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November 1983
VOL. 7, NO. 11 CONTENTS Cover Photo by Lewis Lee FEATURES PHIL COLLINS Don't let Phil Collins' recent success as a singer fool you—he wants everyone to know that he's still as interested as ever in being a drummer. Here, he discusses the percussive side of his life, including his involvement with Genesis, his work with Robert Plant, and his dual drumming with Chester Thompson. by Susan Alexander 8 NDUGU LEON CHANCLER As a drummer, Ndugu has worked with such artists and groups as Herbie Hancock, Michael Jackson, and Weather Report. As a producer, his credits include Santana, Flora Purim, and George Duke. As articulate as he is talented, Ndugu describes his life, his drumming, and his musical philosophies. 14 by Robin Tolleson INSIDE SABIAN by Chip Stern 18 JOE LABARBERA Joe LaBarbera is a versatile drummer whose career spans a broad spectrum of experience ranging from performing with pianist Bill Evans to most recently appearing with Tony Bennett. In this interview, LaBarbera discusses his early life as a member of a musical family and the influences that have made him a "lyrical" drummer. This accomplished musician also describes the personal standards that have allowed him to maintain a stable life-style while pursuing a career as a jazz musician. 24 by Katherine Alleyne & Judith Sullivan Mclntosh STRICTLY TECHNIQUE UP AND COMING COLUMNS Double Paradiddles Around the Def Leppard's Rick Allen Drumset 56 EDUCATION by Philip Bashe by Stanley Ellis 102 ON THE MOVE ROCK PERSPECTIVES LISTENER'S GUIDE Thunder Child 60 A Beat Study by Paul T. -
November 1916) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 11-1-1916 Volume 34, Number 11 (November 1916) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 34, Number 11 (November 1916)." , (1916). https://digitalcommons.gardner-webb.edu/etude/630 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. presser’s musical magazine THE ETUDE 1 THE ETUDE 761 Choicest dates of the Arabian date crop, Dromedary Dates come to you as fresh and dean as if you picked them yourself in the mellowing sunlight of the East. After being carefully selected, they are packed three layers deep in air-tight, dust-proof packages. Eat Dromedary Dates. They are appetizing as a food, as a confection, as a dainty. Better than candy for children. Send for Free Cook Book Containing 100 Prize Recipes for Date Dishes THE HILLS BROTHERS COMPANY, Dept. 37, 375 Washington Street, New York Dromedary And wonderful in tone. An instrument that will endure and become more cherished as the years go by. -
Polygram 1983-1992
AUSTRALIAN RECORD LABELS PolyGram 7”, 12” singles & LP’s 1983 to 1992 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, MAY 2019 POLYGRAM 7”, 12” SINGLES & LP’S, 1983–1992 POLYGRAM PRODUCT GUIDE –1 = 12” SINGLES, LP’S –2 = CD SINGLES, CD’S (NOT LISTED) –3 = VHS VIDEO (NOT LISTED) –4 = CASSETTE SINGLES, CASSETTES (NOT LISTED) –7 = 7” SINGLES 370, 377—WINDHAM HILL 370 111-1 TEARS OF JOY TUCK & PATTI 1.90 377 008-1 LOVE WARRIORS TUCK & PATTI 1.90 390–397—A & M 390 419-7 LOVE SCARED / LOVE SCARED PART II (LET’S TALK IT OVER) LANCE ELLINGTON 3.91 390 460-7 STONE COLD SOBER / THE RETURN OF MAGGIE BROWN DEL AMITRI 7.90 390 462-7 THE MESSAGE IS LOVE (2 VERSIONS) ARTHUR BAKER 3.90 390 462-1 THE MESSAGE IS LOVE (2 VERSIONS) / THE MESSAGE IS CLUB ARTHUR BAKER 3.90 390 466-7 DIAMOND IN THE DARK / LAST NIGHT CHRIS DE BURGH 6.90 390 471-7 LOVE TOGETHER (2 VERSIONS) L.A. MIX 7.90 390 471-1 LOVE TOGETHER (2 VERSIONS) L.A. MIX 7.90 390 472-7 PERFECT VIEW / WE NEVER MET THE GRACES 3.90 390 474-7 NOTHING EVER HAPPENS / NO HOLDING ON DEL AMITRI 4.90 390 474-1 NOTHING EVER HAPPENS / NO HOLDING ON / SLOWLY, IT’S COMING BACK DEL AMITRI 5.90 390 475-7 I’M A BELIEVER / NO WAY OUT GIANT 6.90 390 476-7 INSIDE OUT / BACK TO WHERE WE STARTED GUN 4.90 390 477-7 WITH A LITTLE LOVE / WINDOW PEOPLE SAM BROWN 4.90 390 477-1 WITH A LITTLE LOVE / WINDOW PEOPLE / DOLLY MIXTURE SAM BROWN 4.90 390 480-7 A CHANGE IS GONNA COME / MY BLOOD THE NEVILLE BROTHERS 3.90 390 484-1 SUPER LOVER (2 VERSIONS) / WHEN WILL I SEE YOU AGAIN BARRY WHITE 6.90 390 486-7 TWO TO MAKE IT RIGHT -
Looking Forward to the Past: Baroque Rock's
LOOKING FORWARD TO THE PAST: BAROQUE ROCK’S POSTMODERN NOSTALGIA AND THE POLITICS OF MEMORY by Sara Gulgas BA Music History and Literature, Youngstown State University, 2011 MA Popular Music Studies, University of Liverpool, 2012 Submitted to the Graduate Faculty of the Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Musicology University of Pittsburgh 2017 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Sara Gulgas It was defended on February 16, 2017 and approved by Dr. Deane L. Root, University of Pittsburgh, Music Dr. Emily Zazulia, University of California Berkeley, Music Dr. Joyce Bell, University of Minnesota, Sociology Dissertation Director: James P. Cassaro, University of Pittsburgh, Music ii Copyright © by Sara Gulgas 2017 iii LOOKING FORWARD TO THE PAST: BAROQUE ROCK’S POSTMODERN NOSTALGIA AND THE POLITICS OF MEMORY Sara Gulgas, PhD University of Pittsburgh, 2017 In the mid-1960s, baroque rock music blended the sound of string quartets, harpsichord ostinatos, and contrapuntal techniques with rock instrumentation. This contemporary representation of the distant past presents an ironic anachronism that is humorous in its novel affect while allowing this dissonance to alert the listener about constructions of memory and the perception of time. Some of the biggest names in rock and roll were influenced by the Early Music revival but took a non-linear approach to history rather than undertaking “historically informed performance.” They cultivated what I call postmodern nostalgia: a symptom of crisis and progress that is simultaneously reflexive in its detached interpretation of history and imagined in its participants’ ability to reference a past they have not themselves experienced. -
How to Fail with Elizabeth Day Podcast
Copyright 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2019 Copyright © Elizabeth Day 2019 Cover design by Anna Morrison Elizabeth Day asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e- book on-screen. No part of this text may be reproduced, transmitted, down- loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins Source ISBN: 9780008327323 Ebook Edition © March 2019 ISBN: 9780008327347 Version: 2019-03-08 Dedication For my godchildren: Imogen, Tabitha, Thomas, Walt, Billy, Uma, Eliza, Elsa and Joe. Epigraph ‘Failure is the condiment that gives success its flavour’ Truman Capote Contents Cover Title Page Copyright Dedication Epigraph Introduction How to Fail at Fitting In How to Fail at Tests How to Fail at Your Twenties How to Fail at Dating How to Fail at Sport How to Fail at Relationships How to Fail at Being Gwyneth Paltrow How to Fail at Work How to Fail at Friendship How to Fail at Babies How to Fail at Families How to Fail at Anger How to Fail at Success Afterword Acknowledgements About the Author Also by Elizabeth Day About the Publisher Introduction One of my earliest memories is of failure. -
Vol. 93 • No. 2 • November 2013 • Lakewood High School • 14100 Franklin Blvd
THETHE MUSICMUSIC ISSUEISSUE Vol. 93 • No. 2 • November 2013 • Lakewood High School • 14100 Franklin Blvd. • Lakewood, OH 44107 www. lakewoodtimes.net Contents Times Staff 2013/2014 Times Editorial Policy Editor Contributors Matt Morgenstern Brett Brown Soule Dimacchia Assistant Editor As preservers of democracy, our schools shall Emily Suleiman protect, encourage, and enhance free speech and the Robert Searles exchange of ideas as a means of protecting our Ameri- Maggie Jawhari can way of life. The Times and its staff are protected by, and bound to, the principles of the “First Amendment” Sports Editor and other protections and limitations afforded by The Editorial Board Members Constitution and the various court decisions implement- Aaron Morit ing those principles. Olivia Rinehart It is the mission of The Lakewood Times, the official Brandon Reid news magazine of Lakewood High School, to serve as a Photography Editor Jacklyn Voll public forum that promotes the gathering and exchange Veronica Gordon of ideas, and uphold high journalistic standards for the Kelton Greenwood purpose of enriching the lives of our readers. The Times is established as an open forum for Ashley Hirsch student expression and as a voice in the uninhibited, Adviser Emily Skeans free and open discussion of issues. The Times will not Dennis Ebner be reviewed or restrained prior to publication. Content Mackenzie Rivera of The Times, therefore, reflections only the views of the student staff or individual students and not school offi- cials. Students may use online media to educate, inform, and entertain their readers. Both the school and the Evolution of Rock and Roll..............4 cyber community are entitled to the same protections and subject to the same freedoms and responsibilities, Local Band...............................................5 as all other student media outlined in this policy. -
(English Literature) Paper III– Prose Duration – 3 Hours, Max. Marks
1 B. A. Part II (English Literature) Paper III– Prose Duration – 3 hours, Max. Marks – 50 The following essays are prescribed for detailed study: 1. Francis Bacon: “Of Studies” 2. Proverbs, Chapter XV. (from The Bible) 3. Addison: “Will Wimble” 4. Steele: “The Spectator Club” 5. Goldsmith: “Beau Tibbs” 6. Johnson: “Letter to Chesterfield” 7. Lamb: “Dream Children” 8. Charlotte Perkins Gilman: “The Yellow Wallpaper” 9. Anita Desai: “A Farewell Party” 10. James Thurber: “The Secret of Waltermity” 11. Katherine Mansfield: “The Fly” Non‐Detailed Study R. K. Narayan’s The Guide Pattern The question paper will be divided into five units. In Unit I, there will be a compulsory question carrying 16 marks, in which candidates will be asked to explain with reference to the context any four out of seven passages from the essays and stories prescribed. Units II, III, and IV will consist of essay‐type question on the essays/essayists and stories prescribed. The following unit‐wise division of the essayists and story writers will be observed in asking questions. Unit II – Bacon, The Bible (Book of Proverbs), Addison, Steele Unit III‐ Goldsmith, Johnson, Lamb and Charlotte Perkins Gilman Unit IV – Anita Desai, James Thurber, Catherine Mansfield In Units II, III and IV, there will be a question each on any two essayists/story writers in the Unit and candidates will be asked to answer any one question. Questions in Unit II will carry 9 marks each and those in Units III and IV will carry 8 marks each. Unit V: There will be five short‐ answer questions on R. -
Novita 05042019
NOVITA’ 5 APRILE 2019 NOVITA’ MUSICALI Artista Titolo Supporto Ultimo Colpa Delle Favole Cd Ultimo Colpa Delle Favole Lp Ernia 68 (Till The End Aggiunta 7 Brani Inediti) (Digipack) Cd En?Gma Booriana Cd Pinguini Tattici Nucleari Fuori Dall'Hype Cd Booriana (Deluxe Edt. Box 3 Cd En?Gma Booriana,Terranova,Dedalo Remake) Cd Overkill The Wings Of War Cd Bowie David Spying Through A Keyhole (Box 4 Lp 7") Lp Compilation Radiostudiopiu' Party Time 80-90 Cd The Age Of Consent (Remastered & Expanded 2Lp+Cd Bronski Beat Vinyl Pink Edt.) Lp Baroni Federico Non Pensarci Cd Battiato Franco Apriti Sesamo Cd Deproducers( Cosma, Maroccolo, Sinigallia, Casacci) Dna Cd Modena City Ramblers Riaccolti Live (1 Brano Inedito) Lp Ruggeri Enrico Alma Lp Mike + The Mechanics Out Of The Blue Cd O. S. T. -Pat Garrett & Billy The Kid( Dylan Bob) Pat Garrett & Billy The Kid (Global Vinyl Title) Lp Villa Emanuela Roma...A Modo Mio! Cd Compilation 90S The Collection Vol.5 Cd Hendrix Jimi Music Is My Religion Lp Simons Matt After The Landslide Cd Periphery Periphery Iv. Hail Stan (Gatefold Black 2 Lp) Cd Out Of The Blue (Deluxe Edt. + Cd Bonus Con 6 Brani Mike + The Mechanics Acustici) Cd Don Felder American Rock 'N' Roll Cd Deproducers( Cosma, Maroccolo, Sinigallia, Casacci) Dna Lp O.S.T.-Dead Man (Young Neil) Dead Man: A Film By Jim Jarmusch Lp Compilation 2000'S The Collection Cd Compilation Anual 2019 Cd Mauri Sergio Talk To Me Cd Professor Longhair Live On The Queen Mary Cd Piazzolla Astor Les Années Milan Cd O.S.T.-Dumbo Dumbo Cd Eluveitie Ategnatos (Digipack) Cd Drums The Brutalism Cd Rozi Plain What A Boost Cd Dylan Bob Planet Waves (Global Vinyl Title) Lp Dylan Bob Street Legal (Global Vinyl Title) Lp Necrodeath Defragments Of Insanity Cd Bareilles Sara Amidst The Chaos Cd Mike + The Mechanics Out Of The Blue Lp Cut (Half Speed 40Th Anniversary 180 Gr.