90% of Metro Work to Be Completed by Year-End
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Analiza Televizijskih Programa Za Decu U Srbiji Novembar 2014
Analiza televizijskih programa za decu u Srbiji Novembar 2014. 2 Zahvalnica Udruženje novinara Srbije i UNICEF Srbija zahvaljuju se saradnicama koje su radile na ovoj analizi: novinarki Dragani Pejović, koja je analizirala dečiji televizijski program, razgovarala sa urednicima televizija i uobličila analizu i novinarki Kristini Kovač, koja je istraživala regulativu u regionu, zemljama Evropske unije i praksu tamošnjih regulatornih tela i emitera, prof. dr. Ani Pešikan i Jeleni Joksimović koje su analizirale stavove i mišljenja dece i roditelja o televizijskih programima namenjenim deci. Dugujemo im zahvalnost zbog posvećenog rada i truda koji su uložile kako bi analiza bila sveobuhvatna i korisna televizijskim emiterima, regulatornim telima, stručnoj javnosti, a na dobrobit dece i njihovih roditelja. Posebno se zahvaljujemo Regulatornom telu za elektronske medije Srbije zbog mogućnosti korišćenja podataka 24-časovnog nadzora (redovnog monitoringa) televizija sa nacionalnom frekvencijom i Agenciji Nielsen Audience Measurement koja nam je omogućila korišćenje podataka o gledanosti dečijih programa. Veliku zahvalnost dugujemo Ministrastvu prosvete, nauke i tehnološkog razvoja, posebno Biljani Lajović, koordinatorki Jedinice za prevenciju nasilja u Ministarstvu, osnovnim školama „Sveti Sava“ i „Sreten Mladenović Mika“ iz Niša, „Jelica Milovanović“ iz Sopota, „Petefi Šandor“ i „Ivo Lola Ribar“ iz Novog Sada, „Mihajlo Pupin“ iz Veternika, „Veljko Petrović“ iz Begeča“, „Vožd Karađorđe“ iz Jakova, „M.P. Alas“ i „Lazar Savatić“ iz Beograda. Bez njihove pomoći ne bismo došli do velikog broja dragocenih ispitanika – dece i roditelja, čije učestvovanje i odgovori su od posebnog značaja za utvrđivanje stanja i unapređenje ponude i kvaliteta televizijskih programa za decu u Srbiji, što je krajnji cilj ove analize. 3 4 I VAŽNOST UTICAJA TELEVIZIJE KAO MEDIJA 1. -
Pocketbook for You, in Any Print Style: Including Updated and Filtered Data, However You Want It
Hello Since 1994, Media UK - www.mediauk.com - has contained a full media directory. We now contain media news from over 50 sources, RAJAR and playlist information, the industry's widest selection of radio jobs, and much more - and it's all free. From our directory, we're proud to be able to produce a new edition of the Radio Pocket Book. We've based this on the Radio Authority version that was available when we launched 17 years ago. We hope you find it useful. Enjoy this return of an old favourite: and set mediauk.com on your browser favourites list. James Cridland Managing Director Media UK First published in Great Britain in September 2011 Copyright © 1994-2011 Not At All Bad Ltd. All Rights Reserved. mediauk.com/terms This edition produced October 18, 2011 Set in Book Antiqua Printed on dead trees Published by Not At All Bad Ltd (t/a Media UK) Registered in England, No 6312072 Registered Office (not for correspondence): 96a Curtain Road, London EC2A 3AA 020 7100 1811 [email protected] @mediauk www.mediauk.com Foreword In 1975, when I was 13, I wrote to the IBA to ask for a copy of their latest publication grandly titled Transmitting stations: a Pocket Guide. The year before I had listened with excitement to the launch of our local commercial station, Liverpool's Radio City, and wanted to find out what other stations I might be able to pick up. In those days the Guide covered TV as well as radio, which could only manage to fill two pages – but then there were only 19 “ILR” stations. -
Jan-Feb 2016
F NEW YEAR 2016 R ISSUE NO. 174 E ESTABLISHED 1996 E ® ffaammiilliieessssee..ccoo..uukk ssoouutthheeaasstt lloonnddoonn NEW YEAR, NEW YOU Steps to success with The Vale Practice CREATING CONFIDENT CHILDREN Expert tips for parents WHAT’S ON Family events and half term workshops online edition with working website links ARE YOU feeling like our front cover girl? Her big sister gave her that lovely beanie hat for Christmas and she has vowed not to take it off until the very first hint of spring. While we can sympathise, there’s school to go to, life to be lived and hey - February half term to look forward to. Local News l email your news to [email protected] Aha! - that’s caught her attention! We’re running pell-mell into 2016 with gusto and a magazine full of things to do, think about and enjoy - Happy New Year readers! Funky Monkey’s new look - and new offer! Robina Cowan, editor Funky Monkey Keyboard Classes, founded in IN THIS ISSUE 2003 by oboist and pianist Ali Edwards, keep going from strength to strength and start 2016 2-3 Local News and Views with the launch of a cheeky new logo and shiny, Outdoor challenges in Battersea Park; easy-to-use website. London theatre for less, Funky Monkey’s The group based electronic keyboard lessons new look; nursery open days; are a perfect introduction for 4-11 year old birdwatching for beginners and beginners to reading, writing and playing music Alpine holidays en famille to first grade, in such a way that children just want to keep coming back for more! As well as term time classes, Funky Monkey 4-7 Education News To celebrate the makeover, there are free trials run ‘One Hit Wonder’ workshops during school Local schools’ news, raising standards and free lessons on offer during January 2016. -
Media Coverage of the Mankind Initiative, And, Male Victims
Media Coverage of the ManKind Initiative, and, male victims MB – Mark Brooks, IM – Ian McNicholl,IY- Ian Young, KB – Kieron Bell, SW- Sara Westle LB – Lori Busch Yellow – denote court cases and initial disclosures Date Media Representative Detail and/or story 2018 3 May Daily Mail, The Sun, Zoe Adams (19) jailed News and Star for 11 years after stabbing Kieran Bewick (18) 29 April Liverpool Echo, Paul Lavelle’s family Metro speak out to help others 26 Apr The Conversation Men are victims too Feature 23 April BBC Radio Worc Interview – Ian Interview McNicholl 19 Apr The Times This is what it is like Article when your wife hits you 18 Apr The Sun Male victims statistics News 16 April Sun, Daily Mail, Alex Skeel victim of Articles and Metro, BBC Five violence at hands of interviews Live, This Morning, Jordan Worth - first BBC Radio Scotland, woman to be convicted BBC Three Counties, of coercive/controlling BBC Breakfast behaviour 13 April The Sun (Dear Dear Deirdre column Deirdre) 7 April Mirror Jodie Owen spared jail News for stabbing boyfriend 29 Mar Mail Nasreen Knight attacked husband Julian knight 27 Mar BBC Lavinia Woodward News appeal refused 27 Mar Wales Online New refuge in Bridgend News being set up 26 Mar BBC Radio Somerset Interview with Mark Interview Brooks 23 Mar Kent online, BBC ManKind call for refuge in News Radio Kent Kent 14-16 Mar Stoke Sentinel, BBC Pete Davegun fundraiser Radio Stoke, Crewe Guardian, Staffs Live 19 Mar Victoria Derbyshire Mark Brooks interview Interview 12 Mar Somerset Live ManKind Initiative appeal -
Annual Report 2020-2021 About This Document
Annual Report 2020-2021 About this document This report summarises the activities of the Audio Content Fund from April 2020 – March 2021. It breaks down the bids received, and details the successful projects and their intended outcomes. This edition is labelled an Interim Report since, at the time of writing, several of the later projects have not yet entered production or been broadcast. It will be superseded by a Final Report once the final project has been broadcast. Author: Sam Bailey, Managing Director, Audio Content Fund Date: 15 June 2021 Contents 4 Executive Summary 5 Sam Bailey, Managing Director of the ACF 5 Helen Boaden, Chair of the Independent Funding Panel 6 Background to the Audio Content Fund 6 Summary of Payments 7 Summary of Successful Bids 8 Companies with Successful Bids 11 Bidding Guidelines 11 Independent Funding Panel 12 Assessment Process 12 Evaluation Criteria 14 Details of Funded Projects 16 Funded Projects 76 Projects still to be completed 88 References 89 Closing Statement Executive Summary 1. The Audio Content Fund (ACF) exists 8. 74% of the funded projects were from to finance the creation of original, high suppliers based outside of London. quality, crafted, public-service material for Projects were funded for broadcast on broadcast on commercial and community local stations in all four nations of the UK, radio. It is part of a pilot Contestable Fund, with content produced in English, Gaelic, funded by the UK Government. Irish and Ulster Scots. 2. The industry trade bodies AudioUK and 9. All bids are assessed for the diversity of Radiocentre set up the ACF in 2018, and their representation, and 1 in 5 of the it distributed grant funding totalling funded projects were primarily focused £655,898 in financial year 2019-2020. -
Small Scale DAB Licensing Consultation: Responses Received
Small Scale DAB Licensing consultation: Responses received October 2018 1 List of respondents A total of 87 responses were received from members of the public, and individuals and organisations working within a variety of sectors. Of the respondents, one has requested anonymity and therefore has not been listed. 1. Neil Kipling 46. Muxco 2. Iain Gowers 47. Tone FM 3. Rodney Maxwell 48. John Goodman 4. Paul Holmes 49. Celador 5. Peter Allridge 50. Global 6. Colin Marks 51. Mark O’Reilly 7. David Dbs 52. Niocast Digital 8. Steve Fox 53. Services Sound and Vision (SSVC) 9. Alec Thomas 54. Colonel J G Robinson Brigade of 10. Martin James Gurkhas 11. Penistone Community Radio 55. Buchan Radio 12. Graham Phillips 56. Resonance FM 13. Takeover Radio 57. Quidem Radio Group 14. Dave Hurford 58. The Flash 15. Radio Verulam 59. Bauer Media Group 16. Phonic FM 60. Alternative Broadcast Company 17. Chris Dawson 61. KMFM 18. Biggles FM 62. Nation Broadcasting 19. Maxxwave 63. DigiLink Connect 20. Moss Media 64. Wireless Group 21. Coast Digital Radio 65. DC Thomson Media 22. UKRD 66. 100% Media Group 23. BBC 67. Brighton and Hove Radio Ltd 24. Heart of Nation Broadcasting 68. Radiate ideas 25. 6 Towns Radio 69. Radiocentral24 26. The Source FM 70. Daniel Rose 27. Martin Steers 71. UDAB 28. Uckfield FM 72. Future Digital Norfolk 29. Seahaven FM 73. Radio Reverb 30. Marc Webber 74. Radiocentre 31. Kingdom FM 75. Arqiva 32. Digital Radio Mondiale Consortium 76. Community Media Association 33. Lincs FM Group 77. MKFM 34. -
Sounding Out: a Rapid Analysis of Young People & Radio in the UK
Sounding Out: A Rapid Analysis of Young People & Radio in the UK A Report for the British Council Author: Dr. Matthew Linfoot University of Westminster March, 2018 About this paper The British Council commissioned University of Westminster/ MusicTank to provide insight into UK-wide radio, with a particular emphasis on youth-run and youth- curated content and audiences. The analysis of the research identifies key trends in recent years, and seeks to explain the interconnected networks that operate through various tiers of the radio and audio industry. The aim is to uncover further understanding of the ecosystems, including key people, technologies and value chains, in order to support long-term planning and programming by the British Council in Southern Africa and the UK. Academic lead and report author: Dr. Matthew Linfoot University of Westminster Project Management: Jonathan Robinson MusicTank Copyright © 2018, British Council The copyright in this publication is held by the British Council. This material may not be copied or reproduced wholly or in part for any purpose (commercial or otherwise) except for permitted fair dealing under the Copyright, Designs, and Patents Act 1988, without the prior written permission of the British Council. The researchers have used reasonable endeavours to identify the proprietors of third-party intellectual property included in this work. The author would be grateful for notification of any material whose ownership has been misidentified herein, so that errors and omissions as to attribution may be corrected in future editions. 2 Table of Contents Executive Summary ................................................................................................. 4 Key Findings ............................................................................................................. 6 Context and Methodology ....................................................................................... 8 1.0 Analysis of Current Industry Data ................................................................. -
Independent Radio (Alphabetical Order) Frequency Finder
Independent Radio (Alphabetical order) Frequency Finder Commercial and community radio stations are listed together in alphabetical order. National, local and multi-city stations A ABSOLUTE RADIO CLASSIC ROCK are listed together as there is no longer a clear distinction Format: Classic Rock Hits Broadcaster: Bauer between them. ABBEY 104 London area, Surrey, W Kent, Herts, Luton (Mx 3) DABm 11B For maps and transmitter details see: Mixed Format Community Swansea, Neath Port Talbot and Carmarthenshire DABm 12A • Digital Multiplexes Sherborne, Dorset FM 104.7 Shropshire, Wolverhampton, Black Country b DABm 11B • FM Transmitters by Region Birmingham area, West Midlands, SE Staffs a DABm 11C • AM Transmitters by Region ABC Coventry and Warwickshire DABm 12D FM and AM transmitter details are also included in the Mixed Format Community Stoke-on-Trent, West Staffordshire, South Cheshire DABm 12D frequency-order lists. Portadown, County Down FM 100.2 South Yorkshire, North Notts, Chesterfield DABm 11C Leeds and Wakefield Districts DABm 12D Most stations broadcast 24 hours. Bradford, Calderdale and Kirklees Districts DABm 11B Stations will often put separate adverts, and sometimes news ABSOLUTE RADIO East Yorkshire and North Lincolnshire DABm 10D and information, on different DAB multiplexes or FM/AM Format: Rock Music Tees Valley and County Durham DABm 11B transmitters carrying the same programmes. These are not Broadcaster: Bauer Tyne and Wear, North Durham, Northumberland DABm 11C listed separately. England, Wales and Northern Ireland (D1 Mux) DABm 11D Greater Manchester and North East Cheshire DABm 12C Local stations owned by the same broadcaster often share Scotland (D1 Mux) DABm 12A Central and East Lancashire DABm 12A overnight, evening and weekend, programming. -
UK CMR Radio Charts
3. Radio and audio 1 Figure 3.1 UK radio industry key metrics 2004-2009 UK radio industry 2004 2005 2006 2007 2008 2009 Weekly reach of radio (% of population) 90.3% 90.0% 89.8% 89.8% 89.5% 89.8% Average weekly hours per head 21.9 21.6 21.2 20.6 20.1 19.8 BBC share of listening 55.5% 54.5% 54.7% 55.0% 55.7% 55.3% Total industry revenue (£m) 1,158 1,156 1,126 1,175 1,131 1,092 Commercial revenue (£m) 551 530 512 522 488 432 BBC expenditure (£m) 607 626 614 653 643 660 Radio share of advertising spend 3.5% 3.3% 3.0% 2.9% 2.7% 2.8% DAB digital radio take-up (households) 5% 10% 16% 22% 30% 33% Source: Ofcom, RAJAR 2008 (adults aged 15+), BBC, WARC, radio operators 2008 Figure 3.2 Digital radio’s share of radio listening, Q2 2010 Year-on-year increase (percentage points) + 3.5 + 2.7 + 0.5 + 0.7 + 0.3 25 20 15 24.6 10 15.8 5 4.1 2.9 1.8 0 Digital radio platforms share of all radio hours hours radio all platformsofshare radio Digital All digital DAB DTV Internet Digital unspecified Source: RAJAR (adult listeners 15+), Q2 2010 Note: ‘Digital unspecified’ relates to listening to digital-only stations where the survey respondent has not specified the listening platform used. 3 Figure 3.3 Ownership of DAB set, Q2 2010 Percentage of adults who claim to own a DAB set / have a DAB set in the home 40% 30% 20% 33.0% 35.3% 27.3% 10% 20.3% 15.3% 9.1% 4.4% 0% Q2 2004 Q2 2005 Q2 2006 Q2 2007 Q2 2008 Q2 2009 Q2 2010 Source: RAJAR / Ipsos MORI / RSMB Q1 2004-2010. -
Winter 2022 January – April BLOOMSBURY PUBLISHING FEBRUARY 2022
BLOOMSBURY Winter 2022 January – April BLOOMSBURY PUBLISHING FEBRUARY 2022 House of Sky and Breath Sarah J. Maas Sarah J. Maas’s groundbreaking Crescent City series continues with the second installment, following the #1 New York Times bestseller House of Earth and Blood. Bryce Quinlan and Hunt Athalar are trying to get back to normal—they may have saved Crescent City, but with so much upheaval in their lives lately, they mostly want a chance to relax. Slow down. Figure out what the future holds. The Asteri have kept their word so far, leaving Bryce and Hunt alone. But with the rebels chipping away at the Asteri’s power, the threat the rulers pose is growing. As Bryce, Hunt, and their friends get pulled into the rebels’ plans, the choice becomes clear: stay silent while others are oppressed, or fight for what’s right. And they’ve never been very good at staying silent. FICTION / FANTASY / ROMANCE In this sexy, action-packed sequel to House of Earth and Blood, Sarah J. Maas Bloomsbury Publishing | 2/15/2022 weaves a captivating story of a world about to explode—and the people who will 9781635574074 | $28.00 / $38.00 Can. Hardcover with dust jacket | 768 pages do anything to save it. 9.3 in H | 6.1 in W PRAISE for House of Earth and Blood MARKETING A #1 New York Times bestseller • A #1 USA Today bestseller • A #1 Publishers Weekly Major national trade and consumer advertising campaign at publication bestseller Extensive global social media promotion A Los Angeles Times and National Indie bestseller • Winner of the Goodreads with reveals, teasers, and interactive Choice Award for Fantasy engagement Backlist e-book sales promotions “A master class in world-building adventure. -
Prospectus 21/22
PROSPECTUS 21/22PROSPECTUS LONDON’S TRINITY CREATIVE LABAN CONSERVATOIRE CONTENTS 3 We are Trinity Laban 54 Music 4 A Trinity Laban Student is... 58 Performance Environment 6 London Life 60 Music Programmes 8 Our Home in London 60 Foundation Year Programmes 61 Undergraduate Programmes 10 Student Life 64 Graduate Diplomas 65 Masters Programmes 10 Accommodation 66 Advanced Diploma Programmes 11 Students’ Union 67 Blended Learning Programmes 12 Supporting Students 68 Music Faculty Staff International Students 14 14 English Language Support 70 Principal Study Global Links 16 72 Composition 74 Jazz 18 Professional Partnerships 76 Keyboard 78 Strings 20 CoLab 80 Vocal Studies 82 Wind, Brass & Percussion 22 Industry Insights 86 Specialist Studies 24 Research 88 Music Education 26 Dance 90 Popular Music 30 Dance Faculty Staff 94 Careers in Music 32 Performance Environment 96 Music Alumni 34 Transitions Dance Company 100 Musical Theatre 36 Dance Programmes 104 Foundation Programme in Musical Theatre 105 BA (Hons) Musical Theatre Performance 36 Foundation Year Programmes 106 Careers in Musical Theatre 37 Undergraduate Programmes 40 Masters Programmes 110 How to Apply 44 Diploma Programmes 112 Auditions & Selection Days 46 Careers in Dance 114 Fees, Funding & Scholarships 48 Dance Alumni 118 How to Find Us WE ARE TRINITY LABAN LONDON’S CREATIVE CONSERVATOIRE A global community An innovative, dynamic and diverse hive of creativity Trinity Laban is genre-defining, pushing the boundaries of music, dance and musical theatre. Here, you will build upon a foundation of technical excellence to create high quality, innovative work. You will develop the skills to produce your own performances in addition to honing your craft. -
Absolute Radio (London) Request to Change Format
Absolute Radio (London) Request to change Format CONSULTATION: Publication date: 10 February 2021 Closing date for responses: 10 March 2021 Contents Section 1. Overview 1 2. Details and background information 2 3. Consideration of the request and Ofcom’s preliminary view 4 Annex A1. Responding to this consultation 11 A2. Ofcom’s consultation principles 13 A3. Consultation coversheet 14 A4. Consultation question 15 A5. Existing Format of Absolute Radio 16 A6. Format change request from Bauer Radio 18 A7. Other commercial and community radio stations in the Greater London licence area 26 Absolute Radio (London) – Request to change Format 1. Overview A commercial radio station’s Format sets out the type of broadcast output it is required to deliver, and forms a part of its licence. Formats may include requirements relating to a station’s music output, news provision, other types of speech content, its target audience, the volume and origin of locally-made programmes, and any programme sharing arrangements. Taken together, these elements encapsulate the nature and overall character of a licensed service. When a request to change a Format constitutes a significant departure from the character of service, the request is subject to consultation. This document outlines a request received from Bauer Radio Limited (‘Bauer’) with regard to the FM local radio broadcasting licence it holds for the Greater London area, which broadcasts as ‘Absolute Radio’, and Ofcom’s preliminary view on the request to change the character of service. What we are proposing