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Chartmaking in England and Its Context, 1500–1660
58 • Chartmaking in England and Its Context, 1500 –1660 Sarah Tyacke Introduction was necessary to challenge the Dutch carrying trade. In this transitional period, charts were an additional tool for The introduction of chartmaking was part of the profes- the navigator, who continued to use his own experience, sionalization of English navigation in this period, but the written notes, rutters, and human pilots when he could making of charts did not emerge inevitably. Mariners dis- acquire them, sometimes by force. Where the navigators trusted them, and their reluctance to use charts at all, of could not obtain up-to-date or even basic chart informa- any sort, continued until at least the 1580s. Before the tion from foreign sources, they had to make charts them- 1530s, chartmaking in any sense does not seem to have selves. Consequently, by the 1590s, a number of ship- been practiced by the English, or indeed the Scots, Irish, masters and other practitioners had begun to make and or Welsh.1 At that time, however, coastal views and plans sell hand-drawn charts in London. in connection with the defense of the country began to be In this chapter the focus is on charts as artifacts and made and, at the same time, measured land surveys were not on navigational methods and instruments.4 We are introduced into England by the Italians and others.2 This lack of domestic production does not mean that charts I acknowledge the assistance of Catherine Delano-Smith, Francis Her- and other navigational aids were unknown, but that they bert, Tony Campbell, Andrew Cook, and Peter Barber, who have kindly commented on the text and provided references and corrections. -
3B – a Guide to Pictograms
3b – A Guide to Pictograms A pictogram involves the use of a symbol in place of a word or statistic. Why would we use a pictogram? Pictograms can be very useful when trying to interpret data. The use of pictures allows the reader to easily see the frequency of a geographical phenomenon without having to always read labels and annotations. They are best used when the aesthetic qualities of the data presentation are more important than the ability to read the data accurately. Pictogram bar charts A normal bar chart can be made using a set of pictures to make up the required bar height. These pictures should be related to the data in question and in some cases it may not be necessary to provide a key or explanation as the pictures themselves will demonstrate the nature of the data inherently. A key may be needed if large numbers are being displayed – this may also mean that ‘half’ sized symbols may need to be used too. This project was funded by the Nuffield Foundation, but the views expressed are those of the authors and not necessarily those of the Foundation. Proportional shapes and symbols Scaling the size of the picture to represent the amount or frequency of something within a data set can be an effective way of visually representing data. The symbol should be representative of the data in question, or if the data does not lend itself to a particular symbol, a simple shape like a circle or square can be equally effective. Proportional symbols can work well with GIS, where the symbols can be placed on different sites on the map to show a geospatial connection to the data. -
1) Key Words 2) Tally Charts 3) Pictograms 4) Block Graph 5) Bar
KS2 1) Key Words 2) Tally Charts 3) Pictograms 4) Block Graph 5) Bar Graphs 6) Pie Charts 7) Grouped Tally Charts (KS2/3 analysis) 8) Grouped Frequency Diagrams 9) Frequency Polygons 10) Line Graphs 11) Scatter Diagrams 12) Cumulative Frequency Diagrams 13) Box Plots 14) Histograms KS4 15) Grouped Tally Charts (KS4 analysis) 16) What Makes A Good Graph * Analysing Data Key words Axes Linear Continuous Median Correlation Origin Plot Data Discrete Scale Frequency x -axis Grouped y -axis Interquartile Title Labels Tally Types of data Discrete data can only take specific values, e.g. siblings, key stage 3 levels, numbers of objects Continuous data can take any value, e.g. height, weight, age, time, etc. Tally Chart A tally chart is used to organise data from a list into a table. The data shows the number of children in each of 30 families. 2, 1, 5, 0, 2, 1, 3, 0, 2, 3, 2, 4, 3, 1, 2, 3, 2, 1, 4, 0, 1, 3, 1, 2, 2, 6, 3, 2, 2, 3 Number of children in a Tally Frequency family 0 1 2 3 4 or more Year 3/4/5/6:- represent data using: lists, tally charts, tables and diagrams Tally Chart This data can now be represented in a Pictogram or a Bar Graph The data shows the number of children in each family. 30 families were studied. Add up the tally Number of children in a Tally Frequency family 0 III 3 1 IIII I 6 2 IIII IIII 10 3 IIII II 7 4 or more IIII 4 Total 30 Check the total is 30 IIII = 5 Year 3/4/5/6:- represent data using: lists, tally charts, tables and diagrams Pictogram This data could be represented by a Pictogram: Number of Tally Frequency -
2021 Garmin & Navionics Cartography Catalog
2021 CARTOGRAPHY CATALOG CONTENTS BlueChart® Coastal Charts �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 04 LakeVü Inland Maps �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 06 Canada LakeVü G3 �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 08 ActiveCaptain® App �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 09 New Chart Guarantee� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 10 How to Read Your Product ID Code �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 10 Inland Maps ��������������������������������������������������� 12 Coastal Charts ������������������������������������������������� 16 United States� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 18 Canada ���������������������������������������������������� 24 Caribbean �������������������������������������������������� 26 South America� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 27 Europe����������������������������������������������������� 28 Africa ����������������������������������������������������� 39 Asia ������������������������������������������������������ 40 Australia/New Zealand �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 42 Pacific Islands �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � -
1. What Is a Pictogram? 2
Canonbury Home Learning Year 2/3 Maths Steppingstone activity Lesson 5 – 26.06.2020 LO: To interpret and construct simple pictograms Success Criteria: 1. Read the information about pictograms 2. Use the information in the Total column to complete the pictogram 3. Find some containers around your house and experiment with their capacity – talk through the questions with someone you live with 1. What is a pictogram? 2. Complete the pictogram: A pictogram is a chart or graph which uses pictures to represent data. They are set out the same way as a bar chart but use pictures instead of bars. Each picture could represent one item or more than one. Today we will be drawing pictograms where each picture represents one item. 2. Use the tally chart to help you complete the pictogram: Canonbury Home Learning Year 2/3 Maths Lesson 5 – 26.06.2020 LO: To interpret and construct simple pictograms Task: You are going to be drawing pictograms 1-1 Success Criteria: 1. Read the information about pictograms 2. Task 1: Use the information in the table to complete the pictogram 3. Task 2: Use the information in the tally chart and pictogram to complete the missing sections of each Model: 2. 3. 1. What is a pictogram? A pictogram is a chart or graph which uses pictures to represent data. They are set out the same way as a bar chart but use pictures instead of bars. Each picture could represent one item or more than one. Today we will be drawing pictograms where each picture represents one item. -
Infovis and Statistical Graphics: Different Goals, Different Looks1
Infovis and Statistical Graphics: Different Goals, Different Looks1 Andrew Gelman2 and Antony Unwin3 20 Jan 2012 Abstract. The importance of graphical displays in statistical practice has been recognized sporadically in the statistical literature over the past century, with wider awareness following Tukey’s Exploratory Data Analysis (1977) and Tufte’s books in the succeeding decades. But statistical graphics still occupies an awkward in-between position: Within statistics, exploratory and graphical methods represent a minor subfield and are not well- integrated with larger themes of modeling and inference. Outside of statistics, infographics (also called information visualization or Infovis) is huge, but their purveyors and enthusiasts appear largely to be uninterested in statistical principles. We present here a set of goals for graphical displays discussed primarily from the statistical point of view and discuss some inherent contradictions in these goals that may be impeding communication between the fields of statistics and Infovis. One of our constructive suggestions, to Infovis practitioners and statisticians alike, is to try not to cram into a single graph what can be better displayed in two or more. We recognize that we offer only one perspective and intend this article to be a starting point for a wide-ranging discussion among graphics designers, statisticians, and users of statistical methods. The purpose of this article is not to criticize but to explore the different goals that lead researchers in different fields to value different aspects of data visualization. Recent decades have seen huge progress in statistical modeling and computing, with statisticians in friendly competition with researchers in applied fields such as psychometrics, econometrics, and more recently machine learning and “data science.” But the field of statistical graphics has suffered relative neglect. -
Reviews Edited by Beth Notzon and Edith Paal
Reviews edited by Beth Notzon and Edith Paal People have been trying to display infor- dull statistician or economist: he dabbled mation graphically ever since our ancestors in fields as varied as engineering, journal- depicted hunts on the cave walls. From ism, and blackmail, the reader discovers. those early efforts through the graphs and There is essentially no limit to the types tables in modern scientific publications, of data display that can be influenced by the attempts have met with various degrees good design, as Wainer makes clear by of success, as Howard Wainer describes in the variety of examples he presents. The Graphic Discovery: A Trout in the Milk and college acceptance letter Wainer’s son Other Visual Adventures. received is cited as a successful display. The This book is no dry, academic tome word “YES,” which is really the only infor- about data. The conversational tone, well- mation the reader cares about in such a chosen illustrations, and enriching asides letter, is printed in large type in the middle combine to create a delightful presentation of the page, with two short, smaller-type of the highlights and lowlights of graphic lines of congratulatory text at the bottom. display. And good data displays will con- As Wainer points out, that tells readers tinue to be important in our current, data- what they want to know without making inundated society. them hunt for it. (He leaves unaddressed Like any good story, this one has its hero. what that school’s rejection letters looked Although writers have used pictures to like that year. -
Visualization
Visualization Computer Graphics II University of Missouri at Columbia Visualization •• “a“a picturepicture sayssays moremore thanthan aa thousandthousand words”words” Computer Graphics II University of Missouri at Columbia Visualization •• “a“a picturepicture sayssays moremore thanthan aa thousandthousand numbers”numbers” Computer Graphics II University of Missouri at Columbia Visualization •• VVisualizationisualization cancan facilitatefacilitate peoplepeople toto betterbetter understandunderstand thethe informationinformation embeddedembedded inin thethe givengiven dataset.dataset. •• TThehe mergemerge ofof datadata withwith thethe displaydisplay geometricgeometric objectsobjects throughthrough computercomputer graphics.graphics. Computer Graphics II University of Missouri at Columbia Data •2•2DD ddaattaasseett –– BBarar chart,chart, piepie chart,chart, graph,graph, stocks.stocks. –– IInformationnformation visualizationvisualization •3•3DD ddaattaasseett –– SScalarcalar datadata –V–Veeccttoorr ddaattaa –T–Teennssoorr ddaattaa Computer Graphics II University of Missouri at Columbia Data •2•2DD ddaattaasseett –– BBarar chart,chart, piepie chart,chart, graph,graph, stocks.stocks. –– IInformationnformation visualizationvisualization •3•3DD ddaattaasseett –– SScalarcalar datadata –V–Veeccttoorr ddaattaa –T–Teennssoorr ddaattaa Computer Graphics II University of Missouri at Columbia Data •2•2DD ddaattaasseett –– BBarar chart,chart, piepie chart,chart, graph,graph, stocks.stocks. –– IInformationnformation visualizationvisualization •3•3DD -
How Well Can We Equate Test Forms That Are Constructed by Examinees? Program Statistics Research
DOCUMENT RESUME ED 385 579 TM 024 017 AUTHOR Wainer, Howard; And Others TITLE How Well Can We Equate Test Forms That Are Constructed by Examinees? Program Statistics Research. INSTITUTION Educational Testing Service, Princeton, N.J. REPORT NO ETS-RR-91-57; ETS-TR-91-15 PUB DATE Oct 91 NOTE 29p. PUB TYPE Reports Research/Technical (143) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Adaptive Testing; Chemistry; ComparativeAnalysis; Computer Assisted Testing; *Constructed Response; Difficulty Level; *Equated Scores; *ItemResponse Theory; Models; Selection; Test Format; Testing; *Test Items IDENTIFIERS Advanced Placement Examinations (CEEB); *Unidimensionality (Tests) ABSTRACT When an examination consists, in wholeor in part, of constructed response items, it isa common-practice to allow the examinee to choose amonga variety of questions. This procedure is usually adopted so that the limited number ofitems that can be completed in the allotted time does not unfairlyaffect the examinee. This results in the de facto administrationof several different test forms, where the exact structure ofany particular form is determined by the examinee. When different formsare administered, a canon of good testing practice requires that thoseforms be equated to adjust for differences in their difficulty.When the items are chosen by the examinee, traditional equating proceduresdo not strictly apply. In this paper, how one might equate withan item response theory (IRT) framework is explored. The procedure isillustrated with data from the College Board's Advanced PlacementTest in Chemistry taken by a sample of 18,431 examinees. Comparablescores can be produced in the context of choice to the extent thatresponses may be characterized with a unidimensional IRT model.Seven tables and five figures illustrate the discussion. -
Infographic Designer Quick Start
Infographic Designer Quick Start Infographic Designer is a Power BI custom visual to provide infographic presentation of data. For example, using Infographic Designer, you can create pictographic style column charts or bar charts as shown in Fig. 1. Unlike standard column charts or bar charts, they use a single icon or stacked multiple icons to constitute a column or bar. Icons convey the data concepts in concrete objects, and the size and number of icons can represent data quantities intuitively. Research reveals that such infographics can improve the effectiveness of visualizations by making data quickly understood and easily remembered. As a result, they are getting popular and have been widely adopted in the real world. Now with Infographic Designer, you are able to create infographic visuals in Power BI easily. (A) (B) (C) (D) Fig. 1. Example infographics created by Infographic Designer Overview Infographic Designer visual is structured as a small multiple, where each individual view is a chart of a particular chart type (Fig. 2). Currently it supports column chart, bar chart, and card chart. More chart types (line chart, scatter chart, etc.) will be added in the future. In Fig. 2, A is a small multiple of card chart, and B is a small multiple of column chart. As a special case, when a small multiple comes to 1X1, it is identical to a single chart (see the charts in Fig. 1). (A) (B) Fig. 2. Infographic Designer small multiples For the individual views of the small multiple, Infographic Designer allows you to customize the chart marks to achieve beautiful, readable, and friendly visualizations. -
Data-Driven Guides: Supporting Expressive Design for Information Graphics
Data-Driven Guides: Supporting Expressive Design for Information Graphics Nam Wook Kim, Eston Schweickart, Zhicheng Liu, Mira Dontcheva, Wilmot Li, Jovan Popovic, and Hanspeter Pfister 300 240 200 300 240 200 120 80 60 120 80 60 '82est '82est '80 '80 300 '78 '78 '76 '76 '74 '74 1972 1972 240 200 120 80 300 300 60 '82est 240 '80 240 '78 120 '76 200 200 '74 120 80 1972 60 '82est 80 60 '80 '82est '78 '80 '76 '78 '74 '76 1972 '74 1972 Fig. 1: Nigel Holmes’ Monstrous Costs chart, recreated by importing a monster graphic (left) and retargeting the teeth of the monster with DDG (middle). Taking advantage of the data-binding capability of DDG, small multiples are easily created by copying the chart and changing the data for each cloned chart (right). Abstract—In recent years, there is a growing need for communicating complex data in an accessible graphical form. Existing visualization creation tools support automatic visual encoding, but lack flexibility for creating custom design; on the other hand, freeform illustration tools require manual visual encoding, making the design process time-consuming and error-prone. In this paper, we present Data-Driven Guides (DDG), a technique for designing expressive information graphics in a graphic design environment. Instead of being confined by predefined templates or marks, designers can generate guides from data and use the guides to draw, place and measure custom shapes. We provide guides to encode data using three fundamental visual encoding channels: length, area, and position. Users can combine more than one guide to construct complex visual structures and map these structures to data. -
The Good, the Bad, and the Ugly Coronavirus Graphs Jürgen Symanzik Utah State University Logan, UT, USA [email protected]
The Good, the Bad, and the Ugly Coronavirus Graphs Jürgen Symanzik Utah State University Logan, UT, USA [email protected] http://www.math.usu.edu/~symanzik Southwest Michigan Chapter of the American Statistical Association (ASA), Virtual January 7, 2021 Contents Motivation “How to Display Data Badly” The Bad and the Ugly Ones The Good Ones Summary & Discussion Bad Graphs Collections on the Web Sources for Constructing Better Graphs Motivation From: Zelazny, G. (2001), Say it with Charts: The Executive's Guide to Visual Communication (Fourth Edition), McGraw-Hill, New York, NY. Motivation As an expert in statistical graphics, it hurts to see bad graphs in the news, on the web, and produced by students. Even worse are bad graphs in science (including those from articles in peer-reviewed journals). As the former chair of a task force of the Statistical Graphics Section of the American Statistical Association (ASA), we reevaluated the winning posters of the annual ASA poster competition for children from kindergarten to grade 12 – and noticed many bad graphs, even among the winners. I am permanently on the lookout for bad graphs. “How to Display Data Badly” “How to Display Data Badly” From: Wainer, H. (1997), Visual Revelations: Graphical Tales of Fate and Deception from Napoleon Bonaparte to Ross Perot, Copernicus/Springer, New York, NY: “The aim of good data graphics is to display data accurately and clearly. […] Thus, if we wish to display data badly, we have three avenues to follow. – A. Don't show much data. – B. Show the data inaccurately. – C. Obfuscate the data.” [i.e., show the data unclearly] A.