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Juno Talent: Ellen Page, Jennifer Garner, Jason Bateman, Michael Cera, Alison Janney, J. K. Simmons, Olivia Thirlby. Date Of
Juno Talent: Ellen Page, Jennifer Garner, Jason Bateman, Michael Cera, Alison Janney, J. K. Simmons, Olivia Thirlby. Date of review: Thursday 13th December, 2007 Director: Jason Reitman Duration: 91 minutes Classification: M We rate it: 4 and a half stars. Jason Reitman, son of ultra-mainstream (and very successful) Hollywood director Ivan Reitman (he of Ghostbusters, Stripes and Kindergarten Cop fame) may just be able to move out from under his father’s significant shadow with this wonderful film. Jason Reitman’s breakthrough film as a director was 2005’s Thank You for Smoking, a cleverly written and very well performed black comedy that was so well pulled-off that one felt in the presence of promising new talent. It seems that feeling was correct, because with Juno, a very different film to its predecessor, Reitman has made an utterly assured and charming comedy/drama, and has drawn tremendously convincing and engaging performances from the entire cast. The talented young actress Ellen Page (who was so memorable in the confronting thriller Hard Candy) plays the titular character, an intelligent, articulate, out-of-left- field high-school student who, as our story opens, finds herself pregnant to her close friend and would-be boyfriend, Bleeker. Being smart, strong and self-possessed, Juno confronts her situation level-headedly, and decides, on reflection, that she will go through with the pregnancy and offer her child for adoption to a couple who are unable to conceive. With the support of her family - stepmother Bren (the wonderful Alison Janney) and father Mac (the ever-humourous J. -
The Beneficence of Gayface Tim Macausland Western Washington University, [email protected]
Occam's Razor Volume 6 (2016) Article 2 2016 The Beneficence of Gayface Tim MacAusland Western Washington University, [email protected] Follow this and additional works at: https://cedar.wwu.edu/orwwu Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation MacAusland, Tim (2016) "The Beneficence of Gayface," Occam's Razor: Vol. 6 , Article 2. Available at: https://cedar.wwu.edu/orwwu/vol6/iss1/2 This Research Paper is brought to you for free and open access by the Western Student Publications at Western CEDAR. It has been accepted for inclusion in Occam's Razor by an authorized editor of Western CEDAR. For more information, please contact [email protected]. MacAusland: The Beneficence of Gayface THE BENEFICENCE OF GAYFACE BY TIM MACAUSLAND In 2009, veteran funny man Jim Carrey, best known to the mainstream within the previous decade with for his zany and nearly cartoonish live-action lms like American Beauty and Rent. It was, rather, performances—perhaps none more literally than in that the actors themselves were not gay. However, the 1994 lm e Mask (Russell, 1994)—stretched they never let it show or undermine the believability his comedic boundaries with his portrayal of real- of the roles they played. As expected, the stars life con artist Steven Jay Russell in the lm I Love received much of the acclaim, but the lm does You Phillip Morris (Requa, Ficarra, 2009). Despite represent a peculiar quandary in the ethical value of earning critical success and some of Carrey’s highest straight actors in gay roles. -
Netflix and Changes in the Hollywood Film Industry 넷플릭스와 할리우드
ISSN 2635-8875 / e-ISSN 2672-0124 산업융합연구 제18권 제5호 pp. 36-41, 2020 DOI : https://doi.org/10.22678/JIC.2020.18.5.036 Netflix and Changes in the Hollywood Film Industry Jeong-Suk Joo Associate Professor, Dept. of International Trade, Jungwon University 넷플릭스와 할리우드 영화산업의 변화 주정숙 중원대학교 국제통상학과 부교수 Abstract This paper aims to explore and shed light on how the rise of streaming services has been affecting the media landscape in the recent years by looking at the conflicts between the Hollywood film industry and Netflix. It especially examines Netflix’s disregard for the theatrical release, as it is the most portentous issue that could reshape the film industry, and Hollywood’s opposition to it as revealed through the 2019 Academy Awards where the issue was brought into sharp relief. At the same time, this paper also questions whether theatrical distribution makes a film any more cinematic by examining how Hollywood film production has been largely concentrated on tentpoles and franchises, while Netflix has been producing diverse films often shunned by the studios. In this light, it concludes the changes wrought by Netflix, including its bypassing of the theatrical release, are not likely to be reversed. Key Words : Netflix, Streaming service, Hollywood, Film industry, Netflix films 요 약 본 논문은 할리우드 영화산업과 넷플릭스 간 갈등의 고찰을 통해 스트리밍 서비스의 부상이 미디어 지형에 어떠한 영향을 미쳐왔는지 밝히고자 한다. 특히 영화산업의 재편을 가져올 수 있는 가장 중요한 문제로써 극장을 거치지 않고 자사 플랫폼에 영화를 공개하는 넷플릭스의 개봉방식을 살펴보고 이에 대한 반발이 크게 불거진 2019 년 아카데미 영화제를 중심으로 할리우드의 반대를 살펴본다. -
Paul Rudd Strikes a Comedic Pose While Bowling for Children Who Stutter
show ad Funnyman with a heart of gold! Paul Rudd strikes a comedic pose while bowling for children who stutter By Shyam Dodge PUBLISHED: 03:33 EST, 22 October 2013 | UPDATED: 03:34 EST, 22 October 2013 30 View comments He's known for being one of the funniest men working in Hollywood today. But Paul Rudd proved he's also got a heart of gold as he hosted his second annual All-Star Bowling Benefit for children who stutter in New York, on Monday. The 44-year-old actor could be seen throughout the fund raising event performing various comedic antics while bowling at the lanes. Gearing up: Paul Rudd hosted his second annual All-Star Bowling Benefit for children who stutter in New York, on Monday The I Love You, Man star taught some of the fundamentals of the sport to the children gathered for the event. But when it came his turn to demonstrate his bowling prowess it appeared he may have needed some practise in the art. Performing a comedic kick in the air after seeming to land the ball in the gutter the surrounding kids erupted into both applause and giggles. Getting a rise: The 44-year-old actor looked to have missed his mark during the event The set up: Rudd got his form down before letting loose But the antics also seemed to have been choreographed to entertain the youngsters, who the star was intent upon helping. Wearing brown suede loafers and tan chinos, Rudd went casual in a simple chequered button down shirt. -
'Game of Thrones,' 'Fleabag' Take Top Emmy Honors on Night of Upsets
14 TUESDAY, SEPTEMBER 24, 2019 Stars hit Emmy red carpet Jodie Maisie Comer Natasha Lyonne Williams Michelle Williams Naomi Watts Sophie Turner Kendall Jenner Vera Farmiga Julia Garner beats GoT stars to win ‘Game of Thrones,’ ‘Fleabag’ take top first Emmy Los Angeles Emmy honors on night of upsets ctress Julia Gar- Los Angeles Emmy for comedy writing. Aner beat “Game of “This is just getting ridiculous!,” Phoebe Waller-Bridge’s Thrones” stars, including edieval drama “Game Waller-Bridge said as she accept- ‘Fleabag’ wins big at Emmys Sophie Turner, Lena Head- of Thrones” closed ed the comedy series Emmy. Los Angeles ey, Maisie Williams, to win Mits run with a fourth “It’s really wonderful to know, her first Emmy in Support- Emmy award for best drama se- and reassuring, that a dirty, angry, ctress Phoebe Waller-Bridge won Lead ing Actress in a Drama Se- ries while British comedy “Flea- messed-up woman can make it Actress in a Comedy Series trophy at ries category at the 2019 bag” was the upset winner for to the Emmys,” Waller-Bridge Athe 71st Primetime Emmy Awards gala Emmy awards here. best comedy series on Sunday on added. here for her role in “Fleabag”, The first-time Emmy a night that rewarded newcom- Already the most- awarded which was also named as the nominee was in contention ers over old favorites. series in best comedy series. with Gwendoline Christie Billy Porter, the star of LGBTQ The Emmys are Hollywood’s Emmy “This is just getting ridicu- (“Game of Thrones”), Head- series “Pose,” won the best dra- top honors in television, and the history lous,” Waller-Bridge said as she ey (“Game of Thrones”), matic actor Emmy, while British night belonged to Phoebe Waller- with accepted the honour for best com- Fiona Shaw (“Killing newcomer Jodie Comer took the Bridge, the star and creator of 38 wins, edy series. -
Hollywood, Urban Primitivism, and St. Louis Blues, 1929-1937
An Excursion into the Lower Depths: Hollywood, Urban Primitivism, and St. Louis Blues, 1929-1937 Peter Stanfield Cinema Journal, 41, Number 2, Winter 2002, pp. 84-108 (Article) Published by University of Texas Press DOI: 10.1353/cj.2002.0004 For additional information about this article http://muse.jhu.edu/journals/cj/summary/v041/41.2stanfield.html Access Provided by Amherst College at 09/03/11 7:59PM GMT An Excursion into the Lower Depths: Hollywood, Urban Primitivism, and St. Louis Blues, 1929–1937 by Peter Stanfield This essay considers how Hollywood presented the song St. Louis Blues in a num- ber of movies during the early to mid-1930s. It argues that the tune’s history and accumulated use in films enabled Hollywood to employ it in an increasingly com- plex manner to evoke essential questions about female sexuality, class, and race. Recent critical writing on American cinema has focused attention on the struc- tures of racial coding of gender and on the ways in which moral transgressions are routinely characterized as “black.” As Eric Lott points out in his analysis of race and film noir: “Raced metaphors in popular life are as indispensable and invisible as the colored bodies who give rise to and move in the shadows of those usages.” Lott aims to “enlarge the frame” of work conducted by Toni Morrison and Ken- neth Warren on how “racial tropes and the presence of African Americans have shaped the sense and structure of American cultural products that seem to have nothing to do with race.”1 Specifically, Lott builds on Manthia D iawara’s argument that “film is noir if it puts into play light and dark in order to exhibit a people who become ‘black’ because of their ‘shady’ moral behaviour.2 E. -
The 21St Hamptons International Film Festival Announces Southampton
THE 21ST HAMPTONS INTERNATIONAL FILM FESTIVAL ANNOUNCES SOUTHAMPTON OPENING, SATURDAY’S CENTERPIECE FILM AUGUST: OSAGE COUNTY, SPOTLIGHT AND WORLD CINEMA FILMS INCLUDING LABOR DAY, HER, THE PAST AND MANDELA: LONG WALK TO FREEDOM WILL FORTE TO JOIN BRUCE DERN IN “A CONVERSATION WITH…” MODERATED BY NEW YORK FILM CRITICS CIRCLE CHAIRMAN JOSHUA ROTHKOPF Among those expected to attend the Festival are: Anna Paquin, Bruce Dern, Ralph Fiennes, Renee Zellweger, Dakota Fanning, David Duchovny, Helena Bonham Carter, Edgar Wright, Kevin Connolly, Will Forte, Timothy Hutton, Amy Ryan, Richard Curtis, Adepero Oduye, Brie Larson, Dane DeHaan, David Oyelowo, Jonathan Franzen, Paul Dano, Ralph Macchio, Richard Curtis, Scott Haze, Spike Jonze and Joe Wright. East Hampton, NY (September 24, 2013) -The Hamptons International Film Festival (HIFF) is thrilled to announce that Director Richard Curtis' ABOUT TIME will be the Southampton opener on Friday, October 11th and that Saturday's Centerpiece Film is AUGUST: OSAGE COUNTY directed by John Wells. As previously announced, KILL YOUR DARLINGS will open the Festival on October 10th; 12 YEARS A SLAVE will close the Festival; and NEBRASKA is the Sunday Centerpiece. The Spotlight films include: BREATHE IN, FREE RIDE, HER, LABOR DAY, LOUDER THAN WORDS, MANDELA: LONG WALK TO FREEDOM, THE PAST and CAPITAL.This year the festival will pay special tribute to Oscar Award winning director Costa-Gavras before the screening of his latest film CAPITAL. The Festival is proud to have the World Premiere of AMERICAN MASTERS – MARVIN HAMLISCH: WHAT HE DID FOR LOVE as well as the U.S Premiere of Oscar Winner Alex Gibney’s latest doc THE ARMSTRONG LIE about Lance Armstrong. -
Introduction to DEVS Modeling and Simulation with JAVA: Developing Component-Based Simulation Models
Introduction to DEVS Modeling and Simulation with JAVA: Developing Component-Based Simulation Models Bernard P. Zeigler Arizona Center for Integrative Modeling and Simulation Electrical & Computer Enginering College of Engineering and Mines University of Arizona Tucson, Arizona, USA Hessam S. Sarjoughian Arizona Center for Integrative Modeling and Simulation Computer Science & Engineering Fulton School of Engineering Arizona State University Tempe, Arizona, USA January 2005 Copyright by the Authors Draft Version 3 List of Chapters Chapter 1..............................................................................................6 INTRODUCTION TO DEVS MODELING & SIMULATION METHODOLOGY........6 Framework for Modeling and Simulation ..............................................6 Brief Review of the DEVS Concepts ..................................................6 Basic Models .................................................................................8 Coupled Models .............................................................................9 Hierarchical Model Construction .....................................................10 The DEVS Formalism.......................................................................10 Classic DEVS System Specification .................................................10 Summary.......................................................................................12 Chapter 2............................................................................................13 WORKING WITH SIMPLE DEVS -
Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing
Directors Tell the Story Master the Craft of Television and Film Directing Directors Tell the Story Master the Craft of Television and Film Directing Bethany Rooney and Mary Lou Belli AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Focal Press is an imprint of Elsevier 225 Wyman Street, Waltham, MA 02451, USA The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK © 2011 Bethany Rooney and Mary Lou Belli. Published by Elsevier Inc. All rights reserved No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this field are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 115 CONGRESS, SECOND SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 115 CONGRESS, SECOND SESSION Vol. 164 WASHINGTON, MONDAY, JUNE 25, 2018 No. 106 House of Representatives The House met at noon and was voice, reminding your colleagues, even dered a week ago are in the system, called to order by the Speaker pro tem- if Donald Trump doesn’t recognize the why can’t we tell parents where their pore (Mr. ARRINGTON). Fifth Amendment, that under the Con- most precious possession, their chil- f stitution, nobody is denied of life, lib- dren, are—and the notion that some erty, or property without due process are walking away from detention fa- DESIGNATION OF SPEAKER PRO of law. cilities. TEMPORE There are over 300 other Republicans The Trump administration is talking The SPEAKER pro tempore laid be- in the House and Senate, and I hope about reorganizing essential govern- fore the House the following commu- America hears from them. And Demo- ment departments. Maybe if they want nication from the Speaker: crats should welcome a contest of ideas to do that, they ought to start with the and a contest at the ballot box, not Immigration and Customs Enforce- WASHINGTON, DC, ment. They ought to start with the De- June 25, 2018. shouting at restaurants. I hereby appoint the Honorable JODEY C. It is important that we don’t lose partment of Homeland Security and ARRINGTON to act as Speaker pro tempore on sight of the bigger picture. There is a the Department of Health and Human this day. -
Alice Rossi (1922-2009): Feminist Scholar and an Ardent Activist
Volume 38 • Number 1 • January 2010 Alice Rossi (1922-2009): Feminist Scholar and an Ardent Activist by Jay Demerath, Naomi Gerstel, Harvard, the University of were other honors too: inside Michael Lewis, University of Chicago, and John Hopkins The Ernest W. Burgess Massachusetts - Amherst as a “research associate”—a Award for Distinguished position often used at the Research on the Family lice S. Rossi—the Harriet time for academic women (National Council of ASA’s 2010 Election Ballot Martineau Professor of Sociology 3 A married to someone in Family Relations, 1996); Find out the slate of officer and Emerita at the University of the same field. She did not the Commonwealth Award Massachusetts - Amherst, a found- committee candidates for the receive her first tenured for a Distinguished Career ing board member of the National 2010 election. appointment until 1969, in Sociology (American Organization for Women (NOW) Alice Rossi (1922-2009) when she joined the faculty Sociological Association, (1966-70), first president of at Goucher College, and her first 1989); elected American Academy of August 2009 Council Sociologists for Women in Society 5 appointment to a graduate depart- Arts and Sciences Fellow (1986); and Highlights (1971-72), and former president of the ment did not come until 1974, honorary degrees from six colleges Key decisions include no change American Sociological Association when she and her husband, Peter H. and universities. in membership dues, but (1982-83)—died of pneumonia on Rossi, moved to the University of As an original thinker, Alice man- subscription rates see a slight November 3, 2009, in Northampton, Massachusetts-Amherst as Professors aged to combine her successful activ- Massachusetts. -
Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23Rd, 2019
Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23rd, 2019 FOR IMMEDIATE RELEASE 24th ANNUAL NANTUCKET FILM FESTIVAL ANNOUNCES FEATURE FILM LINEUP DANNY BOYLE’S YESTERDAY TO OPEN FESTIVAL ALEX HOLMES’ MAIDEN TO CLOSE FESTIVAL LULU WANG’S THE FAREWELL TO SCREEN AS CENTERPIECE DISNEY•PIXAR’S TOY STORY 4 PRESENTED AS OPENING FAMILY FILM IMAGES AVAILABLE HERE New York, NY (April 23, 2019) – The Nantucket Film Festival (NFF) proudly announced its feature film lineup today. The opening night selection for its 2019 festival is Universal Pictures’ YESTERDAY, a Working Title production written by Oscar nominee Richard Curtis (Four Weddings and a Funeral, Love Actually, and Notting Hill) from a story by Jack Barth and Richard Curtis, and directed by Academy Award® winner Danny Boyle (Slumdog Millionaire, Trainspotting, 28 Days Later). The film tells the story of Jack Malik (Himesh Patel), a struggling singer-songwriter in a tiny English seaside town who wakes up after a freak accident to discover that The Beatles have never existed, and only he remembers their songs. Sony Pictures Classics’ MAIDEN, directed by Alex Holmes, will close the festival. This immersive documentary recounts the thrilling story of Tracy Edwards, a 24-year-old charter boat cook who became the skipper of the first ever all-female crew to enter the Whitbread Round the World Yacht Race. The 24th Nantucket Film Festival runs June 19-24, 2019, and celebrates the art of screenwriting and storytelling in cinema. A24’s THE FAREWELL, written and directed by Lulu Wang, will screen as the festival’s Centerpiece film.