American History Online Three Generations of Mathers
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From Tongue to Text: the Transmission of the Salem Witchcraft Examination Records
KU ScholarWorks | http://kuscholarworks.ku.edu Please share your stories about how Open Access to this article benefits you. From Tongue to Text: The Transmission of the Salem Witchcraft Examination Records by Peter Grund 2007 This is the author’s accepted manuscript, post peer-review. The original published version can be found at the link below. Grund, Peter. 2007. “From Tongue to Text: The Transmission of the Salem Witchcraft Examination Records.” American Speech 82(2): 119–150. Published version: http://dx.doi.org/10.1215/00031283-2007-005 Terms of Use: http://www2.ku.edu/~scholar/docs/license.shtml This work has been made available by the University of Kansas Libraries’ Office of Scholarly Communication and Copyright. Peter Grund. 2007. “From Tongue to Text: The Transmission of the Salem Witchcraft Examination Records.” American Speech 82(2): 119–150. (the accepted manuscript version, post-peer review) From Tongue to Text: The Transmission of the Salem Witchcraft Examination Records1 Peter Grund, Uppsala University Introduction In the absence of audio recordings, scholars interested in studying the characteristics of spoken language in the early Modern period are forced to rely on written speech-related sources.2 These sources include, among others, drama and fiction dialogue, trial proceedings, and witness depositions. However, at the same time, it has been shown that, although purporting to represent spoken conversation, these texts probably reflect actual spoken language only partially and to different degrees (for the evaluation of the degree of “spokenness” of these text categories, see Culpeper and Kytö 2000; see also Kryk-Kastovsky 2000; Moore 2002). Drama and fiction dialogue, for example, represents constructed speech produced by an author who may have been more or less successful in mimicking contemporaneous spoken conversation. -
"This Court Doth Keep All England in Quiet": Star Chamber and Public Expression in Prerevolutionary England, 1625–1641 Nathaniel A
Clemson University TigerPrints All Theses Theses 8-2018 "This Court Doth Keep All England in Quiet": Star Chamber and Public Expression in Prerevolutionary England, 1625–1641 Nathaniel A. Earle Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Recommended Citation Earle, Nathaniel A., ""This Court Doth Keep All England in Quiet": Star Chamber and Public Expression in Prerevolutionary England, 1625–1641" (2018). All Theses. 2950. https://tigerprints.clemson.edu/all_theses/2950 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. "THIS COURT DOTH KEEP ALL ENGLAND IN QUIET" STAR CHAMBER AND PUBLIC EXPRESSION IN PREREVOLUTIONARY ENGLAND 1625–1641 A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts History by Nathaniel A. Earle August 2018 Accepted by: Dr. Caroline Dunn, Committee Chair Dr. Alan Grubb Dr. Lee Morrissey ABSTRACT The abrupt legislative destruction of the Court of Star Chamber in the summer of 1641 is generally understood as a reaction against the perceived abuses of prerogative government during the decade of Charles I’s personal rule. The conception of the court as an ‘extra-legal’ tribunal (or as a legitimate court that had exceeded its jurisdictional mandate) emerges from the constitutional debate about the limits of executive authority that played out over in Parliament, in the press, in the pulpit, in the courts, and on the battlefields of seventeenth-century England. -
The Autobiography of Increase Mather
The Autobiography of Increase Mather I-DÎTED BY M. G. HALL j^ STRETCH a point to call this maTiuscript an W autobiography. Actually it i.s a combinatioa of aiito- biograpliy and political tract and journal, in which the most formal part comes first and the rest was added on lo it as occasion offered. But, the whole is certainly auto- biographical and covers Increase Mather's life faithfull}'. It was tlie mainstay of Cotton Mather's famous biograpliy Pareniator, which appeared in 1724, and of Kenneth Mur- dock's Increase Miiîher, whicli was published two liundred and one years later.^ Printing the autobiography Jiere is in no way designed to improve or correct Mather's biog- raphers. They have done well by him. But their premises and purposes were inevitabiy different from liis. I'he present undertaking is to let Increase Matlier also be lieard on tlie subject of himself. Readers who wish to do so are invited to turn witliout more ado to page 277, where tliey may read the rjriginal without interruption. For tjiose who want to look before they leap, let me remind tliem of tlie place Increase Mather occu[!Íes in tlie chronology of his family. Three generations made a dy- nasty extraordhiary in any country; colossal in the frame of ' Cotton Msther, Pami'.at'^r. Mnnoirs if Remarkables in the Life and Death o/ the F.vtr- MemorahU Dr. Increase Múíker (Boston, 1724). Kenneth B. Murdock, Incrfasr Mathfr, the Foremost .Imerican Puritan (Cambridge, 1925)- Since 1925 three books bearing importantly on hicrcase Mather have been published: Thomas J. -
Cb20 2016 Key16.Key.Pdf
Lecture 16: Christianity made reasonable ! “early Enlightenment” ca 1680-1720 as it affects religious thought (independent of scientific developments) ! Some assessments of English intellectual climate: ! Bishop Sprat in 1667: "the influence which Christianity once obtained on men's minds is now prodigiously decayed." ! Thomas Burnet, a bishop's son, in 1719: "I cannot but remind you with joy how the world has changed since the time when, as we know, a word against the clergy passed for rank atheism, and now to speak tolerably of them passes for superstition." ! ! they agree on decline in respect for traditional religion and clergy; they disagree on assessing this change John Thornton Kirkland, Increase Mather, president president of Harvard, of Harvard, 1685-1701 1810-28: a unitarian orthodox Calvinist Cotton Mather, son of Increase (1663-1728) Cotton Mather: God visits punishments and rewards on humans through the workings of nature and special providence End of executions for religious heterodoxy: ! Giordano Bruno - 1600 ! Salem, 1692: 22 people executed for witchcraft but protests against the legal procedures were lodged throughout the process. Increase Mather questioned use of spectral evidence; Cotton Mather mostly defended the trials. 1703 convictions that could be (e.g. excommunications) were reversed; 1722 symbolic compensation paid to families of victims ! End of executions for religious heterodoxy: ! ! 1697 Thomas Aikenhead, a Scottish student, was last person executed in Britain for blasphemy: denied that Bible is sacred, denied -
Psalms to Plainchant: Seventeenth-Century Sacred Music in New England and New France
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1989 Psalms to Plainchant: Seventeenth-Century Sacred Music in New England and New France Caroline Beth Kunkel College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Recommended Citation Kunkel, Caroline Beth, "Psalms to Plainchant: Seventeenth-Century Sacred Music in New England and New France" (1989). Dissertations, Theses, and Masters Projects. Paper 1539625537. https://dx.doi.org/doi:10.21220/s2-874z-r767 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. PSALMS TO PLAINCHANT Seventeenth-Century Sacred Music in New England and New France A Thesis Presented to The Faculty of the Department of History The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Caroline B. Kunkel 1989 APPROVAL SHEET This thesis is submitted in partial fulfillment the requirements for the degree of Master of Arts Caroline B. Kunkel Approved, May 1990 < 3 /(yCeJU______________ James Axtell A )ds Dale Cockrell Department of Music (IlliM .d (jdb&r Michael McGiffertA / I All the various affections of our soul have modes of their own in music and song by which they are stirred up as by an indescribable and secret sympathy. - St. Augustine Sermo To my parents TABLE OF CONTENTS Page ACKNOWLEDGEMENTS........ -
The Word of God in Puritan New England: Seventeenth-Century Perspectives on the Nature and Authority of the Bible
Andrews University Seminay Studies, Spring 1980, Vol. XVIII, No. 1, 1-16 Copyright O 1980 by Andrews University Press. THE WORD OF GOD IN PURITAN NEW ENGLAND: SEVENTEENTH-CENTURY PERSPECTIVES ON THE NATURE AND AUTHORITY OF THE BIBLE ALLENCARDEN Biola College La Mirada, California Those who would truly understand what American Puritanism was all about would do well to give heed to the sources from which the Puritans drew their ideas. It should come as no surprise that the principal source of Puritan ideology was the Bible itself. What is sur- prising is the way in which some historians, most notably the late Perry Miller, have ignored or minimized the Puritans' biblicism while attempting to unearth non-biblical roots for Puritan concepts. Instead of accepting the Puritans' own statements about their reliance on Scripture, Miller turned to more humanistic sources. In his massive work The New England Mind: The 17th Century, he makes passing comments about the Puritan acceptance of Scripture, but his emphasis is on "the four quarries from which the Puritan scholars carved out their principal ideas and doctrines"-European Protestantism, special interests and preoccupations of the seven- teenth century, humanism, and medieval scholasticism. ' The Puritans obviously did not operate in a cultural vacuum; they could not help but be influenced by the intellectual and cultural climate of their day. Miller, however, apparently ignored their own appraisal of the role of Scripture in their lives and 'For the quotations in this and the following introductory paragraph, plus other related concepts, see Perry Miller, The New England Mind: The 17th Centuy, 2d ed. -
Salem Witch Trials Describe Darkest Era in American History
Salem Witch Trials describe darkest era in American history Vida Bikales & The Barn Players By Bob Evans Arthur Miller’s tragic, gloomy, Gothic-inspired tale of witchcraft, lechery, murder, and blind religious justice–with a huge dose of ignorance– spelled the darkest days of American history when New England towns succumbed to a frenzied idea that witches walked among them, thereby creating public executions of persons accused of contracting with the devil. The most famous American trials befell the town of Salem, Massachusetts, immortalized in Miller’s “The Crucible,” now playing at The Barn Playhouse in Mission, Kansas. Troubling, dark and dismal from the opening scenes, “The Crucible” only spirals deeper and darker with each scene as the story of adolescent girls pretend to summon evil spirits, dance naked, and drink chicken blood to cast spells on innocent townsfolk, causing the hangings of 19 “guilty” witches in their small town. Only decades after Miller’s work played world stages did the State of Massachusetts amend their judgments and pardon those accused and murdered as witches. Vida Bikales & The Barn Players “The Crucible” at The Barn carves the story into the hearts of the audience so thoroughly and completely. Do not expect levity in this show because there is none. Miller researched the actual Salem court records and used much of the testimony verbatim in crafting his play. Even with the focus on one particular family, the devastation created continues to create shivers when viewed. Luckily, Salem preserved their historic blunder and some cells that held the accused remain intact. Some chains remain attached to walls, and “The Crucible” and other such plays continue there for tourists who visit America’s most horrid injustices. -
The Wonders of the Invisible World, B
The Project Gutenberg e-Book of The Wonders of the Invisible World, b... http://www.gutenberg.org/files/28513/28513-h/28513-h.htm [10][11][12][13][14][15][16][17][18][19][20][21][22][23][24][25][26][27][28][29][30][31][32][33][34][35][36][37][38][39][40][41][42][43][44][45][46][47][48][49][50][51][52][53][54][55][56][57][58][59][60][61][62][63][64][65][66][67][68][69][70][71][72][73][74][75][76][77][78][79][80][81][82][83][84][85][86][87][88][89][1][2][3][4][5][6][7][8][9] Page10711112012913814915415916116416516717217417518319220121121221422122523423724325025325525625826026226426626726826927027527627928228328530333879369 TheI. Project Gutenberg EBook of The Wonders of the Invisible World, by Cotton Mather and Increase Mather This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Wonders of the Invisible World Being an Account of the Tryals of Several Witches Lately Executed in New-England, to which is added A Farther Account of the Tryals of the New-England Witches Author: Cotton Mather Increase Mather Release Date: April 6, 2009 [EBook #28513] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE WONDERS OF THE INVISIBLE WORLD *** Produced by Julie Barkley, S.D., and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's Note: Inconsistent or archaic spelling, punctuation, and capitalization have been retained as printed. -
Chapter 7 – the Problems of the Church (C. 1580 • 1640)
Chapter 7 – The Problems of the Church (c. 1580 • 1640) 1. Elizabethan times The first vicar to be appointed after the 1565 visitation had purged Oxford of all its Roman Catholic fellows and turned Christ Church into the most puritan college in the entire university was Alexander Horrocks.1 One side effect of the Elizabethan reforms was that they created a chronic temporary shortage of ministers who could preach, so all the colleges at both Oxford and Cambridge found it necessary to look outside their walls for incumbents. Horrocks was therefore a typical product of the time. He was a puritan but not apparently a University graduate. Horrocks soon realised that he would have to tread carefully. In the year of his arrival it was noted that someone unnamed had kept ‘monuments of superstition’, so that they would not fall victim to the iconoclasts2 and there is a tradition that the stone altar table in the North chapel is the one that graced the high altar in pre-Reformation times. The chapel also contained other elements that hinted at a residual Catholicism. As late as 1621 Roger Dodsworth noted two memorial windows there. In the east window were the figures of a man and woman kneeling. Behind the father were ten sons and behind the mother four daughters with the inscription ‘pray for William Scarbrough, armiger, and Alice, his wife and their children who have had this window made.’ John Scarbrough had been Dame Margaret Blaid’s chaplain and the family was influential in both Glusburn and Cowling. On the north side of the chapel was a window containing another family group with an inscription asking the viewer to pray for Peter Scott, (who held two thirds of the manor of Kildwick in the 1530s,) his parents, his wife and their sons and daughters. -
Sacred Space in Laudian England Graham Parry the Concept of Sacred Space Was Elaborated and Refined to an Unusual Degree In
SACRED SPACE IN LAUDIAN ENGLAND Graham Parry The concept of sacred space was elaborated and refined to an unusual degree in the decades before the Civil War, in the time of the Laudian ascendancy in the Church. With the rise of the High Church move- ment, associated in its early stages with bishops Lancelot Andrewes, Richard Neile and William Laud (who became Archbishop of Canter- bury in 1633), a pervasive change occurred in attitudes towards the places of worship throughout the country. In Elizabethan times, the parish church was regarded, broadly speaking, as a utilitarian place. It was where the people came together to worship God, where preaching and prayer took place regularly, where baptisms were performed, and where, several times a year, the sacrament of Holy Communion was administered. It was fitting that the church should be maintained in decent order, that is should be ‘well adorned, comely and clean kept’, as the ‘Homily for repairing and keeping clean, and comely adorning of Churches’ urged on the parishioners. But this same homily, first published in 1563, and reprinted throughout Elizabeth’s reign, gives several glimpses of the actual state of affairs prevailing in many places, where neglect and disarray were more common than decent order. ‘It is a sin and shame to see so many churches so ruinous, and so foully decayed, almost in every corner’. This widespread neglect was what caused this homily to be issued, to counteract the broad indifference to the condition of the fabric and the role of the church as the house of worship. -
Calvin Theological Seminary Covenant In
CALVIN THEOLOGICAL SEMINARY COVENANT IN CONFLICT: THE CONTROVERSY OVER THE CHURCH COVENANT BETWEEN SAMUEL RUTHERFORD AND THOMAS HOOKER A DISSERTATION SUBMITTED TO THE FACULTY OF CALVIN THEOLOGICAL SEMINARY IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY BY SANG HYUCK AHN GRAND RAPIDS, MICHIGAN MAY 2011 CALVIN THEOLOGICAL SEMINARY 3233 Burton SE • Grand Rapids, Michigan. 49546-4301 800388-6034 Jax: 616957-8621 [email protected] www.calvinserninary.edu This dissertation entitled COVENANT IN CONFLICT: THE CONTROVERSY OVER THE CHURCH COVENANT BETWEEN SAMUEL RUTHERFORD AND THOMAS HOOKER written by SANG HYUCK AHN and submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy has been accepted by the faculty of Calvin Theological Seminary upon the recommendation ofthe undersigned readers: Carl R Trueman, Ph.D. David M. Rylaarsda h.D. Date Acting Vice President for Academic Affairs Copyright © 2011 by Sang Hyuck Ahn All rights reserved To my Lord, the Head of the Church Soli Deo Gloria! CONTENTS ACKNOWLEDGMENTS ix ABSTRACT xi CHAPTER 1. INTRODUCTION 1 I. Statement of the Thesis 1 II. Statement of the Problem 2 III. Survey of Scholarship 6 IV. Sources and Outline 10 CHAPTER 2. THE HISTORICAL CONTEXT OF THE RUTHERFORD-HOOKER DISPUTE ABOUT CHURCH COVENANT 15 I. The Church Covenant in New England 15 1. Definitions 15 1) Church Covenant as a Document 15 2) Church Covenant as a Ceremony 20 3) Church Covenant as a Doctrine 22 2. Secondary Scholarship on the Church Covenant 24 II. Thomas Hooker and New England Congregationalism 31 1. A Short Biography 31 2. Thomas Hooker’s Life and His Congregationalism 33 1) The England Period, 1586-1630 33 2) The Holland Period, 1630-1633: Paget, Forbes, and Ames 34 3) The New England Period, 1633-1647 37 III. -
By Patrick J. Mcgrath
Andrew Marvell Newsletter | Vol. 5, No. 2 | Winter 2013 A RELIGIOUS HOUSE: MARVELL’S UPON APPLETON HOUSE, LAUDIANISM, AND EXODUS BY PATRICK J. MCGRATH In his recent edition of the poems of Andrew Marvell, Nigel Smith writes, “despite its length and its centrality in M.’s canon, Upon Appleton House has not occasioned the critical debate that surrounds M.’s most famous lyrics.”1 More and more, though, scholars are turning their attention to this complex and brilliant poem. Recent studies have focused on how Upon Appleton House (1651) responds to early modern politics, military theory, literary networks, and environmental issues.2 Scholarship on religion and Upon Appleton House has illuminated the poem’s engagement with anti-Catholic polemic, the Catholic history of the Fairfax family, and Protestant views of sacrilege.3 An account of how the poem responds to the religious upheavals of the 1630s and 40s, however, remains lacking. This essay provides such an account by showing how Upon Appleton House pursues a subtle and yet devastating critique of Archbishop William Laud (1573-1645) and the policies of High Church Anglicanism. In the end, it is the triumph over a Laudian anti-Christ that determines how Marvell depicts the controversial resignation of his patron, Thomas Fairfax, as commander- in-chief of the Parliamentary forces in 1650. Why, though, would Upon Appleton House make such extensive allusions to Laud and his innovations some six years after the Archbishop’s execution? The same question might be asked about the poem’s narration of Catholic monasticism over a century after the monasteries’ dissolution.