Croydon FM Application 1

Total Page:16

File Type:pdf, Size:1020Kb

Croydon FM Application 1 Croydon FM application 1 Station Name Guidance Notes What is the proposed station name? This is the name you expect to use to identify the station on air. Croydon FM 2. Community to be served Guidance Notes Define the community or communities you are It is a legislative requirement that a service is intended proposing to serve. Drawing from various sources of data primarily to serve one or more communities (whether or (e.g. from the Office of Population, Census and Survey) not it also serves other members of the public) and we and in relation to your proposed coverage area, please need to understand who comprises that community or determine the size of the population concerned and the communities. The target community will also be specified make-up of the population as a whole, along with any in the licence, if this application is successful. relevant socio-economic information that would support The legislation defines a ‘community’ as: people who live or your application. work or undergo education or training in a particular area (Please tell us the sources of the information you or locality, or people who have one or more interests or provide.) characteristics in common. Answer in fewer than 300 words: The London borough of Croydon as a whole is a diverse and growing area with a mixture of different ethnicities and cultures. Croydon is said to be the second largest borough in London by population with an estimated total of 384,837 residents covering an area of 87 square kilometres - the BAME community (Black Asian and Minority Ethnic) make up a total of 51.7% of the population, whilst White/ White other ethnic groups make up 48.3% of Croydon. The gender split currently show females dominating the borough at 51.4% (or 197,918) whereas 48.6% (186,919) are recorded male. The unemployment rate for people aged 16+ in Croydon was recorded at 20.5% with the area being ranked at number 64 out of the 152 upper tier local authorities in England with rank 1 - being the most deprived. Indices such as Crime, barriers to housing and services being the main reasons Croydon was ranked in this position. The target age for our proposed radio service is 15-45 year-old, however, considering the size of the borough and the economic activity in Croydon, we determine the service to attract community members between the ages of 15-55, a broad age group for the area as a whole which currently stands at an estimated 64.5% (16-64 year olds), slightly higher than the national average in England at 62.8%. Croydon FM will play an active role in bringing the community together by offering a platform to learn, create and inspire, resulting in a greater understanding of the different cultures and communities that make up Croydon. Our target community is a mixture of BAME, White/ White other and mixed ethnic groups, between the ages of 15-55 years old. This service will be a positive contribution to Croydon. Source: https://www.croydonobservatory.org/population/ 3. Proposed area Guidance Notes What is the area you propose to serve? Although we believe it is helpful to set guidance that frequency availability may often limit transmission powers to around 25 watts and the coverage radius to around 5km, we are adopting a more flexible approach and will consider applications for wider areas where applicants can demonstrate that the proposed coverage area will better 1 Croydon FM application serve the target community, and where it is technically possible. https://www.ofcom.org.uk/__data/assets/pdf_file/0020/1 01459/community-radio-future-licensing-technical-policy- statement.pdf The proposed service will cover the London Borough of Croydon. Our signal may also reach neighbouring boroughs of Merton, Lambeth and Sutton. Programmes and programme output: Definitions: Studio location: The studio from which the service will be broadcast should be located within the licensed area. Locally-produced: Locally-produced output is output made and broadcast from within the service’s licensed coverage area. (It is anticipated that most stations will produce the bulk of their output themselves, in the locality. However, for some target communities it may be appropriate for fairly high levels of output to originate from outside the licensed area.) Live output: is that which is produced by a presenter in the studio at the time of broadcast. (The amount of live output may vary between different services depending on the needs or expectations of the target community.) Original output: output that is first produced for and transmitted by the service, and excludes output that was transmitted elsewhere before. Original output can be live or voice-tracked. Repeat broadcasts of original output do not count towards the minimum requirement. Peak time: it may be helpful to state what material will be broadcast in ‘peak time’. If you do, please say what you consider peak time to be for your target community (this may vary from station to station). Automated output/voice-tracked material: most stations will carry automated output at some time. The amount of automated or voice-tracked material does not need to be specified in the Key Commitments. Sustaining service/third party produced material: if you intend to broadcast material produced by a different organisation please state what it is and how much (per day or week as appropriate). 4. Programming output Guidance Notes Please fill-in all three questions below The law requires applicants to state their proposals for Question A asks you to describe your programme providing a service that would: service. (i) cater for the tastes and interests of members of its Question B relates to how your output will serve the target community or communities (or for any tastes and interests of your target community. particular tastes and interests in those communities); Question C is about how your service will broaden the (ii) broaden the range of programmes available on non- range of local (non-BBC) services available in your area. BBC local services (commercial and community stations) to members of the relevant community or Later in this form you will be asked to draft your own communities; ‘key commitments’. This will form the basis of your licence and is what Ofcom will judge you against. It (iii) broaden the overall range of such non-BBC local should include a summary of your proposed programme services provided in the area concerned; and output as set out below and reflect your commitment to (iv) have a distinct nature, or provide distinct content, from cater for relevant tastes and interests, to broaden the any non-BBC local services with which it would overlap. range of relevant programmes and services and to Ofcom is required to consider the extent to which an provide a service with a distinct nature and content as applicant’s proposals will cater for the tastes and interests set out in the Guidance Notes in the column opposite. of members of its target community or communities. Ofcom is also required to consider the extent to which proposals for a community radio station would broaden the range of programmes available by way of non-BBC local services (both commercial and community stations) in 2 Croydon FM application the area concerned (especially, the extent to which a proposed service would have a distinct nature or provide distinct content from any overlapping non-BBC local services). The information given here should be more detailed than what you set out in your draft key commitments (later in this form), and will help us gain a fuller understanding of how you will serve your target community and what the station will sound like. 4. Programming output A: Please tell us about your programme service. The following questions may help you describe your programme service (but should only be used as a guide): • What will the service sound like? • What music will you play? • What are the main speech elements of the service and how will the social gain/community benefits you propose be reflected on-air? • What is the likely music to speech ratio? • Will this vary at different times of the day or week (or year)? • Do you intend to broadcast live output? If so when and how much do you propose to do? • Will you broadcast in languages other than English (what languages and how much)? • Will your output be original i.e. specifically produced for your service? • Will it be locally produced? • Do you intend to repeat material? Answer in fewer than 1,000 words: Through a series of research activities we spoke with various community members made up of students, business owners, community leaders, musicians and residents based in Croydon enabling us to identify key demands and expectations of the proposed service. Croydon FM will be cheerful and entertaining with weekly shows conducted by members of the community and will consist of both music and speech. Croydon FM will be a credible platform offering community members the chance to develop skills in radio production and serve as an outlet for local cutting edge musicians to showcase new material on shows dedicated to emerging acts. Some of the output will over lap with commercial radio as our proposed service intends to combine contemporary music styles with that of local artists. For an example Omar, Nadia Rose, Krept and Konan, Stormzy and Skream are musicians from the local area who also achieved great levels of success within the music industry - featuring across the board in commercial radio, our proposed service may find itself playing this material in order to cater to the taste of the members of the target community, however the proposed service will support up and coming acts as well.
Recommended publications
  • 90% of Metro Work to Be Completed by Year-End
    BUSINESS | Page 1 SPORT | Page 1 Almoez strikes in Qatar’s INDEX DOW JONES QE NYMEX QATAR 2-4, 20 COMMENT 18, 19 QP chief heading REGION 5 BUSINESS 1-8, 14-16 to China for talks winning start 25,404.64 9,002.46 62.90 ARAB WORLD 5 CLASSIFIED 9-13 +121.64 +26.64 +1.17 INTERNATIONAL 6-17 SPORTS 1-8 on energy deals +0.48% +0.30% +1.90% over Uzbeks Latest Figures published in QATAR since 1978 WEDNESDAY Vol. XXXVIII No. 10694 January 10, 2018 Rabia Il 23, 1439 AH GULF TIMES www. gulf-times.com 2 Riyals 90% of Metro In brief work to be QATAR | Offi cial Justice minister meets completed QLA board of directors HE Dr Hassan Lahdan Saqr al- Mohannadi, the Minister of Justice and Acting Minister of State for Cabinet Aff airs, met yesterday with the board of directors of the Qatar by year-end Lawyers Association (QLA) chaired by Rashid Muhanna al-Nuaimi. O The minister appreciated the role PM inspects Economic Zone Station played by the legal profession and Qatari lawyers’ eff orts to provide By Peter Alagos Located at the F-Ring Road and Al assistance to the judiciary and legal Business Reporter Wakrah Road intersection, the Eco- and legislative bodies to achieve nomic Zone Station will be able to ac- and consolidate justice. The meeting commodate up to 15,000 passengers discussed ways to improve the legal atar Rail’s multi-billion dol- per hour once completed, and will profession in Qatar and to enhance lar Doha Metro project crossed serve as the focal point and main trans- co-operation in all legal fields in light Qa major landmark yesterday port hub for the Ras Bufontas Special of Law No 1 of 2018 amending certain when HE the Prime Minister and In- Economic Zone, which is near the Ha- provisions of the Law Practice Act No terior Minister Sheikh Abdullah bin mad International Airport.
    [Show full text]
  • Media Review1
    Jan - April- 2019 TRINITY INSTITUTE OF PROFESSIONAL STUDIES Dwarka, Sector-9, New Delhi Trinity Media Review Advisors Dr. R.K. Tandon Chairman, TIPS, Dwarka Study of Circulation of Fake News through Social Media 3 Ms. Reema Tandon Vice Chairperson Sachin Kumar Jha TIPS, Dwarka Comparison of Advertisements: 7 All India Radio and Private Radio Channels. Editor-in-Chief Manika Srivastava Prof. (Dr.) Vikas Rao Vadi Editorial Board Evolution of Electronic Dance Music 12 Prashant Arora Prof. (Dr.) Sunil Kumar Khatri Director, AIIT, Amity University, Noida Prof. Prashant Johri Director, Galgotia University Prof. Naveen Kumar Associate Professor, IGNOU Prof. (Dr.) Saurabh Gupta HOD (CSE) Dept, NIEC Dr. Rajashree S Adhikary Associate Professor, TIPS, Dwarka Dr. Vanshika Bhatia Assistant Professor, TIPS, Dwarka Ms. Yashasvika Yadav Assistant Professor, TIPS, Dwarka Mr . Reezu Kaushik Assistant Professor, TIPS, Dwarka Vol 4, Issue 2 Trinity Media Review Jan April 2019 Media (TMR) TMR 2018 Vol 4, Issue 2 Page 1 Trinity Media Review Jan April 2019 Vol 4, Issue 2 Page 2 Trinity Media Review Jan April 2019 STUDY OF CIRCULATION OF FAKE NEWS THROUGH SOCIAL MEDIA Sachin Kumar Jha Introduction and social media was becoming more sophisticated. In simple words, Mass Media is the means to Internet relay chats, or IRCs, were first used in 1988 and communicate to the public. It is the technology which continued to be popular well into the 1990’s. The first is used to communicate with the general public and recognizable social media site, Six Degrees, was created reach the mass audience. It is the medium through in 1997.
    [Show full text]
  • Nightshiftmag.Co.Uk @Nightshiftmag Nightshiftmag Nightshiftmag.Co.Uk Free Every Month NIGHTSHIFT Issue 299 September Oxford’S Music Magazine 2021
    [email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 299 September Oxford’s Music Magazine 2021 Gig, Interrupted Meet the the artists born in lockdown finally coming to a venue near you! Also in this comeback issue: Gigs are back - what now for Oxford music? THE AUGUST LIST return Introducing JODY & THE JERMS What’s my line? - jobs in local music NEWS HELLO EVERYONE, Festival, The O2 Academy, The and welcome to back to the world Bullingdon, Truck Store and Fyrefly of Nightshift. photography. The amount raised You all know what’s been from thousands of people means the happening in the world, so there’s magazine is back and secure for at not much point going over it all least the next couple of years. again but fair to say live music, and So we can get to what we love grassroots live music in particular, most: championing new Oxford has been hit particularly hard by the artists, challenging them to be the Covid pandemic. Gigs were among best they can be, encouraging more the first things to be shut down people to support live music in the back in March 2020 and they’ve city and beyond and making sure been among the very last things to you know exactly what’s going be allowed back, while the festival on where and when with the most WHILE THE COVID PANDEMIC had a widespread impact on circuit has been decimated over the comprehensive local gig guide Oxford’s live music scene, it’s biggest casualty is The Wheatsheaf, last two summers.
    [Show full text]
  • EDMTCC 2014 – the EDM Guide
    EDMTCC 2014 F# The EDM Guide: Technology, Culture, Curation Written by Robby Towns EDMTCC.COM [email protected] /EDMTCC NESTAMUSIC.COM [email protected] @NESTAMUSIC ROBBY TOWNS AUTHOR/FOUNDER/ENTHUSIAST HANNAH LOVELL DESIGNER LIV BULI EDITOR JUSTINE AVILA RESEARCH ASSISTANT ACKNOWLEDGEMENTS SIMON MORRISON GOOGLE VINCENT REINDERS 22TRACKS GILLES DE SMIT 22TRACKS LUKE HOOD UKF DANA SHAYEGAN THE COLLECTIVE BRIAN LONG KNITTING FACTORY RECORDS ERIC GARLAND LIVE NATION LABS BOB BARBIERE DUBSET MEDIA HOLDINGS GLENN PEOPLES BILLBOARD MEGAN BUERGER BILLBOARD THE RISE OF EDM 4 1.1 SURVIVAL OF THE FITTEST 6 1.2 DISCO TO THE DROP 10 1.3 A REAL LIFE VIDEO GAME 11 1.4 $6.2 BILLION GLOBAL INDUSTRY 11 1.5 GOING PUBLIC 13 1.6 USB 14 TECHNOLOGY: 303, 808, 909 15 2.1 ABLETON LIVE 18 2.2 SERATO 19 2.3 BEATPORT 21 2.4 SOUNDCLOUD 22 2.5 DUBSET MEDIA HOLDINGS 23 CULTURE: BIG BEAT TO MAIN STREET 24 3.1 DUTCH DOMINANCE 26 3.2 RINSE FM 28 3.3 ELECTRIC DAISY CARNIVAL 29 3.4 EDM FANS = HYPERSOCIAL 30 CURATION: DJ = CURATOR 31 4.1 BOOMRAT 33 4.2 UKF 34 4.3 22TRACKS 38 BONUS TRACK 41 THE RISE OF EDM “THE MUSIC HAS SOMETHING IN COMMON WITH THE CURRENT ENGLISH- SYNTHESIZER LED ELECTRONIC DANCE MUSIC...” –LIAM LACEY, CANADIAN GLOBE & MAIL 1982 EDMTCC.COM What is “EDM”? The answer from top brands, and virtually to this question is not the every segment of the entertain- purpose of this paper, but is ment industry is looking to cap- a relevant topic all the same.
    [Show full text]
  • Analiza Televizijskih Programa Za Decu U Srbiji Novembar 2014
    Analiza televizijskih programa za decu u Srbiji Novembar 2014. 2 Zahvalnica Udruženje novinara Srbije i UNICEF Srbija zahvaljuju se saradnicama koje su radile na ovoj analizi: novinarki Dragani Pejović, koja je analizirala dečiji televizijski program, razgovarala sa urednicima televizija i uobličila analizu i novinarki Kristini Kovač, koja je istraživala regulativu u regionu, zemljama Evropske unije i praksu tamošnjih regulatornih tela i emitera, prof. dr. Ani Pešikan i Jeleni Joksimović koje su analizirale stavove i mišljenja dece i roditelja o televizijskih programima namenjenim deci. Dugujemo im zahvalnost zbog posvećenog rada i truda koji su uložile kako bi analiza bila sveobuhvatna i korisna televizijskim emiterima, regulatornim telima, stručnoj javnosti, a na dobrobit dece i njihovih roditelja. Posebno se zahvaljujemo Regulatornom telu za elektronske medije Srbije zbog mogućnosti korišćenja podataka 24-časovnog nadzora (redovnog monitoringa) televizija sa nacionalnom frekvencijom i Agenciji Nielsen Audience Measurement koja nam je omogućila korišćenje podataka o gledanosti dečijih programa. Veliku zahvalnost dugujemo Ministrastvu prosvete, nauke i tehnološkog razvoja, posebno Biljani Lajović, koordinatorki Jedinice za prevenciju nasilja u Ministarstvu, osnovnim školama „Sveti Sava“ i „Sreten Mladenović Mika“ iz Niša, „Jelica Milovanović“ iz Sopota, „Petefi Šandor“ i „Ivo Lola Ribar“ iz Novog Sada, „Mihajlo Pupin“ iz Veternika, „Veljko Petrović“ iz Begeča“, „Vožd Karađorđe“ iz Jakova, „M.P. Alas“ i „Lazar Savatić“ iz Beograda. Bez njihove pomoći ne bismo došli do velikog broja dragocenih ispitanika – dece i roditelja, čije učestvovanje i odgovori su od posebnog značaja za utvrđivanje stanja i unapređenje ponude i kvaliteta televizijskih programa za decu u Srbiji, što je krajnji cilj ove analize. 3 4 I VAŽNOST UTICAJA TELEVIZIJE KAO MEDIJA 1.
    [Show full text]
  • Pocketbook for You, in Any Print Style: Including Updated and Filtered Data, However You Want It
    Hello Since 1994, Media UK - www.mediauk.com - has contained a full media directory. We now contain media news from over 50 sources, RAJAR and playlist information, the industry's widest selection of radio jobs, and much more - and it's all free. From our directory, we're proud to be able to produce a new edition of the Radio Pocket Book. We've based this on the Radio Authority version that was available when we launched 17 years ago. We hope you find it useful. Enjoy this return of an old favourite: and set mediauk.com on your browser favourites list. James Cridland Managing Director Media UK First published in Great Britain in September 2011 Copyright © 1994-2011 Not At All Bad Ltd. All Rights Reserved. mediauk.com/terms This edition produced October 18, 2011 Set in Book Antiqua Printed on dead trees Published by Not At All Bad Ltd (t/a Media UK) Registered in England, No 6312072 Registered Office (not for correspondence): 96a Curtain Road, London EC2A 3AA 020 7100 1811 [email protected] @mediauk www.mediauk.com Foreword In 1975, when I was 13, I wrote to the IBA to ask for a copy of their latest publication grandly titled Transmitting stations: a Pocket Guide. The year before I had listened with excitement to the launch of our local commercial station, Liverpool's Radio City, and wanted to find out what other stations I might be able to pick up. In those days the Guide covered TV as well as radio, which could only manage to fill two pages – but then there were only 19 “ILR” stations.
    [Show full text]
  • IN SEARCH of WARMER CLIMES Following a Move to LA, Bonobo Returns to Ninja Tune with New LP, ‘Migration’
    MUSIC ONE STOP SHOP February’s tunes reviewed p.106 THE LONG GAME Albums arriving this month p.128 MIX ‘N’ MATCH Compilations not to miss p.132 IN SEARCH OF WARMER CLIMES Following a move to LA, Bonobo returns to Ninja Tune with new LP, ‘Migration’... p.129 djmag.com 105 HOUSE BEN ARNOLD QUICKIES Roberto Clementi Avesys EP [email protected] Pets Recordings 8.0 Sheer class from Roberto Clementi on Pets. The title track is brooding and brilliant, thick with drama, while 'Landing A Man'’s relentless thump betrays a soft and gentle side. Lovely. Jagwar Ma Give Me A Reason (Michael Mayer Does The Amoeba Remix) Marathon MONEY 8.0 SHOT! Showing that he remains the master (and managing Baba Stiltz to do so in under seven minutes too), Michael Mayer Is Everything smashes this remix of baggy dance-pop dudes Studio Barnhus Jagwar Ma out of the park. 9.5 The unnecessarily young Baba Satori Stiltz (he's 22) is producing Imani's Dress intricate, brilliantly odd house Crosstown Rebels music that bearded weirdos 8.0 twice his age would give their all chopped hardcore loops, and a brilliance from Tact Recordings Crosstown is throwing weight behind the rather mid-life crises for. Think the bouncing bassline. Sublime work. comes courtesy of roadman (the unique sound of Satori this year — there's an album dizzying brilliance of Robag small 'r' is intentional), aka coming — but ignore the understatedly epic Ewan Whrume for a reference point, Dorsia Richard Fletcher. He's also Tact's Pearson mixes of 'Imani's Dress' at your peril.
    [Show full text]
  • Press Release
    ! Artist: Skream Title: FABRICLIVE 96: Skream Label: fabric Records Cat. #: fabric192 Format: CD & Digital - Pre-Order !Release Date: 19 January 2018 As a pioneering force during the emergence of dubstep in a tight-knit South London scene, Oliver Jones’ career has taken him from local hero to world renowned DJ. His productions are credited with introducing an esoteric sound to a global audience and for more than a decade he has continued to expand his palette into new territory, both on his own and as part of Magnetic Man with Benga and Artwork. From 2006 onwards his ‘Stella Sessions’ on Rinse FM became a platform for devoted fans to hear new material, much of which can be traced onto forums and Youtube rips across the web. On a legendary radio station that still serves as one of the key platforms for underground music in the UK, he sustained a reputation as a tastemaker presenting the latest sought-after dubs, many of which came from his close friends. A prolific producer, he has acclaimed EPs and albums on Tempa, Tectonic, Big Apple, Soul Jazz, Exit, Digital Soundboy, Greco-Roman and Harmless amongst others, as well as his own Disfigured Dubz imprint. In 2010 he formed the Skream & Benga radio show alongside his closest contemporary, which paved the way for a two year residency on BBC Radio 1 documenting a broader variety of styles. He is now a regular on the global DJ circuit, touring a wide range of venues and festivals the year round. FABRICLIVE 96 is a playful journey through the house, techno and disco he has explored in more recent years.
    [Show full text]
  • Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin
    Sounding the Cape, Music, Identity and Politics in South Africa Denis-Constant Martin To cite this version: Denis-Constant Martin. Sounding the Cape, Music, Identity and Politics in South Africa. African Minds, Somerset West, pp.472, 2013, 9781920489823. halshs-00875502 HAL Id: halshs-00875502 https://halshs.archives-ouvertes.fr/halshs-00875502 Submitted on 25 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Sounding the Cape Music, Identity and Politics in South Africa Denis-Constant Martin AFRICAN MINDS Published by African Minds 4 Eccleston Place, Somerset West, 7130, South Africa [email protected] www.africanminds.co.za 2013 African Minds ISBN: 978-1-920489-82-3 The text publication is available as a PDF on www.africanminds.co.za and other websites under a Creative Commons licence that allows copying and distributing the publication, as long as it is attributed to African Minds and used for noncommercial, educational or public policy purposes. The illustrations are subject to copyright as indicated below. Photograph page iv © Denis-Constant
    [Show full text]
  • Skream Midnight Request Line Zippy Etnik €“ Look Down the Line (Original Mix) // Free DL 9
    Skream Midnight Request Line Zippy Etnik – Look Down The Line (Original Mix) // Free DL 9. Molecule. Duke Dumont – Won't Look Back (Special Request 72hr Crack Binge Remix) 7. Modek – The 10 Eddie Niguel “Absolute― (Midnight Shift) vs. Basement. More gems made by Skream, Maelstrom b2b Djedjotronic (!) Mightyfools – Z Items 1 - 50 of 84 May 17, 2011. Re: Midnight Request Line VIP. Post by dragstar Tue May 17, 2011 4: 34 pm. Big tune, knowning skreams approach too his old 29 Aug 2014 Zippyshare Mixcloud All. Zippyshare: Skream - Midnight Request Line [Tempa]; Meridian Dan - One Two Drinks (Live From Carnival 2014) Magnetic Man Mad Midnight Request Line by Zippy 8fe. Png. Super Magnetic Man consists of Skream, Benga and Artwork, pioneers of dubstep. In 2010, the 28 Jan 2009 Zippyhare: http://www4.zippyshare.com/v/7253238/file.html ili Rapidshare: Midnight request line (switch remix) - Skream 10. 72 Virgins Skream - Midnight Request Line Kano - P's And Q's Pearson Sound - Untitled MMM - Dex http://www30.zippyshare.com/v/17882412/file.html Neko Case – Nearly Midnight, Honolulu. Wooden Wand – Supermoon (The Sounding Line) nakon što ste finalizirali selekciju, arhivirate je, aploudate negdje (po mogućnosti zippyshare? s njega mi se i dalje sve najbrže skida) i El-P – Request Denied. Skream & Example – Shot Yourself in t Play Skream-Midnight Request Line Mp3 songs online and download them for Skream line zippy, request zippy, download, skream midnight request line 28 Jun 2012 05. skream – deep concentration 06.
    [Show full text]
  • Redox DAS Artist List for Period
    Page: Redox D.A.S. Artist List for01.10.2020 period: - 31.10.2020 Date time: Title: Artist: min:sec 01.10.2020 00:01:07 A WALK IN THE PARK NICK STRAKER BAND 00:03:44 01.10.2020 00:04:58 GEORGY GIRL BOBBY VINTON 00:02:13 01.10.2020 00:07:11 BOOGIE WOOGIE DANCIN SHOES CLAUDIAMAXI BARRY 00:04:52 01.10.2020 00:12:03 GLEJ LJUBEZEN KINGSTON 00:03:45 01.10.2020 00:15:46 CUBA GIBSON BROTHERS 00:07:15 01.10.2020 00:22:59 BAD GIRLS RADIORAMA 00:04:18 01.10.2020 00:27:17 ČE NE BOŠ PROBU NIPKE 00:02:56 01.10.2020 00:30:14 TO LETO BO MOJE MAX FEAT JAN PLESTENJAK IN EVA BOTO00:03:56 01.10.2020 00:34:08 I WILL FOLLOW YOU BOYS NEXT DOOR 00:04:34 01.10.2020 00:38:37 FEELS CALVIN HARRIS FEAT PHARRELL WILLIAMS00:03:40 AND KATY PERRY AND BIG 01.10.2020 00:42:18 TATTOO BIG FOOT MAMA 00:05:21 01.10.2020 00:47:39 WHEN SANDRO SMILES JANETTE CRISCUOLI 00:03:16 01.10.2020 00:50:56 LITER CVIČKA MIRAN RUDAN 00:03:03 01.10.2020 00:54:00 CARELESS WHISPER WHAM FEAT GEORGE MICHAEL 00:04:53 01.10.2020 00:58:49 WATERMELON SUGAR HARRY STYLES 00:02:52 01.10.2020 01:01:41 ŠE IMAM TE RAD NUDE 00:03:56 01.10.2020 03:21:24 NO ORDINARY WORLD JOE COCKER 00:03:44 01.10.2020 03:25:07 VARAJ ME VARAJ SANJA GROHAR 00:02:44 01.10.2020 03:27:51 I LOVE YOU YOU LOVE ME ANTHONY QUINN 00:02:32 01.10.2020 03:30:22 KO LISTJE ODPADLO BO MIRAN RUDAN 00:03:02 01.10.2020 03:33:24 POROPOMPERO CRYSTAL GRASS 00:04:10 01.10.2020 03:37:31 MOJE ORGLICE JANKO ROPRET 00:03:22 01.10.2020 03:41:01 WARRIOR RADIORAMA 00:04:15 01.10.2020 03:45:16 LUNA POWER DANCERS 00:03:36 01.10.2020 03:48:52 HANDS UP /
    [Show full text]
  • Decoding Dubstep: a Rhetorical Investigation of Dubstepâ•Žs Development from the Late 1990S to the Early 2010S
    Florida State University Libraries Honors Theses The Division of Undergraduate Studies 2013 Decoding Dubstep: A Rhetorical Investigation of Dubstep's Development from the Late 1990s to the Early 2010s Laura Bradley Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] 4-25-2013 Decoding Dubstep: A Rhetorical Investigation of Dubstep’s Development from the Late 1990s to the Early 2010s Laura Bradley Florida State University, [email protected] Bradley | 1 THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES DECODING DUBSTEP: A RHETORICAL INVESTIGATION OF DUBSTEP’S DEVELOPMENT FROM THE LATE 1990S TO THE EARLY 2010S By LAURA BRADLEY A Thesis submitted to the Department of English in partial fulfillment of the requirements for graduation with Honors in the Major Degree Awarded: Spring 2013 Bradley | 2 The members of the Defense Committee approve the thesis of Laura Bradley defended on April 16, 2012. ______________________________ Dr. Barry Faulk Thesis Director ______________________________ Dr. Michael Buchler Outside Committee Member ______________________________ Dr. Michael Neal Committee Member Bradley | 3 ACKNOWLEDGEMENTS Many people have shaped and improved this project, through all of its incarnations and revisions. First, I must thank my thesis director, Dr. Barry Faulk, for his constant and extremely constructive guidance through multiple drafts of this project—and also his tolerance of receiving drafts and seeing me in his office less than a week later. Dr. Michael Buchler’s extensive knowledge of music theory, and his willingness to try out a new genre, have led to stimulating and thought provoking discussions, which have shaped this paper in many ways.
    [Show full text]