111 Jahre Camerata Pontresina
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German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
Kerry Stratton – Biography
Conductor Jack Price Managing Director 1 (310) 254-7149 Skype: pricerubin [email protected] Rebecca Petersen Executive Administrator 1 (916) 539-0266 Skype: rebeccajoylove [email protected] Olivia Stanford Marketing Operations Manager [email protected] Contents: Karrah O’Daniel-Cambry Biography Opera and Marketing Manager [email protected] Press Francaix Reviews Mailing Address: Recordings 1000 South Denver Avenue Repertoire Suite 2104 Video Links Tulsa, OK 74119 Photo Gallery Website: http://www.pricerubin.com Complete artist information including video, audio and interviews are available at www.pricerubin.com Kerry Stratton – Biography Kerry Stratton is the Conductor and Music Director of the Toronto Concert Orchestra. He also serves as Conductor for a varied schedule of performances and recordings with a long list of European and international orchestras. In Toronto, he hosts a classical music radio show as a means to expand exposure, and is a very capable speaker as well. Stratton enjoys meeting and working with board members and donors. He has pursued a modern, successful vision in his career. Stratton’s objectives include having his orchestras perform in many venues, many styles, and many configurations while presenting a repertoire that addresses the maximum number of constituencies. It is his belief that musical excellence can be found from the concert stage to the dance floor, and significant experience shows that this philosophy works. Orchestras Conducted • Jerusalem Symphony Orchestra • The Czech Philharmonic • Vienna -
28Apr2004p2.Pdf
144 NAXOS CATALOGUE 2004 | ALPHORN – BAROQUE ○○○○ ■ COLLECTIONS INVITATION TO THE DANCE Adam: Giselle (Acts I & II) • Delibes: Lakmé (Airs de ✦ ✦ danse) • Gounod: Faust • Ponchielli: La Gioconda ALPHORN (Dance of the Hours) • Weber: Invitation to the Dance ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Slovak RSO / Ondrej Lenárd . 8.550081 ■ ALPHORN CONCERTOS Daetwyler: Concerto for Alphorn and Orchestra • ■ RUSSIAN BALLET FAVOURITES Dialogue avec la nature for Alphorn, Piccolo and Glazunov: Raymonda (Grande valse–Pizzicato–Reprise Orchestra • Farkas: Concertino Rustico • L. Mozart: de la valse / Prélude et La Romanesca / Scène mimique / Sinfonia Pastorella Grand adagio / Grand pas espagnol) • Glière: The Red Jozsef Molnar, Alphorn / Capella Istropolitana / Slovak PO / Poppy (Coolies’ Dance / Phoenix–Adagio / Dance of the Urs Schneider . 8.555978 Chinese Women / Russian Sailors’ Dance) Khachaturian: Gayne (Sabre Dance) • Masquerade ✦ AMERICAN CLASSICS ✦ (Waltz) • Spartacus (Adagio of Spartacus and Phrygia) Prokofiev: Romeo and Juliet (Morning Dance / Masks / # DREAMER Dance of the Knights / Gavotte / Balcony Scene / A Portrait of Langston Hughes Romeo’s Variation / Love Dance / Act II Finale) Berger: Four Songs of Langston Hughes: Carolina Cabin Shostakovich: Age of Gold (Polka) •␣ Bonds: The Negro Speaks of Rivers • Three Dream Various artists . 8.554063 Portraits: Minstrel Man •␣ Burleigh: Lovely, Dark and Lonely One •␣ Davison: Fields of Wonder: In Time of ✦ ✦ Silver Rain •␣ Gordon: Genius Child: My People • BAROQUE Hughes: Evil • Madam and the Census Taker • My ■ BAROQUE FAVOURITES People • Negro • Sunday Morning Prophecy • Still Here J.S. Bach: ‘In dulci jubilo’, BWV 729 • ‘Nun komm, der •␣ Sylvester's Dying Bed • The Weary Blues •␣ Musto: Heiden Heiland’, BWV 659 • ‘O Haupt voll Blut und Shadow of the Blues: Island & Litany •␣ Owens: Heart on Wunden’ • Pastorale, BWV 590 • ‘Wachet auf’ (Cantata, the Wall: Heart •␣ Price: Song to the Dark Virgin BWV 140, No. -
CAMERATA PONTRESINA 2018 Konzertprogramm 17
CAMERATA PONTRESINA 2018 Konzertprogramm 17. Juni bis 23. September © Schocher © Morgenkonzert im Taiswald Camerata Pontresina La Camerata, zu deutsch «Kammer gemeinschaft, Gefährten», die mit ihrer musikalischen Tätigkeit zur Freude der Zuhörer und zur eigenen Freude ihre künstlerischen Fähigkeiten als echtes Team – als «primi inter pares» – wirken lässt. Allgemeine Informationen Ort Im Taiswald, bei ungünstiger Witte rung im Kongress und Kultur zentrum Pontresina oder in der reformierten Kirche (Hinweistafeln im Dorf beachten). Dauer 1 Stunde, 11.00 bis 12.00 Uhr Eintritt Frei Impresario Dr. Jürg H. Frei Website www.pontresina.ch/camerata Camerata Pontresina 2018 03 PROGRAMM DER 99 MORGENKONZERTE vom 17. Juni bis 23. September, täglich von 11.00 bis 12.00 Uhr Grusswort 04 Das CamerataTeam 2018 06 17. Juni bis 14. Juli 07 Kammermusikensembles der Camerata Pontresina 15. Juli bis 12. August 13 Camerata Pontresina 13. August bis 23. September 19 Kammermusik ensembles der Camerata Pontresina Vesperkonzerte in der Kirche Sta. Maria 29 Führungen und Angebote in Pontresina 30 CAMERATA PONTRESINA – 99 MORGENKONZERTE 2018 Musikalischer und hochalpiner Genuss im Taiswald Pontresina bietet laufend neue Angebote an. So zu können. Für die Morgenkonzerte der Camerata zum Beispiel das SteinbockParadies Pontresina, Pontresina sollten Sie sich unbedingt einen sol das im Sommer 2017 neu eröffnet worden ist. chen Platz frei halten, um diesen in vollen Zügen Denn rund um Pontresina fühlt sich das Bündner geniessen zu können. Einen kurzen Spaziergang Wappentier besonders wohl. Nicht umsonst lebt vom Dorf entfernt, auf einer mystischen Lichtung am Piz Albris (3 166 m), gleich bei Pontresina, eine im Wald, liegt der Konzertplatz Tais. -
Salonorchesternoten Aus Oldenburg, Bestand Otto Pfeiffer, S 0363 Stand: Mai 2017
Albert-Ludwigs-Universität Freiburg, Zentrum für Populäre Kultur und Musik Titelblatt Salonorchesternoten aus Oldenburg, Bestand Otto Pfeiffer, S 0363 Stand: Mai 2017 Salonorchesternoten aus Oldenburg, Bestand Otto Pfeiffer S 0363 Bei dem hier vorliegenden Notenmaterial des Musikers Otto Pfeiffer aus Hannover, insgesamt 803 Mappen, handelt es sich vorwiegend um Salonorchesternoten. Diese enthalten Tanzmusik, Stücke und Lieder aus Oper und Operette (Arrangements) sowie Potpourris und einige Schlager aus den 1920er-1940er Jahren. Die Noten stammen von dem Musiker Otto Pfeiffer aus Hannover und wurden von dessen Sohn der Hochschule für Musik, Theater und Medien in Hannover überlassen; von dort gelangten sie nach Oldenburg (UB). Dort wurde von Sonja Mahnken eine Examensarbeit über das Material angefertigt. Im Jahr 2016 übereignete die Oldenburger UB die Sammlung zusammen mit weiterem umfangreichen Notenmaterial (zusammen 41 Kartons) dem ZPKM (siehe beiliegende Korrespondenz von Karl-Ernst Went, Oldenburg, mit Dr. Dr. Michael Fischer, ZPKM, Februar und März 2016). Quelle: http://kalliope-verbund.info/DE-611-BF-60496 Stand: Mai 2017 Seite 1 von 43 Albert-Ludwigs-Universität Freiburg, Zentrum für Populäre Kultur und Musik Musiknoten Salonorchesternoten aus Oldenburg, Bestand Otto Pfeiffer, S 0363 Stand: Mai 2017 Musiknoten Werktitel Incipit Person: Komponist (Copyright-)Jahr Signatur Donauweibchen, op. 427 (nach „Simplicius“ von Victor Léon) Ich denke gern zurück Strauss, Johann o.J. S 0353-001 Im schönen Tal der Isar Löhr, Hans © 1933 S 0353-002 Frühlingstag in Garmisch Löhr, Hans © 1934 S 0353-003 Faschingskinder, op. 382 Ziehrer, C.M. o.J. S 0353-004 Sammt und Seide, op. 515 (aus der Operette „Der Fremdenführer“) Sind sich zwei Leute zugethan Ziehrer, C.M. -
Contents Price Code an Introduction to Chandos
CONTENTS AN INTRODUCTION TO CHANDOS RECORDS An Introduction to Chandos Records ... ...2 Harpsichord ... ......................................................... .269 A-Z CD listing by composer ... .5 Guitar ... ..........................................................................271 Chandos Records was founded in 1979 and quickly established itself as one of the world’s leading independent classical labels. The company records all over Collections: Woodwind ... ............................................................ .273 the world and markets its recordings from offices and studios in Colchester, Military ... ...208 Violin ... ...........................................................................277 England. It is distributed worldwide to over forty countries as well as online from Brass ... ..212 Christmas... ........................................................ ..279 its own website and other online suppliers. Concert Band... ..229 Light Music... ..................................................... ...281 Opera in English ... ...231 Various Popular Light... ......................................... ..283 The company has championed rare and neglected repertoire, filling in many Orchestral ... .239 Compilations ... ...................................................... ...287 gaps in the record catalogues. Initially focussing on British composers (Alwyn, Bax, Bliss, Dyson, Moeran, Rubbra et al.), it subsequently embraced a much Chamber ... ...245 Conductor Index ... ............................................... .296 -
Internationale Evergreens
Internationale Evergreens: A Banda Amapola (First Love) [Lacalle, Joseph M.] Bad Bad Leroy Brown A Child Is Born Amazing Grace Ballade Pour Adeline A Day In The Life Of A Fool (Manha De Carnaval) American Patrol Basin Street Blues A Felicidade Amor (Amor, Amor, Amor) Beautiful Dreamer A Fine Romance (Swing Time) [Kern, Jerome] Amorada Beautiful in My Eyes A Foggy Day And I Love Her Bei mir bist du schön A Groovy Kind Of Love Anema E Core (with All My Heart) Bésame Mucho (Kiss Me Much) A Guy Is A Guy Angel Eyes Bewitched [Joey, Pal] A Man And A Woman (Un Homme Et Une Femme) Anna Beyond The Sea (Beyond The Sea) [Trenet, Charles] [Lai, Francis] Another Time, Another place Big Spender A Nightingale Sang In Berkeley Square Answer Me My Love Bill Bailey Won't You Please Come Home A Pretty Girl Is Like A Melody Are You Lonesome Tonight Black Orpheus A Room With A View Around The World Blame It On My Youth A String Of Pearls Arrivederci Roma (goodbye To Rome) Blowin' In The Wind A Sunday Kind Of Love Arthurs Theme (Best That You Can Do) Blue And Sentimental A Swinging Safari As Long As He Needs Me Blue Moon A Taste Of Honey As Tears Go By Blue Velvet A Time For Us (Romeo And Juliet) [Rota, Nino] As Time Goes By (Casablanca) [Hupfield, Herman] Blueberry Hill A Whiter Shade Of Pale [Procol Harum] At Sundown Bluesette Adiós Muchachos! At The Jazzband Ball Body And Soul After You've Gone Auld Lang Syne Brazil Again Aura Lee Breaking Up is Hard To Do Água De Beber (water To Drink) Autumn In New York Bridge Over Troubled Water Ain't Misbehavin' AUTUMN -
Poetik Und Dramaturgie Der Komischen Operette
9 Romanische Literaturen und Kulturen Albert Gier ‚ Wär es auch nichts als ein Augenblick Poetik und Dramaturgie der komischen Operette ‘ 9 Romanische Literaturen und Kulturen Romanische Literaturen und Kulturen hrsg. von Dina De Rentiies, Albert Gier und Enrique Rodrigues-Moura Band 9 2014 ‚ Wär es auch nichts als ein Augenblick Poetik und Dramaturgie der komischen Operette Albert Gier 2014 Bibliographische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deut- schen Nationalbibliographie; detaillierte bibliographische Informationen sind im Internet über http://dnb.ddb.de/ abrufbar. Dieses Werk ist als freie Onlineversion über den Hochschulschriften-Server (OPUS; http://www.opus-bayern.de/uni-bamberg/) der Universitätsbibliothek Bamberg erreichbar. Kopien und Ausdrucke dürfen nur zum privaten und sons- tigen eigenen Gebrauch angefertigt werden. Herstellung und Druck: Digital Print Group, Nürnberg Umschlaggestaltung: University of Bamberg Press Titelbild: Johann Strauß, Die Fledermaus, Regie Christof Loy, Bühnenbild und Kostüme Herbert Murauer, Oper Frankfurt (2011). Bild Monika Rittershaus. Abdruck mit freundlicher Genehmigung von Monika Rittershaus (Berlin). © University of Bamberg Press Bamberg 2014 http://www.uni-bamberg.de/ubp/ ISSN: 1867-5042 ISBN: 978-3-86309-258-0 (Druckausgabe) eISBN: 978-3-86309-259-7 (Online-Ausgabe) URN: urn:nbn:de:bvb:473-opus4-106760 Inhalt Einleitung 7 Kapitel I: Eine Gattung wird besichtigt 17 Eigentlichkeit 18; Uneigentliche Eigentlichkeit -
Decca Discography
DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982. -
P H O to : Tim Fuller / Arizo Na O Pe Ra
PHOTO: Tim Fuller / Arizona Opera PHOTO: Coastal Click Photography We believe that opera tells stories to which we can all relate, and that’s why the operatic art form has thrived for centuries. The education programs at Palm Beach Opera strive to immerse the community directly into these stories, revealing timeless tales of love, passion, and joy. We challenge each person to find his or her own connection to opera’s stories, therefore inspiring learners of all ages to explore the world of opera. At Palm Beach Opera, there is something for everyone! #PBOperaForAll The Masterminds 4 Who’s Who 7 Understanding the Action 9 Engage Your Mind 16 PHOTO: Tim Fuller / Arizona Opera Johann Strauss II. An Operetta in Three Acts. 1874 Libretto by Carl Haffner and Richard Genée, after Le Réveillon (The Midnight Supper) by Henri Meilhac and Ludovic Halévy. First performance at the Theater an der Wien, Vienna, Austria on April 5, 1874. Composer Johann Strauss II, often referred to as Johann the Younger, was born on October 25, 1825 in Vienna, Austria. He was the oldest son of Johann Strauss the Elder, a self-taught musician and composer whose reputation would soon be eclipsed by his son’s popularity. Johann the Elder would not allow any of his three sons to follow in his footsteps, despite their desire to become musicians. Johann the Younger was supposed to become a banker; Joseph was to go into the military; and Eduard was set to become a diplomat in the Austrian consulate. Johann the Younger went on to write more that 500 musical compositions, therefore surpassing his father’s productivity. -
1848 Revolution Academy Concerts, See Vienna Philharmonic
Cambridge University Press 978-1-107-02268-3 - The Legacy of Johann Strauss: Political Influence and Twentieth-Century Identity Zoë Alexis Lang Index More information Index 1848 Revolution, see Austria: 1848 Bach, David Josef, 41 Revolution Bach, Johann Sebastian, 91 , 95 , 176 Concerto for Two Violins, 91 , 176 Academy concerts, see Vienna Philharmonic: Bad Ischl, 151 Academy concerts Barcelona, 133 , 134 Adolf Luser Verlag, 102 Bauer, Julius, 169 Agee, James, 149 Bavaria, 5 , 93 , 96 “alte Steffl ,” 34 Becker, Alfred Julius, 90 Amon, Franz, 20 Beethoven, Ludwig van, 3 , 42 , 88 , 91 , 92 , An der schönen blauen Donau , see Strauss, 133 , 134 , 177 , 189 Johann, Jr.: Blue Danube, The Serenade in D major (op. 25), 134 An der schönen blauen Donau (fi lm), 63 Symphony no. 7, 189 Anderson, Benedict, 39 Triple Concerto, 91 , 177 Anzengruber, Ludwig, 56 Beller, Steven, 109 Apollosaal, 16 Bellini, Vincenzo, 99 Arbeiter-Sinfonie-Konzert, see Workers’ Berg, Alban, 111 , 134 , 136 , 139 Symphony Concert Association Bergland Verlag, 105 Arbeiter-Zeitung , 126 , 127 Berlin, 3 , 36 , 66 , 90 , 121 , 126 , 127 , 132 , Athenaion Verlag, 98 1 3 9 , 1 4 9 Austria, 70 Berliner Tagblatt , 121 1848 Revolution, 26 , 28 , 30–32 , 47 , 53 Berlioz, Hector, 18 , 20 Anschluss, 3 , 72 , 75 , 122 , 123 , 127 , Bernhard, Thomas, 164 131 , 147 Bertolucci, Bernardo, 130 , 131 Austrofascism, 73 , 140–141 Bienenfeld, Elsa, 169 , 171 Catholicism, 3 , 5 , 38 , 112 , 139 , 141 Bilse, Benjamin, 12 Christian Social Party, 5 , 38 , 138 Bismarck, Otto von, 3 civil war (1934), 73 , 141 Bizet, Georges, 89 , 91 , 176 dialect, 3 , 56 L’Arlésienne (Suite No. -
Und Johann Strauß (Sohn) 2017
Repositorium für die Medienwissenschaft Hans Jürgen Wulff Filme über Johann Strauß (Vater) und Johann Strauß (Sohn) 2017 https://doi.org/10.25969/mediarep/12809 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen: Filme über Johann Strauß (Vater) und Johann Strauß (Sohn). Westerkappeln: DerWulff.de 2017 (Medienwissenschaft: Berichte und Papiere 174). DOI: https://doi.org/10.25969/mediarep/12809. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0174_17.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft Berichte und Papiere 174, 2017t Johann Strauß (Vater) und Johann Strauß (Sohn). Redaktion und Copyright dieser Ausgabe: Hans J. Wulf. ISSN 2366-6404. URL: htp::/:/berichte.derwulf.de:/0174_17.pd.. Letzte Änderung: 9.9.2017. Filme über Johann Strauß (Vater) und Johann Strauß (Sohn) Zusammengestellt von Hans J. Wulf Inhalt 1. Strauß, Johann (Vater:/Sr.) (* 14.3.1804 – † 25.9.1849) [3] 2. Strauß, Johann (Sohn:/Jr.) (* 25.10.1825 – † 3.6.1899) [6] 3. Die Opereten-Adaptionen [12] 3.1 Die Fledermaus (Operete in 3 Akten, Johann Strauß, Sohn) :/:/ UA: 5.4.1874 [12] 3.2 Eine Nacht in Venedig (Operete in 3 Akten, Johann Strauß, Sohn) :/:/ UA: 3.10.1883 [17] 3.3 Der Zigeunerbaron (Operete in 3 Akten, Johann Strauß, Sohn) :/:/ UA: 24.10.1885 [18] 3.4 Wiener Blut (Johann Strauß, Sohn) :/:/ UA: 25.10.1899 [19] 3.5 Frühlingsluf (Jose.