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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Noble Rot Meets Ecstatic Synth- Poppers Hot Chip Words by Dan Keeling Photographs by Benjamin Mcmahon
Words by Dan Keeling Noble Rot Photographs by meets ecstatic synth- SHOOT FROM THE CHIP SHOOT Benjamin McMahon poppers Hot Chip “Gordon Ramsay used to cook here a long time ago,” says Hot Chip’s Joe Goddard, reading the menu at Chez Bruce in Wandsworth. “When I last ate here, a friend from uni was working in the kitchen and I absolutely loved it.” To Joe’s left, fellow band member Al Doyle is enjoying his first drink of the evening – Vouette & Sorbée ‘Saignée de Sorbée’ Champagne – after a day rehearsing in a nearby studio for the band’s imminent support headline slot at Hackney’s All Points East festival. With their new album heralding a high point in their long career (it’s their seventh), the aptly titled A Bath Full of Ecstasy has a blend Dan Keeling: Do you cook at home? Joe Goddard: I cook all the time. I’ve got a Green of synth melodies, bouncing house basslines Egg barbecue and cook a lot of seafood, as well as buying a lot of nice wines from Bottle Apostle to try and soulful vocals that makes it one of our to pair with it. I’m interested in the weirder side of wine. This Vouette & Sorbée reminds me of a records of the year at Rotter Towers. Imagine delicious sparkling red from near Barcelona that I’ve been drinking recently called La Rosita by Pamela Geddes. It’s dry and fruity: it tastes like sparkling Erasure jamming with Daft Punk, Laid Back and Ribena to me, and I’m into that! Frankie Knuckles in a lift, and you might be Al Doyle: It’s delicious and quite unusual – it almost tastes like Pét-Nat rather than Champagne. -
The Quality of Recorded Music Since Napster: Evidence Based on The
Digitization and the Music Industry Joel Waldfogel Conference on the Economics of Information and Communication Technologies Paris, October 5-6, 2012 Copyright Protection, Technological Change, and the Quality of New Products: Evidence from Recorded Music since Napster AND And the Bands Played On: Digital Disintermediation and the Quality of New Recorded Music Intro – assuring flow of creative works • Appropriability – may beget creative works – depends on both law and technology • IP rights are monopolies granted to provide incentives for creation – Harms and benefits • Recent technological changes may have altered the balance – First, file sharing makes it harder to appropriate revenue… …and revenue has plunged RIAA Total Value of US Shipments, 1994-2009 16000 14000 12000 10000 total 8000 digital $ millions physical 6000 4000 2000 0 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 Ensuing Research • Mostly a kerfuffle about whether file sharing cannibalizes sales • Oberholzer-Gee and Strumpf (2006),Rob and Waldfogel (2006), Blackburn (2004), Zentner (2006), and more • Most believe that file sharing reduces sales • …and this has led to calls for strengthening IP protection My Epiphany • Revenue reduction, interesting for producers, is not the most interesting question • Instead: will flow of new products continue? • We should worry about both consumers and producers Industry view: the sky is falling • IFPI: “Music is an investment-intensive business… Very few sectors have a comparable proportion of sales -
ART. MUSIC,Erc. Tamer Vea
Cover: Meryl 5treep by Ted Qu inlan _,,,.., -- ............ ~ ........... BPM Must Stand for ·FEA T'URES Big Pathetic Mess: Monotonous, Tedious, Disgustulous Jesse Myserson and Noah Weston .... SMOG Re-Opens Page 23 Grace Owyer ... Pa ge 4 -- The Observer - Cooper and Dhavemas Save "Breach" Conference Honors 50th from Melodrama February 2007 Joey Lee ... Page 24 Volume 1. Issue. 1 Anniversary of Hungarian Revolu tion Rachel Meade .. Page 6 Media Concerns Tackled at Conference ......_..ART. MUSIC,Erc. Tamer Vea ... Page 8 Music Reviews Untitled Landscapes #1-4 Andrew Worthington and Ted Quinlan A Photo Essay .. Page 26 Mekko Harjo ... Page 10 Sexy Singles Your Club Shouldn't Get Money Fiona Cook .. Page 28 No, Really, It Shouldn't Noah Weston .. Page 12 Sex Column Genevieve Lynch ... Page 29 Report on New Orleans Stephen Tremaine ... Page 14 COMIC.. .Page 30 Letters to the Editor... Page 1 6 Art of Glass BACK PAGE / Jason Mastbaum ... Page 17 Fox News Ticker Scrolf'Ouring Life Imitates Geeky Science Fiction And Video Of Anna Nicole Smith in Clown What This Means for the Future Makeup Michael Newton ... Page 31 Or. Mischa Nachtigal ... Page 20 .- ~ er nearly six months of delays peering through the windows of the new side and growing skepticism as to door. Confusion as to what to make of the new the likelihood of renovation ever pavilion ensued as several times throughout the eaching completion. SMOG re night the door was raised to create a larger space pened this past Saturday to but then lowered again as the crowd inside mixedA student reactions. complained of the cold. -
Subjugation IV
Subjugation 4 Tribulation by Fel (aka James Galloway) ToC 1 To: Title ToC 2 Chapter 1 Koira, 18 Toraa, 4401, Orthodox Calendar Wednesday, 28 January 2014, Terran Standard Calendar Koira, 18 Toraa, year 1327 of the 97th Generation, Karinne Historical Reference Calendar Foxwood East, Karsa, Karis Amber was starting to make a nuisance of herself. There was just something intrinsically, fundamentally wrong about an insufferably cute animal that was smart enough to know that it was insufferably cute, and therefore exploited that insufferable cuteness with almost ruthless impunity. In the 18 days since she’d arrived in their house, she’d quickly learned that she could do virtually anything and get away with it, because she was, quite literally, too cute to punish. Fortunately, thus far she had yet to attempt anything truly criminal, but that didn’t mean that she didn’t abuse her cuteness. One of the ways she was abusing it was just what she was doing now, licking his ear when he was trying to sleep. Her tiny little tongue was surprisingly hot, and it startled him awake. “Amber!” he grunted incoherently. “I’m trying to sleep!” She gave one of her little squeaking yips, not quite a bark but somewhat similar to it, and jumped up onto his shoulder. She didn’t even weigh three pounds, she was so small, but her little claws were like needles as they kneaded into his shoulder. He groaned in frustration and swatted lightly in her general direction, but the little bundle of fur was not impressed by his attempts to shoo her away. -
Irish Pop Music in a Global Context by Oliver Patrick Cunningham
Irish Pop Music in a Global Context By Oliver Patrick Cunningham Submitted in Partial Fulfillment of the Regulations for the Attainment of the Degree of Masters of Arts in Sociology. National University of Ireland, Maynooth, Co. Kildare. Department of Sociology. July, 2000. Head of Department: Professor Liam Ryan. Research Supervisor: Dr. Colin Coulter. Acknowledgements There are gHite a number of people / wish to thank for helping me to complete this thesis. First and most important of all my family for their love and support notJust in my academic endeavors but also in all my different efforts so far, Thanks for your fate! Second / wish to thank all my friends both at home and in college in Maynooth for listening to me for the last ten months as I put this work together also for the great help and advice they gave to me during this period. Thanks for listeningl Third I wish to thank the staff in the Department of Sociology Nidi Maynooth, especially Dr, Colin Coulter my thesis supervisor for all their help and encouragement during the last year. Thanks for the knowledge/ Fourth / wish to thank the M A sociology class of 1999-2000 for being such a great class to learn, work and be friends with. Thanks for a great year! Fifth but most certainly not last / want to thank one friend who unfortunately was with us at the beginning of this thesis and gave me great encouragement to pursue it but could not stay to see the end result, This work is dedicated to your eternal memory Aoife. -
Lcd Soundsystem This Is Happening Free Download Album LCD Soundsystem - This Is Happening FLAC Download
lcd soundsystem this is happening free download album LCD Soundsystem - This Is Happening FLAC download. Produced for The DFA in 2009/2010 Mastered at Chicago Mastering Service Recorded @ the Manshun and DFA. This Is Happening is dedicated to the memory of Jerry Fuchs, the very best of us, and to his amazing and loving family, who are our family now. Comes in a gatefold card sleeve with regular English booklet plus supplementary black & white Japanese booklet with lyrics and obi. Includes two bonus tracks (track: 10, 11). Warner Music Reissue of 2012 release. Other versions. Category Artist Title ( Format ) Label Category Country Year DFA 22503, 509993 09903 2 6 LCD Soundsystem This Is Happening (CD, Album) DFA, Virgin DFA 22503, 509993 09903 2 6 US 2010 50999 309903 2 6 LCD Soundsystem This Is Happening (CD, Album) Parlophone 50999 309903 2 6 Philippines 2010 none LCD Soundsystem This Is Happening (CDr, Album, Promo) EMI Music Ireland none Ireland 2010 50999 648781 2 6 LCD Soundsystem This Is Happening (CD, Album) Gala Records , DFA, Parlophone 50999 648781 2 6 Russia 2010 5099963370522 LCD Soundsystem This Is Happening (CD, Album, Gat) EMI Music Australia Pty. Limited, Parlophone, DFA 5099963370522 Australia 2010. Tracklist. 1 Dance Yrself Clean 2 Drunk Girls 3 One Touch 4 All I Want 5 I Can Change 6 You Wanted A Hit 7 Pow Pow 8 Somebody's Calling Me 9 Home. Companies, etc. Phonographic Copyright (p) – DFA Copyright (c) – EMI Records Ltd. Licensed To – EMI Records Ltd. Distributed By – EMI Music Australia Pty Ltd. Notes. This Is Happening produced by James Murphy for the DFA in 2009/2010 Mixed by James Murphy and Dave Sardy Mastered by Bob Weston at Chicago Mastering Service. -
LCD Soundsystem This Is Happening
LCD Soundsystem This Is Happening Tracklist: 1. Dance Yrself Clean 6. You Wanted A Hit 2. Drunk Girls 7. Pow Pow 3. One Touch 8. Somebody’s Calling Me 4. All I Want 9. Home 5. I Can Change Back in print, the classic third LCD Soundsystem LP. Of the many arresting moments that fill LCD Soundsystem’s This Is Happening, perhaps the most unexpected comes less than halfway through album opener “Dance Yrself Clean.” The seemingly unassuming, low-key rumble of a song morphs from its mumbled beginnings into an outsized flash of synth ballast and Release Info: wailing vocals. The sudden shift is like the flicking on Catalog Number: DFA2250 of a light, the perfect example of frontman-songwriter- Formats: 2xLP mastermind James Murphy’s effortless balance of restraint Release Date: October 14, 2014 and release, organic rock and electro pop, and muted cool LP UPC: 829732225013 and vibrant emotion. This study in contrasts pervades LCD Vinyl is non-returnable. Soundsystem’s third, and possibly final, release--an album Territories: US / Canada / Mexico only where Murphy refracts images of heartbreak and longing Genre: Indie, Electronic through the scattered light of a disco ball. Box Lot: 26, 2 boxes of 13 Label Contact Email: [email protected] The cautious observations and honest reveals that follow Recommended if Talking Heads, The Fall, New are literally and figuratively quieter moments than that you like: Order, The Rapture initial blare. On “All I Want,” against a wall of whirling guitar, Murphy recognizes a relationship that can’t be saved, and instead asks for “your pity” and “your bitter Points of Interest: tears.” “Home” shuffles over pulsing keys and bubbling 1. -
The DIY Careers of Techno and Drum 'N' Bass Djs in Vienna
Cross-Dressing to Backbeats: The Status of the Electroclash Producer and the Politics of Electronic Music Feature Article David Madden Concordia University (Canada) Abstract Addressing the international emergence of electroclash at the turn of the millenium, this article investigates the distinct character of the genre and its related production practices, both in and out of the studio. Electroclash combines the extended pulsing sections of techno, house and other dance musics with the trashier energy of rock and new wave. The genre signals an attempt to reinvigorate dance music with a sense of sexuality, personality and irony. Electroclash also emphasizes, rather than hides, the European, trashy elements of electronic dance music. The coming together of rock and electro is examined vis-à-vis the ongoing changing sociality of music production/ distribution and the changing role of the producer. Numerous women, whether as solo producers, or in the context of collaborative groups, significantly contributed to shaping the aesthetics and production practices of electroclash, an anomaly in the history of popular music and electronic music, where the role of the producer has typically been associated with men. These changes are discussed in relation to the way electroclash producers Peaches, Le Tigre, Chicks on Speed, and Miss Kittin and the Hacker often used a hybrid approach to production that involves the integration of new(er) technologies, such as laptops containing various audio production softwares with older, inexpensive keyboards, microphones, samplers and drum machines to achieve the ironic backbeat laden hybrid electro-rock sound. Keywords: electroclash; music producers; studio production; gender; electro; electronic dance music Dancecult: Journal of Electronic Dance Music Culture 4(2): 27–47 ISSN 1947-5403 ©2011 Dancecult http://dj.dancecult.net DOI: 10.12801/1947-5403.2012.04.02.02 28 Dancecult 4(2) David Madden is a PhD Candidate (A.B.D.) in Communications at Concordia University (Montreal, QC). -
Title "Stand by Your Man/There Ain't No Future In
TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan. -
The Fellowship Returns to Gustavus After a Long Absence Jacob Seamans News Editor
The Fellowship of Christian Athletes returns The Fellowship Returns to Gustavus after a long absence Jacob Seamans News Editor he Fellowship of Christian Athletes (FCA), the nation- ally renowned ecumenical Tprayer and Bible study group for young athletes, is getting restarted by a group of students looking to bring its unique mis- sion and programming back to Gustavus after a long dormancy. Its return, however, is not without controversy. “There was talk among the Proclaim leaders about starting up FCA, and I had been involved SUBMITTED in [FCA] in high school,” said Delphine Broccard, junior com- The Fellowship of Christian Athletes works to promote Christianity among college and high school students, encouraging private expressions of religion. munication studies major. She wanted to bring FCA back to Gustavus so future Gusties who were involved in FCA in Wanna get away? high school, like her younger dorms, apartments or to live off complex process that involves that the college does not allow brother, could continue to benefit Gusties face campus. “randomly assigning numbers to all students who wish to live off from its programs. Currently, about 400 Gustavus students. These numbers are gen- campus to do so. “Three of the The group, one of many being challenges and students choose to live in off- erated within classes. All juniors, last four years, we have allowed formed across the state, aims to bonuses living campus housing each year. for example, will have higher everyone who wished to live off bring a Christian element to ath- “The way we determine the numbers than all sophomores. -
Ufos: How Does One Speak to a Ball of Light?
UFOs: How Does One Speak to A Ball of Light? by Paola Leopizzi Harris Preface by Dr. Michael Salla, Ph.D. Foreword by Pascal Riolo Text and photographs Copyright © 2006 and 2011 Paola Leopizzi Harris. All Rights Reserved. "The 'Ball of Light' Phenomena in Italy" Copyright © 2005 Adriano Forgione, X-Publishing, Italy. Used by Permission. All Rights Reserved. No portion of this book may be reproduced of used in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without prior written permission of the author. Cover art and concept: Alberto Forgione X-times Magazine: Fenix Publishing Manuscript Editors: Brent Smith, Lucie Blanchard Cover Design: Carolyn Oakley, Luminous Moon Design Kindle Edition This book is dedicated to all those who are working towards full Disclosure: Alberto, Paolo, and Adriano Forgione and all those in Fenix Publishing; UFO researcher and Editor of Area 51 Magazine Maurizio Baiata; translators and transcribers Lavinia Pallotta,Teresa Barbatelli and Dawn Bissell. To all those whose vision and dedication has no bounds: Helen Littrell; my webmasters Giovanni Zavarelli (Italy), Alejandro Rojas, C. Travis Towe and Carolyn Oakly in the USA. And finally, to all in this book who chose to reveal the truth about the extraterrestrial presence on Earth. You are the courageous ones. Table of Contents 1. Preface: Protocols for Future Contact 2. Foreword: Liaison Between Off-planet Cultures and Our Governments 3. Introduction: Back to the Future 4. Back to the Future: An Update Section One: Back to the Past 5. The Man Who Started It All: Interview with Kim Arnold, Daughter of Kenneth Arnold 6.