Meeteetse Area Stories

Total Page:16

File Type:pdf, Size:1020Kb

Meeteetse Area Stories MEETEETSE AREA STORIES A type-written work by Elmer Carlson Presented originally to the Park County Historical Society by Elmer Carlson. Later a copy was given to the Meeteetse Museums by the P.C.H.S. [This has been re-typed exactly as it was presented in the typed form from Elmer Carlson’s work in order to be available on computer. All spelling and punctuation is exactly as is in the original work. January 2012 Meeteetse Museums.] THE $ KID [Handwritten across the top of the page.] Presented to P.C.H.S. by Elmer Carlson – Copy given to Meeteetse Museum from P.C.H.S. Written about The Dollar Kid Dollar Kid is living The Butterfield’s brought in some of the first sheep to the Big Horn Basin, they were from Utah arriving on Owl Creek in the Fall of 1890. John Lynn had come in to the area around Lovell in the summer of 1890 from Montana. Lynns brought in two big bands of ewes of about 3000 each. All of these sheep were a coarse wooled sheep, Cotswold and Lincoln. They looked big but sheared a big light weight fleece. They were easy to shear, no wrinkles or wool on the legs or belly. They didn’t settle down to feed like the smaller finer wooled sheep that came in. David Dickie came in here to look over the ranch in 1890, so the next year 1891, he and Pete Brotherson brought in two bands of Merino and Ramboulettes ewes. They summered over on the head of Crow Creek and came to Gooseberry in the Fall of 1891. Dickie had left Scotland and gone to New Zealand where he went into the sheep business for a few years, he had good sheep but, wasn’t satisfied with the climate and types of forage. Sold out and came to Rock Springs, where he started in the sheep business again. The area was what he thought was overrun with sheep, he would go to some new place where he could have room to enlarge his lands and herds of sheep. His ideas were long thought out in advance. This country had been overrun with cattle in the mid 1880’s but the winter of 1887 and ’88 was the longest and coldest that has ever been recorded in Wyoming history. The summer had been hot and dry so consequently there was very short grass crop on growth. No one had ever tried to raise any hay. Winter started in last part of September and snows just fell at will. The sun would come up in the morning but there was no warmth to its rays. By November 1 there was two feet of snow and they didn’t know how cold, but the air would be blue around the horizon. By December 1 nearly all the old cows and young calves had died. Sliney told that the next spring he could walk on cattle bones from the old Padlock Ranch to Thermopolis, said they lost 5000 head of cattle that winter. The summer of ’88 was a good year. The grass grew tall and rich, but now there were no livestock to eat it. That winter killed off most of the buffalo and wild game animals. The coyotes and wolves lived a fat life that winter, didn’t even have to chase their prey, but the next couple of years they lived on old dry hides and bones. Had it not been for this bad winter no doubt some history of Wyoming would have been different. Rothwell bought the remnants of Sliney’s horses and brought in three bands of sheep from the Rawlins country. He was a good business man. Only German sheep or stockman in this area. He put in a system of irrigation ditches and raised a lot of hay. They had all heard how vicious a winter could be in this area. Along any of the creeks years afterward you could see evidence of the 2 tops of cottonwood trees that had been cut off to be used for feed for the few cattle or horses. That was their only feed for those few months of vicious cold. The winter lasted until the last of February. Took the heart out of a man to lose all of his livestock. The stockmen now took to planning for supplement feed to carry his animals through in the event of another vicious winter. But in a few years there was a thick growth of feed in the hills and for some reason they had mild winters for a few years. Billy, Bob Steele and Billy Carmichael came in from Rock Springs with two bands of sheep in the Fall of 1895 and stopped for the winter on Buffalo Creek east of Meeteetse. There was blue stem grass in all of the gulches as high as a horse’s belly, every animal was fat all winter. The Steele’s had leased sheep from Pat Sullivan and Jerry Mahoney of Rawlins and Rock Springs. There were lots of sheep on the Red Desert so when their three-year lease was finished, they headed their sheep North. Went up Big Sandy Creek across the mountain and thru the Fort Washakie Indian Reservation to the Wind River, they made these big Catswold ewes swim the river, Indians were down river to catch any sheep that couldn’t swim, said they only lost about fifty head of ewes. Now they were ready to cross the Owl Creek Mountains and in the Big Horn Basin. George Renner trailed in their sheep (two bands) from the John Day river country in Oregon. Got in to the Cody country in the Fall of 1897 and wintered out on Dry Creek. Ad Renner and their family came overland that same Fall. The Renners introduced a new breed of sheep called Delaine, they were of small body, one of the distinctions of this breed was the fine staple of wool. They were the greasy type, looked almost of a black tinge to their wool. They were a heavy fleeced sheep, fleeces weighing ten pounds. That was unheard of most of the coarse wooled sheep would only shear six pounds. That same Fall the Ted, Adam and Bill Hoggs trailed in to the Meeteetse country with two bands. They were of a better grade of sheep having about a half blood wool variety, they were a big sheep and had the heavier fleece. They were descendants of the Robert Tayor herds of Rock Springs. Tom and Jim Thompson came up from the Sweetwater Country with a band of sheep taking two years to make this move. These sheep men had increased their herds. The only income was from the sale of wool, .07₵ per pound. A ten pound fleece of wool would be priced at 70₵. A herd of good shearing sheep would earn $2100.00 per herd of 3000 head. They had no market for wether lambs as they have today. They were saved and run in big herds of 5000 head. They were paying business and were shipped to Omaha or Chicago markets when they were four or five years old. The Butterfields had increased their number of herds and controlled areas by having this area surrounded by these big wether herds, if someone decided to come into their acquired country, the wether herders were instructed to run their big herd into the challenging herd and mix with them. Now they would have to go to a corralll and run them thru the dodge gate to separate them. If the new herd did not turn back but continue to stay in the area there would be another herd of wethers thrown into the herd. After the new band had been jammed around in the corralls another time they usually went back. The herders in those days would fight for their respective outfits. It has been said there was a herder that worked for Hogg’s, he was nicknamed the “Buttin Dane”, after one encounter with him, he using his head to butt his opponent down, the other herder would use his dogs to round up the herd and hit for other grounds. He had been in many a barroom fight and subdued a few opponents, said the only way you could hurt him was kick his shins. 3 About this time the sheep became infested with Scabies, a parasite fungus causing the wool to fall off in spots and causing raw sores, that in turn would be fly blown, causing maggots and of course the death of that sheep. The magpie and the raven also took their toll literally eating the sheep alive. The sheepmen sent in to get veterinary analysis of the disease and to come up with a solution. A. c. Dent was born in Scotland and a real sheepman and gentleman, he was appointed scab inspector for this area. It was decided that every sheep would have to be dipped in a solution of Blackleaf 40 Nocotine [sic] dip, and quarantined to that particular area, so many dipping vats were built and in the presence of A. C. Dent be put thru the dipper. Bad cases three times that first year. That was an ordeal, the wool was contaminated so had to be put thru a solution before it could be sold. After three dippings the scab was much better but it took several years before it was completely wiped out. Dipping was carried on for many years afterwards just to be sure there were no recurrence and to rid the sheep of ticks.
Recommended publications
  • 2012 Edition
    2012 Edition Cleveland State Community College ENGLISH DEPARTMENT Editor: Julie Fulbright Assistant Editor: Heather Cline Liner Front cover photography by: Amanda Guffey Graphic Design and Production: CSCC Marketing Department Printer: Dockins Graphics, Cleveland, Tenn. Copyright: 2012 Cleveland State Community College www.clevelandstatecc.edu All Rights Reserved Funding for this publication provided under Title I of the Carl D. Perkins Career and Technical Education Act of 2006. CSCC HUM/12095/04092012 - Cleveland State Community College is an AA/ EEO employer and does not discriminate on the basis of race, color, national origin, sex, disability or age in its program and activities. The following department has been designated to handle inquiries regarding the non-discrimination policies: Human Resources P.O. Box 3570 Cleveland, TN 37320-3570 [email protected] Table of Contents Written By Title Photo/Drawing By: Page Frankie Conar After the Storm Julie Fulbright 5 Brittney Glover Weep for Me James Loyless 6 Leaves of the Sea Amanda Guffey 7 Stormy Fisher Mother 8 Savannah Tioaquen I Am the Wind Brandon Perry 9 Tracey Thompson Rose Amanda Guffey 10 Mirror Mirror Megan Payne 11 Tonya Arsenault Siblings Marchelle Wear 12-13 We Can’t Go Back in Time Kimberley Stewart 14-15 Angel Jadoobirsingh Spying Angel Jadoobirsingh 16 My Pay Angel Crawford 17 Cody Thrift Through Solemn Eyes Misti Stoika 18 I Had a Dream I Died Alonzo Bell 19-20 The Hero Tonya Arsenault 21-22 Nicholas Johnson Such Is Life Angel Jadoobirsingh 23 Turn the Lights Out 24 The Window by the Tree Marchelle Wear 25 Chet Guthrie Christmas on the Battlefield Amanda Guffey 26-29 Sweet Kalan Tonya Arsenault 30-34 The 23rd Psalm Marchelle Wear 35-37 Letters through the Fence Marchelle Wear 38-42 Grandfather’s Axe Marchelle Wear 43-44 Her Beauty Daniel Stokes 45 In the Eyes of a Dreamer Megan Payne 46 Rise o’ Rise Dear Wall Street 47 The Old Man Michael Espinoza 48 A Night of Passion Shanna Calfee 49-50 Table of Contents - Cont’d.
    [Show full text]
  • Butch Cassidy Roamed Incognito in Southwest New Mexico
    Nancy Coggeshall I For The New Mexican Hideout in the Gila Butch Cassidy roamed incognito in southwest New Mexico. Hideout in the Gila utch Cassidy’s presence in southwestern New Mexico is barely noted today. Notorious for his successful bank Butch Cassidy roamed and train robberies at the turn of the 20th century, incognito in southwest Cassidy was idealized and idolized as a “gentleman out- New Mexico wilderness Blaw” and leader of the Wild Bunch. He and various members of the • gang worked incognito at the WS Ranch — set between Arizona’s Blue Range and San Carlos Apache Reservation to the west and the Nancy Coggeshall rugged Mogollon Mountains to the east — from February 1899 For The New Mexican until May 1900. Descendants of pioneers and ranchers acquainted with Cassidy tell stories about the man their ancestors knew as “Jim Lowe.” Nancy Thomas grew up hearing from her grandfather Clarence Tipton and others that Cassidy was a “man of his word.” Tipton was the foreman at the WS immediately before Cassidy’s arrival. The ranch sits at the southern end of the Outlaw Trail, a string of accommodating ranches and Wild Bunch hideouts stretching from Montana and the Canadian border into Mexico. The country surrounding the WS Ranch is forbidding; volcanic terrain cleft with precipitously angled, crenelated canyon walls defies access. A “pretty hard layout,” local old-timer Robert Bell told Lou Blachly, whose collection of interviews with pioneers — conducted PROMIENT PLACES - between 1942 and 1953 — are housed at the University of New OUTLAW TRAIL Mexico. What better place to dodge the law? 1.
    [Show full text]
  • Ranching Catalogue 
    Catalogue Ten –Part Four THE RANCHING CATALOGUE VOLUME TWO D-G Dorothy Sloan – Rare Books box 4825 ◆ austin, texas 78765-4825 Dorothy Sloan-Rare Books, Inc. Box 4825, Austin, Texas 78765-4825 Phone: (512) 477-8442 Fax: (512) 477-8602 Email: [email protected] www.sloanrarebooks.com All items are guaranteed to be in the described condition, authentic, and of clear title, and may be returned within two weeks for any reason. Purchases are shipped at custom- er’s expense. New customers are asked to provide payment with order, or to supply appropriate references. Institutions may receive deferred billing upon request. Residents of Texas will be charged appropriate state sales tax. Texas dealers must have a tax certificate on file. Catalogue edited by Dorothy Sloan and Jasmine Star Catalogue preparation assisted by Christine Gilbert, Manola de la Madrid (of the Autry Museum of Western Heritage), Peter L. Oliver, Aaron Russell, Anthony V. Sloan, Jason Star, Skye Thomsen & many others Typesetting by Aaron Russell Offset lithography by David Holman at Wind River Press Letterpress cover and book design by Bradley Hutchinson at Digital Letterpress Photography by Peter Oliver and Third Eye Photography INTRODUCTION here is a general belief that trail driving of cattle over long distances to market had its Tstart in Texas of post-Civil War days, when Tejanos were long on longhorns and short on cash, except for the worthless Confederate article. Like so many well-entrenched, traditional as- sumptions, this one is unwarranted. J. Evetts Haley, in editing one of the extremely rare accounts of the cattle drives to Califor- nia which preceded the Texas-to-Kansas experiment by a decade and a half, slapped the blame for this misunderstanding squarely on the writings of Emerson Hough.
    [Show full text]
  • Download Free Mp3 Lord. I'm Ready Now Plumb Download Free Mp3 Lord
    download free mp3 lord. i'm ready now plumb Download free mp3 lord. i'm ready now plumb. NAME The Best Pop Rock Ballads 2000s.torrent CATEGORY Music INFOHASH d4c4a16fca22e4c43e7caa3d1f13d11a1fe31d48 SIZE 899 MB in 99 files ADDED Uploaded on 28-04-2021 by our crawler pet called "Spidey". SWARM 1 seeders & 0 peers RATING No votes yet. Please login to vote for this torrent. Description. Название: The Best Pop Rock Ballads 2000s. Исполнитель: VA. Жанр: Pop, Rock, Ballads. Продолжительность: 06:28:38. Формат/Кодек: MP3. Битрейт аудио: 320 Kbps. 001. Daniel Schuhmacher - Why. 002. Zella Day - The Outlaw Josey Wales. 003. Brandon Heath - Sunrise. 004. Alex Lloyd - Bring It On. 005. Eros Ramazzotti - Vivi E Vai. 006. Plumb - When You Walk. 007. Black - Not The Man. 008. Blue System - You Are Lyin' 009. Danny Gokey - It's Only. 010. Camouflage - Shine. 011. Lara Fabian - Tango. 012. Ann Sophie - Jump The Gun. 013. Howie Day - Worry. 014. Tove Lo - Got Love. 015. Tenth Avenue North - You Are More. 016. E-Rotic - Wild Love. 017. Sagi Rei - The Riddle. 018. Kovacs - Shirley. 019. XOV - Blood Honey. 020. Haddaway - Shout. 021. Mat Kearney - Los Angeles. 022. Lena - Lifeline. 023. Guy Sebastian - The Pause. 024. David Cook - A Daily Anthem. 025. Lifehouse - Flight. 026. Amr Diab - Agheeb. 027. ZZ Top - Over You. 028. Corson - The Other Side. 029. Bad Boys Blue - Baby Blue '99. 030. Ed Sheeran - Fall. 031. Maggie Reilly - Don't Wanna Lose. 032. Imany - Shape Of A Broken Heart. 033. Will Young - Thank You. 034. Kendji Girac - Avec Toi. 035. Nate Ruess - Moment.
    [Show full text]
  • Hermann NAEHRING: Wlodzimierz NAHORNY: NAIMA: Mari
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hermann NAEHRING: "Großstadtkinder" Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; Henry Osterloh -tymp; recorded 1985 in Berlin 24817 SCHLAGZEILEN 6.37 Amiga 856138 Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; recorded 1985 in Berlin 24818 SOUJA 7.02 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Volker Schlott -fl; recorded 1985 in Berlin A) Orangenflip B) Pink-Punk Frosch ist krank C) Crash 24819 GROSSSTADTKINDER ((Orangenflip / Pink-Punk, Frosch ist krank / Crash)) 11.34 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; recorded 1985 in Berlin 24820 PHRYGIA 7.35 --- 24821 RIMBANA 4.05 --- 24822 CLIFFORD 2.53 --- ------------------------------------------ Wlodzimierz NAHORNY: "Heart" Wlodzimierz Nahorny -as,p; Jacek Ostaszewski -b; Sergiusz Perkowski -d; recorded November 1967 in Warsaw 34847 BALLAD OF TWO HEARTS 2.45 Muza XL-0452 34848 A MONTH OF GOODWILL 7.03 --- 34849 MUNIAK'S HEART 5.48 --- 34850 LEAKS 4.30 --- 34851 AT THE CASHIER 4.55 --- 34852 IT DEPENDS FOR WHOM 4.57 --- 34853 A PEDANT'S LETTER 5.00 --- 34854 ON A HIGH PEAK
    [Show full text]
  • 1810 1830 1820 1850 the Plains 1840 1860 the Horse the Buffalo
    GCSE History Knowledge Organiser: The Plains & The Sioux Indians roam freely on the Plains Limited violence between settlers & Indians 1810 1820 1824 Bureau of Indian Affairs 1830 1840 1850 1860 Indian hunting grounds 1830 Indian 1851 Indian Removal Act Appropriations Act The Plains The Buffalo Society Warfare Before a hunt, the Women were highly valued as they created the future of Indian warriors carried out Sioux would stage a the band. Children didn’t go to school but learned skills raids to seek revenge, or steal Buffalo Dance. Here, from extended family. The survival of the band was more horses. It usually only they would important than any individual. happened in summer. Scalping communicate with was a common practice. Wakan Tanka to ask Most marriages took place for love. Men went to live with for a good hunt. his wife’s family. Rich men were allowed to have more than Warriors believed that without Warrior Societies one wife. This was because there were usually more your whole body, you couldn’t would plan the hunts women than men, and polygamy ensured the future of the go to the Happy Hunting so as not to scare the band. Ground so scalping became a buffalo. Two or three At least once a year, all bands would meet as a nation. trophy so your enemy wouldn’t The Plains were desert-land – a mix of grass and flowing rivers hunts a year were Chiefs achieved their power through prestige and bravery. meet you there. They also with the Black Hills, heavily wooded, in the North.
    [Show full text]
  • The American West C1835-C1895
    Ecclesfield School History Department The American West c1835-c1895 History GCSE (9-1) Revision Booklet This topic is tested on Paper 2, with the Elizabeth topic The exam lasts for 1 hour and 45 minutes There are 32 marks for American West (Section A) You should spend 50 minutes on this section Paper 2 1h45: American West and Elizabeth (8th June, PM) Name:________________________ History Teacher: ________________ 1 The American West, c1835-c1895 What do I need to know for this topic? Key Details Red Amber Green topic (Need to (Nearly (Nailed revise a there) it) lot) • Plains Indians: beliefs and way of life (survival, land and war) • The Permanent Indian Frontier (Indian Removal Act 1830) and the Indian Appropriations Act (1851) • Migration: Oregon Trail (1836 onwards), California Gold Rush (1849) • Migration: Donner Party and Mormons (1846-7) • The development and problems of white settlement farming • Reasons for conflict and tension between settlers and Indians – the Fort Laramie 62 Treaty (1851) - The early settlement of the West, of the settlement early The • Problems of lawlessness and attempts to tackle this 1. 1. c1835 • Significance of the Civil War and post-war reconstruction (Homestead Act 1862, Pacific Railroad Act 1862, First Transcontinental Railroad 1869) • Homesteaders’ solutions to problems: new technology, the Timber Culture Act 1873 and spread of the railroad • Continued problems of law and order • The cattle industry (Iliff, McCoy, 76 - Goodnight, the significance of Abilene) • The impact of changes in ranching
    [Show full text]
  • Working Poems
    XV Working Poems by W. Mahlon Purdin Working Poems (Book XV) ________________________________________________________________________________________________________ To Ida, Margaret, and Bill. W. Mahlon Purdin / 2 Working Poems (Book XV) ________________________________________________________________________________________________________ Other Works By W. Mahlon Purdin P O E T R Y I. First Poems (1974) II. No Place To Wash Our Hands (1975) III. The Ballad Of Hayden Brown (1975) IV. And Is Mine One? (1976) V. Go Forth Companionless (1976) VI. July Poems (1976) VII. Self Poems (1977) VIII. Touch & Eddy (1977) IX. Forty Days, Forty Nights (1982-1990) X. Untitled Poems (1987) XI. Pencil Poems, Fading Poems (1987) XII. Untitled Poems II (1993) XIII. Songs (Compiled 1994) XIV. Spoondrifting (2001) XV. Working Poems (2001-2002) XVI: Selected Poems: A Chrestomathy (2003) XVII.. Welkin Blush (2002-2004) XVIII. Poems/2005 XIX. Poems/2006 XX. Poems/2007 XXI. Poems/2008 XXII. Poems/2009-2010 (working) SHORT STORIES The Last Remains (1972) Abyss (1973) Wish You Were Here (1978) Kill Zone (1979, updated 2002) Zachary Doane & The Cat Who Came In From The Cold (1987) Ratworld (1990, updated 2003) N O V E L S I'll Ask Her In The Morning (1978/2005) The ScreenMasters (1990 - 2007) The Seas of Sargasso (working) N O N F I C T I O N Comments and Blogs Some magazine articles (many other writings available on legendinc.com) Letters from Vietnam W. Mahlon Purdin / 3 Working Poems (Book XV) ________________________________________________________________________________________________________
    [Show full text]
  • The Complete Poetry of James Hearst
    The Complete Poetry of James Hearst THE COMPLETE POETRY OF JAMES HEARST Edited by Scott Cawelti Foreword by Nancy Price university of iowa press iowa city University of Iowa Press, Iowa City 52242 Copyright ᭧ 2001 by the University of Iowa Press All rights reserved Printed in the United States of America Design by Sara T. Sauers http://www.uiowa.edu/ϳuipress No part of this book may be reproduced or used in any form or by any means without permission in writing from the publisher. All reasonable steps have been taken to contact copyright holders of material used in this book. The publisher would be pleased to make suitable arrangements with any whom it has not been possible to reach. The publication of this book was generously supported by the University of Iowa Foundation, the College of Humanities and Fine Arts at the University of Northern Iowa, Dr. and Mrs. James McCutcheon, Norman Swanson, and the family of Dr. Robert J. Ward. Permission to print James Hearst’s poetry has been granted by the University of Northern Iowa Foundation, which owns the copyrights to Hearst’s work. Art on page iii by Gary Kelley Printed on acid-free paper Library of Congress Cataloging-in-Publication Data Hearst, James, 1900–1983. [Poems] The complete poetry of James Hearst / edited by Scott Cawelti; foreword by Nancy Price. p. cm. Includes index. isbn 0-87745-756-5 (cloth), isbn 0-87745-757-3 (pbk.) I. Cawelti, G. Scott. II. Title. ps3515.e146 a17 2001 811Ј.52—dc21 00-066997 01 02 03 04 05 c 54321 01 02 03 04 05 p 54321 CONTENTS An Introduction to James Hearst by Nancy Price xxix Editor’s Preface xxxiii A journeyman takes what the journey will bring.
    [Show full text]
  • Prestige Label Discography
    Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron.
    [Show full text]
  • The Big Question: List Prices on Catalog Product Montgomery
    Jan. 4, 1975 $1.50 ART ANL bEdORDINGS DEPARTMlI YES/THE ULTIMATE CHART AgFIRMATIVE The Big Question: Here's Our Answer (Ed) Col Canada Drops List Prices On Catalog Product Racks, Retailers, Distribs Separate Meets At NARM Montgomery Named RCA Promo Chief www.americanradiohistory.com 1974 CBS Inc On his first date, Alvin "In Flight" is filled with the Lee went all the way. He superb musicianship that embarked on his new has brought Alvin to the solo career with a simull- forefront of rock 'n' roll- taneous appearance and live recording original tunes and personalized versions at London's prestigious Rainbow Theatre. of classics like "Don't Be Cruel," "Money And the results, captured on his double Honey"and"Keep A KnockinY And a surprise album, "In Flight," are phenomenal. treat: "Freedom for the Stallion." "In Flight"delighted the normally Alvin Lee & Co. are coming right conservative English critics:"the sound behind their new album with an throughout from all angles is exceptional"; extensive international tour, too. "Lee and his band are very tight, almost faultless";"Lee has never played better." Alvin Lee & Co."In Flight." PG 33187` The auspicious beginning of a great new career. On Columbia Records and Tapes THE WINTER TOUR January 16 Pittsburgh, Pa. (Syria Mosque) February 4 Miami, Fla. (Auditorium) 17 Hershey, Pa. (The Arena) 1 St. Louis, Mo. (Ambassador Theatre) 5 Charleston, S.C. (Civic Center) 18 New York, N.Y. (Academy of Music) 6 San Diego, Calif. (Civic Center) 6 Atlanta, Ga. (Municipal Auditorium) 19 Baltimore, Md. (Civic Center) 7 Long Beach, Calif.
    [Show full text]
  • 1 This Was the Year That the Shadows Appeared As Singers Before a Pan
    1975 This was the year that The Shadows appeared as singers before a pan-European audience. The earlier 1973 initiative had not produced the desired outcome and by 1974 they were in the wilderness and did not exist as a viable group. They got together to perform at the Palladium on 27 October of that year as a personal tribute to and for the benefit of the widow of BBC producer Colin Charman. BBC boss Bill Cotton heard them and suggested that they might like to represent the UK at the Eurovision Song Contest the following year. They accepted, formed a working ensemble, and undertook a few local ‘practice’ gigs while preparing and practising the songs. The chosen song, [254] LET ME BE THE ONE, was one of six put forward for the UK’s entry in the Eurovision Contest of 1975, and was the last of the contenders performed over six successive weeks on Lulu’s BBC TV show at the start of the year. It was duly televised in Stockholm on 22 March but came in second to Dutch group Teach-In’s lyrically challenged ‘Dinge-Dong’ ~ English title ‘Ding-A-Dong’ (“Ding- A-Dong every hour,/ When you pick a flower …”), which impressed the British public sufficiently to enjoy a seven-week residence in the Singles charts (climbing to No.13). No such good fortune attended the release of The Shadows’ follow-up to their charting Eurovision Single, another piece from the same composer, the staggeringly inane, hopelessly unamusing [266] RUN BILLY RUN (“Closed my eyes, I tried countin’ sheep,/ Desp-rate Dan just looked like Bo-Peep,/ I can’t sleep”).
    [Show full text]