DOCSLIB.ORG

St Albans Cathedral Sumpter Yard, St Albans, Hertfordshire AL1 1BY Telephone: 01727 890210 Email: Mail@Stalbanscathedral.Org

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
St Albans Cathedral Sumpter Yard, St Albans, Hertfordshire AL1 1BY Telephone: 01727 890210 Email: Mail@Stalbanscathedral.Org Opening Times The Cathedral is open all year round 8.30am - 5.45pm Entry is FREE All donations are gratefully received. Our Box Office is located in the Cathedral Shop or you can call 01727 890290 or book online at www.stalbanscathedral.org How to Get Here The Cathedral is situated in the centre of the historic and beautiful city of St Albans. It is easily reached by car and public transport with good links from the M1 and M25, and is just 20 minutes by train from Central London. For full travel information, please go to: www.stalbanscathedral.org/visit For the latest information visit our website and sign up to our What’s On Newsletter St Albans Cathedral Sumpter Yard, St Albans, Hertfordshire AL1 1BY Telephone: 01727 890210 Email: mail@stalbanscathedral.org www.stalbanscathedral.org @stalbansabbey /StAlbansCathedralOfficial @stalbanscathedral What’s On St Albans Cathedral January – April 2018 In H c o lu l d y e & W s E a e s e te k r (C) Michelle Becker - Pink Soul Pictures (C) Chris Christodoulou Music Tours Family Fun Easter Number One St Albans Visitor Attraction A Warm Welcome Awaits You at St Albans Cathedral St Albans Cathedral stands over the place where Alban, Britain’s first saint, was buried after giving his life for his faith over 1700 years ago. There are many unique sights to take in when you visit the Cathedral, plus an exciting programme of events, tours and concerts which you can find out about in this guide. We look forward to seeing you soon. Contents Page 4-5 Top Ten Highlights 6-9 Music 10 Special Services 11-13 Holy Week & Easter 14 Our Regular Services 15 The Alban Pilgrimage 2018 16 Special Events 17 Tours 18 Family Fun 19 Exhibitions 20-21 Talks & Education 22 Visitor Information Occasionally additional services and events will be added at short notice – please check the website for updates www.stalbanscathedral.org or call 01727 890210 . Information is correct at time of going to print. For all the latest news on the Cathedral’s plans, sign up to our Alban, Britain’s First Saint blog: albanbritainsfirstsaint.wordpress.com Top Ten Highlights 1 The Shrine of Saint Alban The Shrine of Saint Alban is a site of national Pilgrimage. People have been coming here for over 1700 years and it is used as a place of prayer and stillness by visitors every day. 2 The Longest Nave in England At 85 metres, St Albans Cathedral has the longest nave in England. 3 Easter at the Cathedral Join us for special services during Holy Week and Easter, which this year falls on Sunday 1st April. See pages 11-13 for full information. 4 The Medieval Watching Loft From the Watching Loft, monks and townsmen kept guard over Alban’s Shrine. 5 Stunning Medieval Wall Paintings The Cathedral has one of the oldest and most extensive series of medieval wall paintings surviving today, ranging from the late 12th century to the 16th century. 6 The Bell Tower St Albans is the only major church in England with a great crossing tower of the 11th century still standing. 7 Choral Evensong Time your visit to enjoy the beautiful singing of the Cathedral Choirs at Evensong. Tuesday to Friday 5pm. Saturday 4pm. Sunday 6.30pm. Outside of term time, there may be a visiting choir or short said service . 8 The Lady Chapel This 14th century extension to the church is dedicated to Mary the Mother of Jesus. 9 The Rose Window The magnificently coloured stained glass by Alan Younger was added to Grimthorpe’s north transept rose window, and unveiled in 1989 by Diana, Princess of Wales. 10 Nave Statues Seven statues of martyrs, sculpted by Rory Young, installed in the niches of the medieval nave screen in 2015. FREE Guided Tours of the Cathedral are available daily at the following times: 11.30am Monday to Saturday 2pm Saturday 2.30pm Sunday to Friday If your time is limited, our Highlights Tour takes place at 1.05pm every day of the week. 4 Follow us on Instagram @stalbanscathedral 1 2 (C) Luke Watson 3 5 4 7 (C) Emma Collins 6 8 (C) Katie Foxton 9 10 (C) Luke Watson www.stalbanscathedral.org 5 Music How to Book Your Tickets Tickets are available online at www.stalbanscathedral.org , by telephoning 01727 890290 or by visiting our Box Office (located in the Cathedral Shop) between 10am – 4.45pm Monday to Friday, 10am – 3.45pm on Saturday and 1pm – 5pm on Sunday. Enquiries about events can be sent to boxoffice@stalbanscathedral.org Tickets and/or programmes will also be available for all events at the door on the night unless previously sold out. New Year’s Day Celebration Concert St Albans Symphony Orchestra Date: Monday 1st January Time: 7pm Conductor: Tom Hammond St Albans Symphony Orchestra’s traditional New Year’s Day Concert welcomes 2018 with a mix of classic American scores and favourite British light music in the glorious surroundings of St Albans Cathedral. Lunchtime Organ Recital Date: Wednesday 17th January Time: 12.30pm Christopher Herrick , concert organist Admission free. Retiring collection in aid of Cathedral music funds. International Organ Festival Concert Date: Saturday 20th January Time: 5.30pm Choir of Sidney Sussex College Cambridge , directed by David Skinner Admission free. Retiring collection in aid of the IOFS. Lunchtime Organ Recital Date: Wednesday 7th February Time: 12.30pm Anthony Hammond , Director of Music, Cirencester Parish Church Admission free. Retiring collection in aid of Cathedral music funds. Hertfordshire Chorus Date: Saturday 17th February Time: 7.30pm Beethoven – Mass in C Mendelssohn – Choral Symphony No. 2 Hymn of Praise Mendelssohn’s Hymn of Praise proclaims the praise of God and celebrates mankind’s progress from darkness to enlightenment. Beethoven's Mass in C is less well known than its famous brother, the Missa Solemnis , but it is no less beautiful or dramatic. Conductor: David Temple Grace Davidson (soprano), Kitty Whately (mezzo soprano), Joshua Ellicott (tenor) and Ashley Riches (bass) with London Orchestra da Camera 6 Call the Box Office on 01727 890290 (C) Chris Christodoulou Classical Guitar Recital Date: Saturday 24th February Time: 1pm Michael Butten performs English, German, Spanish and Italian Works by Dowland, Legnani, Bach, Arnold and Turina. Admission Free. Retiring collection in aid of the Cathedral Music Trust and Music Department International Organ Festival Concert Date: Saturday 24th February Time: 5.30pm Peter Holder , Sub-Organist, Westminster Abbey and Simon Johnson , Organist and Assistant Director of Music, St Paul’s Cathedral Admission free. Retiring collection in aid of the IOFS. St Albans Cathedral Music Trust Young Musicians Competition Finals Date: Sunday 25th February Time: 1.30pm The seventh Young Musicians Competition final guarantees a wonderful afternoon of talented, local young people performing in one of the most stunning venues in Hertfordshire. St Albans School & St Albans High School for Girls Joint Schools’ Choral Society & Orchestra Date: Wednesday 7th March Time: 7.30pm The Joint Schools Choral Society is joined by leading baritone, Matthew Stiff , to perform a series of powerful Franco-Russian Choral Masterworks: Stravinsky’s rarely-heard early cantata Zvezdoliki , the epic Prologue from Musorgsky’s opera Boris Godunov , Debussy’s elegant Nocturnes , all concluding with the monumental Symphony of Psalms by Stravinsky. Lunchtime Organ Recital Date: Wednesday 14th March Time: 12.30pm Charles Andrews, London Admission free. Retiring collection in aid of Cathedral music funds. www.stalbanscathedral.org/whatson/music 7 Music (C) Luke Watson St Albans Bach Choir JS Bach: St John Passion (sung in German) Date: Saturday 17th March Time: 7.30pm Conductor: Andrew Lucas Written for a small congregation in mid-Germany almost three hundred years ago, Bach’s St John Passion is a testimony to the power of music to transcend time and place. This music still moves us with its passion and drama, and provides a powerful shared experience. Nicholas Mulroy (Evangelist), Thomas Flint (Christus), Rowan Pierce (soprano), Helen Charlston (mezzo), Peter Mitchell (tenor), Benjamin Bevan (baritone) with Sinfonia Verdi The Liturina Ensemble Date: Saturday 24th March Time: 7.30pm A performance of classical, period Chamber Music dating between 16th and 20th Centuries, by some of the greatest English and Italian composers of instrumental and vocal music including Dowland, Purcell, Handel, Britten, Boccherini, Corelli and Vivaldi. 8 Call the Box Office on 01727 890290 The Sixteen Choral Pilgrimage 2018 Date: Saturday 14th April Time: 7.30pm Conductor: Harry Christophers For their 18th Choral Pilgrimage, The Sixteen explores the way Britten and Cornysh mixed sacred and secular music. Whilst Cornysh’s sacred music is elaborate and rhythmically complicated, his secular music is simple yet subtly evocative. Britten is celebrated for his ability to expertly mix the two in order to showcase the voice in all its multifaceted glory. Lunchtime Organ Recital Date: Wednesday 18th April Time: 12.30pm Charles Tompkins, Professor of Organ, Furman University, South Carolina Admission free. Retiring collection in aid of Cathedral music funds. St Albans Choral Society: Messiah Date: Saturday 21st April Time: 7.30pm Handel’s Messiah is something of a phenomenon. Since its Dublin premiere in 1742, the work has been performed across the land by a myriad of choirs. St Albans Choral Society supported by Orchestra Nova and four fabulous soloists, bring Handel’s masterpiece to life in the glorious acoustic of St Albans Cathedral. Helen-Jane Howells (soprano), William Purefoy (countertenor), Christopher Bowen (tenor), Alexander Ashworth (baritone) Conductor: George Vass St Albans Cathedral Music Trust Young Musicians Competition Winners Concert Date: Saturday 28th April Time: 12.30pm A concert performed by the winners of the Young Musicians Competition.
Load more
Loading...
Loading...
Loading...
Loading...
Loading...

19 pages remaining, click to load more.

Recommended publications
  • Alban Berg – Sieben Frühe Lieder
    DOI: 10.2478/ajm-2020-0012 Studies Alban Berg – Sieben frühe Lieder. Performance perspectives IONELA BUTU, Associate Professor PhD “George Enescu” National University of Arts ROMANIA∗ Bergʼs worldwide reputation had been consolidated with orchestral and chamber works and the opera Wozzeck. (...) For different reasons, his dimension as a composer of songs does not seem to be very large, and yet it is fundamental to his personality nevertheless. Mark DeVoto Abstract: The study presents several interpretative suggestions made from the perspective of the accompanying pianist that played Alban Bergʼs Sieben frühe Lieder. Why this topic? Because in the Romanian music literature, there is nothing written about the song cycle Sieben frühe Lieder by Alban Berg, which is a representative work in the history of the art song. The theme, addressed in the literature written abroad, is treated mostly from a musicological standpoint. That is why we considered it useful to make some observations of an interpretative nature. They will become relevant if read in parallel with the PhD thesis entitled Alban Bergʼs “Sieben frühe Lieder”: An Analysis of Musical Structures and Selected Performances, written by Lisa A. Lynch (the only documentary source that proposes in-depth syntactic analyses of the work, associated with valuable interpretative suggestions made from a vocal perspective). We also considered useful, during the study, the comparison between the two variants of the work: the chamber/voice-piano version and the orchestral version. The analysis of the symphonic text was carried out intending the observation of significant details useful for realizing an expressive duo performance. Of course, our interpretative suggestions are a variant between many others.
    [Show full text]
  • Viewpoint the Fire at Notre Dame Cathedral
    Opinion thestructuralengineer.org Notre-Dame fi re Viewpoint Following the recent fi re at Notre-Dame de Paris, Th e fi re at Professor Jacques Heyman discusses the construction Notre-Dame of the cathedral and considers some of the questions that will arise in agreeing an approach to repair. cathedral The double roof system of the typical Gothic great church – a stone vault surmounted by a timber roof – is both decorative and functional. The steep external roof provides the necessary weatherproofi ng dictated by northern European climates (shallow pitches were used for Greek temples); indeed the stone vault, perhaps cracked and in any case not waterproof, itself needs the protection of the outer roof (in Cyprus, the crusader churches, e.g. Famagusta, hardly need this cover). However, timber burns well, and one function of the stone vault is to provide a Figure 1 Burning timbers were largely fi re-resistant barrier between caught by masonry vaults the outer roof and the church. GETTY There is thus a symbiotic action between the two coverings If, however, there are side of the church; the timber roof "ONE FUNCTION OF THE STONE VAULT IS aisles to the nave and choir, protects the stone vault and TO PROVIDE A FIRE-RESISTANT BARRIER then such buttresses would the church from the weather, obstruct those aisles. Hence and the stone vault protects the BETWEEN THE OUTER ROOF AND THE the thrusts from the high stone church from the potential fi re CHURCH" vaults are collected by the fl ying hazard of the timber roof. buttresses, and ‘fl own’ over the This dual action was very aisles to heavy masonry placed evident in the fi re of 15 April nave, and the (roughly) square the masonry rib vault and the outside the church.
    [Show full text]
  • “Cathedral-Style” Churches
    “Cathedral-Style” Churches After the turn of the century, Ukrainian congregations often grew to a size where their small church buildings were impractical. The years from about 1920 to 1940 thus witnessed the construction of many large Ukrainian churches in Manitoba. These were no longer simple log or light wood frame structures like those built by the early settlers. The new churches were more elaborate structures, larger in scale and often more sophisticated in ornamentation; similar in conception to the large Ukrainian Baroque churches like the restored St. Sophia in Kiev, the Church of the Holy Trinity and the Chapel of the Three Saints. Although not technically cathedrals – which are the seats of bishops – these churches are so extraordinary, especially in a rural landscape, that they are frequently called “prairie cathedrals.” Considering the modest nature of the log or wood frame churches examined previously in this study, the large churches designed for Ukrainian Catholic and Ukrainian Orthodox congregations in Manitoba during the 1920s, 30s, 40, and 50s are remarkable. Foremost among these are the Ukrainian Catholic churches designed by Father Philip Ruh. His designs for “cathedral‐style” churches adorn the countryside outside Manitoba from Edmonton, Alberta to St. Catharineʹs, Ontario. Research to date attributes 33 structures to this amazing man. Ruh’s influence also spread to other communities in less direct ways. He was often called upon by various congregations to discuss the designs for new churches and the two main contractors working for Ruh relied on his designs for the churches they built without his supervision. Ruh was prolific and his designs influential.
    [Show full text]
  • Equipping God S People
    Thursday 5th March 9.30am - 1.00pm LAY LEADERS OF WORSHIP Holywell Lodge, 41 Holywell Hill, S. AY,`, AL1 1HE This diocesan Scheme is designed to help EQUIPPING Art of the Annunciation make it possible for public worship to take place in every church every Sunday. It Today the art of the Annunciation offers us a fresh enables parishes to discern the gifts of lay perspective of the written account. Led by the Rev’d people as local Lay Leaders of Worship (LLWs). On GOD’S PEOPLE Lauretta Wilson, we will look at different representations completion of their training they receive a letter of in art of the Annunciation, explore this fresh perspective permission from the Bishop recognising them as LLWs in and examine our own responses. their parish church. PROGRAMME Book via the course contact. Cost: £10 Contact: Laura 01727 For more information on registering for this scheme see 818151 lhart@stalbans.anglican.org www.stalbans.anglican.org/ministry/lay-leaders-worship/ or January - April 2015 Saturday 21st March 10.00am - 3.30pm contact Rev’d Jeanette Gosney. St Paul’s Church, L7-G+G, SG6 1QL Training for LLWs includes 6 introductory sessions over two Events and courses open to all Saturdays. In 2015 a course will run in each Archdeaconry; but Local Ministry Conference: “ We are please choose whichever date combinaon suits you best. the Body of Christ” FIRST SATURDAY (S ESSIONS 1- 3) A training day for Local Ministry Development Teams and Saturday 18th April St Albans (Holywell Lodge) Spring anyone interested in Local Ministry, with the Rt Rev’d Alan Saturday 6th June Bedford (St Mary’s Goldington) Saturday 19th Sept.
    [Show full text]
  • The Cathedral Close
    Welcome. No matter your background, your faith, or your reason for visiting, we welcome you to Washington National Cathedral. Each year, the Cathedral opens its doors to hundreds of thousands of worshipers and visitors who come to find peace and inspiration, listen to beautiful music, and experience the 1 2 2 north rose south rose 4 5 5 6 7 8 8 9 Cathedral’s extraordinary art and architecture. CATHEDRAL ART AND ARCHITECTURE Built of Indiana limestone, the Cathedral is the sixth largest in Main Level (the Nave) 4 A tribute to those who have served in our armed forces, the 7 At the east end of the Cathedral nave is the HIGH 9 The Cathedral’s great iconographic story—the movement i The artwork in the BAPTISTRY depicts symbols the world. Its design is unique and not copied from any earlier art of WAR MEMORIAL CHAPEL tells stories of sacrifice ALTAR. One-hundred-and-ten figures of men and women of humankind from creation to redemption—begins outside representing baptism. A nearby elevator provides building. The building is shaped like a cross, with a long nave— 30 minutes—highlights and the struggle for freedom. exemplifying the highest ideals of Christianity surround at the WEST FAÇADE. The art here explores themes of wheelchair access to the lower level. the central figure of Christ in Majesty, completing the creation. The carved tympana above three massive portals a tenth of a mile—and two shorter transepts. Follow the numbered items to tour the “must see” highlights A statue of the Christ Child welcomes visitors to memorial bays—north 5 iconographic story with the redemption of humankind show the creation of day, the creation of humankind, and the of the Cathedral’s art and architecture.
    [Show full text]
  • PDF (Volume 1: Digitised from Print (June 2021))
    Durham E-Theses An Archaeology of Sensory Experience: Pilgrimage in the Medieval Church, c.1170-c.1550 WELLS, EMMA,JANE How to cite: WELLS, EMMA,JANE (2013) An Archaeology of Sensory Experience: Pilgrimage in the Medieval Church, c.1170-c.1550 , Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/7735/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: e-theses.admin@dur.ac.uk Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Emma J. Wells An Archaeology of Sensory Experience: Pilgrimage in the Medieval Church, c. 1 170-c. 1550 ABSTRACT Using a methodological framework built upon principles of recent socio- anthropological and archaeological analyses on the sensory culture of the past, this thesis provides an original interdisciplinary socio-sensual approach to illustrate how the medieval ‘pilgrimage experience’ was socially constructed for and by three separate participatory groups - royalty, laity and a parochial society - at four major English cult churches.
    [Show full text]
  • Carpenders Park and South Oxhey (Again Watch for Details)
    CPSO METHODIST CHURCH NEWSLETTER Lent/Easter 2020 Minister’s Letter – Journey into Lent Our Lent journey begins! We make our way with Jesus towards Jerusalem and the Cross. This year we are exploring that journey and the places en-route through our Lent Group “Places on the Way”. We are stopping off at a village wedding in Cana, climbing new heights at the mount of Transfiguration, finishing up at the Via Dolorosa in Jerusalem as Jesus makes his way to Golgotha. We will be exploring what the journey meant to Jesus and the journey we make this Lent. (See later in the newsletter for details) Following on from the soap cross, this Lent I am asking for you to make pom- poms – brown wool pom-poms of various sizes and shades of brown. Make as many as you can during the six weeks of Lent and then join the team putting the cross together. (More information to follow) Maundy Thursday we are still going to gather for a shared meal and worship in the small hall at Bushey and Oxhey Church but this year it will be a ‘bring & share’ supper (details to follow). Finally, Good Friday, as churches together in Bushey and Oxhey, this year we are trying something slightly different. During Passiontide you will be asked to take some purple ribbons and tie them in prominent places (purple being a symbol of the passion). We will gather outside St. Andrews at 9.30am for a short act of worship before walking (or driving) down to the small park opposite St Peter’s for another short reflection.
    [Show full text]
  • Verulam House Brochure
    City of St.Albans of City In the Heart of the Cathedral the of Heart the In NURSING HOME VERULAM HOUSE B e a u t i f u l L o c a t i o n Queen Victoria stayed at the With the ancient Roman City house when visiting St Albans. of Verulamium lying in close Since 1926 it has been used as a proximity, Verulam House is retreat and conference centre by surrounded by beautiful and the diocese of St Albans. During historic landmarks. the Second World War, the General Lying-In Hospital moved Idyllic Location here from London. Approximately Verulam House is situated in 2,000 babies were born in the heart of the historic City of Verulam House Verulam House. St.Albans, which dates back Formerly the Bishop’s Palace, 2,000 years. Verulam House is a grade II Lovely Surroundings St.Albans lies some 24 miles listed building and is of early Verulam House stands in from central London and benefits nineteenth century origin. attractive landscaped gardens in from it’s accessibility to the M1. The famous architect Caroe a mainly residential situation, M25 and A1(M). introduced a number of which forms a part of the The Nursing Home, located important features which have St.Albans Conservation area. in the tranquillity of it’s own been carefully preserved in the Within easy walking distance beautiful gardens is within easy refurbishment. of the Nursing Home lies walking distance of the town and The house is reputed to have St.Albans Cathedral amidst the main shopping precincts.
    [Show full text]
  • Mona Lisa LEON BOTSTEIN, Conductor
    Friday Evening, February 20, 2015, at 8:00 Isaac Stern Auditorium/Ronald O. Perelman Stage Conductor’s Notes Q&A with Leon Botstein at 7:00 presents Mona Lisa LEON BOTSTEIN, Conductor MAX VON SCHILLINGS Mona Lisa ACT I Intermission ACT II Foreigner/Francesco del Giocondo: MICHAEL ANTHONY MCGEE, Bass-baritone Woman/Mona Fiordalisa: PETRA MARIA SCHNITZER, Soprano Lay Brother/Giovanni de Salviati: PAUL MCNAMARA, Tenor Pietro Tumoni: JUSTIN HOPKINS, Bass-baritone Arrigo Oldofredi: ROBERT CHAFIN, Tenor Alessio Beneventi: JOHN EASTERLIN, Tenor Sandro da Luzzano: CHRISTOPHER BURCHETT, Baritone Masolino Pedruzzi: MICHAEL SCARCELLE, Bass-baritone Mona Ginevra: ILANA DAVIDSON, Soprano Dianora: LUCY FITZ GIBBON, Soprano Piccarda: KATHERINE MAYSEK, Mezzo-soprano Sisto: JOHN KAWA, Tenor BARD FESTIVAL CHORALE JAMES BAGWELL, Director This evening’s concert will run approximately two hours and 20 minutes including one 20-minute intermission. Used by arrangement with European American Music Distributors Company, sole U.S. and Canadian agent for Universal Edition Vienna, publisher and copyright owner. American Symphony Orchestra welcomes the many organizations who participate in our Community Access Program, which provides free and low-cost tickets to underserved groups in New York’s five boroughs. For information on how you can support this program, please call (212) 868-9276. PLEASE SWITCH OFF YOUR CELL PHONES AND OTHER ELECTRONIC DEVICES. FROM THE Music Director The Stolen Smile DVDs or pirated videos. Opera is the by Leon Botstein one medium from the past that resists technological reproduction. A concert This concert performance of Max von version still represents properly the Schillings’ 1915 Mona Lisa is the latest sonority and the multi-dimensional installment of a series of concert perfor- aspect crucial to the operatic experi- mances of rare operas the ASO has pio- ence.
    [Show full text]
  • Celebrating 475 Years of Berkhamsted School an Early 19Th Century View of the School Building
    1541 2016 Celebrating 475 years of Berkhamsted School An early 19th century view of the School building. The 475 th Anniversary of Dean Incent’s foundation Berkhamsted School was founded in 1541 by John During the 2015-16 academic year we also mark the Incent, Dean of St Paul’s. For 100 years it flourished 125 th anniversary of what is now known as the but, as with many public schools, the next two Combined Cadet Force as well as the centenary of the centuries brought difficult times until the School was introduction of competitive rugby at Berkhamsted. re-established in 1841. The year 1888 saw the establishment of the Girls’ Grammar School, The Berkhamsted School of today is for the most part Berkhamsted and in 1996 the radical move was unrecognisable from the School of Incent’s vision - made to merge the two schools. his ambition was for a school of just 144 boys - yet there are enduring features. The original School Hall, The year 2016 will be the 475 th anniversary of completed in 1544, still stands as a symbol of the Incent’s foundation, and it is to mark this milestone strength, character and resilience of both the School that a series of events is planned to celebrate the and those associated with it; we continue to be a long history of our School. Although the anniversary School that has a tradition of producing interesting is linked to the foundation of the Boys’ School, we people with a spirit of adventure; and we remain a will celebrate as the Berkhamsted School of today, School firmly rooted in the local community.
    [Show full text]
  • Fairfield Halls Welcome to Our 15/16 Season
    CLASSICAL MUSIC SEASON 2015 - 2016 OPERA | MUSIC | BALLET | DANCE | LIVE CINEMA 020 8688 9291 www.fairfield.co.uk Simon Thomsett Chief Executive, Fairfield Halls Welcome to our 15/16 Season. We have a wonderful programme of great music from the Royal Philharmonic Orchestra as well as operas, ballets and a welcome return of the London Mozart Players. You can save money on the RPO concerts with a Fairfield Subscription Package (see page 23) and no booking fees. We look forward to seeing you soon at Fairfield Halls. New at Fairfield LIVE TRANSMISSIONS Tuesday 5 May 7.15pm ROH - The Royal Ballet presents La Fille Mal Gardée £15 Tuesday 19 May 7.30pm ENO - The Pirates of Penzance by Gilbert & Sullivan From the London Coliseum, £12 Wednesday 10 June 7.15pm 2016 SEASON ROH - The Royal Opera New Season Live Transmissions presents La Bohème £15 from the English National Opera Wednesday 1 July 7.30pm and Royal Opera House ENO - Carmen by Bizet to be announced From the London Coliseum, £12 in May 2015. See fairfieldcinema.co.uk Sunday 5 July 2pm for more details. ROH - The Royal Opera presents Guillaume Tell £15 2 BOX OFFICE 020 8688 9291 | www.fairfield.co.uk PROGRAMME 2015 Page ROYAL PHILHARMONIC ORCHESTRA 5 May Live Transmission ROH - The Royal Ballet 2 presents La Fille Mal Gardée 19 May Live Transmission ENO - The Pirates of 2 28 Oct 15 6 Penzance by Gilbert & Sullivan 10 Jun Live Transmission ROH - The Royal Opera 2 From Paris to New York presents La Bohème 28 Jun Sussex Festival Choir 20 11 Nov 15 7 1 Jul Live Transmission ENO - Carmen by
    [Show full text]
  • GOTHIC ADVENTURE Exploring the Gothic Style of Washington National Cathedral
    ABSTRACT A three-part program that is Common Core friendly and introduces architectural concepts and explores the relationship between gothic architecture, math, science, and art. Each lesson is about an hour. Worksheets and handouts are attached at the end of each lesson. GOTHIC ADVENTURE Exploring the gothic style of Washington National Cathedral 1 1 Gothic Adventure TABLE OF CONTENTS Introduction and Welcome………………………………………………………………ii Curriculum Standards…..………………………………………………………………..iii Part I: The Architectural Landscape………………………………………………....1-12 Part II: It’s Bigger on the Inside…….……………………………………..………..14-22 Part III: What’s in an image? ........………………………….……………………….24-36 Photo Credits…………………………………………………………………………….37 i Gothic Adventure Objectives: After completing the three-part Gothic Adventure lesson plan, students will be better able to a. Analyze their surroundings; b. Identify architectural forms of a Gothic cathedral; c. Explain how those features work together to create a desired effect; d. Communicate and share different perspectives; and e. Cite ways in which math, science, and art achievements of the past have influenced modern architecture through ratios, area, writing, comparing/contrasting, and hands-on activities. Audiences: 1. The primary audience of this program is fifth-grade students (ages 10-11). 2. Teachers may also benefit from the program as a preparatory tool for a visit to Washington National Cathedral or as a primer for teaching fundamentals of gothic architecture in the classroom. Welcome to Washington National Cathedral Washington National Cathedral offers educational materials to enrich the learning experiences of students across the country by helping them connect with engaging content through the art, architecture, and history of the Cathedral. The programs help fulfill the Cathedral’s mission of hospitality and education and are separate from the Cathedral’s religious mission.
    [Show full text]