015 Abstract In the ancient world, kings were a common subject of literary activity, as they played significant social, economic, and religious roles in the ancient Near East. Unsurprisingly, the praiseworthy deeds of kings were often memorialized in ancient literature. However, in some texts kings were remembered for criminal acts that brought punishment from the god(s). From these documents, which date from the second to the first millennium BCE, we learn that royal acts of sacrilege were believed to have altered the fate of the offending king, his people, or his nation. These chastised rulers are the subject of this this dissertation. In the pages that follow, the violations committed by these rulers are collected, explained, and compared, as are the divine punishments that resulted from royal sacrilege. Though attestations are concentrated in the Hebrew Bible and Mesopotamian literature, the very fact that the chastised ruler type also surfaces in Ugaritic, Hittite, and Northwest Semitic texts suggests that the concept was an integral part of ancient near eastern kingship ideologies. Thus, this dissertation will also explain the relationship between kings and gods and the unifying aspect of kingship that gave rise to the chastised ruler concept across the ancient Near East. -
Marduk's Penis. Queering Enūma Eliš
Marduk’s Penis. Queering Enūma Eliš Sophus Helle Abstract: The paper examines the depiction of gender in the Babylonian epic Enūma Eliš. I approach the text from the perspective of queer theory, basing my argument on the assumption that the gender binary is not a natural given but is culturally constructed, and that the process of cultural construction can be traced in the sources at our disposal. I do not argue that Enūma Eliš is somehow a ‘queer’ text in and of itself, but ra- ther that a conscious mismatch between text and theory can reveal new aspects of the ancient epic. I focus on two aspects of the construction of gender in Enūma Eliš: the depiction of the female body as constantly rest- less, disquieting, and impossible to subdue decisively, and the creation of an all-male sphere of discourse, where men become powerfully invested in the company of other men. Introduction But in Enūma Eliš, Marduk defeats Tiamat by A strange Assyrian commentary text, which thrusting his wind – not his penis – into her seeks to unpack the deeper symbolic layers of mouth. The commentary’s remark is striking an ancient ritual, identifies the king participat- because it reinterprets this familiar story and in ing in the ritual with ‘the god Marduk, who so doing places the theme of gender and sexual- defeated Tiamat with his penis’ (Marduk ša ina ity at the very heart of Enūma Eliš. In other ušārīšu tiāmat i[kmû], l. 17’).1 This brief com- words, it makes sex central to the Babylonian ment is baffling, particularly because any As- account of how the universe came into being. -
The Animated Temple and Its Agency in the Urban Life of the City in Ancient Mesopotamia Beate Pongratz-Leisten, NYU, ISAW
religions Article The Animated Temple and Its Agency in the Urban Life of the City in Ancient Mesopotamia Beate Pongratz-Leisten, NYU, ISAW Beate Pongratz-Leisten Institute for the Study of the Ancient World (ISAW), New York University, New York, NY 10028, USA; [email protected] Abstract: In ancient Mesopotamia, the functions of the temple were manifold. It could operate as an administrative center, as a center of learning, as a place of jurisdiction, as a center for healing, and as an economic institution, as indicated in both textual and archaeological sources. All these functions involved numerous and diverse personnel and generated interaction with the surrounding world, thereby turning the temple into the center of urban life. Because the temple fulfilled all these functions in addition to housing the divinity, it acquired agency in its own right. Thus, temple, city, and divinity could merge into concerted action. It is this aspect of the temple that lies at the center of the following considerations. Keywords: temple; divinity; community; agency “Arbela, O Arbela, heaven without equal, Arbela! ... Arbela, temple of reason and Citation: Pongratz-Leisten, Beate. 1 2021. The Animated Temple and Its counsel!” (Livingstone 1989, no. 8). This Neo-Assyrian salute to the city of Arbela stands Agency in the Urban Life of the City at the end of a long history of texts that ponder the origin of temples and cities and their in Ancient Mesopotamia Beate role in the cosmic plan. Glorifying the city, it conflates it with both the divine realm and Pongratz-Leisten, NYU, ISAW. the temple in terms of agency in a manner that is typical of the ancient world view and Religions 12: 638. -
Complex Genealogies in Mesopotamia: from Mesilim to Tukultī-Ninurta I
Studia Antiqua et Archaeologica 25(2): 231–248 Complex Genealogies in Mesopotamia: From Mesilim to Tukultī-Ninurta I Sebastian FINK1, Vladimir SAZONOV2 Abstract. The current article examines four case studies of complex genealogies in Mesopotamia from the 3rd and 2nd millennia BCE. The first three case studies are focused on the complex genealogies used by 3rd millennium BC kings in the Early Dynastic Period III, in Lagaš II, and in the period of 3rd Dynasty of Ur. The fourth case study deals with Assyrian king Tukultī-Ninurta I (1242–1206 BCE). Rezumat. Autorii examinează patru studii de caz al unor genealogii complexe din Mesopotamia din mileniile III–II a.Chr. Primele trei cazuri se concentrează pe genealogiile complexe folosite de regii din mileniul al III-lea a.Chr. în Epoca Dinastică Timpurie III, în Lagaš II, și în perioada celei de-a treia dinastii din Ur. Al patrulea studiu de caz se ocupă cu regele asirian Tukultī-Ninurta I (1242–1206 a.Chr.). Keywords: Complex, Genealogies, Mesopotamia, Sumer, Assyria, Mesilim, E-anatum, Gudea, Tukultī-Ninurta I, divine origin. 1. Introduction This article outlines four case studies of complex genealogies in Ancient Mesopotamia. The first three case studies are devoted to the complex genealogies used by 3rd millennium BC rulers in the Early Dynastic Period III, in Lagaš II (Gudea and his dynasty), and in the Ur III period. The last and fourth case study will focus on Tukultī-Ninurta I, a Middle Assyrian ruler of the 2nd millennium BC who turned Assyria into an imperial power. In all cases we will look at rulers with “complex genealogies” transcending the usual mother-father concept for a variety of reasons. -
THE EPIC of GILGAMESH English Version by N
1 THE EPIC OF GILGAMESH English version by N. K. Sandars Penguin Classics ISBN 0 14 044.100X pp. 61-125 PROLOGUE GILGAMESH KING IN URUK I WILL proclaim to the world the deeds of Gilgamesh. This was the man to whom all things were known; this was the king who knew the countries of the world. He was wise, lie saw mysteries and knew secret things, he brought us a tale of the days before the flood. He went on a long journey, was weary, worn-out with labour, returning he rested, he engraved on a stone the whole story. When the gods created Gilgamesh they gave him a perfect body. Shamash the glorious sun endowed him with beauty, Adad the god of the storm endowed him with courage, the great gods made his beauty perfect, surpassing all others, terrifying like a great wild bull. Two thirds they made him god and one third man. In Uruk he built walls, a great rampart, and the temple of blessed Eanna for the god of the firmament Anu, and for Ishtar the goddess of love. Look at it still today: the outer wall where the cornice runs, it shines with the brilliance of copper; and the inner wall, it has no equal. Touch the threshold, it is ancient. Approach Eanna the dwelling of Ishtar, our lady of love and war, the like of which no latter-day king, no man alive can equal. Climb upon the wall of Uruk; walk along it, I say; regard the foundation terrace and examine the masonry: is it not burnt brick and good? The seven sages laid the foundations. -
A Study Into the Sexual Nature of the Goddess Inanna
LET’S TALK ABOUT SEX: A STUDY INTO THE SEXUAL NATURE OF THE GODDESS INANNA By ALEXANDRA LOUISE LOWE A thesis submitted to the University of Birmingham for the degree of MASTER of RESEARCH Department of Classics, Ancient History and Archaeology School of History and Cultures College of Arts and Law University of Birmingham September 2014 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. 0951412 ABSTRACT This thesis examined the exact nature of the Sumerian goddess Inanna’s relationship with love. Many academics refer to her as the ‘Goddess of Love’ but this is a misnomer: Inanna’s actual function was more closely related to sexuality and sexual intercourse than romantic love. Through analysing Sumerian mythical and literary texts featuring the goddess with romantic or sexual themes, the study identifies that within the texts, Inanna is credited as the provider of sexuality, not of romantic feeling, by the Sumerians who wrote them. The thesis then analysed those academic works that portray Inanna as a love goddess, researching the scholarship behind the Sacred Marriage and the songs of Inanna. -
UNIVERSITY of CALIFORNIA, SAN DIEGO Death and the Garden: An
UNIVERSITY OF CALIFORNIA, SAN DIEGO Death and the Garden: An Examination of Original Immortality, Vegetarianism, and Animal Peace in the Hebrew Bible and Mesopotamia A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Joshua John Van Ee Committee in Charge: Professor William H. C. Propp, Chair Professor Anthony T. Edwards Professor David Goodblatt Professor Thomas E. Levy Professor Patrick H. Patterson 2013 Copyright Joshua John Van Ee, 2013 All rights reserved. The Dissertation of Joshua John Van Ee is approved, and it is acceptable in quality and form for publication on microfilm and electronically: _______________________________________________________________ _______________________________________________________________ _______________________________________________________________ _______________________________________________________________ _______________________________________________________________ Chair University of California, San Diego 2013 iii DEDICATION To my wife iv TABLE OF CONTENTS Signature Page ................................................................................... iii Dedication .......................................................................................... iv Table of Contents ................................................................................ v List of Abbreviations ............................................................................ vii List of Symbols and Conventions ......................................................... -
Ritual Contexts and Mythological Explanations of ˇ the Emesal Suilla-Prayers in Ancient Mesopotamia* Daisuke SHIBATA
Ritual Contexts and Mythological Explanations of the Emesal Suilla-Prayersˇ in Ancient Mesopotamia Ritual Contexts and Mythological Explanations of the Emesal Suilla-Prayersˇ in Ancient Mesopotamia* Daisuke SHIBATA** The prayers designated as ‰uilla comprise those belonging to the arts of the exorcist (±ipu), and those belonging to that of the cult-singer (kalû). In the present article I draw upon the latter prayers which were written in the Emesal-dialect of the Sumerian language and recited in processions, especially those from/to the Akµtu-house, to investigate the purpose of their recitations in rituals, and furthermore, to seek the possible mythological explanations of the recitations in Babylonian and Assyrian scholarship. Keywords: ‰uilla-prayers, cult-singers (kalû), Emesal, Akµtu-festivals, narrative Angin (An-gin7) I. The Emesal Suilla-prayersˇ of the kalûtu, art of the cult-singers ‰uilla, which literally means “lifted hand(s)” in Sumerian, belongs to well- known native genre names given to prayers in ancient Mesopotamia. The prayers designated as ‰uilla comprise those belonging to the ±ipπtu, the art of the ±ipu “exorcist”,1 on the one hand, and those belonging to the kalûtu, the art of the kalû “cult-singer”, on the other hand.2 The ‰uilla’s of the ±ipπtu are mostly written in Akkadian, while some of them are written in the “main dialect” (Emegi) of Sumerian, with Akkadian translations added. Those of the kalûtu, constituting this group alongside the Balag, Eremma and Era◊unga-prayers, are written in the Emesal-dialect of Sumerian, mostly with Akkadian translations added, as is the case with other prayers of the kalûtu group. -
Gods, Demons and Symbols of Ancient Mesopotamia
AN ILLUSTRATED DICTIONARY Gods, Demons and Symbols of Ancient Mesopotamia JEREMY BLACK AND ANTHONY GREEN Illustrations by Tessa Rickards Gods, Demons and Symbols of Ancient Mesopotamia An Illustrated Dictionary Jeremy Black and Anthony Green Illustrations by Tessa Rickards THE BRITISH MUSEUM PRESS Jeremy Black The late Dr Black, formerly Director of the British School of Archaeology in Iraq, was a Fellow of Wolfson College, Oxford, and University Lecturer in Akkadian. He was the author of several studies on Sumerian and Babylonian literature and ancient philology, and headed the Electronic Text Corpus of Sumerian Literature project (http://etcsl.orinst.ox.ac.uk ) Anthony Green Dr Green has formerly held the positions of Fellow of the British School of Archaeology in Iraq, J. Paul Getty Postdoctoral Research Fellow in the History of Art at the University of Pennsylvania, G.A. Wainwright Research Fellow in Near Eastern Archaeology at Oxford University, and Alexander von Humboldt Research Fellow at the Free University of Berlin. He is currently Shinji Shumeikai Senior Academic Research Fellow in Near Eastern Art and Archaeology at the Free University of Berlin. He has conducted extensive archaeological fieldwork in Syria and Iraq and writes on ancient Mesopotamian art and archaeology. Tessa Rickards Tessa Rickards is a freelance archaeological illustrator specialising in ancient Mesopotamia. She has worked as an illus- trator on numerous international excavations in the Middle East. She is an MA graduate of the Institute of Archaeology, University College London. Front cover: Green jasper seal depicting a conflict between two heroes, a bull-man, a bull and a lion. Dated 225o BC, origin unknown. -
Ancient Mesopotamian Religion and Mythology Selected Essays by W.G. Lambert
EDITED BY A.R. GEORGE AND T.M. OSHIMA Ancient Mesopotamian Religion and Mythology Selected Essays by W.G. Lambert ! Table of Contents Preface and Acknowledgements ..................................................................................... V List of Permissions ....................................................................................................... IX List of Abbreviations .................................................................................................. XIII Introduction by A.R. George ........................................................................................ 1 I: Introductory Considerations ................................................................................. 9 Morals in Mesopotamia ................................................................................................. 11 Ancient Mesopotamian Gods: Superstition, Philosophy, Theology ............................. 28 II: The Gods of Ancient Mesopotamia ................................................................ 37 The Historical Development of the Mesopotamian Pantheon: A Study in Sophisticated Polytheism ............................................................................ 39 Goddesses in the Pantheon: A Reflection of Women in Society? ................................. 49 The Mesopotamian Background of the Hurrian Pantheon ............................................ 56 The Pantheon of Mari .................................................................................................... 62 The