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Joy Division and Cultural Collaborators in Popular Music Briana E
Western University Scholarship@Western Electronic Thesis and Dissertation Repository August 2016 Not In "Isolation": Joy Division and Cultural Collaborators in Popular Music Briana E. Morley The University of Western Ontario Supervisor Dr. Keir Keightley The University of Western Ontario Graduate Program in Popular Music and Culture A thesis submitted in partial fulfillment of the requirements for the degree in Master of Arts © Briana E. Morley 2016 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Music Commons Recommended Citation Morley, Briana E., "Not In "Isolation": Joy Division and Cultural Collaborators in Popular Music" (2016). Electronic Thesis and Dissertation Repository. 3991. https://ir.lib.uwo.ca/etd/3991 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected], [email protected]. Abstract There is a dark mythology surrounding the post-punk band Joy Division that tends to foreground the personal history of lead singer Ian Curtis. However, when evaluating the construction of Joy Division’s public image, the contributions of several other important figures must be addressed. This thesis shifts focus onto the peripheral figures who played key roles in the construction and perpetuation of Joy Division’s image. The roles of graphic designer Peter Saville, of television presenter and Factory Records founder Tony Wilson, and of photographers Kevin Cummins and Anton Corbijn will stand as examples in this discussion of cultural intermediaries and collaborators in popular music. -
No Countryin Oscar Country
THE GA T EWAY volume XCVIII number 22 ARTS & ENTERTAINMENT 11 No Country in Oscar country his boots for blood or flips a coin, absolute best. filmreview the film becomes less about temper- If No Country For Old Men needs to ing the despair with a laugh and more be seen for any other reason than being No Country For Old Men about everything in us that is sick an adaptation of the work of a Pulitzer- Now Playing and wrong. The Coen brothers have winning author by a screenwriter/ Directed by Joel and Ethan Coen walked us down this road before, director duo in their absolute prime Starring Tommy Lee Jones, Javier but in this adaptation of the Cormac and with a stellar cast, it’s for Roger Bardem, Josh Brolin, Woody McCarthy novel, the view has never Deakins’ incredible cinematography: Harrelson, and Kelly MacDonald been so mesmerizing or austere. at times both wistfully spare and eerily No Country For Old Men is a re-hash- confined, every frame is essential to MAtt HUBERT ing of the wrong-place-at-the-wrong- developing the explosive interplay of Arts & Entertainment Staff time motif, somewhat displaced from Moss, Chigurh, and Bell. gunslinger times. It’s rural, dustbowl Moss and Chigurh’s country is one There’s something so wry and mer- Texas in 1980, and Llewelyn Moss where moral right and wrong is met rily morose about Anton Chigurh (Josh Brolin) stumbles upon a cache of with a measured indifference; one (Javier Bardem) that hordes of Coen drugs and $2 million after a drug deal does what one does simply because brothers faithful will be getting that gone wrong; like any good and sane he either wishes to or has no other warm, fuzzy feeling of familiarity opportunist, he takes the money and option. -
Nr Kat Artysta Tytuł Title Supplement Nośnik Liczba Nośników Data
nr kat artysta tytuł title nośnik liczba data supplement nośników premiery 9985841 '77 Nothing's Gonna Stop Us black LP+CD LP / Longplay 2 2015-10-30 9985848 '77 Nothing's Gonna Stop Us Ltd. Edition CD / Longplay 1 2015-10-30 88697636262 *NSYNC The Collection CD / Longplay 1 2010-02-01 88875025882 *NSYNC The Essential *NSYNC Essential Rebrand CD / Longplay 2 2014-11-11 88875143462 12 Cellisten der Hora Cero CD / Longplay 1 2016-06-10 88697919802 2CELLOSBerliner Phil 2CELLOS Three Language CD / Longplay 1 2011-07-04 88843087812 2CELLOS Celloverse Booklet Version CD / Longplay 1 2015-01-27 88875052342 2CELLOS Celloverse Deluxe Version CD / Longplay 2 2015-01-27 88725409442 2CELLOS In2ition CD / Longplay 1 2013-01-08 88883745419 2CELLOS Live at Arena Zagreb DVD-V / Video 1 2013-11-05 88985349122 2CELLOS Score CD / Longplay 1 2017-03-17 0506582 65daysofstatic Wild Light CD / Longplay 1 2013-09-13 0506588 65daysofstatic Wild Light Ltd. Edition CD / Longplay 1 2013-09-13 88985330932 9ELECTRIC The Damaged Ones CD Digipak CD / Longplay 1 2016-07-15 82876535732 A Flock Of Seagulls The Best Of CD / Longplay 1 2003-08-18 88883770552 A Great Big World Is There Anybody Out There? CD / Longplay 1 2014-01-28 88875138782 A Great Big World When the Morning Comes CD / Longplay 1 2015-11-13 82876535502 A Tribe Called Quest Midnight Marauders CD / Longplay 1 2003-08-18 82876535512 A Tribe Called Quest People's Instinctive Travels And CD / Longplay 1 2003-08-18 88875157852 A Tribe Called Quest People'sThe Paths Instinctive Of Rhythm Travels and the CD / Longplay 1 2015-11-20 82876535492 A Tribe Called Quest ThePaths Low of RhythmEnd Theory (25th Anniversary CD / Longplay 1 2003-08-18 88985377872 A Tribe Called Quest We got it from Here.. -
Programmheft
- INHALT LIEBE EDITORIAL 3 VORWORTE 4 TIMETABLE 6 LIEBE LAGEPLAN 8 INFORMATIONEN 9 “DER HEILIGE AUGENBLICK IST DEINE EINLA ALVIN LUCIER 10 ANGELICA SUMMER 11 LIEBE BENEDIKT TER BRAAK 12 BRIAN PARKS 13 1 BRUEDER SELKE (CEEYS) 14 CARLOS CIPA 15 LIEBE CHORENSEMBLE FIAT ARS 16 CLEMENS CHRISTIAN POETZSCH 17 DAVID GRANSTRÖM 18 ELISA KÜHNL 19 LIEBE ENSEMBLE [___] 20 FRANCESCO CAVALIERE 21 GRAND RIVER 22 GREGOR SCHWELLENBACH 23 LIEBE HARTUNG & TRENZ 24 HAUSCHKA 25 JOHN KAMEEL FARAH 26 KONSTANTIN DUPELIUS 27 LUBOMYR MELNYK 30 LIEBE MARCOS MEZA 31 MARCUS SCHMICKLER 32 MARTA ZAPPAROLI 33 OZAN TEKIN 34 LIEBE PHILLIP SCHULZE 35 RESINA 36 ROGER ENO 37 SARAH DAVACHI 38 LIEBE SVEN HELBIG 39 THE EVER PRESENT ORCHESTRA 40 THE EVER PRESENT SAXOPHONES/ STRING QUARTETT 41 LIEBE TOBIAS THOMAS 42 VIOLA KLEIN 43 „DER HEILIGE AUGENBLICK IST DEINE EINLADUNG AN DIE LIEBE“ WALTRAUD BLISCHKE 44 AMELIE NEUMANN 45 LIEBE A CONTEMPLATION TOWARDS 46 GLOCKENBUCH [21/1000APOSTELN] 47 1 VORTRÄGE & WORKSHOPS 48 REDNER*INNEN 50 LIEBE DANK & SPONSOR*INNEN 53 IMPRESSUM 54 LIEBE AN DIE LIEBE“ 3 LIEBE EDITORIAL In diesem Jahr feiert unser Ambient-Festival über vier Tage verteilt 1000 Jahre St. Aposteln. Für dieses „Once-in-a-lifetime“-Ereignis haben wir ein Festprogramm LIEBE zusammengestellt, das liebevoller, umfänglicher und avancierter ist denn je: mit über 30 international renommierten Künstler*innen aus der zeitgenössisch elektronischen wie klassischen Musikszene, darunter der Chor FIAT ARS und Alvin Luciers THE EVER PRESENT ORCHESTRA, das unser diesjähriges LIEBE Festival-Orchester stellt. Unser Motto lautet ANNUM PER ANNUM, das heißt (lat.) „Jahr für Jahr“. Damit möchten wir Sie und unsere Künstler*innen inspirieren, Zeitlosigkeit zu reflek- tieren – in der Musik wie im Raum mit Konzerten, Performances und Installatio- LIEBE nen. -
Various Kompakt 100 Mp3, Flac, Wma
Various Kompakt 100 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Kompakt 100 Country: Germany Released: 2004 Style: Minimal, Tech House, Ambient MP3 version RAR size: 1637 mb FLAC version RAR size: 1692 mb WMA version RAR size: 1479 mb Rating: 4.2 Votes: 639 Other Formats: ASF VOC FLAC WMA MIDI AIFF APE Tracklist Hide Credits Because Before (The Orb) 1-01 –Ulf Lohmann 4:52 Remix – The Orb Because (Thomas/Mayer) 1-02 –Ulf Lohmann 6:05 Remix – Mayer*, Thomas* Zu Dicht Dran (DJ Koze) 1-03 –Reinhard Voigt 4:37 Remix – DJ Koze Radeln (Sascha Funke) 1-04 –Thomas Fehlmann 6:03 Remix – Sascha Funke Weiche Zäune (The Modernist) 1-05 –Justus Köhncke 5:01 Remix – The Modernist 17&4 (Joachim Spieth) 1-06 –M.Mayer* 5:29 Remix – Joachim Spieth Tomorrow (Kaito) 1-07 –Superpitcher 6:17 Remix – Kaito Robson Ponte (Wassermann) 1-08 –Reinhard Voigt 4:08 Remix – Wassermann Respect To The Distance (Markus Guentner) 1-09 –Kaito 5:39 Remix – Markus Guentner One Two Three No Gravity (Dettinger) 1-10 –Closer Musik 5:05 Remix – Dettinger Pensum (Markus Guentner) 2-01 –M.Mayer* 5:39 Remix – Markus Guentner Frei/Hot Love (Justus Köhncke Feat. Meloboy) 2-02 –Freiland 4:13 Remix – Justus KöhnckeVocals – Meloboy Teaser (SCSI 9) 2-03 –Lawrence 6:33 Remix – SCSI 9* The World Is Crazy (Jürgen Paape) 2-04 –Schaeben&Voss* 4:52 Remix – Jürgen Paape 2-05 –Schaeben&Voss* Dicht Dran (Schaeben&Voss) 5:41 Intershop (Jonas Bering) 2-06 –Dettinger 5:46 Remix – Jonas Bering Megamix (Reinhard Voigt) 2-07 –Closer Musik 6:04 Mixed By – Reinhard Voigt Cero Uno (Matias Aguayo/Leandro Fresco) 2-08 –Leandro Fresco 6:42 Remix – Leandro Fresco, Matias Aguayo Tomorrow (SCSI 9) 2-09 –Superpitcher 6:47 Remix – SCSI 9* Intershop (Ulf Lohmann) 2-10 –Dettinger 3:08 Remix – Ulf Lohmann In Moll (Hannes Teichmann) 2-11 –Markus Guentner 7:16 Remix – Hannes Teichmann Companies, etc. -
Poetry Contest
PAGES 20-21 NC Stage Company’s irreverant look at the holidays and the single life stars Julia VanderVeen. PAGE 6 PAGE 23 Join Clara on a magical midnight trip in the Asheville Ballet’s annual production of The Nutcracker. PAGE 4 The Chocolate Fetish launches their new Elite Series just in time for holiday shopping. PAGE 25 PLUS INTERVIEWS WITH: Seaton Smith PAGE 6 Simone Bouyer PAGE 15 Joshua Spiceland PAGE 17 Philip DeAngelo PAGE 37 Chef Josh Monroe PAGE 39 POETRY CONTEST There’s still time! Entries sought for our Purchase the Best Gifts at Local Shops, SEE PAGES 18-25 15th Annual Poetry Contest. PAGE 28 December 2011 — RAPID RIVER ARTS & CULTURE MAGAZINE — Vol. 15, No. 4 PRINTS COLOR Vol. 15, No. 4 — RAPID RIVER ARTS & CULTURE MAGAZINE — December 2011 PRINTS COLOR RAPID RIVER ARTS & CULTURE performance The Asheville Ballet’s Ntcrackrspectacular professional produc- tion of the full original ballet from Empirical Russia interpreted and performed by Asheville’s own, and only, Professional Resident Ballet ACompany, directed by Ann Dunn. The Asheville Ballet’s Nutcracker has been a holiday tradition in Asheville for decades. Children and adults will be charmed yet again by ballet’s greatest clas- sic. This all-time favorite story of Clara’s magical midnight trip to the Land of Sweets is classical ballet at its best. Snow will fall in the Snow Queen’s kingdom, scary rats will frighten — then good soldiers will rescue — Clara, the exquisite Sugar Plum Fairy and her handsome Cavalier will dance their as Toy Soldiers, fighting off the scary rats quickly. -
Songs by Artist
Songs by Artist Title Title Title Title - Be 02 Johnny Cash 03-Martina McBride 05 LeAnn Rimes - Butto Folsom Prison Blues Anyway How Do I Live - Promiscuo 02 Josh Turner 04 Ariana Grande Ft Iggy Azalea 05 Lionel Richie & Diana Ross - TWIST & SHO Why Don't We Just Dance Problem Endless Love (Without Vocals) (Christmas) 02 Lorde 04 Brian McKnight 05 Night Ranger Rudolph The Red-Nosed Reindeer Royals Back At One Sister Christian Karaoke Mix (Kissed You) Good Night 02 Madonna 04 Charlie Rich 05 Odyssey Gloriana Material Girl Behind Closed Doors Native New Yorker (Karaoke) (Kissed You) Good Night Wvocal 02 Mark Ronson Feat.. Bruno Mars 04 Dan Hartman 05 Reba McIntire Gloriana Uptown Funk Relight My Fire (Karaoke) Consider Me Gone 01 98 Degress 02 Ricky Martin 04 Goo Goo Dolls 05 Taylor Swift Becouse Of You Livin' La Vida Loca (Dance Mix) Slide (Dance Mix) Blank Space 01 Bob Seger 02 Robin Thicke 04 Heart 05 The B-52's Hollywood Nights Blurred Lines Never Love Shack 01 Bob Wills And His Texas 02 Sam Smith 04 Imagine Dragons 05-Martina McBride Playboys Stay With Me Radioactive Happy Girl Faded Love 02 Taylor Swift 04 Jason Aldean 06 Alanis Morissette 01 Celine Dion You Belong With Me Big Green Tractor Uninvited (Dance Mix) My Heart Will Go On 02 The Police 04 Kellie Pickler 06 Avicci 01 Christina Aguilera Every Breath You Take Best Days Of Your Life Wake Me Up Genie In A Bottle (Dance Mix) 02 Village People, The 04 Kenny Rogers & First Edition 06 Bette Midler 01 Corey Hart YMCA (Karaoke) Lucille The Rose Karaoke Mix Sunglasses At Night Karaoke Mix 02 Whitney Houston 04 Kim Carnes 06 Black Sabbath 01 Deborah Cox How Will I Know Karaoke Mix Bette Davis Eyes Karaoke Mix Paranoid Nobody's Supposed To Be Here 02-Martina McBride 04 Mariah Carey 06 Chic 01 Gloria Gaynor A Broken Wing I Still Believe Dance Dance Dance (Karaoke) I Will Survive (Karaoke) 03 Billy Currington 04 Maroon 5 06 Conway Twitty 01 Hank Williams Jr People Are Crazy Animals I`d Love To Lay You Down Family Tradition 03 Britney Spears 04 No Doubt 06 Fall Out Boy 01 Iggy Azalea Feat. -
Decoding Dubstep: a Rhetorical Investigation of Dubstep╎s Development from the Late 1990S to the Early 2010S
Florida State University Libraries Honors Theses The Division of Undergraduate Studies 2013 Decoding Dubstep: A Rhetorical Investigation of Dubstep's Development from the Late 1990s to the Early 2010s Laura Bradley Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] 4-25-2013 Decoding Dubstep: A Rhetorical Investigation of Dubstep’s Development from the Late 1990s to the Early 2010s Laura Bradley Florida State University, [email protected] Bradley | 1 THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES DECODING DUBSTEP: A RHETORICAL INVESTIGATION OF DUBSTEP’S DEVELOPMENT FROM THE LATE 1990S TO THE EARLY 2010S By LAURA BRADLEY A Thesis submitted to the Department of English in partial fulfillment of the requirements for graduation with Honors in the Major Degree Awarded: Spring 2013 Bradley | 2 The members of the Defense Committee approve the thesis of Laura Bradley defended on April 16, 2012. ______________________________ Dr. Barry Faulk Thesis Director ______________________________ Dr. Michael Buchler Outside Committee Member ______________________________ Dr. Michael Neal Committee Member Bradley | 3 ACKNOWLEDGEMENTS Many people have shaped and improved this project, through all of its incarnations and revisions. First, I must thank my thesis director, Dr. Barry Faulk, for his constant and extremely constructive guidance through multiple drafts of this project—and also his tolerance of receiving drafts and seeing me in his office less than a week later. Dr. Michael Buchler’s extensive knowledge of music theory, and his willingness to try out a new genre, have led to stimulating and thought provoking discussions, which have shaped this paper in many ways. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
How Joy Division Came to Sound Like Manchester: Myth and Ways of Listening in the Neoliberal City
Journal of Popular Music Studies, Volume 25, Issue 1, Pages 56–76 How Joy Division Came to Sound Like Manchester: Myth and Ways of Listening in the Neoliberal City Leonard Nevarez Vassar College Manchester, England, is among the most well-known cities today for the creation and celebration of popular music, thanks in no small part to the group Joy Division. Among the first bands to be associated with a postpunk aesthetic, Joy Division eschewed punk’syouthful rage and unrelenting din for an expansive, anthemic sound distinguished by its dynamic scope, machinic pulses, and by singer Ian Curtis’ssonorous baritone and existential lyrics. As the first significant band to sustain a career in Manchester, thus bypassing the music industry headquartered in London, Joy Division is also recognized as pioneering the DIY tradition that has famously characterized Manchester’s musical economy over the last four decades. The group didn’t achieve this alone; the role of Manchester label Factory Records is well documented, as, increasingly, is the foundation laid by the city’s networks of musicians, scene participants, and cultural institutions (see Crossley; Botta).´ Yet these local facts don’t quite explain the contemporary resonance of Joy Division’s Manchester roots for music fans and city boosters today. Perhaps more than any other Mancunian band, Joy Division are claimed to sound like Manchester, at least the Manchester of a certain era. That is, the group did not just originate from the late 1970s Manchester of deindustrialization, carceral housing estates, Thatcherism, and punk’s youthful refusal; nor do they simply illustrate a recurring Mancunian ethos of creative pluck and insouciant disregard for London’s cultural hegemony (Haslam, Manchester, England). -
Chinese Cinderella: the True Story of an Unwanted Daughter
After a while I said, “When did my mama die?” “Your mama came down with a high fever three days after you were born. She died when you were two weeks old. …” Though I was only four years old, I understood I should not ask Aunt Baba too many questions about my dead mama. Big Sister once told me, “Aunt Baba and Mama used to be best friends. A long time ago, they worked together in a bank in Shanghai owned by our grandaunt, the youngest sister of Grandfather Ye Ye. But then Mama died giving birth to you. If you had not been born, Mama would still be alive. She died because of you. You are bad luck.” ALSO AVAILABLE IN LAUREL-LEAF BOOKS: THE HERMIT THRUSH SINGS, Susan Butler BURNING UP, Caroline B. Cooney ONE THOUSAND PAPER CRANES, Takayuki Ishii WHO ARE YOU?, Joan Lowery Nixon HALINKA, Mirjam Pressler TIME ENOUGH FOR DRUMS, Ann Rinaldi CHECKERS, John Marsden NOBODY ELSE HAS TO KNOW, In- grid Tomey TIES THAT BIND, TIES THAT BREAK, Lensey Namioka CONDITIONS OF LOVE, Ruth Pennebaker I have always cherished this dream of creating something unique and imper- ishable, so that the past should not fade away forever. I know one day I shall die and vanish into the void, but hope to preserve my memories through my writing. Perhaps others who were also unwanted children may see them a hundred years from now, and be encouraged. I imagine them opening the pages of my book and meeting me (as a ten-year-old) in Shanghai, without actually having left 6/424 their own homes in Sydney, Tokyo, London, Hong Kong or Los Angeles. -
Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy
Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-2-2017 On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy Evan Nave Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the African American Studies Commons, Creative Writing Commons, Curriculum and Instruction Commons, and the Educational Methods Commons Recommended Citation Nave, Evan, "On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy" (2017). Theses and Dissertations. 697. https://ir.library.illinoisstate.edu/etd/697 This Dissertation is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. ON MY GRIND: FREESTYLE RAP PRACTICES IN EXPERIMENTAL CREATIVE WRITING AND COMPOSITION PEDAGOGY Evan Nave 312 Pages My work is always necessarily two-headed. Double-voiced. Call-and-response at once. Paranoid self-talk as dichotomous monologue to move the crowd. Part of this has to do with the deep cuts and scratches in my mind. Recorded and remixed across DNA double helixes. Structurally split. Generationally divided. A style and family history built on breaking down. Evidence of how ill I am. And then there’s the matter of skin. The material concerns of cultural cross-fertilization. Itching to plant seeds where the grass is always greener. Color collaborations and appropriations. Writing white/out with black art ink. Distinctions dangerously hidden behind backbeats or shamelessly displayed front and center for familiar-feeling consumption.