The Telecommunications Act of 1996 and US Media Ownership
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The Science of Television. Television and Its Importance for the History of Health and Medicine Jessica Borge, Tricia Close-Koenig, Sandra Schnädelbach
Introduction: The Science of Television. Television and its Importance for the History of Health and Medicine Jessica Borge, Tricia Close-Koenig, Sandra Schnädelbach To cite this version: Jessica Borge, Tricia Close-Koenig, Sandra Schnädelbach. Introduction: The Science of Television. Television and its Importance for the History of Health and Medicine. Gesnerus, Schwabe Verlag Basel, 2019, 76 (2), pp.153-171. 10.24894/Gesn-en.2019.76008. hal-02885722 HAL Id: hal-02885722 https://hal.archives-ouvertes.fr/hal-02885722 Submitted on 30 Jun 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Gesnerus 76/2 (2019) 153–171, DOI: 10.24894/Gesn-en.2019.76008 Introduction. The Science of Television: Television and its Importance for the History of Health and Medicine Jessica Borge, Tricia Close-Koenig, Sandra Schnädelbach* From the live transmission of daunting surgical operations and accounts of scandals about medicines in the 1950s and 1960s to participatory aerobic workouts and militant AIDS documentaries in the 1980s the interrelation- ship of the history of bodies and health on television and the history of tele- vision can be witnessed. A telling example of this is the US born aerobics movement as it was brought to TV in Europe, with shows such as Gym Tonic (from 1982) in France, Enorm in Form (from 1983) in Germany or the Green Goddess on BBC Breakfast Time (from 1983) in Great Britain. -
Rethinking the Role of History in Law & Economics: the Case of The
09-008 Rethinking the Role of History in Law & Economics: The Case of the Federal Radio Commission in 1927 David A. Moss Jonathan B. Lackow Copyright © 2008 by David A. Moss and Jonathan B. Lackow Working papers are in draft form. This working paper is distributed for purposes of comment and discussion only. It may not be reproduced without permission of the copyright holder. Copies of working papers are available from the author. Rethinking the Role of History in Law & Economics: The Case of the Federal Radio Commission in 1927 David A. Moss Jonathan B. Lackow July 13, 2008 Abstract In the study of law and economics, there is a danger that historical inferences from theory may infect historical tests of theory. It is imperative, therefore, that historical tests always involve a vigorous search not only for confirming evidence, but for disconfirming evidence as well. We undertake such a search in the context of a single well-known case: the Federal Radio Commission’s (FRC’s) 1927 decision not to expand the broadcast radio band. The standard account of this decision holds that incumbent broadcasters opposed expansion (to avoid increased competition) and succeeded in capturing the FRC. Although successful broadcaster opposition may be taken as confirming evidence for this interpretation, our review of the record reveals even stronger disconfirming evidence. In particular, we find that every major interest group, not just radio broadcasters, publicly opposed expansion of the band in 1927, and that broadcasters themselves were divided at the FRC’s hearings. 1. Introduction What is the role of history in the study of law and economics? Perhaps its most important role in this context is as a test of theory and a source of new hypotheses. -
Public Service Broadcasting in Transition: a Documentary Reader
University of Pennsylvania ScholarlyCommons Other Publications from the Center for Global Center for Global Communication Studies Communication Studies (CGCS) 11-2011 Public Service Broadcasting in Transition: A Documentary Reader Monroe Price University of Pennsylvania, [email protected] Marc Raboy Follow this and additional works at: https://repository.upenn.edu/cgcs_publications Part of the Broadcast and Video Studies Commons Recommended Citation Price, Monroe and Raboy, Marc. (2011). Public Service Broadcasting in Transition: A Documentary Reader. Other Publications from the Center for Global Communication Studies. Retrieved from https://repository.upenn.edu/cgcs_publications/1 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/cgcs_publications/1 For more information, please contact [email protected]. Public Service Broadcasting in Transition: A Documentary Reader Abstract This is a book of documents, comments, and cases that has been prepared, at the request of the European Institute for the Media, for the use of government officials and citizens interested in strengthening public service broadcasting in transition societies. In this book we try to provide a small chest of tools and background information that will be of assistance. We start, in Chapter 1, with an overview of some of the general principles of public service broadcasting, and include pertinent comments on each of them. Here, as throughout the book, we concentrate on issues of governance and financing, with some attention as well ot issues surrounding programming. In Chapter 2, we turn to current issues in the European-level debate, partly from the perspective of European expectations and standards that are employed in evaluation and accession processes. -
A Wavelength for Every Network: Synchronous Broadcasting and National Radio in the United States, 1926–1932 Michael J
The University of Maine DigitalCommons@UMaine Communication and Journalism Faculty Communication and Journalism Scholarship 2007 A Wavelength for Every Network: Synchronous Broadcasting and National Radio in the United States, 1926–1932 Michael J. Socolow University of Maine, [email protected] Follow this and additional works at: https://digitalcommons.library.umaine.edu/cmj_facpub Part of the Film and Media Studies Commons, History of Science, Technology, and Medicine Commons, Radio Commons, and the United States History Commons Repository Citation Socolow, Michael J., "A Wavelength for Every Network: Synchronous Broadcasting and National Radio in the United States, 1926–1932" (2007). Communication and Journalism Faculty Scholarship. 1. https://digitalcommons.library.umaine.edu/cmj_facpub/1 This Article is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Communication and Journalism Faculty Scholarship by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. A Wavelength for Every Network: Synchronous Broadcasting and National Radio in the United States, 1926-1932 Author(s): Michael J. Socolow Source: Technology and Culture, Vol. 49, No. 1 (Jan., 2008), pp. 89-113 Published by: The Johns Hopkins University Press and the Society for the History of Technology Stable URL: http://www.jstor.org/stable/40061379 Accessed: 07-06-2016 21:28 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. -
The Battle Over the FCC Blue Book: Determining the Role of Broadcast Media in a Democratic Society, 1945–8
University of Pennsylvania ScholarlyCommons Departmental Papers (ASC) Annenberg School for Communication 3-2011 The Battle Over the FCC Blue Book: Determining the Role of Broadcast Media in a Democratic Society, 1945–8 Victor Pickard University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/asc_papers Part of the Communication Commons Recommended Citation Pickard, V. (2011). The Battle Over the FCC Blue Book: Determining the Role of Broadcast Media in a Democratic Society, 1945–8. Media, Culture & Society, 33 (2), 171-191. https://doi.org/10.1177/ 0163443710385504 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/asc_papers/426 For more information, please contact [email protected]. The Battle Over the FCC Blue Book: Determining the Role of Broadcast Media in a Democratic Society, 1945–8 Abstract During the 1940s a media reform movement of grassroots activists and a progressive Federal Communication Commission (FCC) emerged to challenge the commercial interests consolidating control of US media. A key initiative born out of this movement was the so-called Blue Book, a high-water mark for FCC progressive activism that mandated social responsibility obligations for broadcasters in return for their use of the public airwaves. Ultimately, red-baiting tactics defeated the policy initiatives outlined in the Blue Book and the media reform movement was largely contained. The following analysis draws from archival materials to illuminate the resulting arrangement -
An Introductory History of British Broadcasting
An Introductory History of British Broadcasting ‘. a timely and provocative combination of historical narrative and social analysis. Crisell’s book provides an important historical and analytical introduc- tion to a subject which has long needed an overview of this kind.’ Sian Nicholas, Historical Journal of Film, Radio and Television ‘Absolutely excellent for an overview of British broadcasting history: detailed, systematic and written in an engaging style.’ Stephen Gordon, Sandwell College An Introductory History of British Broadcasting is a concise and accessible history of British radio and television. It begins with the birth of radio at the beginning of the twentieth century and discusses key moments in media history, from the first wireless broadcast in 1920 through to recent developments in digital broadcasting and the internet. Distinguishing broadcasting from other kinds of mass media, and evaluating the way in which audiences have experienced the medium, Andrew Crisell considers the nature and evolution of broadcasting, the growth of broadcasting institutions and the relation of broadcasting to a wider political and social context. This fully updated and expanded second edition includes: ■ The latest developments in digital broadcasting and the internet ■ Broadcasting in a multimedia era and its prospects for the future ■ The concept of public service broadcasting and its changing role in an era of interactivity, multiple channels and pay per view ■ An evaluation of recent political pressures on the BBC and ITV duopoly ■ A timeline of key broadcasting events and annotated advice on further reading Andrew Crisell is Professor of Broadcasting Studies at the University of Sunderland. He is the author of Understanding Radio, also published by Routledge. -
Financing Public Broadcasting Hyman H
FINANCING PUBLIC BROADCASTING HYMAN H. GoLDIN* INTRODUCTION When the Public Broadcasting Act1 passed in November 1967 there was joy in the land-at least among the aficionados. The jubilation was understandable: The legislation followed by only eleven months the report of the Carnegie Commission on Educational Television-an impressive Congressional lap-time. Circumstances were most favorable: The concept of educational broadcasting was widely supported; the Johnson Administration and key Congressional leaders of both parties were ardent backers; the highly prestigious Carnegie Commission was unanimous and persuasive; and commercial broadcasters were supportive, as shown by a CBS gifi of $i million to the Corporation for Public Broadcasting. However, there was one flaw. The Administration, while embracing almost all of the Carnegie Commission's recommendations, sidestepped the most perplexing issue, long-term financing. It urged Congress to establish the new structure and provide seed money from general appropriations, promising to return within the year with proposals for subsequent funding.3 The strategy appealed to everyone, for it permitted immediate and very substantial progress. Congress approved and wrote into the Public Broadcasting Act the basic principle that a greatly expanded public broadcasting system was needed in the public interest. It also authorized the estab- lishment of a nonprofit, nongovernmental Corporation for Public Broadcasting to stimulate and foster educational broadcasting. Additionally, the Congressional Committees on Commerce recognized the inevitable need for large-scale federal funding, although not agreeing on the required level of support or the specific tech. niques for raising the money. In the interim the Administration changed, and the climate for new tax measures chilled. -
Broadcasting in the 1930S; Radio, Television and the Depression – a Symposium
Broadcasting in the 1930s; radio, television and the Depression – A Symposium Part of the conference to mark the 50th anniversary of the Wisconsin Centre for Theatre and Film Research, University of Wisconsin-Madison July 6th – 9th, 2010 ABSTRACTS In alphabetical order by speaker The Trumpets of Autocracies and the Still, Small Voices of Civilisation: Hilda Matheson, Emmanuel Levinas, and the Ethics of Broadcasting in a Time of Crisis Todd Avery, University of Massachusetts Lowell, USA. From its inception, British broadcasting was both a technological and a cultural phenomenon; or, to borrow Raymond Williams’s formulation about television, broadcasting was both a technology and a cultural form. As a cultural form, British broadcasting, and its institutional embodiment, the BBC, functioned as a point of intersection for several related discourses—social, political, and aesthetic. As a public utility service in the national interest, molded according to Arnoldian assumptions about the nature of culture and about the role of culture in everyday life, the BBC was also an institution that officially promoted, sometimes explicitly and often tacitly, a particular moral agenda. At the very least—and this is a fact too-often overlooked in the history of radio criticism—the BBC served as a site of both open and implicit ethical discourse; in other words, if the BBC was a technocultural institution, then one of the constituent aspects of “culture” was the ethical. The BBC was a technocultural institution, and more specifically an electronic mass telecommunications institution, whose founders and early administrators embraced radio as a means of elevating the nation’s moral ideals and standard of conduct through a quasi-Arnoldian dissemination of culture, “the best that has been thought and said in the world,” to a mass listening public. -
Charting the Digital Broadcasting Future
i The Benton Foundationa nonprofit organization that works to promote the effective use of communi- cations technologies for all Americanswill serve as a legatee for the Advisory Committee on Public Interest Obligations of Digital Television Broadcasters. Information and updates about the issues in this Report will be available at www.benton.org/PIAC. ii December 18, 1998 The Vice President The White House Washington, DC 20500 Dear Mr. Vice President: It is with pleasure that we submit to you the Final Report of the Advisory Committee on Public Interest Obligations of Digital Television Broadcasters. The Advisory Committees Report represents 15 months of intensive work and embodies the collective efforts of numer- ous individuals in the television industry, public interest community, and the general public. Digital broadcast television is now a reality. In many areas of the country, the first digital broadcast signals were transmitted just before the Advisory Committee completed its delibera- tions, and the promise of a new and exciting digital future is here. It is a timely moment, therefore, for you, as well as Congress, the Federal Communications Commission, the telecom- munications industry, and the public to consider how the public interest will be best served as we experience the implementation of digital television. The enclosed Report has several sections. It includes a history of our Advisory Committee, a history of public interest obligations and broadcasting, an account of the genesis of digital television, the Advisory Committees recommendations and supporting material, and indi- vidual views of many of our members. The recommendations reflect a broad consensus of our Advisory Committee, cutting across all lines and including the overwhelming majority of our members. -
Management of Radio and Television Stations in Nigeria
New Media and Mass Communication www.iiste.org ISSN 2224-3267 (Paper) ISSN 2224-3275 (Online) Vol.10, 2013 Management of Radio and Television Stations in Nigeria I.W. UDOMISOR • Associate Professor in the Department of Mass Communication, University of Maiduguri; Borno State, Nigeria. • ABSTRACT Broadcasting is very important in Africa because majority of Africans get their information, education and entertainment chiefly from radio and television. Because of this vital role of broadcasting in developing countries, radio and television mediums have become the most controlled for both technical and political reasons. The study aimed at critically examining the role of government in the management and control of radio and television stations in Nigeria, its policy thrust and impact on editorial and programming independence. The study also examined how government strict monopoly affects programming content which in turn also affects political, social and cultural development of the country. The study relied mostly on historical data generated through documentary sources for analysis. The study found out that mass media policy which affects media management in Nigeria has been a sensitive, undecided and unconcluded phenomenon, not only because of diversity of the Nigerian society but also because of the failure of majority of Nigerians and their leaders to visualize the role of their mass media in the development of Nigeria. Mass media development in Nigeria has not only been painstakingly slow and erratic but has also followed the western pattern. The study therefore recommends that government must regard the media industry as an agglomeration of stakeholders all of whom are important to the business. -
United States (2)
University of Pennsylvania ScholarlyCommons Departmental Papers (ASC) Annenberg School for Communication January 1996 United States (2) Monroe Price University of Pennsylvania, [email protected] Jonathan Weinberg Follow this and additional works at: https://repository.upenn.edu/asc_papers Recommended Citation (OVERRIDE) Price, M., & Weinberg, J. (1996). United States (2). In V. MacLeod (Ed.), Media ownership and control in the age of convergence (pp. 265-278). London: International Institute of Communications. Retrieved from http://repository.upenn.edu/asc_papers/63 NOTE: At the time of publication, the author was affiliated witheshiv Y a University. Currently, February 2008, he is a faculty member of the Annenberg School for Communication at the University of Pennsylvania. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/asc_papers/63 For more information, please contact [email protected]. United States (2) Abstract For the first 50 years of the history of broadcasting and telecommunications in the United States, two models, not one, governed ownership and regulation in the telephone and radio industry. United States regulators oversaw a monopoly in telecommunications (though not a state monopoly, as in Europe). By contrast, US law provided for competition in br0adcasting. While AT&T, the monopoly telephone carrier, controlled nearly all telephone traffic, USegulat r ors established a system of competing private broadcast stations. Comments NOTE: At the time of publication, the author was affiliated witheshiv Y a University. Currently, February 2008, he is a faculty member of the Annenberg School for Communication at the University of Pennsylvania. This book chapter is available at ScholarlyCommons: https://repository.upenn.edu/asc_papers/63 United States (2) By Monroe E. -
Television: History and Form Spring 2017
Department of Media, Culture and Communication New York University Television: History and Form Spring 2017 Meeting Time and Location: Tues/Thurs 2 – 3:15 @ Bobst LL150 Instructor: Susan Murray Office hours: Thursdays 3:30-4:30 or by appointment, 239 Greene Street, rm 716 Email: [email protected] Phone: 212-998-5645 Course Description: This course will survey American broadcasting from the wireless through digital television. We will examine how historically specific economic and political forces, regulation, technological innovation, advertisers, creative producers, and audiences have interacted to shape the development of commercial broadcasting and how these cultural products, narratives and processes have become part of our social history. Required Readings: -Hilmes, Michele, Only Connect: A Cultural History of Broadcasting in the US (New York: Wadsworth) FOURTH EDITION (Available @ Amazon.com) - Articles and chapters posted on NYU Classes Screenings: Screenings/Listenings are mandatory and must be completed by the class meeting time for which they are assigned. They will be available on NYU Classes. If a screening is not listed on NYU Classes that means we will view a clip of it in class. NYU CLASSES We will use NYU Classes in this class. Please check our page regularly for announcements and updates. Attendance Students are allowed two absences without explanation. Any further absences will only be excused if they are due to documented emergency or illness. Grading: 90 – 100= A range 80 – 89 = B range 70 – 79 = C range 60 – 69 = D range 59 & below= Fail Assignments/Responsibilities: 1. Participation (15% of grade) Class discussion is a very important aspect of this course and all students are expected to attend class and participate.