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Umphrey's Mcgee
Umphrey’s McGee Brendan Bayliss: Guitar, vocals Jake Cinninger: Guitar, vocals Joel Cummins: Keyboard, piano, vocals Andy Farag: Percussion Kris Myers: Drums, vocals Ryan Stasik: Bass After 18-plus years of performing more than 100 concerts annually, releasing nine studio albums and selling more than 4.2 million tracks online, Umphrey’s McGee might be forgiven if they chose to rest on their laurels. But then that wouldn’t be consistent with the work ethic demonstrated by the band, which consistently attempts to raise the bar, setting and achieving new goals since forming on the Notre Dame campus in South Bend, Indiana, in 1997. After releasing their eighth studio album, Similar Skin, the first for their own indie label, Nothing Too Fancy (N2F) Music (distributed by RED), the group continued to push the envelope and test the limits. The London Session, was a dream come true for the members having been recorded at the legendary Studio Two at historic Abbey Road. The stealth recording session yielded 10 tracks in a single day, proving once again, the prolific UM waits for no one. As a follow up to The London Session, the envelope pushing continues with the November 11th release of ZONKEY. Umphrey’s McGee has been arranging and performing original mashups live for over eight years. It was only a matter of when, not if, some of those innovative concoctions would find their way into a studio. An album of 12 unique mashups, conceived and arranged by the band, ZONKEY is as seamless as it bizarre, playful as it is razor sharp. -
MTO 17.3: Osborn, Understanding Through-Composition
KU ScholarWorks | http://kuscholarworks.ku.edu Please share your stories about how Open Access to this article benefits you. Understanding Through-Composition in Post- Rock, Math-Metal, and other Post-Millennial Rock Genres by Brad Osborn 2011 This is the published version of the article, made available with the permission of the publisher. The original published version can be found at the link below. Osborn, Brad. 2011. “Understanding Through-Composition in Post- Rock, Math-Metal, and other Post-Millennial Rock Genres.” Music Theory Online 17, no. 3 Published version: http://www.mtosmt.org/issues/mto.11.17.3/ mto.11.17.3.osborn.pdf Terms of Use: http://www2.ku.edu/~scholar/docs/license.shtml This work has been made available by the University of Kansas Libraries’ Office of Scholarly Communication and Copyright. Volume 17, Number 3, October 2011 Copyright © 2011 Society for Music Theory Understanding Through-Composition in Post-Rock, Math-Metal, and other Post-Millennial Rock Genres (1) Brad Osborn NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.11.17.3/mto.11.17.3.osborn.php KEYWORDS: form, through-composition, rock, experimental rock, post-millennial rock, art rock, post-rock, math-metal, progressive rock, Radiohead, Animal Collective, The Beatles ABSTRACT: Since the dawn of experimental rock’s second coming in the new millennium, experimental artists have begun distancing themselves from Top-40 artists through formal structures that eschew recapitulatory verse/chorus conventions altogether. In order to understand the correlation between genre and form more thoroughly, this paper provides a taxonomic approach to through-composition in several post-millennial experimental rock genres including post-rock, math-metal, art rock, and neo-prog. -
1978-05-22 P MACHO MAN Village People RCA 7" Vinyl Single 103106 1978-05-22 P MORE LIKE in the MOVIES Dr
1978-05-22 P MACHO MAN Village People RCA 7" vinyl single 103106 1978-05-22 P MORE LIKE IN THE MOVIES Dr. Hook EMI 7" vinyl single CP 11706 1978-05-22 P COUNT ON ME Jefferson Starship RCA 7" vinyl single 103070 1978-05-22 P THE STRANGER Billy Joel CBS 7" vinyl single BA 222406 1978-05-22 P YANKEE DOODLE DANDY Paul Jabara AST 7" vinyl single NB 005 1978-05-22 P BABY HOLD ON Eddie Money CBS 7" vinyl single BA 222383 1978-05-22 P RIVERS OF BABYLON Boney M WEA 7" vinyl single 45-1872 1978-05-22 P WEREWOLVES OF LONDON Warren Zevon WEA 7" vinyl single E 45472 1978-05-22 P BAT OUT OF HELL Meat Loaf CBS 7" vinyl single ES 280 1978-05-22 P THIS TIME I'M IN IT FOR LOVE Player POL 7" vinyl single 6078 902 1978-05-22 P TWO DOORS DOWN Dolly Parton RCA 7" vinyl single 103100 1978-05-22 P MR. BLUE SKY Electric Light Orchestra (ELO) FES 7" vinyl single K 7039 1978-05-22 P HEY LORD, DON'T ASK ME QUESTIONS Graham Parker & the Rumour POL 7" vinyl single 6059 199 1978-05-22 P DUST IN THE WIND Kansas CBS 7" vinyl single ES 278 1978-05-22 P SORRY, I'M A LADY Baccara RCA 7" vinyl single 102991 1978-05-22 P WORDS ARE NOT ENOUGH Jon English POL 7" vinyl single 2079 121 1978-05-22 P I WAS ONLY JOKING Rod Stewart WEA 7" vinyl single WB 6865 1978-05-22 P MATCHSTALK MEN AND MATCHTALK CATS AND DOGS Brian and Michael AST 7" vinyl single AP 1961 1978-05-22 P IT'S SO EASY Linda Ronstadt WEA 7" vinyl single EF 90042 1978-05-22 P HERE AM I Bonnie Tyler RCA 7" vinyl single 1031126 1978-05-22 P IMAGINATION Marcia Hines POL 7" vinyl single MS 513 1978-05-29 P BBBBBBBBBBBBBOOGIE -
November 1983
VOL. 7, NO. 11 CONTENTS Cover Photo by Lewis Lee FEATURES PHIL COLLINS Don't let Phil Collins' recent success as a singer fool you—he wants everyone to know that he's still as interested as ever in being a drummer. Here, he discusses the percussive side of his life, including his involvement with Genesis, his work with Robert Plant, and his dual drumming with Chester Thompson. by Susan Alexander 8 NDUGU LEON CHANCLER As a drummer, Ndugu has worked with such artists and groups as Herbie Hancock, Michael Jackson, and Weather Report. As a producer, his credits include Santana, Flora Purim, and George Duke. As articulate as he is talented, Ndugu describes his life, his drumming, and his musical philosophies. 14 by Robin Tolleson INSIDE SABIAN by Chip Stern 18 JOE LABARBERA Joe LaBarbera is a versatile drummer whose career spans a broad spectrum of experience ranging from performing with pianist Bill Evans to most recently appearing with Tony Bennett. In this interview, LaBarbera discusses his early life as a member of a musical family and the influences that have made him a "lyrical" drummer. This accomplished musician also describes the personal standards that have allowed him to maintain a stable life-style while pursuing a career as a jazz musician. 24 by Katherine Alleyne & Judith Sullivan Mclntosh STRICTLY TECHNIQUE UP AND COMING COLUMNS Double Paradiddles Around the Def Leppard's Rick Allen Drumset 56 EDUCATION by Philip Bashe by Stanley Ellis 102 ON THE MOVE ROCK PERSPECTIVES LISTENER'S GUIDE Thunder Child 60 A Beat Study by Paul T. -
May 2018 Newsletter
June 18th, 2019 Songwriters in the Round NEWSLETTER A n E n t e r t a i n m e n t I n d u s t r y O r g a n i z a t i on President’s Corner Dear Friends and Members, Our next panel discussion, “Songwriters in the Round,” is set for June 18th at The Federal in North Hollywood. Please note the different venue and the lower price. I am excited to wrap up this season by co-moderating this panel with the amazing, Mara Schwartz Kuge! We take a vacation in the month of July, but next up is our Second Annual Summer Networking Mixer at the Palihouse in West Hollywood on August 27th. Come join us for an entire evening of networking. Bring plenty of business cards and register early—you don’t want to miss this one! Lastly, please join me in thanking our 2018–2019 Board of Directors. These amazing women and men sacrifice so much of their time and energy to ensure that all of the CCC activities are planned and executed without a hitch. Some of their accomplishments are: • Amazing panel discussions with relevant content. • New format that enables the meetings to end promptly at 9pm. • Extended season that now runs from August–June. • New banking partner that offered more favorable rates and lower fees. • The Scholarship Fund is now an official 501(c)(3) non-profit charitable organization. • Producing another rousing Apollo-Award Holiday bash. Thanks for your continued support! I look forward to seeing you at a CCC event soon. -
![Ground Control - Ween - [CD & DVD]](https://docslib.b-cdn.net/cover/7848/ground-control-ween-cd-dvd-817848.webp)
Ground Control - Ween - [CD & DVD]
Ground Control - Ween - [CD & DVD] http://groundcontrolmag.com/detail/3/1330/ Avg Ween Fan IQ=103 Give Singing Success Can you beat this score? Take the challenge Limited time! Give Brett Manning's Singing now! Success at a huge discount SIGN UP LOG IN > ALBUMS REVIEWS: WEEN - [CD & DVD] ARTIST: Ween - [CD & DVD] DATE: 12-12-08 REVIEW BY: Bill Adams ALBUM: At Cat\\\'s Cradle, 1992 LABEL: Chocodog/MVDAudio Now Playing: 'Buckingham Green' from At Cat's Cradle, 1992 If all you’ve seen of Ween from a live performance standpoint is the fantastic DVD released in 2004 that presents an inspired set by the current line-up of Mickey Melchiondo (aka Dean Ween) on guitar, Aaron Freeman (aka Gene Ween) on vocals and guitar, drummer Claude Coleman (also known as very possibly the most gifted percussionist on Earth today), bassist Dave Dreiwitz and keyboardist Glenn McClelland, you’ve seen a pretty incredible show, but you don’t know the whole story. Without going into a spectacular amount of detail, Ween did not come out readymade as the dynamic outfit that took the stage in Chicago early in the millennium – it took a lot of work to get to that point. In the embryonic years (from their first show in 1987 until the release of Chocolate And Cheese in 1994), Ween had a line-up of just Gene and Dean who, along with a Yamaha tape deck stocked with pre-recorded drums and bass parts that they’d play to fill out the mixes on stage, were determined to win converts to the band’s banner by presenting a performance piece of playful and infectious perversion. -
Eyez on Me 2PAC – Changes 2PAC - Dear Mama 2PAC - I Ain't Mad at Cha 2PAC Feat
2 UNLIMITED- No Limit 2PAC - All Eyez On Me 2PAC – Changes 2PAC - Dear Mama 2PAC - I Ain't Mad At Cha 2PAC Feat. Dr DRE & ROGER TROUTMAN - California Love 311 - Amber 311 - Beautiful Disaster 311 - Down 3 DOORS DOWN - Away From The Sun 3 DOORS DOWN – Be Like That 3 DOORS DOWN - Behind Those Eyes 3 DOORS DOWN - Dangerous Game 3 DOORS DOWN – Duck An Run 3 DOORS DOWN – Here By Me 3 DOORS DOWN - Here Without You 3 DOORS DOWN - Kryptonite 3 DOORS DOWN - Landing In London 3 DOORS DOWN – Let Me Go 3 DOORS DOWN - Live For Today 3 DOORS DOWN – Loser 3 DOORS DOWN – So I Need You 3 DOORS DOWN – The Better Life 3 DOORS DOWN – The Road I'm On 3 DOORS DOWN - When I'm Gone 4 NON BLONDES - Spaceman 4 NON BLONDES - What's Up 4 NON BLONDES - What's Up ( Acoustative Version ) 4 THE CAUSE - Ain't No Sunshine 4 THE CAUSE - Stand By Me 5 SECONDS OF SUMMER - Amnesia 5 SECONDS OF SUMMER - Don't Stop 5 SECONDS OF SUMMER – Good Girls 5 SECONDS OF SUMMER - Jet Black Heart 5 SECONDS OF SUMMER – Lie To Me 5 SECONDS OF SUMMER - She Looks So Perfect 5 SECONDS OF SUMMER - Teeth 5 SECONDS OF SUMMER - What I Like About You 5 SECONDS OF SUMMER - Youngblood 10CC - Donna 10CC - Dreadlock Holiday 10CC - I'm Mandy ( Fly Me ) 10CC - I'm Mandy Fly Me 10CC - I'm Not In Love 10CC - Life Is A Minestrone 10CC - Rubber Bullets 10CC - The Things We Do For Love 10CC - The Wall Street Shuffle 30 SECONDS TO MARS - Closer To The Edge 30 SECONDS TO MARS - From Yesterday 30 SECONDS TO MARS - Kings and Queens 30 SECONDS TO MARS - Teeth 30 SECONDS TO MARS - The Kill (Bury Me) 30 SECONDS TO MARS - Up In The Air 30 SECONDS TO MARS - Walk On Water 50 CENT - Candy Shop 50 CENT - Disco Inferno 50 CENT - In Da Club 50 CENT - Just A Lil' Bit 50 CENT - Wanksta 50 CENT Feat. -
Keith Carlock
APRIZEPACKAGEFROM 2%!3/.34/,/6%"),,"25&/2$s.%/.42%%3 7). 3ABIANWORTHOVER -ARCH 4HE7ORLDS$RUM-AGAZINE 'ET'OOD 4(%$25--%23/& !,)#)!+%93 $!.'%2-/53% #/(%%$ 0,!.4+2!533 /.345$)/3/5.$3 34!249/52/7. 4%!#().'02!#4)#% 3TEELY$AN7AYNE+RANTZS ,&*5)$"3-0$,7(9(%34(%-!.4/7!4#( s,/52%%$34/.9h4(5.$%2v3-)4( s*!+),)%"%:%)4/&#!. s$/5",%"!3335"34)454% 2%6)%7%$ -/$%2.$25--%2#/- '2%43#(052%7//$"%%#(3/5,4/.%/,$3#(//,3*/9&5,./)3%%,)4%3.!2%3%6!.34/-0/7%2#%.4%23 Volume 35, Number 3 • Cover photo by Rick Malkin CONTENTS 48 31 GET GOOD: STUDIO SOUNDS Four of today’s most skilled recording drummers, whose tones Rick Malkin have graced the work of Gnarls Barkley, Alicia Keys, Robert Plant & Alison Krauss, and Coheed And Cambria, among many others, share their thoughts on getting what you’re after. 40 TONY “THUNDER” SMITH Lou Reed’s sensitive powerhouse traveled a long and twisting musical path to his current destination. He might not have realized it at the time, but the lessons and skills he learned along the way prepared him per- fectly for Reed’s relentlessly exploratory rock ’n’ roll. 48 KEITH CARLOCK The drummer behind platinum-selling records and SRO tours reveals his secrets on his first-ever DVD, The Big Picture: Phrasing, Improvisation, Style & Technique. Modern Drummer gets the inside scoop. 31 40 12 UPDATE 7 Walkers’ BILL KREUTZMANN EJ DeCoske STEWART COPELAND’s World Percussion Concerto Neon Trees’ ELAINE BRADLEY 16 GIMME 10! Hot Hot Heat’s PAUL HAWLEY 82 PORTRAITS The Black Keys’ PATRICK CARNEY 84 9 REASONS TO LOVE Paul La Raia BILL BRUFORD 82 84 96 -
Jude the Obscure Official Biography
Jude the Obscure Official Biography Jude the Obscure, circa 2003 Jude the Obscure had a very comfortable place in the Ontario math-core/noisecore scene throughout its existence. I believe they were the first to be called “chaoticore”. Prior to the forming of this band, Grant Freifeld (“Fuzz” on bass), Jason Rice (“Jaundice” on drums) and Chuck Leach (“the Bank”/”Bankenstein” on guitar) played together in a slew of Grimsby, Ontario high school bands, often changing name every few months. When in 1998 they decided to go “heavier”, they asked a guy in their high school who was wearing a Snapcase shirt if he wanted to to be their signer; that was James Long (“Jimbo”). With Jimbo in, Jude the Obscure was born. The final addition was one of Jason’s coworker, Jordan Passfield who was brought in as an experimental guitar player. “A New Life of Painful Sin” demo, 1999 “A New Life of Painful Sin” demo, 1999 Their first show was a house show with Rise Over Run. In 1999 they recorded 3 songs at Scott Bialik’s small basement studio, soundDOME Studio, in Hamilton, live right off the floor. Jude self-released it as their first demo “A New Life of Painful Sin”. Everyone who ever talks about this demo doesn’t speak of it nicely. Nevertheless it is a good representation of what early 2000 metalcore was like. Poster advertising “A Perfect Place” on Punx Without Mohawx Records Their high school friends, Rise Over Run, had gotten signed to the Quebec label Punx Without Mohawx Records, so Jude sent them their demo as well. -
For Immediate Release September 2016 Umphrey's
FOR IMMEDIATE RELEASE SEPTEMBER 2016 UMPHREY’S MCGEE ANNOUNCE THE NOVEMBER 11 RELEASE OF INNOVATIVE MASH-UP ALBUM ZONKEY RECORDED WITH LIVE INSTRUMENTATION AND NO SAMPLES USED COLLECTION INCLUDES MUSIC BY BEASTIE BOYS, BECK, FLEETWOOD MAC, METALLICA, MGMT, MICHAEL JACKSON, RADIOHEAD, TALKING HEADS, THE WEEKND, FRANK ZAPPA AND MANY MORE “Umphrey's McGee are a veteran act steeped in prog musicianship, metal power and genre-jumping inventiveness that thinks in terms of album-length statements.” - Rolling Stone Nashville, TN – Genre-defying progressive sextet Umphrey’s McGee announce the November 11 release of ZONKEY, a truly unique collection of 12 innovative mash-ups; conceived, arranged and performed in their entirety without the use of any samples. Always a band to challenge the boundaries of live performance, Umphrey’s McGee began a tradition eight years ago when the group started performing live mash-ups during their annual Halloween concerts. The event has become a fan favorite with sold out shows and highly coveted tickets. ZONKEY marks the first time the group has taken songs spanning 40+ years of popular music from 70’s Reggae to 80’s Pop to 90’s Metal and beyond, and recorded them in the studio. Only a band with the caliber of musicians such as Umphrey’s McGee could pull off these ambitious compositions that include “National Loser Anthem” (Radiohead’s "National Anthem" + Beck’s "Loser" + Phil Collins "In The Air Tonight”), “Can't Rock My Dream Face” (Michael Jackson’s "Rock With You" + The Weeknd’s "Can't Feel My Face" + Fleetwood Mac’s "Dreams"), “Strangletage” (Ted Nugent’s "Stranglehold" + Beastie Boys "Sabotage") or “Life During Exodus” (Talking Heads’ "Life During Wartime" + Bob Marley ‘s "Exodus" + Frank Zappa’s "City of Tiny Lites" + Chicago’s "25 or 6 to 4"). -
4““ ”Va 0 Ab,I -.“.1H-'U"1..,2“.'Wu'wf-A0tr- Echn1clan North Carolina
echn1clan North Carolina State University’3 Student NeWspaperSincé 1920 4““ Volume LXIV, Number 12 Friday, September 24, lm Raleigh, North Carolina Phone manna“: Turnout encouraging Board discusses new track Senate meeting initiates by Laais Manon Professors from State's history If approved. enrollment may begin Staff Writer department and William Price. direc- as soon as next spring semester. ‘Wu‘W-f-A0tr- tor of N.C. Division of Archives and Downs said. The Board is awaiting ap A new graduate program track and History collaborated on the investiga- prove] from the General Administra- ”Va host of new members plans for improvements to residence tion process that determined the need tion. 0 by Louis‘hlansa The senatoE' first duty was ap halls and the School of Engineering for the new track. The track will ex- Board members also made plans for ab,i Staff Writer prove] of t previous meeting were approved Saturday night by the pand the existing cooperation bet smoke detectors and onewey voice minutes of April 21. Student Body University Board of Trustees. ween the history department and er devices to he installed in Carroll. Met “I feel that the high turnout at President Jim Yocum then gave the At its first meeting of the year the chives offices downtown. calfand Bowen residence halls to meet Senate Hall tonight expresses the opening report and encouraged Board reelected by acclamation last “I‘m very pleased that the history new high-rise building codes. enthusiasm of this year's Student senators to keep in contact with him year's slate of officers. -
Sum 41 Alive
SSUMUM 4411 AALIVELIVE IS SCREAMO B.S.? FLORIA’S FUEL IAN BLURTON~MINISTRY~THE TEA PARTY~WILDHEARTS CLAIRE STANSFIELD~MOONEY SUZUKI~DFA 1979 THE JERRY CAN The summer is the season of rock. Tours roll across the coun- try like mobile homes in a Florida hurricane. The most memo- rable for this magazine/bar owner were the Warped Tour and Wakestock, where such bands as Bad Religion, Billy Talent, Alexisonfire, Closet Monster, The Trews and Crowned King had audiences in mosh-pit frenzies. At Wakestock, in Wasaga Beach, Ont., Gasoline, Fox Racing, and Bluenotes rocked so hard at their two-day private cottage party that local authorities shut down the stage after Magneta Lane and Flashlight Brown. Poor Moneen didn't get to crush the eardrums of the drunken revellers. That was day one! Day two was an even bigger party with the live music again shut down. The Reason, Moneen and Crowned King owned the patio until Alexisonfire and their crew rolled into party. Gasoline would also like to thank Chuck (see cover story) and other UN officials for making sure that the boys in Sum41 made it back to the Bovine for another cocktail, despite the nearby mortar and gunfire during their Warchild excursion. Nice job. Darryl Fine Editor-in-Chief CONTENTS 6 Lowdown News 8 Ian Blurton and C’mon – by Keith Carman 10 Sum41 – by Karen Bliss 14 Floria Sigismondi – by Nick Krewen 16 Alexisonfire and “screamo” – by Karen Bliss 18 Smash it up – photos by Paula Wilson 20 Whiskey and Rock – by Seth Fenn 22 Claire Stansfield – by Karen Bliss 24 Tea Party – by Mitch Joel