NDR Kultur NDR Kultur Neo Musikprogramm Am 19.06.2021 23:00 Bis 24:00 Uhr Von Und Mit Hendrik Haubold

Total Page:16

File Type:pdf, Size:1020Kb

NDR Kultur NDR Kultur Neo Musikprogramm Am 19.06.2021 23:00 Bis 24:00 Uhr Von Und Mit Hendrik Haubold NDR Kultur NDR Kultur Neo Musikprogramm am 19.06.2021 23:00 bis 24:00 Uhr Von und mit Hendrik Haubold Titel Länge Komponist Interpret CD-Titel Slip On Through 2:20 Dennis Wilson/Gregg The Beach Boys Feel Flows Jakobson Good Vibrations 3:38 Brian Wilson/ Mike The Beach Boys Smiley Smile Love Sundown 3:37 Hannah Jadagu Hannah Jadagu What is going on? Bleep Bloop 3:46 Jadagu Jadagu What is going on? Mr Updike 3:20 Gary Louris Gary Louris Jump for Joy White Squirrel 3:38 Gary Louris Gary Louris Jump for Joy Malaise de Falaise 3:25 Martha Wainwright Martha Wainwright Love Will Be Reborn Seasons 3:17 Jon Middleton Jon and Roy Know Your Mind Nothing Brings Me 3:56 Emiliana Torrini Emiliana Torrini Fisherman's Woman Down Fireheads 3:44 Emiliana Torrini Emiliana Torrini Me And Armini Long Promised Road 3:34 Jack Rieley/Carl Wilson The Beach Boys Feel Flows Don't Go Near The 2:43 Mike Love/Al Jardine The Beach Boys Feel Flows Water Surf's Up 4:12 Brian Wilson/Van Dyke The Beach Boys Feel Flows Parks What'll I Do 12:00 Irving Berlin Charlie Haden & Brad Long Ago And Far Away Mehldau Door Maverick 3:35 Howe Gelb Howe Gelb & A Band of Alegrías Gypsies Uneven Light of Day 3:33 Howe Gelb Howe Gelb & A Band of Alegrías Gypsies More Exes 4:20 Aarich Jespers/ Howe Colorist Orchestra & Not on the map Gelb / Jo Francken / Howe Gelb feat.Pieta Kobe Proessmans Brown That Great Pacific 3:42 Todd Snider Todd Snider First Agnostic Garbage Patch Turn Me Loose (I'll 3:45 Todd Snider Todd Snider First Agnostic Never Be The Same) Oh God, Where Are You 9:24 Sufjan Stevens Sufjan Stevens Greetings From Now? (In Pickerel Lake? Michigan - The Great Pigeon? Marquette? Lake State Mackinaw?) New Star 3:05 Andrew Marlin Watchhouse Beautiful Flowers Our Sweet Love 2:41 Brian Wilson/Al The Beach Boys Feel Flows Jardine/Carl Wilson Cool, Cool Water 5:05 Mike Love/Brian Wilson The Beach Boys Feel Flows There 3:19 JW Francis JW Francis We share a similar joy Salute to the Sun 11:02 Matthew Halsall Matthew Halsall Salute to the Sun .
Recommended publications
  • Good Vibrations Sessions. from Came Our Way on Cassette from California, and We “Unsurpassed Masters Vol
    Disc 2 231. George Fell Into His French Horn 201. Good Vibrations Sessions The longest version yet heard, and in stereo. This Tracks 1 through 28 - Good Vibrations Sessions. From came our way on cassette from California, and we “Unsurpassed Masters Vol. 15”, but presenting only the last, digitally de-hissed it. best and most complete attempt at each segment. 232. Vegetables (Alternate lyric and arrangement) Track 202. Good Vibrations Sessions Another track from the California cassettes. This Track 203. Good Vibrations Sessions version has significant lyric and arrangement Track 204. Good Vibrations Sessions differences. Track 205. Good Vibrations Sessions Track 206. Good Vibrations Sessions 233. Surf’s Up Sessions Track 207. Good Vibrations Sessions While not full fidelity, this has the best sound yet, Track 208. Good Vibrations Sessions and a bit of humorous dialogue between Brian Track 209. Good Vibrations Sessions Wilson and session bassist Carol Kaye. From the Track 210. Good Vibrations Sessions California cassetes, and now digitally de-hissed. Track 211. Good Vibrations Sessions Track 212. Good Vibrations Sessions 234. Wonderful Track 213. Good Vibrations Sessions Beach Boys incomplete vocal attempt. Track 214. Good Vibrations Sessions Track 215. Good Vibrations Sessions 235. Child is Father to The Man Track 216. Good Vibrations Sessions Beach Boys incomplete vocal attempt. Tracks 234 Track 217. Good Vibrations Sessions and 235 are from the Japanese “T-2580” “Smile” Track 218. Good Vibrations Sessions bootleg and now digitally de-hissed. Track 219. Good Vibrations Sessions Track 220. Good Vibrations Sessions 236. Heroes & Villains Part Two (Original mono Track 221. Good Vibrations Sessions mix) Track 222.
    [Show full text]
  • Us Presse-Schau
    Media Information im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] US PRESSE-SCHAU http://www.rollingstone.com/music/news/beach-boys-to-officially-release-long-incomplete-album-smile-this- year-20110311 Beach Boys to Officially Release Long-Incomplete Album 'Smile' This Year Recordings will be sold as double CD and box set Kent Gavin/Hulton Archive/Getty Capitol Records have announced that they will be releasing the Beach Boys' lost, incomplete album Smile later this year. Smile was originally planned as the follow-up to the band's 1966 classic Pet Sounds, but the material was mostly abandoned due to creative mastermind Brian Wilson's fragile mental health at the time. Though no release date has been set, the official release of Smile will be sold as a two-CD set and as a deluxe box set including four CDs, two vinyl LPs, two vinyl singles and a 60-page hardbound book penned by Beach Boys historian Dominic Priore. The final track listing has not been announced, but disc one of the CD set and the first three sides of the vinyl edition will contain a close approximation of the Smile album, with the remainder collecting outtakes and alternate versions from the sessions. The Smile sessions have been widely bootlegged among fans for decades, but the proper track listing for the album has never been established, largely due to the fact that the record was never completed as intended. According to engineer Mark Linett, Brian Wilson's 2004 version of Smile has been used as the template for this project, though it could turn out a bit different depending on input from Wilson and the surviving members of the group.
    [Show full text]
  • Rock Music's Crusade of Authenticity
    ROCK MUSIC’S CRUSADE OF AUTHENTICITY by DANIEL BROMFIELD A THESIS Presented to the Department of Journalism and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2016 An Abstract of the Thesis of Daniel Bromfield for the degree of Bachelor of Arts in the School of Journalism and Communications to be taken June 2016 Title: Rock Music's Crusade Of Authenticity Prof. Thomas Wheeler This thesis attempts to define rock music's standards of authenticity and explore their origins. Included are comparison of rock's standards of authenticity to those of other genres and an exploration of how authenticity has been perceived throughout the history of rock music. This study argues that rock's standards of authenticity are unusual among pop music genres in that they entail artists both writing their own songs and playing their own instruments. This is in contrast to genres like hip hop, contemporary pop, and R&B, which have their own quite different standards of authenticity. Quotes from rock fans, critics, and musicians are used to provide insight into rock's standards of authenticity and how they developed over time. ii Acknowledgements I would like to first and foremost thank my father for introducing me to music. If not for his decision to turn me on to the Beatles one sunny day in June 2006, I would surely be pursuing a far more boring career – and thesis topic. And I would like to thank my mother for giving me a great life and being endlessly supportive.
    [Show full text]
  • IN MY ROOM Feuille D'information Consacrée À Brian Wilson Et Aux Beach Boys N° 8 – Printemps / Été 2007
    IN MY ROOM Feuille d'information consacrée à Brian Wilson et aux Beach Boys N° 8 – Printemps / Été 2007 Lonely Sea Edito La période 1961 / 1964 Après le sourire de Brian, le début des années Au fil du temps ... repères biographiques 70, le Christmas Album, les deux numéros consacrés à Dennis Wilson, la période Brian's à 1960 : naissance des protagonistes, don Back et les 40 ans de Pet Sounds, nous De 1941 pour la musique de Brian, influence des Four continuons notre progression irrationnelle en Freshmen et de Chuck Berry, père violent, jaloux mais ambitieux, Hawthorne High School, cours de musique, premières tentatives, abordant les tout débuts du groupe. Pourquoi Kenny & The Kadets, Carl & The Passions ... pas, après tout ! Les frères Wilson, le cousin Mike Love et l'ami Al Profitons de l'instant pour saluer la première 1961 Jardine répètent ensemble dans la maison familiale à amicale contribution à d'un grand Hawthorne (Californie). Ils choisissent le nom de The Pendletones. In My Room Murry Wilson, le père, devient leur manager. Ils enregistrent des démos spécialiste, M. Kingsley Abbott. (« Surfin' » & « Luau ») sous la houlette de l'éditeur Hite Morgan dans ses studios le 15 septembre. Première session « professionnelle » Quant à vous, chers abonnés, à vous de jouer ... d'enregistrement au World Pacific Studio le 3 octobre. bonne lecture ! 8 décembre : sortie du simple « Surfin' » / « Luau » sur Candix Records (Candix 331) sous le nom de « The Beach Boys », choisi par le label. Enjoy ! 23 décembre, premier concert au Rendezvous Ballroom Balboa de Newport Beach (Californie) Charlie Dontsurf 17 février : Le simple entre 1962 Capitol, sort le 4 mars .
    [Show full text]
  • Pacific Ocean Blue Bambu
    Dennis Wilson - Pacific Ocean Blue Produced by Dennis Wilson & Gregg Jakobson Released August 22, 1977 - Caribou PZ 34354 (CBS) Pacific Ocean Blue - Legacy Edition Originial Recordings Produced by Dennis Wilson & Gregg Jakobson Bonus Tracks Produced by Dennis Wilson, John Hanlon & Gregg Jakobson Executive Producer: James William Guercio Released June 17, 2008 - Caribou/Epic/Legacy 88697-07916-2 (Sony/BMG) Disc One Dennis Wilson had always been considered the quintessential "Beach Boy": not in a musical sense (that, of course, was Brian), but in a lifestyle sense. His love of surfing inspired the others to adopt the image that launched the band, and his further adventures in the worlds of fast cars, fast bikes, and fast women continued to fuel the imagination and song catalog of his older brother and cousin. But in the first five or six years of their career, his musical contributions were limited to drumming and singing backup (and sometimes not even that), with an occasional lead vocal opportunity (either covers of other artists or new songs that Brian and Mike would throw his way). However, with Brian Wilson's retreat from full artistic control of the band in 1967, the other members (Dennis included) began to be relied upon more and more for compositional and production efforts. Dennis' first contributions in this respect appear on the 1968 Friends album, and would continue over the next five years; tunes like "Little Bird", "Be With Me", "Celebrate The News", and "Forever" were highlights of the late '60s-early '70s Beach Boys era. In order for Dennis to evolve musically into something more than "just the fun-loving playboy drummer", he needed to master a melodic/chordal instrument well enough to compose on it.
    [Show full text]
  • Bb Rf072020 635.Pdf
    è <;: l!Edidùi THE BEAGH BOYS t4 11 !, ,d -fu^ *b È'*,i THE BEACH BOYS tlhez les lrères \\i ilson, {-()ttrnr,' chcz'i'intin. alrr:t-s t',\T'1.iilr Tout'ncsol. il rr a coi'i' t'ti sTock I.iAFFAIRE lr ,,n{rF 'rr rtu_ : I . t",,. .,1,. -i\' F- .,". î, .rt' U'.\.. r'', '' .iËl I Ë O\ I TlLlsE I E TËRUI- " rrr'r' rur" r"' ll \Rllo\11... r\ Ql | 'lrn' i L::,'..",- ,, ,,i, ,: r, -, r: r,- r t' 'r' bb hr t I "Drtoi '',,""'-. 't. ls rûJ"'r'i'" ::;':;1,: ;;,,,;:;i;;;..,; ri,rv*icissaou'r{' ii''1.'.i.,,,- irli- ' 't,"r"'.r"'c'li'rarrsnl 'r' ,il.l,,".:.,,i" i",,,,",,,,,.,' i.{,rr .Dn,r,nx",o,,) "on :,','";J-;;;,;;' '"ii",'; t"; '1'"'' - '' i"'t" r' ' Bor' rr Bo1' en '- "'".,,'i,,t,', i'r\;r'ir" B"i1rr l'],i, "oato'rnr ,l;,1'i,'i \4;" I ' rr'r' J''ir'' 'h "..,ï",i,.,,i.,,,., r'!nrirhèr''rEoru' ce"ilen-rà '- '^ " '' " qrF -t"r- !t .:l'.iil;;;;,;,';;' :,u+','.",r,r'ra. o ii''l.ljj., , r,. r' r-.,,',,"., " e' rrru r r'- r'"nu\ "''ri,,""r .r,;,;';;;;;",r'i;, " r'rlon rrn' :1,ii'i,:.,,,,,:,;;;',,,",',. '""-1: ',r,,'" r" !'r" rr'r'r'''.r'r "',n u'i';''u t'ôr'-' ".,'i'" "r\ir r, /',v",,xrlB"iJ' ;liï.ï;il. .;;"r 'ou'in' ::1,1. ::.,,;i, 1-,:, ;;,,,',, i,.,,. r. ..,"','I '''.gi',ot't'-ou-"i rnrr ernorrr'r' Et ça' r""l rl' L'ur''rrrJmàç ili'il,,i. ii:""r.""". 'r-,r.rriorrr "suntroser" 1,.,,,,ri'."'", .r ''' ,,,"'r"" 'l'i:lrù ;::l;:'li;il;;- l;'""..
    [Show full text]
  • Pic.Plot by Example
    pic.plot by Example Hans Peter Wolf December 23, 2016 Contents 1 The first example 2 2 A single frequency as input 3 3 Grouping by coloring pictograms 7 4 Grouping by different pictogram elements 12 5 Layouts for placing pictogram elements 17 6 Simple xy-groupings of the pictograms 20 7 Multiple xy-groupings 28 8 Data Input and Transformations 38 9 Panels proportional to frequencies 43 10 Larger units and fractional numbers 51 11 Negative frequencies 59 12 Raster and PPM Graphics 62 13 Picture Generating Functions 71 14 Graphical Add-ons for Pictogram Plots 82 15 Built-in generating pictograms 89 16 Different Color and Pictogram Legends 94 1 1 THE FIRST EXAMPLE 2 1 1 The first example 2 Here is the first example. 1 > margin.table(Titanic/10, 2:1)[2:1,] Class Sex 1st 2nd 3rd Crew Female 14.5 10.6 19.6 2.3 Male 18.0 17.9 51.0 86.2 3 This is a margin table of the data set Titanic divided by 10. Let's call pic.plot() and study 4 the result. 2 > pic.plot(data = Titanic/10, grp.color = Survived) pictogram plot of Titanic/10 Female Sex Male 1st 2nd 3rd Crew Class Survived No Yes 5 6 Remarks: pic.plot() constructs graphical representations of contingency tables or data matrices. 7 In this example the first two variables of the table Titanic/10 are used to span the plotting area 8 of the pictogram plot. Each of the eight resulting panels of the plot visualizes a cells of the table 9 printed above.
    [Show full text]
  • "Tin Soldiers and Nixon Coming": Musical Framing and Kent State Hayden Dingman Chapman University
    Voces Novae Volume 4 Article 5 2018 "Tin Soldiers and Nixon Coming": Musical Framing and Kent State Hayden Dingman Chapman University Follow this and additional works at: https://digitalcommons.chapman.edu/vocesnovae Recommended Citation Dingman, Hayden (2018) ""Tin Soldiers and Nixon Coming": Musical Framing and Kent State," Voces Novae: Vol. 4 , Article 5. Available at: https://digitalcommons.chapman.edu/vocesnovae/vol4/iss1/5 This Article is brought to you for free and open access by Chapman University Digital Commons. It has been accepted for inclusion in Voces Novae by an authorized editor of Chapman University Digital Commons. For more information, please contact [email protected]. Dingman: "Tin Soldiers and Nixon Coming": Musical Framing and Kent State “Tin Soldiers and Nixon Coming” Voces Novae: Chapman University Historical Review, Vol 3, No 1 (2012) HOME ABOUT USER HOME SEARCH CURRENT ARCHIVES PHI ALPHA THETA Home > Vol 3, No 1 (2012) > Dingman "TIN SOLDIERS AND NIXON COMING": MUSICAL FRAMING AND KENT STATE Hayden Dingman On May 4, 1970, National Guardsmen in Kent, Ohio killed four students and wounded nine others at an anti-war rally in what was later termed the Kent State "massacre." Kent State University was a hotbed of activity in the week prior to the shootings, with students upset by President Richard Nixon's April 30 announcement of the Vietnam War's expansion into Cambodia. The May 4 protest was the culmination of four days and nights of events, including riots in downtown Kent on May 1 and the burning of the Reserve Officer Training Corps (ROTC) building on May 2.
    [Show full text]
  • Beatles, “On Air - Live the Velvet Underground, at the BBC, Vol
    LIFESTYLE THURSDAY, NOVEMBER 21, 2013 38Music Review The Beatles, “On Air - Live The Velvet Underground, At the BBC, Vol. 2” (Universal) “White Light/White Heat” “The Beatles: The BBC Archives 1962-70,” by Kevin Howlett (Harp- erCollins) 45th Anniversary edition eatles fans, rejoice: More live rarities from the Fab Four are (Polydor/Universal) Bon the way to stores. Nearly 20 years after the first volume of long- ho knew that the release lost BBC recordings sold millions of on Dec 10 of the 45th copies, a second volume is here, Wanniversary super Box sets from the and with it, a coffee table book with deluxe edition of The Velvet rare photos and heretofore unseen Underground’s “White Light/ historical documents chronicling White Heat” would come after the the band’s interaction with the BBC. death of the band’s figurehead Beatles, Like the first volume, “On Air - Live Lou Reed. This concoction of live at the BBC, Vol. 2” is chock full of live tracks, studio cuts and rare out- covers of other acts’ hit record- takes is probably the best eulogy ings, including Elvis Presley, Chuck Berry and Carl Perkins. The sound quality that could be written for the rock the Dead, ranges from crystal clear to exceedingly rough. Not all of the 275 performances genius, and as record sales spike the Beatles did were preserved by the broadcaster. Some had to be tracked for Reed’s solo material, fans and down from fans’ home recordings, but the raw exuberance of Paul McCartney the curious should do themselves screaming a hyper rocked-out version of the ballad “Beautiful Dreamer” is a a favor and check out this box set.
    [Show full text]
  • For August 1, 2010, CBS
    Page 1 26 of 1000 DOCUMENTS CBS News Transcripts August 1, 2010 Sunday SHOW: CBS EVENING NEWS, SUNDAY EDITION 6:00 PM EST For August 1, 2010, CBS BYLINE: Russ Mitchell, Don Teague, Sharyl Attkisson, Seth Doane, Elaine Quijano GUESTS: Richard Haass SECTION: NEWS; International LENGTH: 2451 words HIGHLIGHT: On day 104 of the Gulf oil spill, news that a key step to seal the well could begin Tuesday as evidence mounts that B.P. used too many chemical dispersants to clean up the Gulf. President Obama may not be welcome on the campaign trail this fall as Democratic candidates fight to win their seats. Worries of drug violence in Mexico could spill over the border to the U.S. as National Guard`s troops get set to beef up border security. RUSS MITCHELL, CBS NEWS ANCHOR: Tonight on day 104 of the Gulf oil spill, news that a key step to seal the well could begin Tuesday as evidence mounts that B.P. used too many chemical dispersants to clean up the Gulf. I`m Russ Mitchell. Also tonight, campaign concerns. Why President Obama may not be welcome on the campaign trail this fall as Democratic candidates fight to win their seats. Border patrol, worries of drug violence in Mexico could spill over the border to the U.S. as National Guard`s troops get set to beef up border security. And just married, an inside account of the wedding yesterday of Chelsea Clinton and Marc Mezvinsky. And good evening. It is shaping up to be a very important week in the Gulf oil spill.
    [Show full text]
  • SURF MUSIC by Geoffrey Himes
    SURF MUSIC By Geoffrey Himes It often seems that the United States is a pool table that has been tilted so all its hopes and dreams roll to the west. Whenever Americans want a new and better life, they head toward the setting sun. Whether it was the white-canvas covered wagons of the 1850s, the rusty Okie jalopies of the 1930s or the painted hippie vans of the 1960s, the direction is always westward—and eventually they collect in the pool table’s corner pocket known as Southern California. When Chuck Berry went chasing after his imagined utopia in the song “Promised Land," where did he end up? Los Angeles. Thousands of Hollywood movies had advertised Southern California as a nirvana of palm trees, sunshine, beautiful girls and beautiful boys, convincing folks from Oklahoma, Kansas and Ohio to pack up and move to the coast. By the end of the 1950s, the area around L.A. was full of almost as many transplanted Midwesterners as native Californians. The natives knew the region was no utopia, but the first and second-generation immigrants, these strangers in paradise, still clung to the notion of America’s western edge as the place where their dreams might come true. The teens and twentysomethings in these families—too young and too new to the West Coast to be disillusioned— turned that utopian impulse into a new kind of rock'n'roll: surf music. Brian, Dennis and Carl Wilson, whose father and mother had moved to California from Kansas and Minnesota respectively, formed the Beach Boys.
    [Show full text]
  • A Face with a View Cassie S
    Washington University in St. Louis Washington University Open Scholarship Graduate School of Art Theses Graduate School of Art Spring 5-16-2014 A Face with a View Cassie S. Jones Washington University in St. Louis, [email protected] Follow this and additional works at: https://openscholarship.wustl.edu/samfox_art_etds Part of the Art and Design Commons Recommended Citation Jones, Cassie S., "A Face with a View" (2014). Graduate School of Art Theses. ETD 16. https://doi.org/10.7936/K77H1GG1. This Thesis is brought to you for free and open access by the Graduate School of Art at Washington University Open Scholarship. It has been accepted for inclusion in Graduate School of Art Theses by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. Washington University in St. Louis Graduate School of Art A FACE WITH A VIEW * * * By Cassie Jones A thesis presented to the Sam Fox School of Design and Visual Arts of Washington University in St. Louis in partial fulfillment of the requirement for the degree of Master of Fine Arts Graduate Committee: Richard Krueger Lisa Bulawsky Carmon Colangelo John Sarra Monika Weiss May 2014 Abstract This thesis serves to examine my practice as a visual artist. In its contents I consider both the internal image and the external image and the constant negotiation that happens between these two sets of images. What comes to represent the internal is my own image, in particular, my face . What comes to represent the external are prevailing images of socially idealized beauty.
    [Show full text]