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page 1 June 22, 2017 Cort Lippe —Curriculum Vitæ— Curriculum Vitæ Cort Lippe University at Buffalo tel: (716) 645-0654 Citizenship: American, French Department of Music fax: (716)-645-3824 Languages: English, French 222 Baird Hall email: [email protected] Buffalo, NY, USA 14260 www.music.buffalo.edu/faculty/lippe Education 1988 Analysis seminar, Franco Donatoni, IRCAM, Paris, France 1987 Warsaw Summer Courses, Witold Kotonski, Klaus Huber, Warsaw, Poland 1987 Analysis course, Olivier Messiaen, Centre Acanthes, Avignon, France 1987 Invention, Technique, and Language lectures (two years), Pierre Boulez, College de France 1986-85 Formalized Music and Analysis (one year course), Iannis Xenakis, University of Paris I – Sorbonne 1986-85 Acoustics and Psychoacoustics (one year course), Iannis Xenakis, University of Paris I - Sorbonne 1983 Analysis course, Karlheinz Stockhausen, Royal Conservatory of The Hague 1981-80 Computer Music (one year course), Paul Berg, Instituut voor Sonologie 1981-80 Signal Processing (one year course), Stan Tempelaars, Instituut voor Sonologie 1981-80 Programmed Music and Analysis (one year course), G.M. Koenig, Instituut voor Sonologie 1981-80 Logical Aspects of Music (one year course), Werner Kaegi, Instituut voor Sonologie 1977-76 Composition lessons, electronic, and computer music courses, Larry Austin, University of South Florida 1976 Composition seminar, Aaron Copland, Aspen School of Music 1976 Composition seminar, Leo Brouwer, University of Toronto 1975 Analysis course and composition seminar, Krysztof Penderecki, Florida State University 1974 Computer music course, Colgate University, Leland Smith of Stanford University, Dexter Morrill, Colgate University Employment 2017-01 Associate Professor in Composition, University at Buffalo, New York 2017-94 Director, Hiller Computer Music Studios, University at Buffalo, New York 2001-94 Assistant Professor in Composition, University at Buffalo, New York 1994-86 Researcher/Lecturer, Institut de Recherche et Coordination Acoustique et Musique (IRCAM), Paris 1986-83 Researcher/Lecturer, Centre d’Etudes de Mathematique et Automatique Musicales (CEMAMu), Paris 1983-80 Researcher, Instituut voor Sonologie, Utrecht, The Netherlands Guest Lectureships 2017-10 Sonology Department, Kunitachi College of Music, Tokyo, Japan (annual) 2009 Music, National and Kapodistrian University of Athens, Greece (one semester, Fulbright Scholar) 2007 New York University, Department of Music, New York, New York (one semester) 2007-99 Sonology Department, Kunitachi College of Music, Tokyo, Japan (biannual) 2001-99 Interactive Music Department, Carl Nielsen Conservatory of Music, Odense, Denmark (biannual) 1996 Electronic Music Department, Conservatory of Music, Graz, Austria (one semester) 1992-91 Computer Music Composition, Kunitachi College of Music, Tokyo (one semester) Composition Prizes 1995 Festival El Callejon del Ruido Algorithmic Composition Competition (Mexico) String Trio Music (1st prize) 1995 Prix Ars Electronica 95 (Austria Music for Sextet and ISPW (hon. mention) 1993 Prix Ars Electronica 93 (Austria) Music for Harp and Tape (hon. mention) 1991 19th International Electroacoustic Music Competition, Bourges (France) Music for Harp and Tape (1st prize) 1991 The Kennedy Center Friedheim Awards (USA) Music for Harp and Tape (hon. mention) 1991 2nd Leonie D. Rothschild Competition (USA) Music for Flute and Harp (1st prize) 1987 8th Irino Prize (Japan) Music for Sho and Harp (1st prize) 1987 USA League-ISCM Competition, (International Society of Contemporary Music) (USA). Chosen as an official USA entry to the ISCM World Music Days 1988 (Hong Kong) Music for Sho and Harp (1st prize) 1987 15th Int. Electroacoustic Music Competition, Bourges (France) Music for Bass Clarinet and Tape (hon. mention) 1985 7th Annual International Electronic Music Competition ‘Luigi Russolo’ (Italy) Saamba (hon. mention) 1985 Music Today Contemporary Music Competition (Japan) Duo Piano Music (2nd prize) 1983 Newcomp International Computer Music Competition (USA) Tapewalk I (3rd prize) 1979 Sonavera Studio International Tape Music Competition (USA) Deuce (hon. mention) Professional Commissions, Grants, and Support 2014 Invited speaker and composer, Onassis Foundation support to participate at the combined International Computer Music Conference and Sound and Music Computing Conference, Athens, Greece 2013 Commission, E-Mex-Ensemble für neue Musik of Essen, Germany with funds from the Ministerium für Familie, Kinder, Jugend, Kultur und Sport des Landes Nordrhein-Westfalen for Music for Septet and Computer, for flute, page 2 June 22, 2017 Cort Lippe —Curriculum Vitæ— Professional Grants, Support and Commissions—continued clarinet, violin, cello, trombone, piano, percussion and live electronics, for premiere at the 2013 NOW Festival, Essen 2012 Invited composer, University of Wisconsin, River “46th Annual Commissioned Composer Project” for the premiere performance of the commissioned work Music for Octet and Computer, for percussion and trombone quartets, a concert including 7 works, and lectures 2011 Commission, University of Wisconsin, River Falls “46th Annual Commissioned Composer Project” for Music for Octet and Computer, for percussion and trombone quartets 2011 Commission, percussionist Patti Cudd for Duo for Cajon and Computer, premiered during a tour of Thailand and Korea 2011 Collaborator, University of Wisconsin OPID Teaching Scholars Grant for lectures and concert at the University of Wisconsin, Superior 2010 Commission, percussionist Kenyon Williams and Minnesota State Arts Board for Duo for Steel Pan and Computer 2010 Invitation to compose a piece entitled Vereco for the 25th Anniversary Musica Viva Festival, Lisbon, Portugal 2008 Fulbright Award, 2009 Spring semester, teaching and doing research at the National and Kapodistrian University of Athens, Greece 2008 Travel and research grants from (ZKM) Zentrum für Kunst und Medientechnologie’s Institut fur Musik und Akustik, Karlsuhe, Germany, to compose from October 2008 to February 2009 as part of the 2006 commission of Music for Tuba and Computer 2007 Commission, percussionist Pedro Carneiro for Music for Snare Drum and Computer premiered at the 2007 Musica Viva Festival, Porto, Portugal. 2006 Commission, (ZKM) Zentrum für Kunst und Medientechnologie’s Institut fur Musik und Akustik, Karlsruhe, Germany, and the German Ministry of Culture of Music for Tuba and Computer to be premiered at ZKm, and recorded for the Wergo CD label. 2006 Commission, Sirr Recording Label, Lisbon and percussionist Pedro Carneiro to produce an electroacoustic work for CD entitled termites. 2004 Invitation and travel grant to attend the Sonorities Festival from the Sonic Arts Research Center, Belfast, U.K. for premiere of the commissioned work Music for Marimba and Computer. Also included concerts with two other compositions, lectures, and a live BBC radio broadcast of Music for Hi-Hat and Computer. 2003 Commission, Sonorities Festival and Sonic Arts Research Center, Belfast, U.K., for Music for Marimba and Computer 2002 Selected for the MIT Press Computer Music Journal audio CD in commemoration of I. Xenakis, Music for Bass Clarinet and Tape 2002 Recording grant for CD release of Trio for Clarinet and Two Computers, co-composed with Esther Lamneck, Pisa, Italy. 2000 Travel grant, American Embassy in Portugal for participation in the Music Viva Festival, Lisbon Portugal for concerts and a workshop entitled “Advanced Real Time Techniques” 2000-95 Meet the Composer grants to participate as guest composer in the 20th Century New Music Festival of Towson State and the University of Maryland in Baltimore, Maryland (1995); the June in Buffalo Festival (1995); SUNY-Stony Brook Concert, New York (1998) Towson State Concert (1999); and Engine 27 Concert, New York, New York (2000) 1999 Travel grant, American Embassy of Japan to give a lecture at the Embassy in Tokyo 1999 Commission, Fynske Musikkonservatorium Carl Nielsen, Odense, Denmark, Music for Cello and Computer 1997 Travel grant, American Embassy, Tokyo to participate in the USA/Japan InterCollege Computer Music Festival including a lecture, concert and panel discussion 1996 Recording grant, Kunitachi College of Music for CD release of Music for Piano and Computer 1996 Commission, saxophonist Stephen Duke, DeKalb, Illinois for Music for Alto Saxophone and Computer 1996 Commission, pianist Yoshiko Shibuya, Tokyo, Japan for Music for Piano and Computer 1996 Recording grant, New York University Music Technology Program for CD release of Music for Clarinet and ISPW, 1996 Travel grant, French Ministry of Culture and the Collectif MIXTURE to give a conference and concert at the National Conservatory of Strasbourg, France. 1996 Recording grant, Danish National Electronic Music Studio (DIEM) for CD release of Music for Flute and ISPW 1995 Commission and travel grant, Festival El Callejon del Ruido, Mexico for Music for Contrabass and Computer 1995 Travel grant, French Ministry of Culture and the Collectif MIXTURE to attend the Journees de la facture instrumentale en Seine-St-Denis, France to give a conference and concert. 1995 Recording grant, Danish National Electronic Music Studio (DIEM) for CD release of Music for Harp and Tape, 1994 Travel grant, French Ministry of Culture to attend the 25th International Conference of Music Educators, Tampa, Florida, to give a conference and present the premiere of Music for Flute and ISPW 1994 Recording grant, CD release of Music for Sextet and ISPW from Kunitachi College of Music,
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