DOCSLIB.ORG

Cedars, January 31, 2008 Cedarville University

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Cedars, January 31, 2008 Cedarville University Masthead Logo Cedarville University DigitalCommons@Cedarville Cedars 1-31-2008 Cedars, January 31, 2008 Cedarville University Follow this and additional works at: https://digitalcommons.cedarville.edu/cedars Part of the Journalism Studies Commons, and the Organizational Communication Commons DigitalCommons@Cedarville provides a platform for archiving the scholarly, creative, and historical record of Cedarville University. The views, opinions, and sentiments expressed in the articles published in the university’s student newspaper, Cedars (formerly Whispering Cedars), do not necessarily indicate the endorsement or reflect the views of DigitalCommons@Cedarville, the Centennial Library, or Cedarville University and its employees. The uthora s of, and those interviewed for, the articles in this paper are solely responsible for the content of those articles. Please address questions to [email protected]. Recommended Citation Cedarville University, "Cedars, January 31, 2008" (2008). Cedars. 524. https://digitalcommons.cedarville.edu/cedars/524 This Issue is brought to you for free and open access by Footer Logo DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in Cedars by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. edars CV i ^ The Student Newspaper of Cedarville University January 31, 2008 Volume 57/Issue 6 www.readcedars.com Claiborne Visit Canceled -- Nathan Washatka -- Managing Editor Shane Claiborne, visibility in many Christian author of “The Irresistible circles over the last few years Revolution” and found­ due largely to the publication - Kate Klein -- ing member of The Simple of his memoir “The Irresist­ Staff Writer Way, a new monastic com­ ible Revolution.” In the book munity in Philadelphia, will he relates lessons he learned stewards, we ought to be Cedarville University not be visiting Cedarville through such experiences as students know they should stewards.” University. Claiborne was working alongside Mother recycle. According to an in­ It is probably impos­ scheduled to visit campus Theresa in Calcutta and liv­ formal survey, most students sible to expand campus re­ on Feb. 11, but Vice Presi­ ing as a member of The Sim­ here think they should re­ cycling without a full-time dent for Student Life Carl ple Way. cycle more often and do re­ person to manage it, Silvius Ruby announced Wednes­ Canceling Claiborne’s cycle at least sometimes. said. day that the event had been visit “doesn’t send a good However, students Silvius said the uni­ cancelled. message about our univer­ who participated in the poll versity needs a full-time re­ “I made the difficult sity,” said senior compre­ said that their on-campus cycling coordinator who can decision to cancel this event hensive Bible major Chris recycling tends to be lim­ promote recycling on cam­ because there was no time Malmstrom, who attended ited for a variety of reasons pus, educate the student body for us to respond thought­ the meeting on Wednesday. such as a lack of convenient about recycling and find new fully to all of the charges “It shows we’re not "^’ling recycling bins, no provision ways to reuse or better dis­ being generated by several to engage certain movements for recycling glass items on pose of resources. blogs,” Ruby said. within Christianity.” campus and even personal In 2005 the university- Ruby said a lot of While some Christians lack of interest in recycling. hired a part-time recycling people criticized his deci­ believe that Claiborne’s life­ Kathy Edlund, custo­ coordinator named Beth sion to bring Claiborne to style and theological views dial services supervisor, said, Dillon who helped establish campus because, in their represent a departure from "‘I think we could definitely many of the current recycling opinion, Claiborne’s per­ traditional evangelical Chris­ do a better job of recycling opportunities on campus. sonal views diverge too tianity, he is well respected stuff.” C.U. has never had a full­ much from the university’s by many Cedarville faculty, “1 don’t think we’re time recycling coordinator. stance on doctrinal issues. staff and students. where we should be, but I “Some recyclable “I want Cedarville “Worst-case scenario wouldn’t judge that based things are not recyclable to be a place that provides is that people perceive that on what we’re doing but on here. We're pretty well tak­ REC real, biblical leadership for Cedarville University has no how we’re thinking about ing care of the basics,” said the church on important so­ interest in a stratus of society it,” John Silvius, senior pro­ Paul Ware, Cedarvi lie's cial issues. I had hoped that that Jesus cared a lot about,” fessor of biological science, landscape planner and unof­ Shane’s presence on cam­ said Dr. Jeff Cook, who in­ said. ficial recycling coordinator. pus would prompt a healthy cluded Claiborne’s book in Silvius said that he Ware is maintaining the pro­ discussion, but I underesti­ the course schedule of his thinks of recycling in light grams currently in place, but mated the intensity of the Advanced Urban Ministries of the Christians in 2 Corin- new programs are not in the negative reaction,” he said. class. “God’s concern for the ! thians. works. Ruby hosted a meet­ poor leaks out of every sen­ “They first gave them- C.U. provides collec­ ing Wednesday evening for tence of the Bible. Claiborne selves to prayer, to God. tion bins in all the academic students interested in learn­ champions that message.” They got their hearts right and office buildings as well ing his rationale for cancel­ “I don’t agree with all first and the sacrificial giv­ as the large dormitories. ing Claiborne’s visit. He of Shane’s conclusions but ing came from that,” he said. Students and university em­ read a prepared statement I must admit that I haven’t “The biblical progression be­ ployees can use these bins to to more than 75 students taken enough time to let gins with reverence for God. recycle paper, plastic bottles, and faculty before fielding God’s word and Christ’s ex­ If God says we ought to be aluminum cans and card- questions from the group. ample shape my opinions,” see RECYCLE page 4 Claiborne has gained Ruby said. UHHHigh (Schoolers) Cedarville Loses Police Fleet for the Elite: IFlying at Track Meet Officer to Car Accident CU's Strict vehicle Policy INSIDE .3 Viewpoints...6 Sports. 9 A&E...12 The Current... 15 ■■■THE BACK OF THE FRONT 3.1 January 2008 "[Some Americansl have said they would personally be happy to pay higher taxes. I welcome their enthusiasm. I'm pleased to report that the IRS accepts both checks and money C ed ars Iorders." -- President Bush, during the 2008 State of Union Address Managing Editor; Nathsn Washatka News Editor; Brandon Smith Viewpoints Editor; Dennis Mangle Arts & Entertainment Editor; Jenna Marcum The Current Editor: N ickErber Sports Editor: Andrea Walker Copy Editors: Camille Morse, Ann Foley, Jessica Whitehair Design Editors; Kyie Jackson Kyie Smith Designer & illustrator: Rachel Duarte Photography Editor: Crystal Fiippin Photographer: Jonathan Moultroup W ebm aster; Jerem y M cDuffie Advertising Manager: Clare Woods Office & Circulation Manager: Timon Reiner Staff Devin Babcock Angela Bacon Bryce Bahler Whitney Burch Kate Celia Kevin Cote Anna Cummings Cynthia Cuthbert Jessica Daugherty Aiyssa Denen Elisabeth Feucht Zach Freed Grant Goodman Bethany Harpole John Hawkins The Photo:___________________ Rebecca High Keri H ilty Vice President of Student Life Carl Ruby reads from Martin Luther King Jr's "Letter from Birmingham Jail" in the Sarah Hoffman upper level of the SSC. on Jan. 21. Several faculty and staff members took turns reading the letter as part of the uni­ Rachael Hubin versity's celebration of Martin Luther King Jr Day. Justin Keller Kate Klein Joel Lagan Grant Letizia Sterling Meyers Whitney Miller The List: Kelly Miller Mlcheile Mostaed Sarah Petersen The five most expensive paint­ Nathan Reed ings of all time, according to a Wikipe­ Amanda Roberts o dia article. The prices are listed in mil­ Zach Sanderson Josh Saunders o lions of dollars and have been adjusted Nate Schirmer I for inflation according to the 2007 con­ Dan Sizemore sumer price index. Michael Shirzadian a il Paul Smith « x efon+ a d r »+. no ftvrHtr how long we are Dresden Soules 1. NO. 5, 1948 Jessica Swayze “tog ether, were, poidr-oppost+cs^ Jackson Pollock $142.7 Naomi Washatka Aiyssa Weaver 2. Woman III Geneva M.Wilgus Willem de Kooning $140.2 Daniel Eugene Zimmerman Where should Only Off-Campus Cedarville students 3. Portrait ofAdele Bloch-Bauer I be allowed to watch Gustav Klimt $137.6 A SSOCIATED 63% CO LLEGIATE PRESS R-rated movies? 4. Portrait of Dr. Gachet Both On and Off-Campus Vincent van Gogh $129.7 MBER m 14% 5. Bal au Moulin de la Galette, Montmarte Nowhere Auguste Renoir $122.8 EVANGELICAL PRESS ASSOCiitlCW Cedars goal Is to provide news, information, and viewpoints about our local, national, and international On Wednesday the Federal Reserve low­ the economy grew by 4.9 percent in the third at 12,442 - market gains haven’t assuaged fears worlds. Cedars strives to ered short-term interest loan rates by half a quarter of the 2007 fiscal calendar and by 2.1 about deeper problems. offer accurate information point. The cut came only eight days after the percent in the fourth quarter of 2006. President Bush hopes to offer some re­ and thoughtful opinions which promote biblical Fed reduced rates by 0.75 points. The interest Poor earnings reports from big compa­ lief to cash-strapped consumers with a fiscal thinking and participation in rate now stands at a paltry 3 percent, but even nies like McDonald’s, American Express and stimulus bill.
Load more

Recommended publications
  • Alice Rossi (1922-2009): Feminist Scholar and an Ardent Activist
    Volume 38 • Number 1 • January 2010 Alice Rossi (1922-2009): Feminist Scholar and an Ardent Activist by Jay Demerath, Naomi Gerstel, Harvard, the University of were other honors too: inside Michael Lewis, University of Chicago, and John Hopkins The Ernest W. Burgess Massachusetts - Amherst as a “research associate”—a Award for Distinguished position often used at the Research on the Family lice S. Rossi—the Harriet time for academic women (National Council of ASA’s 2010 Election Ballot Martineau Professor of Sociology 3 A married to someone in Family Relations, 1996); Find out the slate of officer and Emerita at the University of the same field. She did not the Commonwealth Award Massachusetts - Amherst, a found- committee candidates for the receive her first tenured for a Distinguished Career ing board member of the National 2010 election. appointment until 1969, in Sociology (American Organization for Women (NOW) Alice Rossi (1922-2009) when she joined the faculty Sociological Association, (1966-70), first president of at Goucher College, and her first 1989); elected American Academy of August 2009 Council Sociologists for Women in Society 5 appointment to a graduate depart- Arts and Sciences Fellow (1986); and Highlights (1971-72), and former president of the ment did not come until 1974, honorary degrees from six colleges Key decisions include no change American Sociological Association when she and her husband, Peter H. and universities. in membership dues, but (1982-83)—died of pneumonia on Rossi, moved to the University of As an original thinker, Alice man- subscription rates see a slight November 3, 2009, in Northampton, Massachusetts-Amherst as Professors aged to combine her successful activ- Massachusetts.
    [Show full text]
  • LARS Studyguide 01.Pdf
    By Craig Detweiler, Ph.D. Ryan Gosling delivers one of the most original, Reel Spirituality Institute unaffected performances in years as the damaged The Brehm Center Lars. He creates an inspiring portrait of goodness. Fuller Theological Seminary Too often, onscreen goodness comes off as syrupy, maudlin or easy. Director Craig Gillespie takes all the INTRODUCTION clichés of relationship films--painful breakups, jealousies, tragedies, but re-humanizes them— through a Real Doll. Lars demonstrates the power of Lars and the Real Girl is a postmodern parable about love to heal the most painful memories. childlike faith and love. It is a sweet, heartfelt portrait of the kingdom of God in action. This faith-affirming This study guide will look at three transformational dramedy contains the rarest of cinematic aspects of Lars and the Real Girl. Lars’ initial treasures—emotional honesty. loneliness is overcome by the neighborliness of family and friends. While tempted to dismiss Lars’ The premise seems ripe for exploitation and cheap delusion as foolishness, the communitycomes to jokes. Lars Lindstrom is so lonely that he purchases recognize it as genuine goodness. While Lars’ a life-size, anatomically correct doll. Yet, his love for ixation upon a blow up doll could be seen as “Bianca” remains remarkably pure. Lying on his back childishness, by the conclusion of the film, Lars is in a tree, Lars sings Nat “King” Cole’s classic song heralded for his childlikeness. Lars and the Real “L-O-V-E” to Bianca with innocence and joy. Girl reminds us of Jesus’ challenging words, The entire community is challenged to adopt Lars’ “Unless you change and become like little children, childlike approach to life and love.
    [Show full text]
  • Volume 50 Fall 2015
    BULLETIN Articles: In Memoriam: Bluma Swerdloff Kraebber on Lars and the Real Girl BULLETIN Michels on Sex, Lies and Videotape OF THE ASSOCIATION FOR PSYCHOANALYTIC MEDICINE Dean on Harry Potter THE SOCIETY OF THE COLUMBIA CENTER FOR PSYCHOANALYTIC TRAINING AND RESEARCH Haase on Climate change Reports of Scientific Meetings Book Review: Kaufman on Myths of Mighty Women VOLUME 50, FALL 2015 VOLUME 50, FALL VOLUME 50 FALL 2015 BULLETIN STAFF The editors welcome comments from readers. Correspondence may Editor in Chief be sent to them at the following email addresses: Bonnie Kaufman Hilary Beattie [email protected] Section Editors Edith Cooper [email protected] Edith Cooper, Bonnie S. Kaufman Reeling: Psychoanalysis and Film Bonnie Kaufman [email protected] Vivian Pender Political Affairs Vivian Pender [email protected] George Sagi Technology and Layout Consultant George Sagi [email protected] Copy Editor Hilary Beattie THE ASSOCIATION FOR PSYCHOANALYTIC MEDICINE Officers Edith Cooper President Hillery Bosworth President Elect Marvin Wasserman Past President Juliette Meyer Secretary David Gutman Treasurer Appointed Advisors Lila Kalinich Jules Kerman Donald Meyers George Sagi Jonah Schein Marvin Wasserman Council Dina Abell Talia Hatzor Vaia Tsolas Representatives to the American Psychoanalytic Association Jules Kerman Elizabeth Tillinghast, Alternate The Bulletin welcomes original articles, guest editorials, opinions, reviews, letters and clinical vignettes. Please send editorial correspondence to Bonnie Kaufman, 800 Riverside Drive, Apt. 1J, New York, N.Y. 10032, or email to [email protected]. The Bulletin may also be accessed as a pdf file, on line, at http://www.theAPM.org/bulletin Contents IN MEMORIAM: BLUMA SWERDLOFF Introduction: Hilary J.
    [Show full text]
  • 2009 Convention Program
    This is the final draft of the SSCA Norfolk Convention Program used for printing. This is an Adobe PDF file and is searchable using the Find tool in the Edit tab of the toolbar in the upper left hand area of the Adobe window. The index is at the end of this document. No further changes can made to this document. Please send questions to Vice President Patricia Amason [email protected] Please note that our block of hotel rooms is quickly filling for the Norfolk Convention. The deadline is March 11. If you have not already booked your rooms, please do so now by going to this website: http://cwp.marriott.com/orfws/ssca/ 79th Annual Convention Southern States Communication Association 19th Annual Theodore Clevenger Jr. Undergraduate Honors Conference April 1 - 5, 2009 • Marriott Norfolk Waterside • Norfolk, Va. CROSSING IDEOLOGIES: COMMUNICATION & COLLABORATION IN A CHANGING WORLD April 1 - 5, 2009 • Norfolk, Va. 3 CROSSING IDEOLOGIES: COMMUNICATION & COLLABORATION IN A CHANGING WORLD 79th Annual Convention Southern States Communication Association 19th Annual Theodore Clevenger Jr. Undergraduate Honors Conference April 1 - 5, 2009 • Marriott Norfolk Waterside • Norfolk, Va. PRESIDENT: JEROLD L. HALE, UNIVERSITY OF GEORGIA VICE PRESIDENT: PATRICIA AMASON, UNIVERSITY OF ARKANSAS VICE PRESIDENT-ELECT: TOM SOCHA, OLD DOMINION UNIVERSITY EXECUTIVE DIRECTOR: J. EMMETT WINN, AUBURN UNIVERSITY T A B L E O F C O N T E N T S Welcome . 6 Interest Groups . .75 UHC Acknowledgements . .7 Charter Members . .75 Registration . .8 Executive Directors . .76 Exhibit Schedule . .8 SCJ Editors . .76 Hotel Map . .8 SSCA Presidents . .77 Business Meetings .
    [Show full text]
  • Lars and the Real Girl. Dir. Craig Gillespie
    CRITICAL DISABILITY DISCOURSES/ DISCOURS CRITIQUES DANS LE CHAMP DU HANCIAP 7 162 Film Review: Lars and the Real Girl. Dir. Craig Gillespie. USA: MGM, 2007. Reviewed by Michael G. Miceli, Critical Disability Studies, York University Lars and the Real Girl is Australian Craig Gillespie’s directorial debut. Ryan Gosling (Half-Nelson Academy Award nominee) plays the title character of Lars, a hyper- sensitive church-going small-town office worker (the film is shot in the wintry Toronto, Ontario suburbs of Uxbridge and King Township). Lars isolates himself from interacting with other people. This includes his brother Gus (Paul Schneider) and sister-in-law Karin (Emily Mortimer) who try desperately to include him in family activities; and from an office colleague Margo (Kelli Garner) who has romantic feelings for him. Still grieving from the loss of his parents many years ago and living in the garage next to Gus and Karin’s house, Lars subsequently orders online and falls in love with a full size, solid- body anatomically correct plastic sex doll whom he introduces to everyone as his “girlfriend”, an orphaned Brazilian missionary named Bianca. Lars and the Real Girl is actually a much better movie than the above synopsis would suggest as Lars’ situation elicits sympathy and understanding from the other characters instead of fear and revulsion surrounding his “delusion”. The film’s approach in presenting Lars’ psychiatric disability is refreshing as it touches upon the social pressures brought to bear on individuals who are perceived as “different” from the “norm” instead of the typical cinematic portrayal of a psychiatric disability as a highly negative and stigmatizing attribute that overshadows an individual’s entire identity.
    [Show full text]
  • 1 “I Grew up Loving Cars and the Southern California Car Culture. My Dad Was a Parts Manager at a Chevrolet Dealership, So V
    “I grew up loving cars and the Southern California car culture. My dad was a parts manager at a Chevrolet dealership, so ‘Cars’ was very personal to me — the characters, the small town, their love and support for each other and their way of life. I couldn’t stop thinking about them. I wanted to take another road trip to new places around the world, and I thought a way into that world could be another passion of mine, the spy movie genre. I just couldn’t shake that idea of marrying the two distinctly different worlds of Radiator Springs and international intrigue. And here we are.” — John Lasseter, Director ABOUT THE PRODUCTION Pixar Animation Studios and Walt Disney Studios are off to the races in “Cars 2” as star racecar Lightning McQueen (voice of Owen Wilson) and his best friend, the incomparable tow truck Mater (voice of Larry the Cable Guy), jump-start a new adventure to exotic new lands stretching across the globe. The duo are joined by a hometown pit crew from Radiator Springs when they head overseas to support Lightning as he competes in the first-ever World Grand Prix, a race created to determine the world’s fastest car. But the road to the finish line is filled with plenty of potholes, detours and bombshells when Mater is mistakenly ensnared in an intriguing escapade of his own: international espionage. Mater finds himself torn between assisting Lightning McQueen in the high-profile race and “towing” the line in a top-secret mission orchestrated by master British spy Finn McMissile (voice of Michael Caine) and the stunning rookie field spy Holley Shiftwell (voice of Emily Mortimer).
    [Show full text]
  • LE 18 JUILLET AU CINEMA the BOOKSHOP Un Film De Isabel Coixet
    LE 18 JUILLET AU CINEMA THE BOOKSHOP Un film de Isabel Coixet Rien ne semble troubler la paix de Hardborough, aimable bourgade de l’Est de l'Angleterre. Mais quand Florence Green (Emily Mortimer), un jeune veuve, décide d’y ouvrir une librairie, elle découvre l'enfer feutré des médisances puis l’ostracisme féroce d’une partie de la population. Alors que la très influente Violet Gamart (Patricia Clarckson) monte les habitants contre son projet, Florence trouvera un soutien précieux auprès du mystérieux Mr Brundish (Bill Nighy) qui trouve que cette petite ville a bien besoin d'un souffle nouveau. Cette adaptation du livre de Penelope Fitzgerald (lauréat du Booker Prize) par Isabel Coixet a remporté 3 Goyas en Espagne : Meilleur Film, Meilleure Réalisatrion et Meilleur Scénario. Durée: 113 min. - Angleterre - 2017 Matériel presse disponible sur www.cineart.be Distribution: Presse: Cinéart Heidi Vermander 72-74, Rue de Namur T. 0475 62 10 13 1000 Bruxelles [email protected] T. 02 245 87 00 ISABEL COIXET - DIRECTOR Filmography 2017 THE BOOKSHOP 2016 SPAIN IN A DAY (documentary) 2015 NOBODY WANTS THE NIGHT 2014 LEARNING TO DRIVE 2014 ANOTHER ME 2013 YESTERDAY NEVER ENDS 2011 LISTENING TO JUDGE GARZÓN (documentary) 2010 ARAL. THE LOST SEA (short) 2009 MAP OF THE SOUNDS OF TOKYO 2008 ELEGY 2007 INVISIBLES (documentary, segment: Letters to Nora) 2003 MY LIFE WITHOUT ME 2006 PARIS JE T’AIME (segment: Bastille) 1998 TO THOSE WHO LOVE 2005 THE SECRET LIFE OF WORDS 1996 THINGS I NEVER TOLD YOU 2004 ¡HAY MOTIVO! (segment: The 1989 TOO OLD TO DIE YOUNG Unbearable Lightness of the Shopping 1984 LOOK AND SEE (short) Trolley) Isabel Coixet started filming when she was given a 8mm camera on the occasion of her First Communion.
    [Show full text]
  • Lars and the Real Girl Talent: Ryan Gosling, Emily Mortimer, Paul Schneider, Patricia Clarkson, Kelli Garner. Date of Review
    Lars and the Real Girl Talent: Ryan Gosling, Emily Mortimer, Paul Schneider, Patricia Clarkson, Kelli Garner. Date of review: Thursday 3rd April, 2008 Director: Craig Gillespie Duration: 98 minutes Classification: PG We rate it: 4 and a half stars. Lars and the Real Girl may turn out to be both the most bizarre and the most touching independent film of the year. Think of a romantic fable whose central couple is comprised of, on one hand, a man in his late twenties, and on the other hand an anatomically correct, life-sized plastic doll, and you’ll probably have numerous thoughts about either raucous, politically-incorrect comedies or plainly bizarre out-of- left-field weirdness. Lars and the Real Girl is neither; it is, I kid you not, one of the most strangely moving love stories in recent memory, and it is made to work in the way it does by beautifully structured writing, perceptive and subtle direction, and a trio of wonderful performances, particularly that of leading man Ryan Gosling. Gosling, whom young female cinemagoers will remember as the romantic lead from the rather soppy romance The Notebook, here plays the titular Lars Lindstrom, an intensely introverted young man who lives next door to his older brother and his pregnant wife (the wonderful British actress Emily Mortimer). Lars and his brother have fairly recently lost their parents, and clearly the bereavement has left a deep impression upon the painfully shy Lars. The young man has no significant job to speak of, is looked after by his brother and sister-in-law, and as the film opens we see him, wearing his dowdy clothes and sporting a demure moustache, setting about his lonely life as the Northern American winter sets in.
    [Show full text]
  • Lars and the Real Girl
    LARS & THE REAL GIRL PRODUCTION NOTES A CRAIG GILLESPIE Film RYAN GOSLING EMILY MORTIMER PAUL SCHNEIDER KELLI GARNER PATRICIA CLARKSON NANCY BEATTY MAXWELL McCABE-LOKOS KAREN ROBINSON Written by NANCY OLIVER CERT: 12A RUNNING TIME: 106 mins For further information please contact: Julia Short / Clare Sainsbury at Verve Pictures [email protected] / [email protected] Tel: 020 7436 8001 For Unit Photography please go to: www.vervepics.com 1 LARS AND THE REAL GIRL Production Notes When Lars Lindstrom (Ryan Gosling) introduces his brother Gus (Paul Schneider) and sister-in-law Karin (Emily Mortimer) to his new friend Bianca, who he met on the internet, their immediate response is shock and disbelief. Has Lars, the sweet, socially challenged introvert gone completely mad— they meet Bianca and see a doll, but Lars sees a friend. Bianca isn’t a real woman at all but a Real Doll, how will they explain this to the residents of the sleepy Midwestern town they’ve grown up in and currently reside? Karin and Gus consult the town’s family physician, Dr. Dagmar Berman (Patricia Clarkson), who advises them to go along with it. Lars is experiencing a delusion and in order to help him through this crisis, they and the townsfolk need to get onboard. After some persuasion and appeal to their love and concern for Lars, Gus and Karin enlist their cooperation. Soon Bianca is attending church, modeling at the local dress shop, volunteering at the hospital and accompanying Lars to his first ever social events. Surprisingly to those around her, Bianca weaves her way into the hearts of everyone she meets, filling voids they didn’t know they had.
    [Show full text]
  • Barely a Month Into the COVID-19 Quarantine, Which Forced
    Not Lacking in Direction DGA members reflect on how they have stayed productive during Barely a month into the What were you doing when the the COVID-19 COVID-19 quarantine, shutdown began? quarantine which forced productions Ava DuVernay (When They See Us, to shut down worldwide Queen Sugar, Selma): I was on the set of a beginning in mid-March, DGA Quarterly massive DC Comics pilot I am directing for HBO Max (DMZ). We were three surveyed directors on how they’d been days from wrap. We abbreviated the schedule to one coping. And while these helmers continued remaining day and pressed through. We are now posting remotely. Turns out the fastest internet in my house is to work in various ways, they also in my laundry room, so I edit at a little table close to the discovered that time could be on their side, dryer! Another show I direct and created, Queen Sugar, was in post in L.A. and principal photography in New allowing them to indulge in the kinds of Orleans. We walked away from both that Friday. I think activities that usually took a back seat to of my crew every day and how they are making it. My their perpetually busy schedules. Here are heart aches for all who’ve lost work. some of their responses: Craig Gillespie (I, Tonya; Lars and the Real Girl; The 24 DGA QUARTERLY PHOTOS: (TOP ROW) COURTESY OF THE DIRECTORS United States of Tara): I was in post on Disney’s Cruella. It HOME FRONT: prepping a four-hour limited series Left to right: was just before we showed the director’s cut.
    [Show full text]
  • Lars and the Real Girl and the Quixotic in the 21St Century
    LABERINTO JOURNAL 12 (2019) EDITORS Juan Pablo Gil-Osle Arizona State University Daniel Holcombe Georgia College & State University EDITORIAL ASSISTANT María José Domínguez Arizona State University EDITORIAL BOARD Frederick de Armas Barbara Simerka Christopher Weimer Bruce R. Burningham Marina Brownlee Enrique García Santo-Tomás Steven Wagschal Julio Vélez-Sainz Lisa Voigt COVER DESIGN Caroline Capawana Burget Laberinto is sponsored by the Arizona Center for Medieval and Renaissance Studies (ACMRS), affiliated with the Spanish Section at the School of International Letters and Cultures (SILC), Arizona State University, and published in Tempe, Arizona. Arizona Board of Regents © www.laberintojournal.com https://acmrs.org/publications/journals/laberinto/about Special Issue: Reinventing Don Quixote in Cultural Production Table of contents Articles Images of the Third Degree: Dulcinea and the Classics Frederick A. de Armas, University of Chicago…………………...1 Don Polindo, Don Quixote, and Cervantes’s Transformation of the Knight Errant to an Erring Knight William Worden, University of Alabama………………………..29 “Do These Pants Make Me Look Fat?”: The Burgeoning of Sancho’s Panza Margaret Marek, Illinois College………………………………..50 Lars and the Real Girl and the Quixotic in the 21st century Ryan Prendergast, University of Rochester ……………………80 Women’s Mental Health Advocacy in Lars and the Real Girl and the Don Quixote Connection Bonnie L. Gasior, California State University, Long Beach……103 La democratización del privilegio social en España y sus representaciones en Don Quijote Xabier Granja Ibarreche, University of Alabama……...……….117 LABERINTO JOURNAL 12 (2019) Special Issue: Reinventing Don Quixote in Cultural Production Reviews Día y noche de Madrid. De Francisco Santos. Ed. Enrique García Santo- Tomás.
    [Show full text]
  • Love Dolls in the 'Robotic Moment' Nathan Wong
    SOCIAL SURROGATES OR POSTHUMAN LOVERS?: LOVE DOLLS IN THE ‘ROBOTIC MOMENT’ NATHAN WONG B.A., University of Lethbridge, 2012 A Thesis Submitted to the School of Graduate Studies Of the University of Lethbridge In Partial fulfillment of the Requirements for the Degree MASTER OF ARTS Department of Sociology University of Lethbridge LETHBRIDGE, ALBERTA, CANADA © Nathan Wong, 2015 SOCIAL SURROGATES OR POSTHUMAN LOVERS?: LOVE DOLLS IN THE ‘ROBOTIC MOMENT’ NATHAN WONG Date of Defense: Tuesday August 11th, 2015 Dr. Kimberly Mair Assistant Professor Ph. D Supervisor Dr. Jason Laurendeau Associate Professor Ph. D Thesis Examination Committee Member Dr. William Ramp Associate Professor Ph. D Thesis Examination Committee Member Dr. Tom Perks Assistant Professor Ph. D Chair, Thesis Examination Committee Member Abstract In this study, I address the status of human relationships with the contemporary sex or love doll by situating these relationships at the intersection between communications technologies and subjectivity. Critical discourse analysis of testimonials, advertising, a sub forum from The Doll Forum website, and photographs challenged the two prevalent perspectives: the surrogacy thesis, which suggests that dolls operate as stand-ins for absent human partners, and the commodification of sex thesis, which cast love dolls as masturbatory devices and their users as sexually deviant. Drawing upon critical social theory, particularly Sherry Turkle’s (2011) concept of the robotic moment and a reconfiguration of Keith Basso’s (1996) notion of interanimacy, I argue that, rather than supplements or surrogates, sociable technologies and objects are participants in social interactions, communications, and relationships. iii Acknowledgements I would like to thank my supervisor Dr.
    [Show full text]