How He Transformed Superheroes

Total Page:16

File Type:pdf, Size:1020Kb

How He Transformed Superheroes LATIMES.COM/CALENDAR TUESDAY,NOVEMBER 13 ,2018 E5 THE LEGACY OF STAN LEE How he transformed superheroes [Superheroes, from E1] proach to character — and He was a master years by the Spider-Man the wryly comic sensibility of fan connection and X-Men franchises at Lee brought to it — has con- Sony Pictures and 20th Cen- tinued to shape not only No one worked more tire- tury Fox, respectively. Marvel’s films but also fran- lessly to cultivate fans than “Thank God for Stan Lee chises like “The Incred- Lee, who was as brilliant at creating this universe and ibles.” And even, it could be marketing and promotion as these amazing characters,” argued, comedies that have he was at creating indelible David Maisel, former chair- nothing to do with capes or characters. Under Lee’s man of Marvel Studios, told spandex. leadership, Marvel Comics The Times on Monday, as As Seth Rogen wrote on readers became intimately news of Lee’s death at age 95 Twitter on Monday, “Thank familiar with the company’s reverberated around the you Stan Lee for making artists and writers, and world. “Without him, there people who feel different re- throughout the ’60s, Lee would have been nothing for alize they are special.” wrote a monthly column us to put on the screen.” called “Stan’s Soapbox,” Here are three ways Lee He perfected which he’d often sign with his personal motto, “Excelsi- helped write the playbook the concept of for the modern superhero or!” movie — and, by extension, the shared universe By the time Hollywood re-shaped the film industry Lee didn’t single-han- started cranking out films as a whole. dedly create the concept of based on Marvel characters, different characters inhab- comic book fans felt so con- iting the same world; Disney nected to Lee that he be- He made came living, breathing sym- superheroes had its own shared ani- mated Mickey Mouse uni- bol of fandom itself. Lee relatable verse dating to the 1920s, would go on to make cameo Until Lee came along, while Universal Studios appearances in dozens of superheroes had generally monsters like Frankenstein films (he will be seen this been much more like Olym- and the Wolf Man would pe- month, in animated form, in pian deities than regular riodically pop up in one an- Disney’s “Ralph Breaks the people with regular-human other’s films. But before Lee Internet”) and showed up at problems. But, starting in came along, comic book countless fan conventions the 1960s with Fantastic characters had, for the most like Comic-Con, treating Four, Spider-Man and the part, been isolated in their fans like friends he just Hulk, Lee and co-creator own narratives (with the no- hadn’t met yet. Jack Kirby saw a way to table exception of DC Com- To this day, Lee’s talent draw in fans with characters ics’ Justice League series for nurturing Marvel’s fan who, for all their powers, uniting Batman, Superman, base has become a model for were plagued by the same Wonder Woman and other every studio marketing de- flaws, neuroses, relation- heroes for a specific set of partment when it comes to ship issues and everyday stories). managing their own fran- headaches that beset all of Having established that chises, superhero or other- us. Marvel’s superheroes pri- wise. As Lee told The Times in marily lived in our world — In an interview with The 19 84, “I thought, suppose many of them in Lee’s native Times in 2012, Lee drove there was a guy, Peter New York — it only made home the importance of Parker, who’s also Spider- sense to Lee that they would maintaining that direct con- Man and he can stick to sometimes bump into each nection with fans. For him, it walls, and spin a web, and other around the neighbor- wasn’t simply about making has the strength of 12 men. hood. Under his stew- them feel good; it was a criti- We said just because he can ardship, Marvel created a cal component in maintain- do that doesn’t mean every- sprawling set of intercon- ing his success. thing would be perfect in his nected narratives in which “I’ve been in this business so long dealing with fans life. We created the first one character’s storyline Butcher Billy For The Times superheroes who weren’t could impact another’s and that I can really, after perfect, who worried about superheroes could team up groundwork for Marvel Stu- “He was able to build in- quel. Its universe is about to launching anything, I can paying rent. It was satire — to fight a common enemy — dios’ successful run of films. terconnectedness with the get bigger after Disney tell within a couple of days of fantasy in a realistic set- or, just as often, squabble That business model has be- comic books and the charac- brings “X-Men” characters, receiving the fan mail and ting.” with one another. come the driving force of not ters, and that laid a web, if including Wolverine and fan emails whether or not Lee’s superheroes lived Mary Ann Halford, a New only the box office but the you will, for the films,” she Deadpool, into its fold after we’re on the right track,” he in the same world as the rest York-based media and en- small screen as well and has said. Disney will continue to its $71.3 billion deal to buy said. of us, complete with all of its tertainment strategist at been copied, with varying benefit from that foresight Fox, which produces the “X- social ills, and their foibles OC&C Consulting, said degrees of success, by other with its upcoming roster of Men” movies. “There’s still josh.rottenberg made it that much easier for Lee’s ability to build out an studios — most notably, films, including the March going to be a tremendous @latimes.com fans to connect to them. overlapping tapestry of sto- Warner Bros. with its DC release “Captain Marvel” amount of value, and his leg- ryan.faughnder That more naturalistic ap- ries with the comics laid the Comics films. and May’s “Avengers” se- acy will live on.” @latimes.com TV HIGHLIGHTS Tuesday Prime-Time TV Sports News Movies (N) New Å ClosedCaptioning 8 pm 8:30 9 pm 9:30 10 pm10:30 11 pm SERIES Wendy Williams Toni Brax- ton (“Every Day Is Christ- CBS NCIS (TV14) An investigation FBI (TVPG)Maggie and OA NCIS: NewOrleans (TV14) A News (N) Å leads toaconspiracy involv- huntdown robberswho are deadly car explosion in the NCIS The theft of a mural by mas”). (N) 10 a.m. KTTV astreet artist leads Gibbs ing aNavy contractor.(N) Å posing as police. (N) Å French Quarter. (N) Å The Dr. Oz Show Jessie and NBC (Mark Harmon) and the TheVoice (TVPG)Liveplay- This Is Us (TV14) Kevinand NewAmsterdam (TV14) Max News (N) Å Mary Jo Buttafuoco. (N) offscontinue.(N) Å ZoeinVietnam.(N) Å prioritizes his health. (N) Å team to a conspiracy in- 10 a.m. KCOP; 3 p.m. KTLA TheFlash (TVPG)Iris learns Black Lightning (TV14) A News (N) Sports Final News (N) volving a Navy contractor Å Å KTTV something shocking. (N) Å creepyman at the clinic. (N) (N) (10:45) Å and the welfare of ocean The Doctors A photo of a ABC TheConners TheKidsAre black-ish The Splitting Up To- TheRookie (TV14) Nolan News (N) Å mammals. 8 p.m. CBS Church. (N) Alright Pat’s music of gether (TV14) and Lopeztrack down an worm crawling under The Voice Live playoffs con- Å dog. (N) Å Prince. (N) Å (N) Å escaped criminal. (N) someone’s skin. (N)11 a.m. tinue in this new episode. KCAL News (N) Å News (N) Å News (N) Å Sports Central 2Broke Girls KCOP 8p.m. NBC FOX TheGifted (TV14) Reeva Lethal Weapon (TV14) Ahigh- News (N) Å TheBig Bang The Talk Michael Fishman, The Conners When Geena plans amission. (N) Å stakescartelcase. (N) Å Theory Å John Goodman, Lecy (Maya Lynne Robinson) MyNt ChicagoP.D. (TV14) Å ChicagoP.D. (TV14) Å Seinfeld Å Seinfeld Å King of Queens Goranson, Laurie Metcalf learns that D.J (Michael KVCR Archives Architecture Å NativeArt Now! (TVPG) Å Amanpour and Company (N) Å Horizonte Å Eric McCandless ABC and Maya Lynne Rob- Fishman)hasn’t beentak- KCET SoCal Connect- Lost LA (TVG) Artbound (TVG) Thebilingual TheMigrant Tending Nature Growing Native inson; Sara Evans. (N) 1 ing Mary (Jayden Rey) to NATHAN FILLION ed KieraNew- Venice’sori- magazine La Raza. Å Kitchen (TVG) Protecting the (TVPG)Coast p.m. KCBS some. Å gin story. Å Jewish Delis. Coast. Å Salish. Å church, she insists they go stars in a new episode of UNI Jesús Mi marido tiene más familia Amar amuerte (TV14) Noticias together as a family in this “The Rookie” on ABC. Steve A teenage musician new episode of the family performs. (N) 2 p.m. KOCE We’ll Meet Again (TVPG) NativeAmerica (TVPG)Cities NativeAmerica (TVPG)(Fina- Amanpour The Migrant Kitchen This KNBC SavedinVietnam. (Season of the Sky. Exploring Ameri- le)Examplesofresistance, and Company comedy. 8 p.m. ABC premiere).(N) Å ca’s ancientcities. (N) Å survival and revival. (N) Å (N) Å new episode of the culi- The Gifted Reeva (Grace Rachael Ray Damon KDOC Dateline (TVPG) TheGoldbergs TheGoldbergs Family Guy Family Guy Seinfeld nary series visits Jewish Å Å Å Å Byers) reveals her plans Wayans Jr. (N) 2 p.m. delis of Los Angeles.
Recommended publications
  • PHLF News Publication
    Protecting the Places that Make Pittsburgh Home Pittsburgh History & Landmarks Foundation Nonprofit Org. 1 Station Square, Suite 450 U. S. Postage Pittsburgh, PA 15219-1134 PAID www.phlf.org Pittsburgh, PA Address Service Requested Permit No. 598 PHLF News Published for the members of the Pittsburgh History & Landmarks Foundation No. 160 April 2001 Landmarks Launches Rural In this issue: 4 Preservation Program Landmarks Announces Its Gift Annuity Program Farms in Allegheny County—some Lucille C. Tooke Donates vent non-agricultural development. with historic houses, barns, and scenic Any loss in market value incurred by 10 views—are rapidly disappearing. In Historic Farm Landmarks in the resale of the property their place is urban sprawl: malls, Through a charitable could be offset by the eventual proceeds The Lives of Two North Side tract housing, golf courses, and high- remainder unitrust of the CRUT. Landmarks ways. According to information from (CRUT), long-time On December 21, 2000, Landmarks the U. S. Department of Agriculture, member Lucille C. succeeded in buying the 64-acre Hidden only 116 full-time farms remained in Tooke has made it Valley Farm from the CRUT. Mrs. Tooke 12 Allegheny County in 1997. possible for Landmarks is enjoying her retirement in Chambers- Revisiting Thornburg to acquire its first farm burg, PA and her three daughters are property, the 64-acre Hidden Valley excited about having saved the family Farm on Old State Road in Pine homestead. Landmarks is now in the 19 Township. The property includes a process of selling the protected property. Variety is the Spice of Streets house of 1835 that was awarded a “I believe Landmarks was the answer Or, Be Careful of Single-Minded Planning Historic Landmark plaque in 1979.
    [Show full text]
  • One Two Films / Blackbird Pictures
    www.triciagray.com FILM THE TALE, HBO/A Luminous Mind Production/ One Two Films / Blackbird Pictures- Drama/ Period 1973 Producers: Lawrence Inglee, Laura Rister, Reka Posta, Oren Moverman Director: Jennifer Fox With: Laura Dern, Ellen Burstyn, Elizabeth Debicki, Isabelle Nelisse, Sebastian Koch KID VS MONSTERS, Dark Dunes Productions Producers: Lawrie Brewster, Adamo P. Cultrano, Kenneth Burke Director: Sultan Saeed Al Darmaki with Malcolm McDowell, Armand Assante, Lance Henriksen, Francesca Eastwood THE BABYMAKERS, Duck Attack Films, Blumhouse Productions Producers: Jason Blum, Jay Chandrasekhar, Brian Kavanaugh-Jones, Bill Gerber, Jeanette Brill, Gerard DiNardi Director: Jay Chandrasekhar with Olivia Munn, Paul Schneider, Jay Chandrasekhar, Kevin Heffernan, Nat Faxon, MC Gainey OPEN HOUSE, Stonebrook Entertainment Producers: Mitchell Goldman, Jack Schuster, Randy Wayne Director: Andrew Paquin with Anna Paquin, Stephen Moyer, Brian Geraghty, Rachel Blanchard, Tricia Helfer FREELOADERS, Broken Lizard Industries, ATG Productions Producers: Adam Duritz, Richard Perello, Matthew Pritzger Director: Dan Rosen with Clifton Collins Jr, Jane Seymour, Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter, Erik Stolhanske, Adam Duritz, Sir Richard Branson THE SLAMMIN’ SALMON, Broken Lizard Industries Producers: Peter Lengyel, Richard Perello Director: Kevin Heffernan with Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter, Erik Stolhanske, Michael Clarke Duncan, Morgan Fairchild, Lance Henriksen DUKES OF HAZZARD 2: The Beginning,
    [Show full text]
  • Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
    “INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing.
    [Show full text]
  • PM0705-38 Pgsc4,C1-11.Qxd
    ★ BALTIMORE TATTOO ARTS ★ MATEO SIGWERTH ★ ATLANTA’S SILVER FOX TATTOO ★ BUYER’S GUIDE FOR BODY MODIFICATION PROFESSIONALS JULY 2018 #194 USA $10.00 Canada $10.00 Publications Mail Agreement #40069018 staff JULY Publisher Ralph Garza ISSUE 194 ISSUE Editor-In-Chief R Cantu Account Executive Jennifer Orellana [email protected] 505-332-3003 Managing Editor Sandy Caputo [email protected] Art Director SOM Remy [email protected] 14 12 Silver Fox Tattoo Show Feature: Contributing Writers Tiny Homes Elayne Angel David Pogge 16 Austin Ray Darin Burt Tanya Madden Spotlight Ask Angel 34 Show Expo 34 Executive Assistant 30 Spotlight: Richard DePreist [email protected] Neilmed 505-275-6049 Baltimore Tattoo 38 Arts Convention Artist Gallery Baltimore Tattoo 9901PAIN MagazineAcoma Rd. SE Arts Convention Albuquerque, NM 87123 [email protected] 40 General Inquiries: PAINful Classic: [email protected] www.painmag.com Everyone Loves Pub Subs www.facebook.com/painmagazine Artist Profile Subscriptions: [email protected] 36-37 Printed in Canada Mateo Sigwerth Publications Mail Agreement #40069018 Return undeliverable Canadian addresses to: 737 Moray St., Winnipeg MB, Canada, R3J 3S9 advertisersindex contacts 505-275-6510 Fax Body Art Solutions 41 Nat-A-Tat2 39 505-275-6049 Editorial Body Shock 11 Needlejig 27 cover sponsor Desert Palms Emu Ranch 17 Neilmed Aftercare Front Cover 34 Eternal Ink 4 Painful Pleasures 5, 13, 29, Inside Back Cover NeilMed NeilcleanseNeilmed Piercing Aftercare saline spray is Face and Body 35 Papa Tattoo Supply 6 isotonic, drug free, preservative free, no burning or stinging. Sterile saline solution that cleanses minor Exposed Temptations Tattoo New Artist 21 Papillons Tattoo Supply 7 wounds and scrapes without any burning or stinging.
    [Show full text]
  • Copyright Protection for Tattoos: Are Tattoos Copies? Michael C
    Notre Dame Law Review Volume 90 | Issue 4 Article 12 5-2015 Copyright Protection for Tattoos: Are Tattoos Copies? Michael C. Minahan Follow this and additional works at: http://scholarship.law.nd.edu/ndlr Part of the Intellectual Property Commons Recommended Citation Michael C. Minahan, Copyright Protection for Tattoos: Are Tattoos Copies?, 90 Notre Dame L. Rev. 1713 (2014). Available at: http://scholarship.law.nd.edu/ndlr/vol90/iss4/12 This Note is brought to you for free and open access by the Notre Dame Law Review at NDLScholarship. It has been accepted for inclusion in Notre Dame Law Review by an authorized administrator of NDLScholarship. For more information, please contact [email protected]. \\jciprod01\productn\N\NDL\90-4\NDL412.txt unknown Seq: 1 11-MAY-15 13:41 COPYRIGHT PROTECTION FOR TATTOOS: ARE TATTOOS COPIES? Michael C. Minahan* You put a tattoo on yourself with the knowledge that this body is yours to have and enjoy while you’re here. You have fun with it, and nobody else can control (sup- posedly) what you do with it. —Don Ed Hardy1 INTRODUCTION The practice and ritual of tattooing human skin has existed in all parts of the world and in most cultures for thousands of years.2 The modern his- tory of tattooing in Western cultures can be traced to the voyages of Captain James Cook to the South Pacific, where sailors encountered various Polyne- sian tribes among which tattooing was, and remains today, an important cul- tural practice and spiritual ritual.3 When these sailors, many of whom had adorned their bodies with tattoos, returned to Europe, they ignited an inter- est in tattooing known as the “tattoo rage,” which spread through nineteenth- century Europe.
    [Show full text]
  • TITLE STANDARDS October 10, 2019 10305 ICLE: State Bar Series
    TITLE STANDARDS October 10, 2019 10305 ICLE: State Bar Series Thursday, October 10, 2019 TITLE STANDARDS 6 CLE Hours Including 1 Ethics Hour | 1 Professionalism Hour Copyright © 2019 by the Institute of Continuing Legal Education of the State Bar of Georgia. All rights reserved. Printed in the United States of America. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form by any means, electronic, mechanical photocopying, recording, or otherwise, without the prior written permission of ICLE. The Institute of Continuing Legal Education’s publications are intended to provide current and accurate information on designated subject matter. They are off ered as an aid to practicing attorneys to help them maintain professional competence with the understanding that the publisher is not rendering legal, accounting, or other professional advice. Attorneys should not rely solely on ICLE publications. Attorneys should research original and current sources of authority and take any other measures that are necessary and appropriate to ensure that they are in compliance with the pertinent rules of professional conduct for their jurisdiction. ICLE gratefully acknowledges the eff orts of the faculty in the preparation of this publication and the presentation of information on their designated subjects at the seminar. The opinions expressed by the faculty in their papers and presentations are their own and do not necessarily refl ect the opinions of the Institute of Continuing Legal Education, its offi cers, or employees. The faculty is not engaged in rendering legal or other professional advice and this publication is not a substitute for the advice of an attorney.
    [Show full text]
  • Michelle-Jubilee Gonzalez
    Michelle-Jubilee Gonzalez Gender: Female Service: 305-753-8431 Height: 5 ft. 5 in. Mobile: 323-596-7654 Weight: 135 pounds E-mail: michellejubilee005@gmail... Eyes: Brown Web Site: http://www.imdb.com/... Hair Length: Long Waist: 27 Inseam: 30 Shoe Size: 8 Physique: Athletic Coat/Dress Size: 4/5 Ethnicity: Caribbean, Latin/Hispanic, Mediterranean, Middle Eastern, Mixed, Other Photos Film Credits A Quiet Place 2 Stunt Performer Mike Gunther / Kyle Woods Malignant Stunt Performer Glenn Foster/Loyd Bateman Fast 8 Utility Stunt One Race Films/F Gary Gary/ JJ Perry The Tax Collector Stunt Performer Rob Alonzo Lone Ranger Utility Stunts Walt Disney/Thomas Robinson Harper Generated on 09/29/2021 10:46:21 pm Page 1 of 6 Charlie Croughwell Dolemite is My Name Stunt Performer Billy Washington Some Kind of Beautiful Stunt Dbl/Stunt Driver: Salma Palmstar Entertainment/Jef Groff Hayak The Vatican Tapes Stunt Performer, Stunt Driver H2F Entertainment/Mark Neveldine/Frank Blake Officer Downe Stunt Performer Frank Blake Scouts Guide to the Zombie Stunt Peformer Paramount/Mike Gunther Apocalypse End of Watch Stunt Performer Exclusive Media Group/David Ayer/Mike Gunther Border Girls Stunt Coordinator Aquadulce Films/Dir. Sophia Stieglitz Mori Trafficked Stunt Performer Ron Althoff Kicks ND Stunts/Safety Tony Vella Liza Koshy's Holiday Special Stunt Dbl: Liza Koshy Above Average Prod./ Billy Washington Smartass Stunt Actor All the Way to Mexico LLC/Theo Kypri Barrio Tales 2 Stunt Performer Barrio Tales LLC / Theo Kypri Invasion: False Flag Stunt Performer
    [Show full text]
  • The Gifted Child in the Intermediate Grades
    Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1956 The iG fted Child in the Intermediate Grades Nelle Phillips Eastern Illinois State College Recommended Citation Phillips, Nelle, "The iG fted Child in the Intermediate Grades" (1956). Masters Theses. 4563. https://thekeep.eiu.edu/theses/4563 This Dissertation/Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. THE GIFI'ED CHil..D IN THE INTERMEDIATE GRADES ; � ' A Substantial Paper written in Par tial Fulfillment ot the Requirements for the Degree Master of Science in Education at Eastern Illinois State College by Nelle Phillips -- July 1956 TABLE 0 F CONTENTS CHAPTER PAGE :roRWORD • • • • • • • • • • • • • • • • • • • • • • • • • ii I. THE GIFl'ED•-IN RETROSPECT • • • • • • • • • • • • • l II. DEFINITIONS OF GIFI'EDNESS AND METHODS OF SELECTION BY THE SCHOOL • • • • • • • • • • • • • I+ III. PROBLEMS 0 F THE G IFl'ED • • • • • • • • • • • • • • 12 IV. CURRICULUM ADJUSTMENTS • • • • • • • • • • • • • • 21 Acceleration • • • • • • • • • • • • • • • • . 21 Segregation • • • • • • • • • • • • • • • • • • • 27 " Enrichment • • • • . • • • • • • • • • • • • • • • 32 V. SOME RECOMMENDED SOLUTIONS IN THE LOCAL SITUATION • • • • • • • • • • • • • • • • • • • • )6 BIBLIOGRAPHY • • • • • • • • • • • • • • • • • . .. 43 FOREWORD Education of the gi�ed is a major problem facing America today. The potent ialities of these children constitut e our country's greatest source of future leadership, yet they are the neglected children in our schools today. Much has been done, even within our own school unit to further the cause of the retarded , through good testing programs and the establishment of an Educable Mentally Handicapped Room. We know to what degree these children are retard ed but in most cases we can only estimat e the degree of acceleration of the gifted.
    [Show full text]
  • MATTHEW REILLY UNIVERSE a Jumpchain CYOA
    MATTHEW REILLY UNIVERSE A Jumpchain CYOA Welcome to the shared universe of Matthew Reilly’s novels. You, visitor, are at the tip of the spear. This world of high stakes, nail-biting action needs heroes like you, now more than ever, to defend its people from forces that would seek to control it for their own ends. To explain a little more about the world you’ve stumbled into, to the vast bulk of humanity the world is quite mundane; your average citizen has as roughly the same concept of their world as you or I, and it would be quite easy to live your life as though nothing was any different. Yet behind the curtain, many wheels are in motion. Intelligence organisations and Special Forces units clash in exotic locations – Antarctic research labs, overgrown ruins, secret military facilities – often where highly unusual discoveries are made and where the most daring come away with the prize. Heavily-armed bounty hunters and Private Military Corporations chase lucrative contracts across the world for money and glory; careless of international law and often any collateral damage. In uncharted wilds, hidden cultures and tribes who have never been exposed to the modern world protect secrets from the forgotten past and carry out the rites of their forefathers to this day. Shadowy groups steer the courses of governments with hidden hands. Conspiracies of hate and enlightenment both grow inky webs throughout the military-industrial complex and permeate universities, corporations, the government and other institutions. And behind even these secret manipulators lie great mysteries which continue to shape the world as we know it after many thousands of years, and which may spell its doom...or its salvation.
    [Show full text]
  • The Apology | the B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero Scene & Heard
    November-December 2017 VOL. 32 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 6 IN THIS ISSUE One Week and a Day | Poverty, Inc. | The Apology | The B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero scene & heard BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Learn more about Baker & Taylor’s Scene & Heard team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications Experience KNOWLEDGEABLE Baker & Taylor is the Full-time staff of A/V catalogers, most experienced in the backed by their MLS degree and more than 43 years of media cataloging business; selling A/V expertise products to libraries since 1986. 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review One Week and a Day and target houses that are likely to be empty while mourners are out. Eyal also goes to the HHH1/2 hospice where Ronnie died (and retrieves his Oscilloscope, 98 min., in Hebrew w/English son’s medical marijuana, prompting a later subtitles, not rated, DVD: scene in which he struggles to roll a joint for Publisher/Editor: Randy Pitman $34.99, Blu-ray: $39.99 the first time in his life), gets into a conflict Associate Editor: Jazza Williams-Wood Wr i t e r- d i r e c t o r with a taxi driver, and tries (unsuccessfully) to hide in the bushes when his neighbors show Editorial Assistant: Christopher Pitman Asaph Polonsky’s One Week and a Day is a up with a salad.
    [Show full text]
  • Kristen Connolly Helps Move 'Zoo' Far Ahead
    Looking for a way to keep up with local news, school happenings, sports events and more? 2 x 2" ad 2 x 2" ad We’ve got you covered! June 23 - 29, 2017 waxahachietx.com U J A M J W C Q U W E V V A H 2 x 3" ad N A B W E A U R E U N I T E D Your Key E P R I D I C Z J Z A Z X C O To Buying Z J A T V E Z K A J O D W O K W K H Z P E S I S P I J A N X and Selling! 2 x 3.5" ad A C A U K U D T Y O W U P N Y W P M R L W O O R P N A K O J F O U Q J A S P J U C L U L A Co-star Kristen Connolly L B L A E D D O Z L C W P L T returns as the third L Y C K I O J A W A H T O Y I season of “Zoo” starts J A S R K T R B R T E P I Z O Thursday on CBS. O N B M I T C H P I G Y N O W A Y P W L A M J M O E S T P N H A N O Z I E A H N W L Y U J I Z U P U Y J K Z T L J A N E “Zoo” on CBS (Words in parentheses not in puzzle) Jackson (Oz) (James) Wolk Hybrids Place your classified Solution on page 13 Jamie (Campbell) (Kristen) Connolly (Human) Population ad in the Waxahachie Daily 2 x 3" ad Mitch (Morgan) (Billy) Burke Reunited Light, Midlothian1 xMirror 4" ad and Abraham (Kenyatta) (Nonso) Anozie Destruction Ellis County Trading Post! Word Search Dariela (Marzan) (Alyssa) Diaz (Tipping) Point Kristen Connolly helps Call (972) 937-3310 © Zap2it move ‘Zoo’ far ahead 2 x 3.5" ad 2 x 4" ad 4 x 4" ad 6 x 3" ad 16 Waxahachie Daily Light Cardinals.
    [Show full text]
  • The Cw Arrowverse and Myth-Making, Or the Commodification of Transmedia Franchising
    PRODUCTIONS / MARKETS / STRATEGIES THE CW ARROWVERSE AND MYTH-MAKING, OR THE COMMODIFICATION OF TRANSMEDIA FRANCHISING CHARLES JOSEPH Name Charles Joseph Arrowverse, a shared narrative space based on DC-inspired Academic centre University of Rennes 2 original series which provided the network with a fertile E-mail address [email protected] groundwork to build upon. The CW did not hesitate to capitalize on its not-so-newfound superhero brand to KEYWORDS induce a circulation of myth, relying on these larger-than- The CW; DC comics; Arrowverse; transmedia; convergence; life characters at the heart of American pop culture to superhero; myth. fortify its cultural and historical bedrock and earn its seat along the rest of the Big 4. This paper aims to decipher how The CW pioneered new technology-based tools ABSTRACT which ultimately changed the American media-industrial The CW’s influence over the American network television landscape of the early 2010s, putting these tools to the landscape has never ceased to grow since its creation test with the network’s superhero series. It will thus also in 2006. The network’s audience composition reflects address how the Arrowverse set of characters has triggered The CW’s strategies to improve its original content as cross-media and transmedia experimentations, how The well as diversifying it, moving away from its image as a CW stimulated rapport with its strong fan base, as well network for teenage girls. One of the key elements which as how the network has been able to capitalize on the has supported this shift was the development of the superhero genre’s evocative capacities.
    [Show full text]