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Wavelength (March 1983) University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 3-1983 Wavelength (March 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (March 1983) 29 https://scholarworks.uno.edu/wavelength/29 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. N E W M A G A Z • ... we'll ta~e ~ou t~ere ~ Jazz Fest is filled with special privileged musical moments that we'll always remember-the joyous homecomings of artists like Roy Brown and Bessie Griffin; Chris Kenner 's last public appearance; the Meters jamming with Stevie Wonder ; Aaron Neville and Ernie K-Doe sing- ing in the gospel tent, or Dr . John sitting in unannounced with Fathead Newman and Hank Crawford. With so much music to choose from, during the largest music festival in the world, how can you be sure to be at the right stage at the right time? Our readers know that Wavelength is the best guide to the music of New Orleans . Our Jazz Fest issues will have schedules, informed opinions and suggestions, as well as listings of what 's going on musically elsewhere in New Orleans and all over the state during Jazz Fest. Come on , let us show you where.............................................................................. it's at. .. 1JJ page - $200 full page - $550 1f2 page - $300 back page - $625 2/3 page - $375 .......................................................................... RUN THE SAME AD IN BOTH JAZZ FEST ISSUES AND RECEIVE 10% OFF. FOR ADVERTISING INFORMATION, CONTACT BENNY KENNY OR BILL PETRE PHONE 895-2342 - FOR BUSINESS OR PLEASURE, ISSUE NO. 29 • MARCH 1983 IMPROVE THE SOUND OF "I'm not sure, but I'm almost positive, that all music came from New Orleans. " YOUR SYSTEM. Ernie K-Doe, 1979 Features Sheiks ................................. 12 A Day In The Studio ............. 15 Randy Hebert ....................... 17 Hot Tips .............................. 19 Recording Studio ................... 21 MODEL 118 DBX- $149.95 Columns The 118 DYNAMIC RANGE ENHANCER is the most versatile dynamic range enhancer March ................................... 4 available on the market today. It is a single-band linear decibel expander, a linear decibel Listings ........................ ......... 9 compressor, a limiter and a peak unlimiter. You can Increase or decrease the dynamic range of any program source simply by setting the adjustable threshold level and selecting the Caribbean ........................... 25 degree of expansion or compression desired. Art .....................................27 The 118 includes an adjustable peak llmlter/unllmiter that allows you to limit the peak level for either recording or playback purposes. Zekespeak ............................29 Reviews................ ............... 30 Classifieds ............................ 33 Last Page............................ 34 DC 2214 SOUNDCRAFTSMEN • $249.95 The DC2214 sets new hiQh standards in its price range. The Soundcraftsmen Differen­ tial/Comparator® True Umty Gain controls with LED displays full headroom for wide· dynamic-range recordings, with minimum distortion and an outstanding Slgnal·to·Nolse RatiQ of 106dB. Front panel switching for tape monitor and routing of the equalized signal to a tape recorder are provided on the low-profile 3¥2" front panel. Cover photo by Skip Bolen. Thanks to Republic Airlines and Mr. Guy Crawford. Publi•htr . Patrick ll<rry. Editor. Connie Atkin•on. Associatt Editor. Jon Ne"Jin. Editorial Assiotant, Margaret William•. Art Dim:tor, Skip Bolen. Ad ..rtislng Salts: ll<nny Kenny, Bill PeD'e. Contribulln& Ar· !Isis: Kathleen Perry, Tair·Ray Yates. Distdbullon: JoeTorczon, Ham!>' ton ll'eios. Cireulatlon, Paui Hibbills, Cathy Mitchell. Contributors: AE 2000 SOUNDCRAFTSMEN • $599.95 Ste\t Alleman, Eddy Allman, Rob<n Christgau, Yorke Corbin, John De<iplas. Zekt Fish head, Jon Foose, Steve Graves, Tad Jones, Virginia Incorporated Into one compact chassis Is a Reai·Time Spectrum Analyzer utilizing Sound­ lc,ic, Jay Marvin, Rick Oliver, Brad Palmer, Jack Pickell, Kalamu craftsmen's revolutionary Dlfferentlai-Comparato,e circuitry (Patent-Pending) with an as­ ya Salaam, Shepard Samuels. Gtnt Scaramul210, Hammond Scou, tounding readout accuracy of 0.1dB, AND an Octave Equalizer of unparalleled performance. Almost Slim, Keith Twitchell, Nancy Weldon. The analyzer's automatic octave·scannlng mode makes Incredibly fast, accurate analyza­ Wawl•ngth is published monthly in New Orleans. Telephone (S04) tlon of room accoustlcs possible and the 1QO.LED full-frequency spectrum bargraph display 89S·2l42. Mail subscriptions, address changes to Wawl•ngth, Box constantly shows real·tlme frequency response. The precision-tuned, passive, Wire-Wound 1~667, New Orleans, La. 70175. Subscription rate, SIO per year. Coli Filter circuits (no synthetic IC's) of the equalizer eliminate unwanted noise, hiss, and Foreign, S20 per year. First class subscriptions, S26 per year (domestic distortion a Canada). AO airmail rate at S40 per year (overseas). The entire con­ common to Inexpensive equalizers, while Soundcraftsmen's True Zero-Gain cir­ rents of Wav•l•n~th are copyrighted <>)982 wa.,.lmgth. cuitry perfectly matches Input and output voltages, crucial to the undlstorted reproduc­ tion of the new wide-dynamic-range records and tapes. Back issues art available by writing to Back Issues, P .O. Box 15667, New Orleans, La. 70175. ll<cause of a limited supply, back issues art available for S4 each. Pitas.: allow a ftw weeks for processing and delivery of orders. New subscribers: Please allow up to six weeks for receip~ o( first issue due to our small. non-computerized subscription department. TULAtJE STEI\EO Iii Fl CO. Foreign customers must pay only by I. M.O. or chtck drawn on a U.S. bank. B«ause or exorbicant back proctssina charges, we cannot ac­ ctpl checks in Canadian dollars or other foreign currency. or checks 1909 TULANE AVE. 524-2343 drawn on a foreign bank. Convenient Storeside Parking Sub!<ribtrs must notify us immediately of any changes of address. If Open Daily 9-5 Closed Sunday notification is not rec:tivtd, magazines stnt to incorrect old addresses will nei b< rtplactd. U.S. customers. pleas.: include your zip code. VISA MASTER CARD - MR BOL WAVELENGTH/MARCH 1983 3S MARCH OH, PlAY 11IAT THING! A "New Orleans jazz and Domino and Armstrong. blues revue," devised by Harry The show includes two Mayronne and bandleader An- dancers-The Society Swingers, drew Hall, Oh, Play That Sharon Nabonne and Robert Thing! derives its title from the Vaucresson Jr., choreographed now-traditional shout that by the ever-lovely and in- originated with some irritation defatigable Judy Latour (The because of a missed drum cue in Big Mirliton's leading comic King Oliver's "Dippermouth dancer, by the by, at least in a Blues." The cry was of course class with Ray Bolger and taken up in barrooms and Charlotte Greenwood)-and An- boudoirs and on bandstands all drew Hall's Society Jazz Band over New Orleans, and then, which, somehow, metamor- The Universe. Virtually plotless, phoses into the Society Brass the show (which occupies the Band and promenades about the Monday and Tuesday evenings stage. For those whose dogs this month on the boards of the aren't barking too loudly and Toulouse Theatre) incorporates whose ganglia aren't too locally-affiliated music from the scrambled from the recent holi- aforementioned Oliver number day, this might just be perfect to "Blueberry Hill," that sum- Lenten liveliness. mit of sweetness that made a -Jon Newlin lovely vehicle for both Messrs. , THE JIVE IS STIIJIJ ALIVE / A few years back you might New Orleans. "We did real well _ __.. remember a group that made the around New England, the people rounds of uptown clubs called just eat up New Orleans and Street Corner Jive. The nucleus Louisiana music. But we wanted of the group was Karen Kon- to come back because we missed PEARLS nerth, piano and vocals, and Vic it and thought it would help our EARt'sOn December 5, 1982, New doesn't own a copy of the Shepherd, guitar and harp. Even playing." Orleans' Earl King received the album! "I just got this package though they hailed from New Since returning, they've Prix Otis Redding 1983-the in the mail one day with a cer­ England, they liked nothing bet- shortened their name to simply French equivalent of the Gram­ tificate in it,'' laughed King. ter than playing "native Loui- Jive, added an accordion to a my awards-for that country's "The cat said they didn't siana music." In 1980, just to couple of songs and have found top reissue album of the year. know how to get hold of me to try something different, the duo business all but slow. This The much revered award was send me the album," he added. moved on to San Francisco for month they can be seen at presented by I' Academie Du In commenting on the album, an extended stay before return- Tipitina's, Ruby's Rendezvous in Jazz in Paris for Earl's Trick which has just recently appeared ing home to Newburyport, Covington, and the Parkway Bag (see Wavelength 24 for in New Orleans' record shops, Mass., where they stayed busy Tavern. Besides playing the review by yours truly) which col­ King said: " I'd been hoping playing clubs and even recording favorites, "The Jive" also lects his early Sixties Imperial somebody'd do something with for Joppa Jump records. throws in some of its own Records material. that material. I'd always felt "We felt like we needed a material, including " Eileen" Earl was understandably sur­ that was some of my best new injection of the Louisiana which was recently recorded by prised and grateful for the stuff." stuff,'' says Shepherd, referring Sleepy LaBeef.
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