Beach Boy Dennis Wilson and Menkar, the Voice of the Collective Unconscious
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IPG Spring 2020 Rock Pop and Jazz Titles
Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian . -
GCSE, AS and a Level Music Difficulty Levels Booklet
GCSE, AS and A level Music Difficulty Levels Booklet Pearson Edexcel Level 1/Level 2 GCSE (9 - 1) in Music (1MU0) Pearson Edexcel Level 3 Advanced Subsidiary GCE in Music (8MU0) Pearson Edexcel Level 3 Advanced GCE in Music (9MU0) First teaching from September 2016 First certification from 2017 (AS) 2018 (GCSE and A level) Issue 1 Contents Introduction 1 Difficulty Levels 3 Piano 3 Violin 48 Cello 71 Flute 90 Oboe 125 Cla rinet 146 Saxophone 179 Trumpet 217 Voic e 240 Voic e (popula r) 301 Guitar (c lassic al) 313 Guitar (popula r) 330 Elec tronic keyboa rd 338 Drum kit 344 Bass Guitar 354 Percussion 358 Introduction This guide relates to the Pearson Edexcel Level 1/Level 2 GCSE (9-1) in Music (1MU0), Pearson Edexcel Level 3 Advanced Subsidiary GCE in Music (8MU0) and Pearson Edexcel Level 3 Advanced GCE in Music (9MU0) qualifications for first teaching from 2016. This guide must be read and used in conjunction with the relevant specifications. The music listed in this guide is designed to help students, teachers, moderators and examiners accurately judge the difficulty level of music submitted for the Performing components of the Pearson Edexcel GCSE, AS and A level Music qualifications. Examples of solo pieces are provided for the most commonly presented instruments across the full range of levels. Using these difficult y levels For GCSE, teachers will need to use the book to determine the difficulty level(s) of piece(s) performed and apply these when marking performances. For AS and A Level, this book can be used as a guide to assist in choosing pieces to perform, as performances are externally marked. -
Rock Music's Crusade of Authenticity
ROCK MUSIC’S CRUSADE OF AUTHENTICITY by DANIEL BROMFIELD A THESIS Presented to the Department of Journalism and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2016 An Abstract of the Thesis of Daniel Bromfield for the degree of Bachelor of Arts in the School of Journalism and Communications to be taken June 2016 Title: Rock Music's Crusade Of Authenticity Prof. Thomas Wheeler This thesis attempts to define rock music's standards of authenticity and explore their origins. Included are comparison of rock's standards of authenticity to those of other genres and an exploration of how authenticity has been perceived throughout the history of rock music. This study argues that rock's standards of authenticity are unusual among pop music genres in that they entail artists both writing their own songs and playing their own instruments. This is in contrast to genres like hip hop, contemporary pop, and R&B, which have their own quite different standards of authenticity. Quotes from rock fans, critics, and musicians are used to provide insight into rock's standards of authenticity and how they developed over time. ii Acknowledgements I would like to first and foremost thank my father for introducing me to music. If not for his decision to turn me on to the Beatles one sunny day in June 2006, I would surely be pursuing a far more boring career – and thesis topic. And I would like to thank my mother for giving me a great life and being endlessly supportive. -
IN MY ROOM Feuille D'information Consacrée À Brian Wilson Et Aux Beach Boys N° 8 – Printemps / Été 2007
IN MY ROOM Feuille d'information consacrée à Brian Wilson et aux Beach Boys N° 8 – Printemps / Été 2007 Lonely Sea Edito La période 1961 / 1964 Après le sourire de Brian, le début des années Au fil du temps ... repères biographiques 70, le Christmas Album, les deux numéros consacrés à Dennis Wilson, la période Brian's à 1960 : naissance des protagonistes, don Back et les 40 ans de Pet Sounds, nous De 1941 pour la musique de Brian, influence des Four continuons notre progression irrationnelle en Freshmen et de Chuck Berry, père violent, jaloux mais ambitieux, Hawthorne High School, cours de musique, premières tentatives, abordant les tout débuts du groupe. Pourquoi Kenny & The Kadets, Carl & The Passions ... pas, après tout ! Les frères Wilson, le cousin Mike Love et l'ami Al Profitons de l'instant pour saluer la première 1961 Jardine répètent ensemble dans la maison familiale à amicale contribution à d'un grand Hawthorne (Californie). Ils choisissent le nom de The Pendletones. In My Room Murry Wilson, le père, devient leur manager. Ils enregistrent des démos spécialiste, M. Kingsley Abbott. (« Surfin' » & « Luau ») sous la houlette de l'éditeur Hite Morgan dans ses studios le 15 septembre. Première session « professionnelle » Quant à vous, chers abonnés, à vous de jouer ... d'enregistrement au World Pacific Studio le 3 octobre. bonne lecture ! 8 décembre : sortie du simple « Surfin' » / « Luau » sur Candix Records (Candix 331) sous le nom de « The Beach Boys », choisi par le label. Enjoy ! 23 décembre, premier concert au Rendezvous Ballroom Balboa de Newport Beach (Californie) Charlie Dontsurf 17 février : Le simple entre 1962 Capitol, sort le 4 mars . -
NDR Kultur NDR Kultur Neo Musikprogramm Am 19.06.2021 23:00 Bis 24:00 Uhr Von Und Mit Hendrik Haubold
NDR Kultur NDR Kultur Neo Musikprogramm am 19.06.2021 23:00 bis 24:00 Uhr Von und mit Hendrik Haubold Titel Länge Komponist Interpret CD-Titel Slip On Through 2:20 Dennis Wilson/Gregg The Beach Boys Feel Flows Jakobson Good Vibrations 3:38 Brian Wilson/ Mike The Beach Boys Smiley Smile Love Sundown 3:37 Hannah Jadagu Hannah Jadagu What is going on? Bleep Bloop 3:46 Jadagu Jadagu What is going on? Mr Updike 3:20 Gary Louris Gary Louris Jump for Joy White Squirrel 3:38 Gary Louris Gary Louris Jump for Joy Malaise de Falaise 3:25 Martha Wainwright Martha Wainwright Love Will Be Reborn Seasons 3:17 Jon Middleton Jon and Roy Know Your Mind Nothing Brings Me 3:56 Emiliana Torrini Emiliana Torrini Fisherman's Woman Down Fireheads 3:44 Emiliana Torrini Emiliana Torrini Me And Armini Long Promised Road 3:34 Jack Rieley/Carl Wilson The Beach Boys Feel Flows Don't Go Near The 2:43 Mike Love/Al Jardine The Beach Boys Feel Flows Water Surf's Up 4:12 Brian Wilson/Van Dyke The Beach Boys Feel Flows Parks What'll I Do 12:00 Irving Berlin Charlie Haden & Brad Long Ago And Far Away Mehldau Door Maverick 3:35 Howe Gelb Howe Gelb & A Band of Alegrías Gypsies Uneven Light of Day 3:33 Howe Gelb Howe Gelb & A Band of Alegrías Gypsies More Exes 4:20 Aarich Jespers/ Howe Colorist Orchestra & Not on the map Gelb / Jo Francken / Howe Gelb feat.Pieta Kobe Proessmans Brown That Great Pacific 3:42 Todd Snider Todd Snider First Agnostic Garbage Patch Turn Me Loose (I'll 3:45 Todd Snider Todd Snider First Agnostic Never Be The Same) Oh God, Where Are You 9:24 Sufjan Stevens Sufjan Stevens Greetings From Now? (In Pickerel Lake? Michigan - The Great Pigeon? Marquette? Lake State Mackinaw?) New Star 3:05 Andrew Marlin Watchhouse Beautiful Flowers Our Sweet Love 2:41 Brian Wilson/Al The Beach Boys Feel Flows Jardine/Carl Wilson Cool, Cool Water 5:05 Mike Love/Brian Wilson The Beach Boys Feel Flows There 3:19 JW Francis JW Francis We share a similar joy Salute to the Sun 11:02 Matthew Halsall Matthew Halsall Salute to the Sun . -
THE PASSION of PET SOUNDS Cuuinucd ¡R()Hi Pugc 4:5 by CHRIS MORRIS
Here Today FOR YOUNG MUSICIANS AND PRODUCERS IN ¡HE MI11-10S, THE RELEASE Of "PET SOUNDS" WAS [IKE HAYING THE ODOR 10 A PITCH -BLACK ROOM SUDDENLY THROWN OPEN; LIGHT POURED IN THIRTY YEARS LATER, IT'S SIRE SHINING BRIGHI11 THE PASSION OF PET SOUNDS Cuuinucd ¡r()Hi pugc 4:5 BY CHRIS MORRIS Studios and immortalize his memories of the pom -pom girl who got away. In so doing, he preserved in popular song the qualities of regret n his provocative book "Ocean Of Sound" (Serpent's Tail, Speaking of such contemporaries and collaborators as Van Dyke that only post -adolescence can summon. encapsulating one of the 0 U.K.), English musician -musicologist David Toop writes, Parks and Randy Newman, Waronker adds, "Brian affected us most reluctant realizations of adulthood: all the youthful time in the "Ask musicians of a certain age a question: Who revolution- all...Brian was such a master of melody, and he got sounds that were world is somehow never enough. ized the recording studio? Invariably, the response will unprecedented. The Beatles did it, but not like he did it." "My father [Murry] used to go to pieces when he heard stuff like include the following names: Phil Spector, Joe Meek, Brian In 1995, former pupil Waronker worked with the master, Wilson, "'Caroline No,'" explained Brian's brother Dennis to this writer in the Wilson, Lee Perry." and Parks on the duo's Reprise collaboration "Orange Crate Art." spring of 1976. "See, a lot of people don't know it, but that song was Spector and Wilson, the Americans on this short list of sonic inno- Another aspiring young producer of the '60s, Russ Titelman, had about a girl that Brian was really in love with in high school. -
Surfin' USA (1963)
MUSC-21600: The Art of Rock Music Prof. Freeze Surfin’ U.S.A. (1963) The Beach Boys LISTEN FOR • Lyrics highlight hot surf spots • Rich back-up vocals • Ringing falsetto hook • Surf-oriented instrumentals • Modeled on “Sweet Little Sixteen” (Chuck Berry, 1958) CREATION Songwriters Brian Wilson, Chuck Berry Label, Record Capitol 4932 Musicians Mike Love (lead vocal), David Marks (rhythm guitar), Brian Wilson (bass guitar, organ, vocals), Carl Wilson (lead guitar, vocals), Dennis Wilson (vocals, drums) Producer Nik Venet Recording January 1963 Charts Pop 3, R&B 20 MUSIC Genre Surf rock Form Simple verse Key E-flat major Meter 4/4 MUSC-21600 Listening Guide Freeze “Surfin’ U.S.A.” (The Beach Boys, 1963) LISTENING GUIDE Time Form Lyric Cue Listen For 0:00 Intro (4) • Chuck Berry-style guitar intro with heavy reverb 0:03 Verse 1 w/refrain (16) “If everybody had” • Lead vocal with “oo” backups • Stop time with bass drum beats that continues. 0:23 • Refrain. 0:27 Verse 2 w/refrain (16) “You’d catch ‘em” • Backup vocals sing “inside, outside U.S.A.” • Band plays in regular time to add rhythmic drive. 0:43 • Falsetto hook “everybody’s gone surfin’” gives impression of chorus 0:47 • Refrain. 0:50 Verse 3 w/refrain (16) “We’ll all be” • As verse 1, in stop time. 1:15 Verse 4 w/refrain (16) “At Haggerties” • As verse 2, regular time. 1:32 • Falsetto hook. 1:35 • Refrain. 1:39 Instr. verse w/refrain (16) • Electric organ solo, guitar solo. 1:56 • Falsetto hook. 1:59 • Sung refrain. -
Dedicated to the Needs of the Music/Rec Albums
DEDICATED TO THE NEEDS OF THE MUSIC/REC STRY SEPTEMBER 10, (977 $1.75 SINGLES ALBUMS RITA COOLIDGE, "WE'RE ALL ALONE" (prod. by ALAN O'DAY, "STARTED OUT DANCING, LINDA RONSTADT, "SIMPLE DREAMS." David Anderle) (writer: Boz Scaggs) ENDED UP MAKING LOVE" (prod. by From the album artwork to the record (Boz Scaggs, ASCAP) (3:38). This Steve Barri) (writer: O'Day) (WB, contained within, this is Ronstadt's superb Scaggs ballad was never a ASCAP) (3:21). "Undercover Angel" finest achievement to date. She is in single for the writer, but should be brought O'Day to number one with classic form with Roy Orbison's "Blue Coolidge's second straight pop hit. his first record, and this disco -ori- Bayou," Buddy Holly's "It's So Eeasy" She sings it with feeling and re- ented 'ollow-up has the same play- and the Stones' "Tumbling Dice" while straint. With her album in the top 20, ful eroticism and hook -filled struc- the ballads reflect an introspective side top 40 should react quickly. A&M ture. Look for a speedy chart return. with a sparse arrangement underpin- 1965. Pacific 002 (Atlantic). ning her voice. Asylum 6E-104 (7.98). JIMMY BUFFETT, "CHANGES IN LATITUDES, ART GARFUNKEL, "CRYING IN MY SLEEP" DARYL HALL AND JOHN OATES, CHANGES IN ATTITUDES" (prod. by (prod. by Art Garfunkel & Barry "BEAUTY ON A BACKSTREET." The Norbert Putnam) (writer: Jimmy Buf- Beckett) (writer: Jimmy Webb) (Can- group continues to ride the peak of fett) (Coral Reefer / Outer Banks, opy, ASCAP) (4:00). The first offering their success with this strong follow-up BMI) (3:15). -
Pacific Ocean Blue Bambu
Dennis Wilson - Pacific Ocean Blue Produced by Dennis Wilson & Gregg Jakobson Released August 22, 1977 - Caribou PZ 34354 (CBS) Pacific Ocean Blue - Legacy Edition Originial Recordings Produced by Dennis Wilson & Gregg Jakobson Bonus Tracks Produced by Dennis Wilson, John Hanlon & Gregg Jakobson Executive Producer: James William Guercio Released June 17, 2008 - Caribou/Epic/Legacy 88697-07916-2 (Sony/BMG) Disc One Dennis Wilson had always been considered the quintessential "Beach Boy": not in a musical sense (that, of course, was Brian), but in a lifestyle sense. His love of surfing inspired the others to adopt the image that launched the band, and his further adventures in the worlds of fast cars, fast bikes, and fast women continued to fuel the imagination and song catalog of his older brother and cousin. But in the first five or six years of their career, his musical contributions were limited to drumming and singing backup (and sometimes not even that), with an occasional lead vocal opportunity (either covers of other artists or new songs that Brian and Mike would throw his way). However, with Brian Wilson's retreat from full artistic control of the band in 1967, the other members (Dennis included) began to be relied upon more and more for compositional and production efforts. Dennis' first contributions in this respect appear on the 1968 Friends album, and would continue over the next five years; tunes like "Little Bird", "Be With Me", "Celebrate The News", and "Forever" were highlights of the late '60s-early '70s Beach Boys era. In order for Dennis to evolve musically into something more than "just the fun-loving playboy drummer", he needed to master a melodic/chordal instrument well enough to compose on it. -
Dennis Wilson Pacific Ocean Blue + Bamboo Mp3, Flac, Wma
Dennis Wilson Pacific Ocean Blue + Bamboo mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop / Folk, World, & Country Album: Pacific Ocean Blue + Bamboo Style: Surf, Classic Rock MP3 version RAR size: 1369 mb FLAC version RAR size: 1226 mb WMA version RAR size: 1531 mb Rating: 4.1 Votes: 976 Other Formats: AA WMA AU FLAC TTA MOD AUD Tracklist 1-1 River Song 1-2 What's Wrong 1-3 Moonshine 1-4 Friday Night 1-5 Dreamer 1-6 Thoughts Of You 1-7 Time 1-8 You And I 1-9 Pacific Ocean Blues 1-10 Farewell My Friend 1-11 Rainbows 1-12 End Of The Show 1-13 River Song (Live Version) 1-14 River Song (1973 Version) 1-15 Pacific Ocean Blues 1-16 Interview 1-17 Lady 2-1 Moonlight 2-2 It's Not Too Late 2-3 Companion 2-4 School Girl 2-5 Wild Situation 2-6 Baby Blue Eyes 2-7 Love Surrounds Me 2-8 New Orleans 2-9 He's A Bum 2-10 Holy Evening 2-11 10,000 Years 2-12 Wild Situation 2-13 Sound Of Free 2-14 Lady 2-15 River Song 2-16 Pacific Ocean Blues 2-17 Good Timin' 2-18 Angel Come Home 2-19 Quad Symphony 2-20 San Muguel 2-21 All Of My Love 2-22 You Are So Beautiful 2-23 He's A Bum 2-24 Quad Symphony 2-25 Carry Me Home 2-26 Wild Situation 2-27 Sound Of Free Notes The Dennis Wilson Solo Effort "Pacific Ocean Blue" Plus His Released "Bamboo" And Bonus Tracks Housed In A Deluxe Double Digipak. -
Volume N°1, Juin 2008
...J+. DE MARTLYN KATERINI NÉ ASGARLETT Volume #l )tJuin 2OO DE GORILLAZA PRODUCTEUR DE GEltllE I]{TERDII AUX ADUUTES l-"t I I \ : \ lt fil^I/ f{t \ " t :'" I{ERITIER D UAFBO.BEA rJ I *'i l '',,lIt \/ B'UN GROUPE CUlrE IIEA 4.U TERGR PE MUTANT := - b* fr rrlgys3 N. JU|N 'o 'oo3 -4ffi I l I DennisWilson, seulsur lâ Plâge ? abândonnée des Beach Boys,l97Z I Nl JU N 2oo3 vl5"l{] ?' t e 28 décembre 1983 vers 17 h 30. un peu plus de trois ressources suffisantes pour assurer le train de vie qui avait été le sien semaines après son 39e anniversaire, le corps de Dennis depuis les années 60, Dennis ltr/ilson n'est plus, à cette heure-là. qu'un tas Wilson remonte des eaux glaciâles de Mârina Del Rey à de souvenirs des splendeurs pâssées, qui flotte comme "une coquille sur Los Angeles. lesté dalcool et de cocâïne. Quelques jours lilcei?n\ selon des mots cruellement prémonitoires de l'une des plus émou plus tôt,le batteur des Beach Boys avait torpillé une vantes chansons des Beach Boys : TilIDie. nouvelle cure de désintoxication pour aller rejoin- Des soùvenirs, c'est précisément ce que Dennis était allé chercher en dre son ami Bill Oster sur son yacht, Emerald. s'abandonnant âux profondeurs de Marina Del Rey malgré la sâison. par amarré non loin de I'endrcit oil resplendissait ja- un miracle encore inexpliqué, il était remonté une première fois, selon la dis le propre bateau du cadet des Wilson, lfar, légende, âvec àla main une photo de son ex-femme jetée par dessus bord monu, désormais saisi pa,r ses banquiers pour cause (la photo, pas la femme) des mois auparavant dans un accès de colère. -
"Tin Soldiers and Nixon Coming": Musical Framing and Kent State Hayden Dingman Chapman University
Voces Novae Volume 4 Article 5 2018 "Tin Soldiers and Nixon Coming": Musical Framing and Kent State Hayden Dingman Chapman University Follow this and additional works at: https://digitalcommons.chapman.edu/vocesnovae Recommended Citation Dingman, Hayden (2018) ""Tin Soldiers and Nixon Coming": Musical Framing and Kent State," Voces Novae: Vol. 4 , Article 5. Available at: https://digitalcommons.chapman.edu/vocesnovae/vol4/iss1/5 This Article is brought to you for free and open access by Chapman University Digital Commons. It has been accepted for inclusion in Voces Novae by an authorized editor of Chapman University Digital Commons. For more information, please contact [email protected]. Dingman: "Tin Soldiers and Nixon Coming": Musical Framing and Kent State “Tin Soldiers and Nixon Coming” Voces Novae: Chapman University Historical Review, Vol 3, No 1 (2012) HOME ABOUT USER HOME SEARCH CURRENT ARCHIVES PHI ALPHA THETA Home > Vol 3, No 1 (2012) > Dingman "TIN SOLDIERS AND NIXON COMING": MUSICAL FRAMING AND KENT STATE Hayden Dingman On May 4, 1970, National Guardsmen in Kent, Ohio killed four students and wounded nine others at an anti-war rally in what was later termed the Kent State "massacre." Kent State University was a hotbed of activity in the week prior to the shootings, with students upset by President Richard Nixon's April 30 announcement of the Vietnam War's expansion into Cambodia. The May 4 protest was the culmination of four days and nights of events, including riots in downtown Kent on May 1 and the burning of the Reserve Officer Training Corps (ROTC) building on May 2.