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Alexander Literary Firsts & Poetry Rare Books
ALEXANDER LITERARY FIRSTS & POETRY RARE BOOKS CATALOGUE TWENTY- SEVEN 2 Alexander Rare Books [email protected]/ (802) 476‐0838 ALEXANDER RARE BOOKS – LITERARY FIRSTS & POETRY Mark Alexander 234 Camp Street Barre, VT 05641 (802) 476-0838 [email protected] Catalogue Twenty–Seven: All items are US, CN or UK Hardcover First Editions & First Printings unless otherwise stated. All items guaranteed & are refundable for any reason within 30 days. Subject to prior sale. VT residents please add 6% sales tax. Checks, Money Orders, Paypal & most credit cards accepted. Net 30 days. Libraries & institutions billed according to need. Reciprocal terms offered to the trade. SHIPPING IS FREE IN THE US (generally Priority Mail) & CANADA, elsewhere $13 per shipment. Visit AlexanderRareBooks.com for cover scans and photos of most catalogued items. I encourage you to visit my website for the latest acquisitions. The best items usually appear on my website, then appear in my catalogues, before appearing elsewhere online. I am always interested in acquiring first editions, single copies or collections, and particularly modernist & contemporary poetry. Thank you in advance for perusing this catalogue. CATALOGUE TWENTY-SEVEN 1) Adam, Helen. THE BELLS OF DIS. West Branch, Iowa: Coffee House Press, 1985. Tall sewn illustrated wraps. Morning Coffee Chapbook: 12. One of 500 copies, numbered and signed by the poet and the artist Ann Mikolowski. A lovely book hand set and hand sewn. Bottom tips bumped, else fine. (10690) $20.00 2) Armantraut, Rae. CONCENTRATE. Green River, VT: Longhouse, 2007. Small (3 x 4 1/2 in.) accordion style chapbook attached to unprinted card covers, with wrap around band. -
April 2005 Updrafts
Chaparral from the California Federation of Chaparral Poets, Inc. serving Californiaupdr poets for over 60 yearsaftsVolume 66, No. 3 • April, 2005 President Ted Kooser is Pulitzer Prize Winner James Shuman, PSJ 2005 has been a busy year for Poet Laureate Ted Kooser. On April 7, the Pulitzer commit- First Vice President tee announced that his Delights & Shadows had won the Pulitzer Prize for poetry. And, Jeremy Shuman, PSJ later in the week, he accepted appointment to serve a second term as Poet Laureate. Second Vice President While many previous Poets Laureate have also Katharine Wilson, RF Winners of the Pulitzer Prize receive a $10,000 award. Third Vice President been winners of the Pulitzer, not since 1947 has the Pegasus Buchanan, Tw prize been won by the sitting laureate. In that year, A professor of English at the University of Ne- braska-Lincoln, Kooser’s award-winning book, De- Fourth Vice President Robert Lowell won— and at the time the position Eric Donald, Or was known as the Consultant in Poetry to the Li- lights & Shadows, was published by Copper Canyon Press in 2004. Treasurer brary of Congress. It was not until 1986 that the po- Ursula Gibson, Tw sition became known as the Poet Laureate Consult- “I’m thrilled by this,” Kooser said shortly after Recording Secretary ant in Poetry to the Library of Congress. the announcement. “ It’s something every poet dreams Lee Collins, Tw The 89th annual prizes in Journalism, Letters, of. There are so many gifted poets in this country, Corresponding Secretary Drama and Music were announced by Columbia Uni- and so many marvelous collections published each Dorothy Marshall, Tw versity. -
Galway Kinnell - Poems
Classic Poetry Series Galway Kinnell - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Galway Kinnell(1 February 1927) Galway Kinnell is an American poet. He was Poet Laureate of Vermont from 1989 to 1993. An admitted follower of <a href="http://www.poemhunter.com/walt- whitman/">Walt Whitman</a> , Kinnell rejects the idea of seeking fulfillment by escaping into the imaginary world. His best-loved and most anthologized poems are "St. Francis and the Sow" and "After Making Love We Hear Footsteps". <b>Biography</b> Born in Providence, Rhode Island, Kinnell said that as a youth he was turned on to poetry by <a href="http://www.poemhunter.com/edgar-allan-poe/">Edgar Allan Poe</a> and <a href="http://www.poemhunter.com/emily- dickinson/">Emily Dickinson</a>, drawn to both the musical appeal of their poetry and the idea that they led solitary lives. The allure of the language spoke to what he describes as the homogeneous feel of his hometown, Pawtucket, Rhode Island. He has also described himself as an introvert during his childhood. Kinnell studied at Princeton University, graduating in 1948 alongside friend and fellow poet <a href="http://www.poemhunter.com/william-stanley- merwin/">W.S. Merwin</a>. He received his master of arts degree from the University of Rochester. He traveled extensively in Europe and the Middle East, and went to Paris on a Fulbright Fellowship. During the 1960s, the Civil Rights Movement in the United States caught his attention. Upon returning to the US, he joined CORE (Congress of Racial Equality) and worked on voter registration and workplace integration in Hammond, Louisiana. -
"I Am Not Certain I Will / Keep This Word" Victoria Parker Rhode Island College, Vparker [email protected]
Rhode Island College Digital Commons @ RIC Honors Projects Overview Honors Projects 2016 "I Am Not Certain I Will / Keep This Word" Victoria Parker Rhode Island College, [email protected] Follow this and additional works at: https://digitalcommons.ric.edu/honors_projects Part of the Other Feminist, Gender, and Sexuality Studies Commons, Poetry Commons, and the Women's Studies Commons Recommended Citation Parker, Victoria, ""I Am Not Certain I Will / Keep This Word"" (2016). Honors Projects Overview. 121. https://digitalcommons.ric.edu/honors_projects/121 This Honors is brought to you for free and open access by the Honors Projects at Digital Commons @ RIC. It has been accepted for inclusion in Honors Projects Overview by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. “I AM NOT CERTAIN I WILL / KEEP THIS WORD”: LOUISE GLÜCK’S REVISIONIST MYTHMAKING By Victoria Parker An Honors Project Submitted in Partial Fulfillment of the Requirements for Honors In The Department of English Faculty of Arts and Sciences Rhode Island College 2016 Parker 2 “I AM NOT CERTAIN I WILL / KEEP THIS WORD”: LOUISE GLÜCK’S REVISIONIST MYTHMAKING An Undergraduate Honors Project Presented By Victoria Parker To Department of English Approved: ___________________________________ _______________ Project Advisor Date ___________________________________ _______________ Honors Committee Chair Date ___________________________________ _______________ Department Chair Date Parker 3 TABLE OF CONTENTS -
14Th Presenter Bios
The 14th Lewes Creative Writers’ Conference Presenter Bios Fleda Brown Fleda Brown’s tenth collection of poems, Flying Through a Hole in the Storm (2021) won the Hollis Summers Prize from Ohio University Press. Earlier poems can be found in The Woods Are On Fire: New & Selected Poems, chosen by Ted Kooser for the University of Nebraska poetry series in 2017. Her work has appeared three times in The Best American Poetry and has won a Pushcart Prize, the Felix Pollak Prize, the Philip Levine Prize, and the Great Lakes Colleges New Writer’s Award, and has twice been a finalist for the National Poetry Series. Her new memoir, Mortality, with Friends will be out from Wayne State University Press Fall 2021. She is professor emerita at the University of Delaware and was poet laureate of Delaware from 2001-2007. Ellen Prentiss Campbell Ellen Prentisss Campbell’s debut short story collection, Contents Under Pressure (Broadkill River Press) was nominated for the National Book Award. Her first novel, The Bowl with Gold Seams, (Apprentice House Press, Loyola, Maryland) received the Indie Excellence Award for Historical Fiction. Known By Heart: Collected Stories (Apprentice House Press) was published in May 2020. Her novel, Frieda’s Song (Apprentice House Press, May 2021) is inspired by the life and work of renowned psychiatrist Frieda Fromm-Reichmann who fled Nazi Germany in 1935 and came to the Chestnut Lodge Sanatorium in Rockville, Maryland. Anne Colwell Anne Colwell writes poetry, fiction, and nonfiction. She has published two books of poems, Believing Their Shadows, (Word Poetry 2010) and Mother’s Maiden Name (Word Poetry 2013). -
Modern Poetry Seminar “Shifting Poetics: from High Modernism to Eco-Poetics to Black Lives Matter”
San José State University Department of English and Comparative Literature ENGLISH 211: Modern Poetry Seminar “Shifting Poetics: From High Modernism to Eco-Poetics to Black Lives Matter” Spring 2021 Instructor: Prof. Alan Soldofsky Office Location: FO 106 Telephone: 408-924-4432 Email: [email protected] Virtual Office Hours: M, W 3:00 – 4:30 PM, and Th p.m. by appointment Class Days/Time: Synchronous Zoom Meetings M 7:00 – 8:30 PM; Asynchronous on Canvas (24/7) Classroom: Zoom Credit Units: 4 Credits Course Description This seminar is designed to engage students in an immersive study of salient themes and innovations in selected poets from the 20th and 21st centuries. The curriculum will include practice in close reading/explication of selected poems. The course will be taught in a partially synchronous distance learning mode, using SJSU’s Canvas and Zoom platforms, with weekly Monday Zoom class meetings, 7:00 – 8:15 p.m. The course may be taken two times for credit (toward an MA or MFA degree). Thematic Focus Shifting Cultural Politics and Poetics from High Modernism to Eco-Poetics to Black Lives Matter (1909 – 2021) The emphasis during the semester will be on the evolving poetics and associated cultural politics as viewed through various aesthetic movements in poetry from the high modernist period to the present. During the semester the curriculum will include reading one or more poems (online) by the following poets: W.B. Yeats, Ezra Pound, T.S. Eliot, William Carlos Williams, Wallace Stevens, Hart Crane, Marianne Moore, Robinson Jeffers, Langston Hughes, Claude McKay, H. -
Five Kingdoms
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2008 Five Kingdoms Kelle Groom University of Central Florida Part of the Creative Writing Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Groom, Kelle, "Five Kingdoms" (2008). Electronic Theses and Dissertations, 2004-2019. 3519. https://stars.library.ucf.edu/etd/3519 FIVE KINGDOMS by KELLE GROOM M.A. University of Central Florida, 1995 B.A. University of Central Florida, 1989 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing/Poetry in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Fall Term 2008 Major Professor: Don Stap © 2008 Kelle Groom ii ABSTRACT GROOM, KELLE . Five Kingdoms. (Under the direction of Don Stap.) Five Kingdoms is a collection of 55 poems in three sections. The title refers to the five kingdoms of life, encompassing every living thing. Section I explores political themes and addresses subjects that reach across a broad expanse of time—from the oldest bones of a child and the oldest map of the world to the bombing of Fallujah in the current Iraq war. Connections between physical and metaphysical worlds are examined. -
The Poetry of Louise Bogan*
,1 .Hemorable American Poet THE POETRY OF LOUISE BOGAN* By THEODORE ROETHKE wo of the charges most frequently she writes out of the severest lyrical tradi·· leveled against poetry by women are tion in English. Her real spiritual ancestors T lack of range-in subject matter, in are Campion, Jonson, the anonymous Eliz emotional tone-and lack of a sense of hu abethan song writers. The word order is mor. And one could, in individual instances usually direct, the plunge straight into the among writers of real talent, add other subject, the music rich and subtle (she has esthetic and moral shortcomings: the spin one of the best ears of our time), and the ning-out; the embroidering of trivial subject invariably given its due and no themes; a concern with the mere surfaces more. As a result, her poems, even the less of life-that special province of the femi consequential, have a finality, a comprehen nine talent in prose-hiding from the real siveness, the sense of being all of a piece, agonies of the spirit; refusing to face up to that we demand from the short poem at its what existence is; lyric or religious postur best. ing; running between the boudoir and the altar, stamping a tiny foot against God; or HE BODY of her complete poetic work is lapsing into a sententiousness that implies T not great, but the "range," both emo the author has re-invented integrity; car tional and geographical, is much wider than rying on excessively about Fate, about might be expected from a lyric poet. -
Galway Kinnell: Adamic Poet and Deep Imagist. Leo Luke Marcello Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1976 Galway Kinnell: Adamic Poet and Deep Imagist. Leo Luke Marcello Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Marcello, Leo Luke, "Galway Kinnell: Adamic Poet and Deep Imagist." (1976). LSU Historical Dissertations and Theses. 2930. https://digitalcommons.lsu.edu/gradschool_disstheses/2930 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. -
"We Must Answer for What We See": Exploring the Difficulty of Witness in the Poetry of Philip Levine, Yusef Komunyakaa, and Robert Pinsky
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2016 "We must answer for what we see": Exploring the Difficulty of Witness in the Poetry of Philip Levine, Yusef Komunyakaa, and Robert Pinsky Julia O. Callahan Trinity College, Hartford Connecticut, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the Literature in English, North America Commons Recommended Citation Callahan, Julia O., ""We must answer for what we see": Exploring the Difficulty of Witness in theoetr P y of Philip Levine, Yusef Komunyakaa, and Robert Pinsky". Senior Theses, Trinity College, Hartford, CT 2016. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/549 ! ! ! ! ! ! ! ! TRINITY!COLLEGE! ! ! ! Senior!Thesis! ! ! ! ! “We!must!answer!for!what!we!see”:!Exploring!the!Difficulty!of!Witness!in!the!Poetry! of!Philip!Levine,!Yusef!Komunyakaa,!and!Robert!Pinsky! ! ! submitted!by! ! ! Julia!Callahan!2016! ! ! ! In!Partial!Fulfillment!of!Requirements!for! ! the!Degree!of!BaChelor!of!Arts! ! ! 2016! ! ! Director:!Ciaran!Berry! ! Reader:!AliCe!Henton! ! Reader:!Clare!Rossini!! ! Table&of&Contents& ! Acknowledgements………………………………………………………………………….……………………………...i! Introduction……………………………………………………………………………………………………………..........ii! Chapter!I:!“The!real!interrogator!is!a!voice!within”:!Vatic!Impulses!and!Civil!Obligations!in! the!Poetry!of!Philip!Levine!and!Yusef!Komunyakaa…………………………………………….....1! Chapter!II:!“In!the!haunted!ruin!of!my!consciousness”:!Robert!Pinsky’s!Representation!of! -
ENG 351 Lecture 34 1 Well, We'll Do the Blue Collar Poets Today. We Don
ENG 351 Lecture 34 1 Well, we’ll do the blue collar poets today. We don’t really try to group these people thematically, but it seems to happen this way a little bit. James Wright and Philip Levine, both from working class backgrounds. Wright was born in Martins Ferry, Ohio. And, if you noted, that is right across the river from Wheeling, West Virginia. And that is where the steel mills are and that’s where the glass factory was where his father worked for 50 years, which had a great influence on him. He was educated, however. He got out of that part of the world. Went to Kenyon and studied under John Crowe Ransom. Got a Fullbright to Austria and wound up at Washington, the University of Washington, where he studied under Theodore Roethke, Ted Roethke, and became a friend, as they say, of Richard Hugo who was also one of Roethke’s students. He went on to write a Ph.D. — to take a Ph.D., writing his dissertation on Charles Dickens, which I think is amazing, in 1959. He taught for a time at Minnesota, the University of Minnesota, where John Berryman also taught and later at Hunter College in New York at the end of his career. From John Crowe Random and Ted Roethke he learned poetic form. He is more often — his early poetry in particular is fairly formal poetry. In the ‘60s he began to branch out and write a looser form of poetry which is what we have here. It tickles me when editors say something that just seems so bizarre. -
Cohousing Offers Modern Village Living
23 October 2011 | voaspecialenglish.com Cohousing Offers Modern Village Living AP Phillip Levine, the new poet laureate (You can download an MP3 of this story at voaspecialenglish.com) BARBARA KLEIN: Welcome to THIS IS AMERICA in VOA Special English. I’m Barbara Klein. STEVE EMBER: And I’m Steve Ember. This week on our program, we visit a small community built on the idea known as cohousing. We also hear from the nation's new poet laureate. And we look at interfaith marriage in the United States. (MUSIC) BARBARA KLEIN: There are more than one hundred fifty cohousing communities across the United States. One of them is Takoma Village Cohousing here in Washington. The development has forty-three units of attached housing, in buildings grouped around a shared open space. About sixty adults and twenty- two children currently live there. 2 VOA Takoma Village Cohousing in Washington The units are individually owned. The residents share a common building with a children's playroom, study room and laundry machines. It also has a kitchen and a large area where the residents eat meals together several times a week. Sharon Villines was one of the first people to move into Takoma Village Cohousing when it opened in two thousand. SHARON VILLINES: "What I like most is I know all my neighbors. It’s just like this big, extended family." STEVE EMBER: In some ways it seems like an old-fashioned village where everyone knows everyone else. SHARON VILLINES: "There is a Monday night group that consists of thirty, forty people. Two or three people would cook each week and serve other people.