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Haiku & Tanka Books and Journals: a Bibliography of Publications in the Decatur Haiku Collection Last updated: July 14, 2016 © 2016, Randy Brooks These print publications are available to students enrolled in courses at Millikin University for research on haiku, tanka, senryu and related haikai arts. If you have print haiku publications or collections you would like to donate to the Decatur Haiku Collection, please send them to: Dr. Randy Brooks Millikin University 1184 West Main Decatur, Illinois 62522 [email protected] Author, First Name. Title of the Book. Place: Publisher, date. Author, First Name. Translator. Title of the Book. Place: Publisher, date. Abbasi, Saeed. My Haiku. Toronto: Abbasi Studio, 2012. Abe, Ryan. Golden Sunrises . A Narrative in Haiku. San Mateo, CA, 1973. Addiss, Stephen. The Art of Haiku: Its History Through Poems and Paintings of the Japanese Masters. Boston & London: Shambala, 2012. Addiss, Stephen. Cloud Calligraphy. Winchester, VA: Red Moon Press, 2010. Addiss, Stephen. Haiga: Takebe Socho and the Haiku-Painting Tradition. Honolulu, HI: University of Hawaii Press, 1995. Addiss, Stephen. A Haiku Garden: The Four Seasons in Poems and Prints. New York: Weatherhill Press, 1996. Addiss, Stephen. Haiku Humor: Wit and Folly in Japanese Poems and Prints. New York: Weatherhill Press, 2007. Addiss, Stephen. Haiku Landscapes: In Sun, Wind, Rain, and Snow. New York: Weatherhill Press, 2002. Addiss, Stephen. A Haiku Menagerie: Living Creatures in Poems and Prints. New York: Weatherhill Press, 1992. Addiss, Stephen. Haiku People: Big and Small in Poems and Prints. New York: Weatherhill Press, 1998. Addiss, Stephen, Kris Kondo & Lidia Rozmus. Sumi-e Show: July 8-11, 1999 Northwestern University. Evanston, IL: Haiku North America, 1999. Broadside. Aikins, Suezan. Eastern and Western Traditions: Watercolour Paintings, Japanese Woodblock Prints. Hallifax, Nova Scotia: Mount Saint Vincent University Art Gallery. 1998. Signed. Aikens, Suezan, Editor. Cicada: A Selection from Volume 2, Nos. 1 & 2 (1978). Haiku Canada Selections. Broadside. Aikens, Suezan. Petals on the Stream. Aylmer, Quebec: Haiku Canada Sheet, 1986. Aitken, Robert. River of Heaven: The Haiku of Bashô, Buson, Issa, and Shiki. Berkeley, CA: Counterpoint Press, 2011. Aitken, Robert. A Zen Wave: Bashô’s Haiku & Zen. New York and Tokyo: John Weatherhill, Inc., 1978. Albert, Bill. Haiku. Rockville, CT: Grilled Cheese Publishing, 1990. Millikin University Haiku Library / page 2 Alexander, Becky D., Editor. Paradise Poems: Haiku from Cootes Paradise. Hamilton, Ontario: Hamilton Haiku Press, 1998. Amann, Eric. No More Questions, No More Answers. Manchester, NH: First Haiku Press, 1980. Amann, Eric. Edited by George Swede. Cicada Voices: Selected Haiku of Eric Amann 1966-1979. Battleground, IN: High/Coo Press, 1983. Amann, Eric. The Wordless Poem: A Study of Zen in Haiku. Toronto, Ontario: The Haiku Society of Canada, 1978. Reprint of 1969 edition, signed. Anakiev, Dimitar and Jim Kacian, Editors. Knots: The Anthology of Southeastern European Haiku Poetry. Tolmin, Slovenia: Prijatelj Haiku Press, 1999. Distributed by Red Moon Press. Anakiev, Dimitar. At the Tombstone. Winchester, VA: Red Moon Press, 2003. Anakiev, Dimitar. Balcony: 21 One-line Haiku by Dimitar Anakiev. Winchester, VA: Red Moon Press, 2006. Anakiev, Dimitar. Rustic. Winchester, VA: Red Moon Press, 2010. Anderson, Kay, Editor. Beneath Cherry Blossoms. San Francisco, CA: Two Autumns Press, 1997. Signed by Fay Aoyagi. Anderson, Kay. Third Morning: A Posthumous Collection of the Haiku of Kay Anderson. Winchester, VA: Red Moon Press, 2008. Andrews, J. David. Oh, My Comet, Shine! “Found” Haiku and Senryu. Baltimore, MD: Planetary Press, 1979. Signed. Andrews, James David. Full Moon is Rising: “Lost Haiku” of Matsuo Basho (1644-1694) and Travel Haiku of Matsuo Basho, a New Rendering. Bsoton, MA: Branden Press, 1976. Andreyev, Alexey V. Moyayama--Russian Haiku: A Diary. Translated by the author. Chicago, IL: A Small Garlic Press, 1997. Anna. The Seagull Stays. Haiku Canada Sheet, 1989. Broadside. Antolin, Susan. Artichoke Season: Haiku and Tanka by Susan Antolin. Walnut Creek, CA: Spare Poems Press, 2009. Antoun, Bernard. Fragments Arbitraires (extraits). Haiku Canada Sheet, 1989. Broadside. An’ya. Haiku Booklet 1. LaPine, OR: The Natal Light Press, 2006. [Haiga booklet, signed.] An’ya. Haiku Booklet 2. LaPine, OR: The Natal Light Press, 2006. [Haiga booklet, signed.] An’ya. Tanka Booklet 1. LaPine, OR: The Natal Light Press, 2006. [Haiga booklet, signed.] An’ya. Tanka Booklet 2. LaPine, OR: The Natal Light Press, 2006. [Haiga booklet, signed.] Anzai, Ikuro, Committee Chair. The 33rd A-Bomb Day Memorial Haiku Meeting Anthology, Kyoto, Japan: Kyoto Museum for World Peace, 1999. Anzai, Ikuro, Committee Chair. The 35th A-Bomb Day Memorial Haiku Meeting Anthology, Kyoto, Japan: Kyoto Museum for World Peace, 2001. Aoyagi, Fay. December Dance: Solo Rengay. San Francisco, CA: 1998. [Signed card.] Aoyagi, Fay. Hachigatsu (August). San Francisco, CA:1995. Aoyagi, Fay. In Borrowed Shoes. San Francisco, CA: Blue Willow Press, 2006. Signed. Aoyagi, Fay, Alex Benedict, Alice Benedict, June Hymas, Lynne Leach, Patricia Machmiller, Kiyoko Tokutomi. Seven Poets. San Francisco, CA:1997. Presentation broadside for Joint Haiku Conference in Tokyo, 1997. Aoyagi, Fay. Six Haiku. San Francisco, CA:1997. Presentation copy for Joint Haiku Conference in Tokyo, 1997. Arima, Akito. Translated by Emiko Miyashita and Lee Gurga. Einstein's Century: Akito Arima's Haiku. Decatur, IL: Brooks Books, 2001. Millikin University Haiku Library / page 3 Arima, Akito. Translated by Emiko Miyashita and Lee Gurga. Presentation samples for Haiku North America 1999. Miyamae-ku, Kawasaki, Japan: Lynne Okazaki Art Press, 1999. Arntzen, Sonja & Naomi Beth Wakan. Double Take: Response Tanka. Baltimore, MD: Modern English Tanka Press, 2010. Association of Haiku Poets. A Catalogue of Non-Japanese Books & Magazines in the Library of the Museum of Haiku Literature. Tokyo: Association of Haiku Poets, 2003. Atwood, Ann. Fly with the Wind, Flow with the Water. New York: Charles Scribner’s Sons, 1979. Atwood, Ann and Erica Anderson. For All That Lives. New York: Charles Scribner’s Sons, 1975. [Photographs and words of Albert Schweitzer (not haiku).] Atwood, Ann. Haiku: the Mood of the Earth. New York: Charles Scribner’s Sons, 1971. Atwood, Ann. Haiku-Vision in Poetry and Photography. New York: Charles Scribner’s Sons, 1977. Atwood, Ann. The Kingdom of the Forest. New York: Charles Scribner’s Sons, 1972. [Not haiku.] Atwood, Ann. My Own Rhythm: An Approach to Haiku. New York: Charles Scribner’s Sons, 1973. Auden, W.H. City Without Walls and Other Poems. New York: Random House, 1969. Auld, Susan B. Chrysanthemum Dusk. Winchester, VA: Red Moon Press, 2016. Avila, Kay M. Star Circling Inward. Santa Ana, CA, 1986. Signed. Avila, Kay M. Under the Full Moon Maple. Santa Ana, CA, 1983. Signed. Avis, Nick. Abandoned Outport. Newfoundland, 1984. Signed. Avis, Nick. Bending With the Wind. St. John’s, Newfoundland: Breakwater Press, 1993. Avis, Nick. Footprints. Pointe Claire, Quebec: King’s Road Press, 1994. Signed. Avis, Nick, Editor. Her Kiss (a renga). Haiku Canada Sheet, 1989. Broadside. Avis, Nick, Editor. Special Delivery: Haiku Canada 1987-88 Members’ Anthology. Alymer, Quebec: Haiku Canada, 1988. Avis, Nick. Windows. Aylmer, Quebec: Haiku Canada Sheet, 1986. Avis, Nick. You Aim to Love. Sherbrooke, PQ: Burnt Lake Press, 1988. Awodey, Marc. One Hundred Haiku. Burlington, VT: Minimal Press, 2000. Baatz, Ronald. Mt. Tremer Haiku. New York: Flypaper Press, 2000. Baba, Akiko. Translated by Hatsue Kawamura and Jane Reichhold. Heavenly Maiden: Tanka. Gualala, CA: AHA Books, 1999. Bacon, Eloise. Tall Feathered Grasses: Haiku Poems. New York: Vantage, 1976. Baker, Charles. haiga. Mineral Point, WI: American Haiku Publisher, 2010. Signed. Baker, Charles. Finger Prints. Mineral Point, WI: Foundry Books, 2010. Foldout brochure for Cradle of American Haiku Conference, September, 2010. Baker, Ed. The City. Blodgett, OR: Red Ochre Press, 1974. Signed. Baker, Ed. Face Turned to the South. Takoma Park, MD: Red Ochre Press, 2000. Broadside. Signed. Baker, Ed. [Far Beyond.] Green River, VT: Longhouse, 1999. Poemcard. Baker, Ed. Full Moon: A Selection. Charleston, IL: Tel-Let, 2001. Signed. Baker, Ed. Nine Perfect Ensos. Takoma Park, MD: Red Ochre Press, 2000. Signed. Baker, Ed. Shrike. Charleston, IL: Tel-Let, 2000. Signed. Baker, Ed. Things Just Come Through. Silver Spring, MD: Red Ochre Press, 2005. Signed. Millikin University Haiku Library / page 4 Baker, Ed. What’s a Phantasy. Takoma Park, MD: Red Ochre Press, 2001. Broadside. Baker, Winona. Clouds Empty Themselves: Island Haiku. Nanaimo, B.C.: Red Cedar Press, 1987. Signed. Baker, Winona. Moss-hung Trees: Haiku of the West Coast. Gabriola, British Columbia, Canada: Reflections Press, 1992. Baker, Winona. West Coast. Aylmer, Quebec: Haiku Canada Sheet, 1986. Baird, Don. As the Crow Flies . a Poetic Journey of Wisdom. Burbank, CA: The Little Buddha Press, 2013. Baird, Don. Haiku Wisdom: Living the Principles and Philosophies of Kunf Fu, Haiku and Nature. Baltimore, MD: Modern English Tanka Press, 2011. Bakos, Ferenc. Desert Wind. Winchester, VA: Red Moon Press, 2015. Balcom, Charlene. Shadows on the Shoji. Japan: The Hokuseido Press, 1936. Bales, Chandra Kierstead. Between Light. University of New Mexico, Poemcard, 2015. Bales, Chandra Kierstead. We Look Both Ways. University of New Mexico, Poemcard, 2015. Ball,
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    This is a repository copy of The power of translation : issues in the translation of premodern Japanese waka. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/165291/ Version: Accepted Version Article: McAuley, T.E. orcid.org/0000-0002-9181-8291 (2020) The power of translation : issues in the translation of premodern Japanese waka. Waseda RILAS Journal, 8. pp. 427-446. ISSN 2187-8307 © 2020 The Author. This is an author-produced version of a paper subsequently published in Waseda RILAS Journal. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ 1 The Power of Translation: issues in the translation of premodern Japanese wakai T. E. McAuley This article examines the translation of the premodern Japanese thirty-one syllable poetic form known as waka. Set against the context of current scholarly work in Translation Studies on the practices and processes involved in the translation of poetry, as well as constraints imposed by the current nature of many waka as literary works which have been subject to a centuries-long process of canonization, it analyses the challenges posed by the poems to the translator in the following areas: first, form and identification, covering differing solutions to the lineation of waka translations.
  • Ploc¡ La Revue Du Haïku Numéro Réalisé Par Christian Faure

    Ploc¡ La Revue Du Haïku Numéro Réalisé Par Christian Faure

    La revue du haïku N° 69 – Juin 2017 Association pour la promotion du haïku www.100pour100haiku.fr SOMMAIRE 1. Préambule par Christian Faure 5 2. Le paradoxe sur la mondialisation du haïku par Katsuhiro HORIKIRI 7 3. La marque de la salutation chez Seigetsu Inoue par Katsuhiro HORIKIRI 15 4. Entretien avec Katsuhiro HORIKIRI 22 Ploc¡ la revue du haïku Numéro réalisé par Christian Faure 1. PRÉAMBULE Christian FAURE Le projet kigo a été porté au sein de la revue Ploc et dès son origine, avec pour objet la présentation et transmission des aspects essentiels du haïku à la japonaise, tout en portant une attention importante au développement des mots de saison dans la pratique du haïku francophone. Pour certaines raisons, il est ensuite resté en sommeil pendant longtemps, jusqu’à ce qu’un numéro spécial puisse voir le jour. Il apparaissait essentiel et naturel de donner ici la voix à des japonais francophones sur les notions et interrogations que véhicule le haïku. C’est avec quelques regrets que nous n’avons pu recevoir les textes de Kosuké mais nous souhaitons le remercier chaudement pour sa participation à Ploc tout au long de ces années. Le lecteur trouvera un premier texte de Katsuhiro HORIKIRI (Le paradoxe sur la mondialisation du haïku) qui répond à sa manière aux questions d’interculturalité que les poètes francophones peuvent se poser. Katsuhiro nous évoquera ainsi les interrogations des japonais sur la mondialisation du haïku et la recherche d’une définition mondiale de ce poème, malgré d’éventuels problèmes de transpositions qui pourraient se poser.