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L'immagine Nel Mondo, Il Mondo Nell'immagine

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L'immagine Nel Mondo, Il Mondo Nell'immagine UNIOR Università degli studi di Napoli “L’Orientale” DIPARTIMENTO DI STUDI LETTERARI, LINGUISTICI E COMPARATI DOTTORATO IN STUDI LETTERARI, LINGUISTICI E COMPARATI Quaderni della ricerca - 1 Quaderni della ricerca - 1 L’immagine nel mondo, il mondo nell’immagine Nuove prospettive per un approccio pluridisciplinare alla rappresentazione testuale ed extra-testuale The Image in the World, the World in the Image New Perspectives for an Interdisciplinary Approach to Textual and Extra-Textual Representation A cura di/edited by DANIELA AGRILLO, EMILIO AMIDEO, ANTONELLA DI NOBILE, CLAUDIA TARALLO NAPOLI NAPOLI ISBN 978-88-6719-131-4 2016 2016 Università degli studi di Napoli “L’Orientale” DipartimeNto Di StUDi letterari, liNgUiStici e comparati Dottorato iN StUDi letterari, liNgUiStici e comparati Quaderni della ricerca - 1 l’immagine nel mondo, il mondo nell’immagine Nuove prospettive per un approccio pluridisciplinare alla rappresentazione testuale ed extra-testuale the image in the World, the World in the image New perspectives for an interdisciplinary approach to textual and extra-textual representation A cura di/edited by DaNiela agrillo, emilio amiDeo, aNtoNella Di Nobile, claUDia tarallo Napoli 2016 Università degli studi di Napoli “l’orientale” DipartimeNto Di StUDi letterari, liNgUiStici e comparati Dottorato iN StUDi letterari, liNgUiStici e comparati Quaderni della ricerca - 1 Comitato scientifico: carlo Vecce (coordinatore) michaela böhmig paola gorla aUgUSto gUariNo DoNatella izzo rita libraNDi loreNzo maNgo oriaNa palUSci la revisione dei contributi è avvenuta con double blind peer review © Università degli Studi di Napoli “l’orientale” 2016 iSbN 978-88-6719-131-4 indice premessa/Foreword di carlo Vecce 5 prefazione/preface di DaNiela agrillo, emilio amiDeo, aNtoNella Di Nobile, claUDia tarallo 7 haNS beltiNg Antropologia e iconologia 9 FraNceSco De SteFaNo Linguaggio iconografico e contesto socio-culturale: un caso di studio archeologico tra Magna Grecia e mondo italico 23 ViNceNzo allegriNi ‘Figurarsi nella fantasia’: sulle fonti e sull’ispirazione visiva della Vita abbozzata di Silvio Sarno 41 emilio mari Soglie, isole e orti urbani: note ai margini del ‘testo pietroburghese’ 55 DaNiela agrillo L’artista surrealista: tra immagine, immaginario e realtà 73 haNiN haNNoUch «It’s so plastic, so visually written!»: Sergei Eisenstein on Émile Zola 87 emilio amiDeo Queer Tidalectics: Sea-change in giovanni’s room by James Baldwin 101 giUlia imbriaco Fuori di testo: il pastiche di Kathy Acker in blood and guts in high School (1978) 117 indice biagio ScUDeri Tra teatro e immagine: Die Walküre e parsifal secondo Federico Tiezzi e Giulio Paolini 139 gaia bertoNeri Oltrepassare la soglia: il pictorial turn nell’opera di Ana Teresa Pereira 161 loreNzo licciarDi Immagini della metropoli digitale: una ‘video-scrittura’ di Berlino in teil der lösung di Ulrich Peltzer 179 aDele Sorice Scrittura e immagine: la poetica della memoria di Marica Bodrožić 195 claUDia tarallo Grammatiche scolastiche dell’italiano: criteri d’impostazione grafica 209 aNtoNella Di Nobile Grottesco e parodia ne el síndrome guastavino: immagini della dittatura argentina 225 DaNiela Vitolo Immagini performanti: identità femminili in performance nei comics 235 4 Premessa attivato nel 2013, il Dottorato in Studi letterari, linguistici e comparati dell’orien- tale di Napoli è stato caratterizzato fin dall’inizio da una forte idea di dialogo in- terdisciplinare, orientato al coinvolgimento dei dottorandi in percorsi di formazione che, pur nell’alta specializzazione dei singoli progetti di ricerca, possono confron- tarsi tra loro in una sperimentazione comune di metodi e forme comunicative. Nei primi anni di attività del dottorato, il momento più intenso di tale confronto è stato lo svolgimento della prima Graduate Conference (21-23 ottobre 2015), i cui atti inaugurano anche questi Quaderni della ricerca, con un primo volume che accoglie i contributi presentati al convegno, e preceduti dalla lezione magistrale di hans belting. mi piace sottolineare il fatto che la complessa macchina organizzativa del con- vegno (la scelta della tematica, la scelta e l’invito del keynote speaker, la redazione e la pubblicazione del call for papers, la delicata fase di selezione dei papers tra le numerose proposte pervenute, l’organizzazione materiale delle giornate e del- l’accoglienza ai partecipanti, la cura degli atti e la loro pubblicazione) è stata in- teramente presa in carico dai dottorandi del XXiX ciclo, a loro volta raccolti in un comitato organizzatore più ristretto, ma sempre attento a tutti gli orizzonti disci- plinari del dottorato. tutti i passaggi sono stati comunque seguiti dal collegio dei docenti, che, al momento d’avvio della pubblicazione degli atti, ha costituito un comitato scientifico per la revisione di tutti i contributi, con la collaborazione di lettori esterni con il sistema del double blind peer review. Questo primo volume dei Quaderni della ricerca del Dottorato in Studi lette- rari, linguistici e comparati non si distingue solo per l’alto livello dei risultati scien- tifici, di cui il merito spetta interamente ai giovani ricercatori che si sono impegnati per il successo del convegno. esso ha per noi il valore aggiunto del lavorare in- sieme, docenti e dottorandi, per la crescita scientifica e umana della nostra comu- nità di ricerca. carlo Vecce 5 premessa / Foreword Foreword Since its inception in 2013, the phD programme in “literary, linguistic and com- parative Studies” at the University of Naples “l’orientale” has been characterised by a strong interdisciplinary dialogue. its educational paths enable phD students to exchange their views and collectively experiment with new methodologies and forms of communication, while pursuing their individual and highly specialised research projects. the first years of the phD programme saw a fruitful collaboration among the phD Students in the conference held at the University of Naples “l’ori- entale” on 21-23 october 2015. the proceedings, introduced by hans belting’s lectio magistralis, are collected in this volume, which inaugurates the Quaderni della ricerca, published in Naples. i am delighted to highlight that the complex organisation of the conference – topic choice, keynote speaker invitation, call for papers, paper selection, confer- ence organisation, participants welcoming as well as proceedings editing and pub- lication – was undertaken by the phD Students of the XXiX cycle and especially by a smaller organising committee which was always conscious of the disciplinary horizons of the phD programme. all the stages were nonetheless supervised by the phD board of professors whom, in view of the publication of the proceedings, constituted a scientific committee for the peer-review process. all papers under- went a double blind peer-review with the collaboration of external reviewers. the first volume of the Quaderni della ricerca of the phD programme in “lit- erary, linguistic and comparative Studies” does not only stand out for its valuable scientific outcomes – whose merit lies entirely with the young researchers who committed themselves to the success of this initiative – but also for the added value of the joint work of professors and phD Students in the prospect of the scientific and human growth of our research community. carlo Vecce Translated by Emilio Amideo 6 Prefazione in accordo con l’ottica del dottorato in Studi letterari, linguistici e comparati, che prevede un dialogo aperto e uno scambio fecondo fra discipline diverse, la scelta dell’argomento della Graduate Conference, tenutasi all’Università degli Studi di Napoli “l’orientale” dal 21 al 23 ottobre 2015, è ricaduta sul tema dell’immagine, che si presta a letture plurime e approcci di analisi differenziati. ben oltre le declinazioni disciplinari e le specifiche definizioni operative, pensiamo all’immagine come elemento fluttuante tra rappresentazione e creazione. Nei passaggi tra realtà testuale ed extratestuale – al di là del testo verbale propriamente detto – essa da un lato rappresenta un mondo in atto, facendosi talvolta simbolo, dall’altro si carica di una forza generativa che schiude la possibilità di un mondo in potenza. oggi, in una società in cui l’individuo è esposto a un flusso incessante di sollecitazioni visive, la dialettica tra fissità della mimesi e dinamismo della creazione continua a offrire un terreno fertile d’indagine scientifica. Scopo del presente volume è, dunque, rintracciare le traiettorie lungo le quali si interseca e si biforca tale duplicità. a partire dal discorso maturato intorno al tema dell’immagine durante le giornate di convegno, il volume raccoglie interventi, in lingua italiana e inglese, che rinviano a un’ampia sottotematica che va dal linguaggio-per-immagini alla semiotica, dalle strategie di significazione del testo alla visual culture. il volume si apre con la relazione di hans belting, keynote speaker del convegno e studioso di storia dell’arte, antropologia e teoria dei media, la cui ricerca si orienta so- prattutto sull’indagine delle funzioni e delle modalità di ricezione dell’opera d’arte in relazione al suo contesto sociale e culturale. il suo contributo, affiancando il metodo d’indagine antropologica alla lettura iconologica, fornisce un quadro di riferimento pre- zioso entro il quale si collocano i contributi successivi scritti da dottorandi e dottori di ricerca. tali contributi affrontano temi legati all’archeologia, alla filologia e alla lingui- stica italiana, alla letteratura (americana
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