View Album Insert

Total Page:16

File Type:pdf, Size:1020Kb

View Album Insert SMCD-124 KANGTA & VANNESS KANGmVANNEss | KANGTA & VANNESS The Frist Album SCANDAL | SM Entertainment SMCD-124 KANGTA & VANNESS SCANDAL \ nnun n.uunnn‘ ”Mun”:nun... nun»..- ‘5.)hlyp- bunn.. shun. .n.‘ nun... , ”‘H :y‘u'”u an! .09., u 1‘! ‘l’tnnDllb; unush.:“ :0 5. nb)oipoL,.“ Hinnu Mu .u ""“‘AL,“ Human,” ""_ ,9:uoorootpibh;,“‘ hnnn ; ,unnuut5..nnnuno‘s.“. “ ‘1 wnpt.;.f‘ln..;‘-I”nuunh . x,”uobn~.,h“~' 'I 9...»)nuolbbbhl. ntnnu Itwnlttu‘ip;‘ Arthur-w .nunul. htalnn ‘Y“:)I’V;1‘v‘ t)blun. [x’bh- u...“...I051‘3‘..“:‘)"":”9‘ ‘u »-—x..u‘.,.‘,o‘”.'q.:~,-un.;.;,. ‘n' .,...u;;‘ Lb ' LA .,,..w "muonsi ‘mttlb’hlv-n..H ;=-.“> N, 1D.’llh’r,t .,nbp;n‘A.: nm—ma nxrbnbn;.,A u- . .w. ‘“ ,pgbeI)L>A~A 1» .,.)v>p:L-- . ., ...nnuu.‘ >. ”M“... ,",.A)p;;lv"h . .‘ _ )bnh'. x .,"u> ' ." ,::.nnu.,unm.hw*. ‘61; {Hr ‘; . ,'; .,,nu-b»>.;.A-n .I. \ .‘.,DI)II}LAL}/~,Al(‘~‘yupbsltvirlxh,s.u:l“ ,,,,nbtbsn,.A.,u“ .,..))lb;bt)p;;nu,,‘:"*"“””"‘“%ug :mtlbhiilpnn5‘..u: ,' n.>n».«.p...m. :)“"8hbbtr:A>-p.. » lh’QQt‘IOL“)LLL),L ".3 '- bengL;. H, b0t’l)l)nnxx.‘ , ( - 7 . .1 t..$b}bb}nb:»é.. _ . _ . a ‘ . _‘ : 7V .nuthtr.»}.:~ v _ I: .hnntt;x,;~r. _, v ' ’1uu‘A-~" v’, u. b E . .,).Di 1., m5 1 ‘Q'o 0|4‘-F_* ’33 0| 3% h}1} 7%“ 9:549 +13%, SM. Entertainment 2% 7E5, 0|}7 i} Eég 917“ 311%:- VanNess, MIME 1191 $15!} FIE M583}! 35—:— EE Fan (Kai-fig QMZILICL 1341 AfQi’LIEL Thanns TO I VanNess FIRST AND FOR MOST I WANT TO THANK MY LORD & SAVIOR JESUS CHRIST, THANK YOU FATHER FOR BLESSING ME & SURROUNDING MY LIFE WITH NOTHING BUT WONDERFUL PEOPLE MY FAMILY MOM AND DAD FOR ALWAYS SUPPORTING ME. STACY FOR KEEPING ME GROUNDED, WENDY, I KNOW I "A'S" KNOW, GEOFF 8: MEL YOU GUYS BEITER BE GETTIN THEM AND NANA YOU BRAT"'LOVE YOU! IN I GEI' ALL MY BOYS BACK THE WEST COAST KEEP THE PARTY POPPIN FOR WHEN BACK. TRIUMVIR3 BOUT TO TAKE OVER! VEGAS BABY... VEGAS. TO SMASH HEAD-"THANK YOU FOR EVERY THING YOU TART! AND TO MY LADY FRIENDS THANKS FOR ALWAYS LENDING ME YOUR EARS MUCH APPRECIATED. TO THE BOYS IN THE EAST COAST YOU KNOW HOW WE DO! TO MY FAMILY IN TAIWAN & H.K. JEFF. STAN, JIMMY, JAE, KATIE, NICKY, LUKE, JAHAN, JAS, ED, GABE, TE' YANG, ANNI, NINA, FREDDY LUXY, YOU GUYS MY BACK BONE, YA'LL KEEP ME SANE IN DIS MUG, AND LAST NOT LEAST ERIC A.K.A. E2, A.K.A. JONNY PHILIP, ANDY 8: YA'LL! BUT DRAMA, DAPHNE, KEEP IT GREEN ROCK CANDY LETS DO THIS! BEN, AND JAIME THE AFl'ER PARTY'S AT VOLAR! TO MY MANAGEMENT FU-LONG FOR HELPING ME EVERY STEP OF THIS pRoJECT_ ESP. JUEEN y] THANK you SONY/BMG', AND ALL OF SM. ENT. THANK YOU FOR YOUR KINDNESS AND FOR BELIEVING IN YOO YOUNG JIN BRODA WAIT FOR THAT MR. MS. LET. ME, CANT HOT TRACK! HAN, YU NUNA, AND ALL THE DANCERS. BUT MOST OF ALL KANG TA! FOR WALKING THIS JOURNEY W/ME. S DO THIS BRO! TO MY FAMILY IN KOREA, GEORGE BRODA, TROY, MICKY NUNA, WON JUN BRODA, GOD GUYS.. BBQ WHO'S NUNA, AS ONE, JAE HONG, SHIN, JANE BLESS YOU ANYONE? FINALY THANK YOU TO EVERY SINGLE FAN SUPPORTED ME FROM DAY 1. GOD BLESS YOU GUYS 1 LOVE! SMCD-124 SM Entertainment All Rights Reserved, National Library Board, Singapore SMCD-124 KANGTA &VANNESS KANGTA&VANNESS l‘ KANGTA & VANNESS The Frist Album SCANDAL I SM Entertainment SMCEH 24 KANGTA & VANNESS SCANDAL r O KANGTA & VANNESS SCANDAL P Justynu andme, Pun!.p llet'8 getit an! tunight LyliwbyYeo,youngn/G1mpwedby LH EX]6}-L]’E %—ESH Girl I get you 2?:2152; Just you and me Yoo, hanjih/Yoq youngjinAmngedby stucn on meu.‘CLH71]-V‘1I1]X1”} 3E Popll we go0t to battle tonight You, banjin/Yoo, yowzgjinlhpmane& T.‘ LH Xd-bri‘zé... 1H % $01] 9.1%72... L LET 0 :72 oMW IRE—Er %} Iyn'tsbyVaanWu % Hot step, show me! ‘4] 63ng— 730M. E, 3441: a 1 515} BEER éI‘Ld 51.5; Y2J-H That's the way~ We came EIQA74 7E’%‘4] d23°1i7474 Brean that ab“ anemia straight game wit it, straight off the away! 7LE}? 4‘- 31%.. Just you and Them baby boo, you nnow what chain Wit it, Loon but can't touch, we me, PopH Let's get it on! tonight you do,Shanin that thang left and the illest true pimps of it. Collaboration 'Lets go" I nnow what I nnow what I right, manin all dem boys drool. locned with military fusion, Tanin-ova- nnow I show, by the time I nish you'll Sweat rollin line-hot wax on a candle, Da globe I'm W/out any hasitatiom envision be screaming for more—$019301 ”1%) 7/1 Getting me thinning bout how Let's party all night long— Hot step. total domination. Taning circus out ”J ‘4 “334 %°17}% €% RE 441% about to handle it cus yo lips be so show me! L11 31313-3 éoi}.5l€% With, Sniper Scope precision.So Don't ’00 just try step, pistol Whipped is how fresh n so clean But understand that LH (1301 7411 Brean that away! bacn up bacn I'm up, yo way up way up. or you end ippin the script I just dun the man, I'll give you whatcha €%} $ 31%75‘..Just you and me. get youH yoself smacned up! Line 2 Pac, dun it again 174%23 0w 24a} 01%“ need, sayin please Ticnle you so good, Popll Let's get it on! tonight- hjt'em we up~! Too cold to hold, yo we AWEIE LBJ Crunny DOD! you'll bucnle up in yo nnees too hot to handle, ladies are you ready Now Let See who‘ can get down Yeah---------(It's you) Just ride * Directed by Yoo, young jin bout to hitcha wit dis scandal~ LH7‘“ 1H n‘de 1’5 EMU} $3??? ”333L112 IN tonjte ! Just grind tonite ! Just be * Bacnground Vocals by Yoo, young jin were] airs. 01%} 21% *1“?an 7;"! 71-3 ELM] 511% Show down, let's right 3 Show let's L1] party dovm party 3% /KinL hyunah/VanNessWu Baggy—:— 14131 24—:— 71 L11 7“ 5101114 5} 75‘ * MA; 11% 7&9: 3% {SEW} L194 % Ema Oh-Oh—Oh—Oh— Pump your Mix & Recorded by tél’. LH ELEH‘Z‘I "H HEM 5771'? (It‘s you) 7:1]:- ‘32:?2‘ Pump your body! é”? body! 9%? 5? SiEé. 73310] 5%3} YOO. youngjin at SM. Boomingsystem é‘A-x~é}‘y~3— -.. m’n'f- ' 3 6 OV‘WW”#4535 1EH— €27I°HE 0] here it is~~Id never thought I'd be so into “g 6;;an 0171319.]? E} EH 7% 34% A 04. One you, fall in love with you Everything little i 2mm E oNl 94°15 gm 1H Day thing came from a heart that's true, but 02] E01 it's wag 7%? E ca 01% :ng aw Lyrns, Composed & Arranged by 70]- 1;} apparently not happening, so 111 just, 27day %3}E% Yeah, It's goes You feelin reminisce about this, one m0 time, then how it me? 0 Them up here You I'm Mama: ME walla1°” W“? baby, how we end Checn the verse 511% OPE} 523/30] 3 ‘37:] baby girl a have to let it be. it's 1 13% )3 x1?» E— ar—EE 1;; 7} nnow funny I just miss you so much I 13% sham AIZFEIE 011401157} 111% m *Repeat 77% Brag} mag: 2g; xMMEHl 0] still remember holding you nissing you I 18147} i17n—7Jxlliégoil OE‘E ] _&Syntlmza' 70m} 227215 Wish 1 could right now lying ”11431747 Ea: aaw L1; 1% juSt see you 21411.1E1 “‘Ei 7Pt'1TJZJt—EE—EL *ChitarSamIJae BolEHv: Keyboard 351351] OHM-X] JEH—S— 0] in I'm B 543% 927101]% my arms Baby waiting for you ruli93qu 02,5 ianar 0M1 awn *Reoordedbyo a}, KAT. 01% at KT Studio Kg / KAT at SM, Blue Ocean Studio @7413 01711404 x: a; 712: 02% 74 Please just come to me I love you r w bacn E—E‘JOI %% ”31 LE {#4471 013 5‘ $ Mixedby 1.} a: OWE at KT Studio 3; 7391511 7113 141 as: 1M E :Lcnw 01%: E gohnl QME 6E3}? 3 W EH33 W730“ 61—55 37:41} 95 & S. M. Yellow Tail Studio om 24% 1% E1 ‘cf JEHEK‘EE ”EL 7%4? 5°] 01% 1% 3111 H5 WE €} 5% 601 7E; }%[:4 7} am 9431 *MEHL JEH gm ‘3 magi um ' 745% mmmgoigam €% EHEEE 73a gala—:—c1] LH a rd M91 *Gurtar' Bambi BaS LEAVE Piano M“ : 7&4 LH Tynan,to W—Cr—ILEH 71-3gomg :LEH7} gin}; 31?. 213: * Recorded by?) E} KA’I Ol‘éiat KT :11] 946411 7mm 01: $7} ITRACKLISTI 5114522 7‘2 w—u*%°}$~l WEE LBJ E} *h’.‘ oy :mmh'ngDMHZJF—J’ Studio / KAT at SM, Blue Ocean Studio / 13% 7g; 01 74a} OMOHW} 52°13 2 .gxlom )35 “37914639. '5“ SCANDAL (03:36] $161; 1}] 7H] *Su-ingsAn‘angedgzOonducredbyéa‘é} 7n]%5 1%?! at StudiLrT el 3W] 7&6 01 71% €393 @017}? {‘01 * * K-Strings Mixed 7:,L 5}. Olii at Studio 1/1- 0111931331an DH ‘33: Stings by KT “$1 Eolz 7}:LL_0_ :LEH qTE] Efe 727day team Sanin 35 111% 3131?; JCHQJ *3 JIM @512374 AH Ur‘tt Good Vibration «04:11: *EHiW Lyn'ts, &Ananged by Yoo.
Recommended publications
  • Published 22 February 2019 LKFF 2012
    THE LONDON KOREAN FILM FESTIVAL 제7회 런던한국영화제 1-16 NoVEMBER StARTING IN LONDON AND ON TOUR IN BOURNEMOUTH, GlASGOW AND BRISTOL 12�OZE�293 OZ Quadra Smartium(Film Festival).pdf 1 10/18/12 6:14 PM A MESSAGEUR ROM O TOR LONDON-SEOUL, DAILY F TIC DIREC ASIANA AIRLINES ARTIS is redefining It is with great pride and honour that I welcome you to the 7th London Korean Film Festival. Regardless of whether you are a connoisseur of Korean cinema or completely Business Class. new to the country’s film scene, we have created an exciting and varied C Beginning November 17th, all the comforts of programme that will delight, thrill, scare and, most importantly, entertain you. M our new premium business class seat, Y the OZ Quadra Smartium, can be yours. We start off large with our return to the Odeon West End with one of the CM There’s a wonderful new way to get back and biggest Korean films in the last ten years;The Thieves. Our presentation MY forth to Seoul everyday. Announcing Asiana Airlines’ innovative of this exciting crime caper also sees its director, Choi Dong-hoon, and new premium business class seat, the OZ Quadra Smartium, lead actor Kim Yoon-suk gracing London’s Leicester Square. CY offering you both the privacy of your own space CMY and the relaxation of a full-flat bed. From the 2nd of November through to the 10th in London (continuing until the 16th in K Glasgow, Bristol and Bournemouth) we will show everything from the big box office hits to the smallest of independents, ending with the much-lauded Masquerade, as our closing Gala feature.
    [Show full text]
  • Titles PEs 59-62
    ON- © Universal Studios BOARDMOVIE CATALOG © Columbia Pictures Industries, Inc. Bros. Entertainment Inc. © Warner © Paramount Pictures © Lions Gate Entertainment, Inc. © 2016 Disney/Pixar JANUARY/ New Yer's Destintion FEBRUARY VALENTINE'S DAY onbordmovies.com Fvorites Titles 1.877.660.7245 2016 Pe 44 Pes 59-62 NEW – n available 2 Jours - 2 Days follows two days in the relationship of a New York based couple - a French photographer Marion and American interior designer Jack - as they attempt to re-infuse their relationship with romance by taking a vacation in Europe. Their trip to Venice didn't really work out, - they both came down with gastroenteritis. They have higher hopes for Paris. But the combination of Marion's overbearing non-English-speaking parents, flirtatious ex-boyfriends, and Jack's obsession with photographing every famous Parisian tombstone and conviction that French condoms are too small, only adds fuel to the fire. Will they be able to salvage their relationship? Will they ever have sex again? Or will they merely manage to perfect the art of arguing? ©Polaris Film Production & Finance, Tempete Sous Un crane productions, 3L Filmproduktion GmbH 2006. All Rights Reserved. Four men will do anything to pass the most difficult test you've NEVER heard of... Somm takes the viewer on a humorous, emotional and illuminating look into a mysterious world - the Court of Master Sommeliers and the massively intimidating Master Sommelier Exam. The Court of Master Sommeliers is one of the world's most prestigious, secretive, and exclusive organizations. Since its inception almost 40 years ago, less than 200 candidates have reached the exalted Master level.
    [Show full text]
  • Fdws Get Tesda Certificates
    Page 31 Page 2 Page 18 Maegan Aguilar, Labatt Nenita Garcia the daughter of folk says employment singer Freddie Aguilar, agencies that allow has a new “special” “Macau exits” will friend: a 56-year-old lose their license to classical guitarist. hire Filipino workers. Discover the unspoiled beauty of northern Palawan which has beguiled many travellers The No.1 Filipino Newspaper Vol.VI No.326 June 1, 2015 from near and far. FDWs Moratorium on get Tesda certificates By Philip C. Tubeza IT’S time for an upgrade. new agencies The Philippine Overseas Employment Office (POLO) intends to improve the skills of at least 900 Filipino domestic workers in Hong Kong this month so that they can find better-paying jobs, Labor Attaché Nenita Garcia said. Garcia made the announcement on May 24 as she distributed National Cer- tificates II (NC IIs) to nearly two doz- en domestic workers who successfully passed the Technical Education and Skills Development Authority (Tesda) assessment last November for Food and Beverage Services (FBS) and House- keeping for Hotels. “Pag-uwi natin ng Pilipinas, o kahit saan man kayo magpunta, pwede nyong gamitin yan para i-upgrade ang trabaho niyo,” Garcia said during the ceremony at the POLO in Admiralty. “Mas maganda yan kaysa sa mag- ing HSW (household service worker) tayo forever. Maganda yung sa hotel na tayo magtrabaho. So, sana gamitin natin sooner yung napag aralan niyo,” she said. “Umuwi na kayo sa Pilipinas o mag-apply na kayo ng ibang trabaho para maganda ang kinabukasan, ma- ganda ang buhay,” she added. TESDA officials earlier said that ALL SMILES.
    [Show full text]
  • "Thought Reform" in China| Political Education for Political Change
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1979 "Thought reform" in China| Political education for political change Mary Herak The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Herak, Mary, ""Thought reform" in China| Political education for political change" (1979). Graduate Student Theses, Dissertations, & Professional Papers. 1449. https://scholarworks.umt.edu/etd/1449 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. COPYRIGHT ACT OF 1976 THIS IS AN UNPUBLISHED MANUSCRIPT IN WHICH COPYRIGHT SUB­ SISTS, ANY FURTHER REPRINTING OF ITS CONTENTS MUST BE APPROVED BY THE AUTHOR. MANSFIELD LIBRARY UNIVERSITY OF MONTANA DATE: 19 7 9 "THOUGHT REFORM" IN CHINA: POLITICAL EDUCATION FOR POLITICAL CHANGE By Mary HeraJc B.A. University of Montana, 1972 Presented in partial fulfillment of the requirements for the degree of Master of Arts UNIVERSITY OP MONTANA 1979 Approved by: Graduat e **#cho o1 /- 7^ Date UMI Number: EP34293 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion.
    [Show full text]
  • The Gallatin Research Journal
    the gallatin research journal Editor in Chief Sarah Hayes Managing Editor Will Notini Creative Director Audra LaBrosse Editorial Board Jane Stewart Adams Ryan P. Casey Nicholas Glastonbury Emily Hirsch Stacy Hwang Alex Kahn Serena S. Lelah Design Board Kristi Berry Chloe Byrne Maomao Hu 1 Everybody Ate the Same Meredith Odinak 19 Tangled Alex Kahn 35 Interpreting a “Strange World”: The Ideas of Freud, the Surreality of Blue Velvet the (Im)Possibilities of Textual Analysis Ryan P. Casey 45 Status and Control in the Pokemon´ World Serena S. Lelah 55 Historicizing and Accomodating National Minorities: Modes of Autonomy in Multinational Arrangements Nick Glastonbury 69 The Chick Lit of Heian Japan: Subversion in Feminine Appraisal Alex Kahn 79 Hallyu Doin’: An Examination of the Korean Wave Abigail Laurel 103 The Politics of Belonging: Cultivating Identity in Douala, Cameroon Leigh Rome author bios Ryan P. Casey is a Gallatin junior exploring issues of morality, justice and authorship in literature. He is a freelance journalist and tap dancer,who performs regularly throughout the U.S. as a solo- ist and member of Dorrance Dance, a tap company founded by Gallatin alumna Michelle Dorrance. Ryan has presented choreog- raphy at the Gallatin Arts Festival, and has held editorial positions on the GRJ, the Gallatin Review, and the Literacy Review. He loves 1HVTXLNFXSFDNHV-DQHW-DFNVRQDOEXPVDQGFULPHÀFWLRQQRYHOV Nicholas Glastonbury is a junior at Gallatin who grew up farm- ing pigs in southwest Florida. In his spare time, he likes to listen to bluegrass music and read about Turkish nationalism. His con- centration ostensibly examines the politics of public and collective PHPRU\LQLWLDWLYHVLQSRVWFRQÁLFWVRFLHWLHVDVZHOODVWKHUROHQD- tionalism plays in structuring relations between majority and mi- nority communities.
    [Show full text]
  • Life in Pictures
    ISSUE 2 3 SUMMER LIFE 2016 2 ISSUE 3 ISSUE LIFEYOUR GUIDE TO LIFESTYLE, TASTE AND PLEASURE SUNNY The boys SIPS in THE BEST blue SUMMER THE BLUE MAN COCKTAILS GROUP PREPARE IN THE CITY TO HIT THE STAGE LIFE IN PICTURES ARTIST ANNIE LEIBOVITZ IN HONG KONG Exclusive: Cantopop queen Joey Yung POWERED BY: IFC_LKF Group (1).pdf 1 7/7/16 11:36 AM IN THIS ISSUE 14 OF LIFE2... The dishes and drinks at LKF restaurants shine 24 Joey Yung speaks exclusively to us 4 Creative cocktails for the summer 42 32Annie Leibovitz talks art Take a trip to a special Thai resort for your next holiday Rubiwom Company Ltd, Publisher Desiree Au Suite 1002-03, Wanchai Commercial Project Manager and Editor Centre, 194-204 Johnston Rd, Matt Fleming Wan Chai, Hong Kong. Art Director Phoebe Cheng Graphic Designers Jessica Li, Stanley Chung Writers Nik Addams, Holly Graham, Hannah Hodson, Kaila Imada, Olivia Lai, Printed by Apex Print Limited, Tiffany Lo, Douglas Parkes, Marie Wolf, Vinnie Yip 11-13 Dai Kwai Street, Photographers Tai Po Industrial Estate, Hong Kong. Calvin Sit, Marie Wolf This magazine was published in collaboration with the Lan Kwai Fong Group. To advertise in LIFE2, contact [email protected] or call +852 2867 8871. SUMMER 2016 | LIFE2 1 Your round-up of food news and promotions LKF NEWS in Lan Kwai Fong... The Wolf of D’Aguilar Street A new bar has opened in the heart of LKF. Wolf Market is a concept where the prices of the drinks 2 fluctuate. It’s a stock market bar which opened just a few weeks ago and has already had the 1 punters in watching their drink prices going up and down.
    [Show full text]
  • UC Riverside Electronic Theses and Dissertations
    UC Riverside UC Riverside Electronic Theses and Dissertations Title K- Popping: Korean Women, K-Pop, and Fandom Permalink https://escholarship.org/uc/item/5pj4n52q Author Kim, Jungwon Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE K- Popping: Korean Women, K-Pop, and Fandom A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Jungwon Kim December 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Kelly Y. Jeong Dr. René T.A. Lysloff Dr. Jonathan Ritter Copyright by Jungwon Kim 2017 The Dissertation of Jungwon Kim is approved: Committee Chairperson University of California, Riverside Acknowledgements Without wonderful people who supported me throughout the course of my research, I would have been unable to finish this dissertation. I am deeply grateful to each of them. First, I want to express my most heartfelt gratitude to my advisor, Deborah Wong, who has been an amazing scholarly mentor as well as a model for living a humane life. Thanks to her encouragement in 2012, after I encountered her and gave her my portfolio at the SEM in New Orleans, I decided to pursue my doctorate at UCR in 2013. Thank you for continuously encouraging me to carry through my research project and earnestly giving me your critical advice and feedback on this dissertation. I would like to extend my warmest thanks to my dissertation committee members, Kelly Jeong, René Lysloff, and Jonathan Ritter. Through taking seminars and individual studies with these great faculty members at UCR, I gained my expertise in Korean studies, popular music studies, and ethnomusicology.
    [Show full text]
  • Lirik Lagu DEAR MY FAMILY (OST
    Lirik Lagu DEAR MY FAMILY (OST. I AM) + Translate by Prince 19 Oktober 2012 pukul 23:36 [Changmin] naega seol goseul chajeul suga eobseul ttae Bogpung sogeseo gireul ireo beoryeoseul ttae [Luna] eonjena pyeonaji anneun saramgwa yonggireul chusheodeon geudeurege gamsareul ponaeyeo [Baekhyun] ttaereon honjarago neuggyeoseul ttaega isseojwo [D.O] Mani ureodeon chinnarae nae moseube [Yesung] eolmana maeumi appaseulgayo himdeudeo seulgayeo Ijeseoya nan al geotman gatayo [Taeyeon] nae insaengi kkeutnal ttaeggaji Isesangi kkeutnal ttaeggaji Urin yeongwonhi hamkke iseul geoyeyeo [All] jageun maeum moageun him doedeut Urin hanaran geoseul mitgo iseoyeo Urihamkke, haengbog mandeuroyeo Memareun sesang soge bichi tweneun nalggaji [Taeyeon] saranghaeyo [Chen] nawa gateun kkumeul kkugo itnayo [Lu Han] Jeongmal nawa gateun goseul barabogo itnayo [Jonghyun] geugeotmani sesangye modeun apeumeul jiryohal su iseoyeo Seoreo aggyeo chul suman idamyeon [Yunho] nae insaengi kkeutnal ttaeggaji isesangi kkeutnal ttaeggaji Urin yeongwonhi hamkke iseul geoyeyeo [All] jageun maeum, moageun, him twedeut Urin hanaran geoseul mitgo iseoyeo Urihamkke, haengbok mandeuroyeo Memareun sesang soge bichi tweneun nalggaji [Changmin] saranghaeyo [Kangta] uri apeseo cheolmang haebeorin saramdeuri idamyeon Dashi ireonal geun himi dwae chweoyahae [BoA] nawa gateun kajoge, songiri piryohal ttaenigga [All] jageun maeum, moageun, him twedeut Urin hanaran geoseul mitgo iseoyeo Urihamkke, haengbok mandeuroyeo Memareun sesang soge bichi tweneun nalggaji [BoA] saranghaeyo [Changmin] Naega
    [Show full text]
  • FESTIVAL Sirena a La Plancha by Spain’S Sol Pico Dance Company
    14 發光的城市 A R O U N D T O W N FRIDAY, FEBRUARY 12, 2010 • TAIPEI TIMES BY HO YI FESTIVAL Sirena a la Plancha by Spain’s Sol Pico Dance Company. PHOTO COURTESY OF NTCH STOP COMPILED BY NOah BUChan ith so many in Taiwan’s 10pm time slot last Friday, accord- celebrity firmament ing to a report on NOWnews. embroiled in scandals over Bloggers complained Wthe past few years, 2010 may turn Pandamen had a childish plot out to be the year when some turn and seemed to cater specifically to religion to change their evil to viewers in China. One would ways. But don’t count on it. expect, then, that it would have “God is better than sex,” received rave reviews when it screamed a T-shirt worn by actor aired on Guangzhou Television and singer Vanness Wu (吳建 last month. But the NT$110 million 豪) while attending a Christian show barely registered, with only conference late last week, 5,000 viewers tuning in on its third according to a report in the United day, making it the lowest-rated Daily News. show in the station’s history. After arriving at the Festival And now to more mundane of God’s Power Conference (神 news. The Apple Daily released 大能醫治布道會), the 31-year old the results of its “Queen of the Bra” heartthrob — who recently (內衣皇后) poll. Joe Chen’s (陳喬恩) changed his first name to Van Ness mammalian protuberances (33D) — proceeded to disclose details of blew away the competition with 52 his changed lifestyle since being percent of the votes, coming out baptized two years ago.
    [Show full text]
  • Download (228Kb)
    BAB I PENDAHULUAN I. 1. Latar Belakang Masalah Hallyu atau yang dikenal juga dengan Korean Wave merupakan sebuah terminologi yang digunakan untuk menggambarkan fenomena dunia hiburan Korea Selatan yang menarik perhatian berbagai negara yang ada di dunia dalam periode tahun 2002 hingga 2012 saat ini. Fenomena yang masih terus berkembang ini membuat negara tersebut dikenal sebagai Hollywood dari timur atau berberapa orang menyebutnya dengan istilah Hallyu-wood yang membawa jutaan penggemar khususnya di Asia (CNN.com, 2010). Kepopuleran ini juga tidak dapat lepas dari kebudayaan yang juga menarik perhatian para penikmatnya yang mana dikenal dengan istilah K-pop. Korean Wave diawali oleh kepopuleran drama-drama Korea pada tahun 2002. Film drama Winter Sonata yang dibintangi oleh Bae Yong Joon merupakan salah satu contoh film drama yang mempopulerkan negara Korea pada saat itu. Selain itu, seperti dilansir pada KNU Times (2012), pada tahun 2003, film yang bernama Dae Jang Geum yang dibintangi oleh Lee Young Ae juga merupakan salah satu film drama terkenal yang ditonton oleh 57% warga Korea dan menghasilkan $40 juta dari mancanegara pada saat film tersebut ditayangkan. Besarnya uang yang dihasilkan oleh drama ini tidak dapat lepas dari keberhasilan drama tersebut untuk meraih rating yang tinggi dari negara-negara yang menayangkannya. Beberapa contohnya dapat terlihat pada negara Hong Kong 1 yang mana film tersebut mencapai rating di atas 40% pada saat episode terakhir ditayangkan dan juga pada negara Iran yang tercatat bahwa drama ini pernah mencapai rating sebesar 90% (VANK, 2013). Tidak hanya dimulai dari kepopuleran drama-drama Korea, lagu-lagu Korea yang sering kali dikenal dengan K-pop music juga merupakan salah satu hal yang mengawali Korean wave.
    [Show full text]
  • Hallyu at a Crossroads: the Clash of Korea's Soft Power Success and China's Hard Power Threat in Light of Terminal High
    Asian International Studies Review Vol. 18 No.1 (June 2017): 153-169 153 Received March 15, 2017 Revised May 10, 2017 Accepted May 20, 2017 Hallyu at a Crossroads: The Clash of Korea’s Soft Power Success and China’s Hard Power Threat in Light of Terminal High Altitude Area Defense (THAAD) System Deployment HANNAH JUN* The past two decades have witnessed the remarkable success of Hallyu, or the Korean Wave, with Korea welcoming a large influx of foreign visitors and benefiting from massive consumption of products ranging from Korean television and film, K-pop and lifestyle products. A more recent announcement by CJ E&M points to an even more aggressive plan for regional ubiquity, as encapsulated by Hallyu 4.0. Simultaneously, we have already felt some of the effect of policy changes in China – a core Hallyu market – as a response to Korea’s plan to deploy a Terminal High Altitude Area Defense (THAAD) system. In this sense, we see the stirrings of a clash between Korean soft power and Chinese hard power, and are uncertain who will emerge on top. This paper examines the broad success of Hallyu from key theoretical perspectives, while addressing linkages between Korean corporations and cultural power/influence that have led to an announcement such as Hallyu 4.0. This paper also highlights the recent tensions between Korea and China, specifically with respect to THAAD deployment, and outlines potential implications for businesses and policymakers through preliminary scenarios. Keywords: Nuclear Taboo, Nuclear Arms, Deterrence, Norms, Proliferation, Just War * Assistant Professor, Ewha Womans University, Seoul, South Korea; E-mail: [email protected]; DOI: 10.16934/isr.18.1.201706.153 Downloaded from Brill.com09/28/2021 03:33:20PM via free access 154 Hallyu at a Crossroads I.
    [Show full text]
  • Creative Industries in South Korea: the Korean Wave
    CREATIVE INDUSTRIES IN SOUTH KOREA: THE KOREAN WAVE Author: Nicoleta Stefanÿ Valean Tutor: Francesc Xavier Molina Morales DEGREE IN BUSINESS ADMINISTRATION AE1049 - FINAL PROJECT WORK ACADEMIC YEAR: 2016/2017 CREATIVE INDUSTRIES IN SOUTH KOREA: THE KOREAN WAVE TABLE OF CONTENTS INTRODUCTION 3 1. CREATIVE INDUSTRY 5 1.1. Definition. 5 1.2. Origin. 5 2. SOUTH KOREA 6 2.1. The history of Korea. 6 2.2. Hallyu: The Korean Wave 9 2.3. Aspects related to Hallyu 13 2.3.1. Industry Policy 14 2.3.2. Hallyu’s Kdramas approach 15 2.3.3. Hallyu and National Prestige 16 2.3.4. Market Segmentation 18 3. KOREAN POPULAR CULTURE 20 3.1. Korean television and Kpop 20 3.2. The Big Three: SM, YG and JYP 24 3.2.1. SM Entertainment 25 3.2.2. YG Entertainment 28 3.2.3 JYP Entertainment 29 3.2.4. Trainee system 31 4. CONCLUSION 33 5. REFERENCES 34 6. WEBGRAPHY 36 2 CREATIVE INDUSTRIES IN SOUTH KOREA: THE KOREAN WAVE INTRODUCTION We live in a globalized world, surrounded by the effects of globalization in our daily life. Nowadays we have access to information about so many different cultures, countries, economies, different organizations, and so on. Thanks to the Internet, we have access to a whole new world in just a click. This is the main characteristic of the actual global situation. Personally, I am always amazed of this fact, being able to “travel" with just a click, being able to communicate with someone on the other side of the world, being able to know exactly what is happening, for example, in Australia while being in Spain, and more.
    [Show full text]