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Notas Sobre El Estilo El Último Entuerto Que Conviene Desfacer Es El Que Habla De King Como De Un Cineasta “Sin Estilo”
Notas sobre el estilo El último entuerto que conviene desfacer es el que habla de King como de un cineasta “sin estilo”. Si por estilo se entiende llamar la atención sobre la cámara, forzar los ángulos, montar aparatosos encuadres y hacer notar el trabajo del director, King es, en efecto, un director sin estilo. Algunas de sus películas, como Deep Waters, adoptan además una forma visual aparentemente anodina, que puede pasar por impersonal si a la carencia de atractivos externos se une una extrema funcionalidad narrativa, como sucede en dos de sus obras fundamentales, I’d Climb the Highest Mountain y Wait Till the Sun Shines, Nellie. Un examen detallado de estas y otras películas revela la existencia de una personalidad cinematográfica muy acusada, aunque no llamativa ni evidente. Más que afanarse en la búsqueda de un estilo propio, King intentó desarrollar a lo largo de su carrera un lenguaje que se correspondiese, visual y narrativamente, con los modos de sus personajes, por lo general inteligentes y discretos, observadores y dinámicos, inconformistas y sensibles a los cambios que se producen en su entorno. Conforme avanzaba su obra, películas y personajes fueron haciéndose progresivamente más complejos, sin que King violentara por ello su estilo, cada vez más refinado y transparente, permeable a los avances técnicos (el sonido, el color, la pantalla ancha) pero no a las modas ni a retóricas pasajeras. Tal vez por ello, o por una fidelidad a su propia visión, las bases del estilo visual de King apenas experimentaron variaciones significativas a lo largo del tiempo, de hecho Tol’able David podría haberse rodado en 1951 y I’d Climb the Highest Mountain treinta años antes sin que el espectador hubiera notado el menor desajuste. -
A Transcultural Perspective on the Casting of the Rose Tattoo
RSA JOU R N A L 25/2014 GIULIANA MUS C IO A Transcultural Perspective on the Casting of The Rose Tattoo A transcultural perspective on the film The Rose Tattoo (Daniel Mann, 1955), written by Tennessee Williams, is motivated by its setting in an Italian-American community (specifically Sicilian) in Louisiana, and by its cast, which includes relevant Italian participation. A re-examination of its production and textuality illuminates not only Williams’ work but also the cultural interactions between Italy and the U.S. On the background, the popularity and critical appreciation of neorealist cinema.1 The production of the film The Rose Tattoo has a complicated history, which is worth recalling, in order to capture its peculiar transcultural implications in Williams’ own work, moving from some biographical elements. In the late 1940s Tennessee Williams was often traveling in Italy, and visited Sicily, invited by Luchino Visconti (who had directed The Glass Managerie in Rome, in 1946) for the shooting of La terra trema (1948), where he went with his partner Frank Merlo, an occasional actor of Sicilian origins (Williams, Notebooks 472). Thus his Italian experiences involved both his professional life, putting him in touch with the lively world of Italian postwar theater and film, and his affections, with new encounters and new friends. In the early 1950s Williams wrote The Rose Tattoo as a play for Anna Magnani, protagonist of the neorealist masterpiece Rome Open City (Roberto Rossellini, 1945). However, the Italian actress was not yet comfortable with acting in English and therefore the American stage version (1951) starred Maureen Stapleton instead and Method actor Eli Wallach. -
© 2013 Yi-Ling Lin
© 2013 Yi-ling Lin CULTURAL ENGAGEMENT IN MISSIONARY CHINA: AMERICAN MISSIONARY NOVELS 1880-1930 BY YI-LING LIN DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral committee: Professor Waïl S. Hassan, Chair Professor Emeritus Leon Chai, Director of Research Professor Emeritus Michael Palencia-Roth Associate Professor Robert Tierney Associate Professor Gar y G. Xu Associate Professor Rania Huntington, University of Wisconsin at Madison Abstract From a comparative standpoint, the American Protestant missionary enterprise in China was built on a paradox in cross-cultural encounters. In order to convert the Chinese—whose religion they rejected—American missionaries adopted strategies of assimilation (e.g. learning Chinese and associating with the Chinese) to facilitate their work. My dissertation explores how American Protestant missionaries negotiated the rejection-assimilation paradox involved in their missionary work and forged a cultural identification with China in their English novels set in China between the late Qing and 1930. I argue that the missionaries’ novelistic expression of that identification was influenced by many factors: their targeted audience, their motives, their work, and their perceptions of the missionary enterprise, cultural difference, and their own missionary identity. Hence, missionary novels may not necessarily be about conversion, the missionaries’ primary objective but one that suggests their resistance to Chinese culture, or at least its religion. Instead, the missionary novels I study culminate in a non-conversion theme that problematizes the possibility of cultural assimilation and identification over ineradicable racial and cultural differences. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms International A Beil & Howell Iniormation Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313,761-4700 800,521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. -
X********X************************************************** * Reproductions Supplied by EDRS Are the Best That Can Be Made * from the Original Document
DOCUMENT RESUME ED 302 264 IR 052 601 AUTHOR Buckingham, Betty Jo, Ed. TITLE Iowa and Some Iowans. A Bibliography for Schools and Libraries. Third Edition. INSTITUTION Iowa State Dept. of Education, Des Moines. PUB DATE 88 NOTE 312p.; Fcr a supplement to the second edition, see ED 227 842. PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Annotated Bibllographies; *Authors; Books; Directories; Elementary Secondary Education; Fiction; History Instruction; Learning Resources Centers; *Local Color Writing; *Local History; Media Specialists; Nonfiction; School Libraries; *State History; United States History; United States Literature IDENTIFIERS *Iowa ABSTRACT Prepared primarily by the Iowa State Department of Education, this annotated bibliography of materials by Iowans or about Iowans is a revised tAird edition of the original 1969 publication. It both combines and expands the scope of the two major sections of previous editions, i.e., Iowan listory and literature, and out-of-print materials are included if judged to be of sufficient interest. Nonfiction materials are listed by Dewey subject classification and fiction in alphabetical order by author/artist. Biographies and autobiographies are entered under the subject of the work or in the 920s. Each entry includes the author(s), title, bibliographic information, interest and reading levels, cataloging information, and an annotation. Author, title, and subject indexes are provided, as well as a list of the people indicated in the bibliography who were born or have resided in Iowa or who were or are considered to be Iowan authors, musicians, artists, or other Iowan creators. Directories of periodicals and annuals, selected sources of Iowa government documents of general interest, and publishers and producers are also provided. -
Cr3v05 Maquetación 1
CAMINO REAL 2:3 (2010): 11-33 Celluloid Conquistadors: Images of the Conquest of Mexico in Captain from Castile (1947) STEPHEN A. COLSTON ABSTRACT The Spanish Conquest of Aztec Mexico (1519-21) forever transformed greater North America, Europe, and regions beyond. In spite of this significance, there is only one extant motion picture that has attempted to portray features of this epic event. Re- leased in 1947 by Twentieth Century-Fox, Captain from Castile was based on a novel of the same title and offers images of the Conquest that are intertwined with fact and fic- tion. Drawing upon the novel and elements of the Conquest story itself, this study se- parates and examines the threads of fact and fantasy that form the fundamental fabric of this film’s recounting of the Spanish Conquest. This analysis is enhanced by infor- mation found in unpublished documents from several collections of motion picture pro- duction materials. Ultimately, the images of the Spanish Conquest that emerge in Captain from Castile reveal some elements of genuine historicity but they more often reflect, in typical Hollywood fashion, the aspirations of a studio more concerned with achieving box office success than historical accuracy. Keywords: film, Hollywood, Conquest, Mexico, Cortés, Aztecs. Stephen A. Colston is an Associate Professor of History at San Diego State University. Colston, S. “Celluloid Conquistadors: Images of the Conquest of Mexico in Captain from Castile (1947).” Camino Real. Estudios de las Hispanidades Norteamericanas. Alcalá de Henares: Instituto Franklin - UAH, 2:3 (2010): 11- 33. Print. Recibido: 27/10/2010; 2ª versión: 26/11/2010 11 CAMINO REAL RESUMEN La conquista española del México azteca (1519 - 1521) transformó para siempre América del Norte, Europa y más allá. -
Past Blackfriars' Theatre Productions
PAST BLACKFRIARS' THEATRE PRODUCTIONS PRODUCTION DATE DIRECTOR Les Miserables: School Edition 2020 Spring Edward Lawrence Clue On Stage 2019 Fall Edward Lawrence Mamma Mia! 2019 Spring Edward Lawrence A Christmas Carol 2018 Fall Edward Lawrence Jesus Christ Superstar 2018 Spring Edward Lawrence Peter and the Starcatcher 2017 Fall Edward Lawrence You're A Good Man, Charlie Brown 2017 Spring Edward Lawrence It's A Wonderful Life 2016 Fall Edward Lawrence Godspell 2016 Spring Edward Lawrence And Then There Were None 2015 Fall Edward Lawrence The Addams Family 2015 Spring Edward Lawrence Uh Oh! Here Comes Christmas 2014 Fall Edward Lawrence Curtains 2014 Spring Edward Lawrence All I Need To Know I Learned in Kindergarten 2013 Fall Edward Lawrence How to Succeed in Business 2013 Spring Edward Lawrence Anything Goes (Alumni Show) 2012 Fall Edward Lawrence Hello Dolly! 2012 Spring Edward Lawrence Our Town 2011 Fall Edward Lawrence Oklahoma 2011 Spring Edward Lawrence Memories and Dreams (Alumni Show) 2010 Fall Edward Lawrence Joseph and Amazing Technicolor Dreamcoat 2010 Spring Edward Lawrence M*A*S*H 2009 Fall Edward Lawrence Fiddler on the Roof 2009 Spring Edward Lawrence The Mousetrap 2008 Fall Edward Lawrence Beauty and the Beast 2008 Spring Edward Lawrence No Time For Sergeants 2007 Fall Edward Lawrence High School Musical 2007 Spring Edward Lawrence The Caine Mutiny Court Martial 2006 Fall Edward Lawrence Footloose 2006 Spring Edward Lawrence The Odd Couple 2005 Fall Edward Lawrence Bye Bye Birdie 2005 Spring Edward Lawrence Amadeus 2004 -
Pearl S. Buck
Bibliothèque Nobel 1938 Bernhard Zweifel Pearl S. Buck Année de naissance 1892 Année du décès 1973 Langue anglais Raison: for her rich and truly epic descriptions of peasant life in China and for her biographical masterpieces Informations supplementaire Littérature secondaire - Hausfrau am Schreibtisch, Spiegel (1955) Film The Good Earth 1937, dir. by Sidney Frankin, starring Paul Muni, Luise Rainer, Walter Connolly. "Performances, direction and photography are of a uniform excellence, and have been fused perfectly into a dignified, beautiful, but soberly dramatic production." New York Tim es Dragon Seed 1944, dir. by Jack Conway, Harold S. Bucquet, starring Katharine Hepburn, Walter Huston. "Often awkward and pretentious, it nevertheless has moments of moral and dramatic grandeur." Time - film: Pavilion of Women, 2001, dir. by Yim Ho, screenplay by Yan Luo, starring Yan Luo, Willem Dafoe, Sau Sek, John Cho - film: The Devil Never Sleeps / Satan Never Sleeps, 1962, dir. by Leo McCarey, screenplay by Claude Binyon and Leo McCarey, starring Clifton Webb, William Holden, France Nuyen - films: The Big Wave, TV film 1956, in The Alcoa Hour, dir. by Norman Felton; The Big Wave, 1961, dir. Tad Danielewski, starring Sessue Hayakawa, Juzo Itami, Mickey Curtis, Koji Shitara, Hiroyuki Ota - film: Guide, dir. by Vijay Anand, dialogue by Vijay Anan, Pearl S. Buck (US version), starring Dev Anand, Waheeda Rehman and Leela Chitnis Catalogue des oeuvres The Good Earth [1931] 138.0004e Drame The Good Earth [1931] 138.1312e The Young Revolutionist [1932] 138.1322e 1950 - 1959 Sons [1932] 138.1320e A Desert Incident [1959] Sons [1932] 138.0004e The Mother [1933] 138.1330 Prose: belles lettres The Mother [1933] 138.1332e The First Wife [1933] 1910 - 1919 Mr. -
The Bates Student
Bates College SCARAB The aB tes Student Archives and Special Collections 2-26-1947 The aB tes Student - volume 73 number 15 - February 26, 1947 Bates College Follow this and additional works at: http://scarab.bates.edu/bates_student Recommended Citation Bates College, "The aB tes Student - volume 73 number 15 - February 26, 1947" (1947). The Bates Student. 945. http://scarab.bates.edu/bates_student/945 This Newspaper is brought to you for free and open access by the Archives and Special Collections at SCARAB. It has been accepted for inclusion in The aB tes Student by an authorized administrator of SCARAB. For more information, please contact [email protected]. 51 She ■ Vol. LXII. No. 39. BATES COLLEGE, LEWISTON, MAINE, FEBRUARY 26, 1947 Price: Fifteen Cents Varsity, Jayvees Sweep State Series; Capture Third Sports Title In Past Married Set Plans Calendar Science Groups Plan Wednesday, Feb. 26—Physical Basketball Title ex Ball And Chain Education Ski Trip at North Con- Exhibit March 13, 14 way, 7 a. m. to 5:30 p. m. May be For Ed Petro, Team Friday night, February 21, the the 27th or 28th depending on wea- ['he Jordan-Ramsdell scientific young married veteran set on cam- ther. Turning on a jet propelled offensive in the second half of ■iety and the Lawrence Chemi- pus met in Chas; Hall and organ- ; society will present a science U. Of Life Program ized the "Ball and Caain" Club Thursday, Feb. 27—Debating last night's game, the Bobcats swept to their third State xiiibit in Hedge Laboratory and with Mr. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Houlton Times, October 10, 1917
,ry Library AROOSTOOK TIMES SHIRE TOWN OF April 13, I860 AROOSTOOK COUNT! To HOULTON TIMES December 27, 191J^ HOULTON, MAINE, WEDNESDAY, OCTOBER 10, 1917 NO. 41 VOL. LVIt. oat growers received 67 cents WHAT WE’LL GET FROM WAR victories and these as the German rul POTASH TO LAST HALF ers know were not due to military YOUR OLD CLOTHES STARTLING FIGURES ON bushel, where as this was equaled oi Every traitor and every near trait supremacy but to the utter demora A CENTURY MAINE’ S GRAIN CROP exceeded by but seven othei states. or in the United States is inquiring ROOF” THE SOLDIERS lization of the Russian government At last the bill permitting develop With a grain crop in 1916, the total Corn is always a reliable Maine “What are we going to get out of this Did you ever imagine that the old and army. ment of what has been called by valuation of which was $5,601,000, product. No doubt the average Maine war?” >uit von discarded may go into a roof The U-boat campaign has not ac- chemists “the greatest known deposit Maine is entitled to some considera man figures that it is the most valu Well, among other things, we are c\ei >our husband's, or brother's, or eomplished its purpose. Thousands °f potash in the world" has been tion a cereal producing territory able grain crop the state produces, going to get a better grade of pat son's head in one of Unrip Sam’s of tons of shipping have been des- passed by both the Senate and the These are the figures of the nation yet it falls below oats. -
Reconstructing American Historical Cinema This Page Intentionally Left Blank RECONSTRUCTING American Historical Cinema
Reconstructing American Historical Cinema This page intentionally left blank RECONSTRUCTING American Historical Cinema From Cimarron to Citizen Kane J. E. Smyth THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 2006 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com 10 09 08 07 06 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Smyth, J. E., 1977- Reconstructing American historical cinema : from Cimarron to Citizen Kane / J. E. Smyth. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8131-2406-3 (alk. paper) ISBN-10: 0-8131-2406-9 (alk. paper) 1. Historical films--United States--History and criticism. 2. Motion pictures and history. I. Title. PN1995.9.H5S57 2006 791.43’658--dc22 2006020064 This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. Manufactured in the United States of America. Member of the Association of American University Presses For Evelyn M. Smyth and Peter B. Smyth and for K. H. and C.