Herbert I. London Collection, 1900-1980
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Remembering 9/11 Dr
Remembering 9/11 Dr. Herbert London Despite “our hole,” downtown New York is alive, prospering, and electric with possibilities. In many essential ways this description is a metaphor for the United States five years after the 9/11 attacks. Dr. Herbert London is Our country has been president of Hudson Institute scarred but remains resilient. in New York City. The former The attack has clearly affected John M. Olin University American attitudes. People Professor of Humanities at New are wary about unidentified York University, he founded the packages in the subway Gallatin School there in 1972 system, and September 11 and was its dean until 1992. continues to be a day of His social commentary has remembrance and sadness. appeared in major newspapers However, the dynamism and journals throughout the that characterizes the United United States. States is undiminished. As I stood on Church rom the building I Street staring at the WTC reside in, I can see the site last September 11, five FWorld Trade Center tourists asked if I would (WTC) site, where a hole join them for a spontaneous in the ground is a constant rendition of “God Bless reminder of the 9/11 terrorist America.” My wife and I attacks on the United States. sang as tears rolled down our But in the area surrounding cheeks. We were united with the WTC site, what we local strangers who wished to recall residents call “our hole,” there Talaie/CORBIS © Ramin what America stands for. We is extraordinary development. Construction continues at Seven World Trade Center, which was were sad but steadfast; united The Goldman Sachs destroyed during the attacks on September 11, 2001. -
Title Composer Lyricist Arranger Cover Artist Publisher Date Notes Sabbath Chimes (Reverie) F
Title Composer Lyricist Arranger Cover artist Publisher Date Notes Sabbath Chimes (Reverie) F. Henri Klickmann Harold Rossiter Music Co. 1913 Sack Waltz, The John A. Metcalf Starmer Eclipse Pub. Co. [1924] Sadie O'Brady Billy Lindemann Billy Lindemann Broadway Music Corp. 1924 Sadie, The Princess of Tenement Row Frederick V. Bowers Chas. Horwitz J.B. Eddy Jos. W. Stern & Co. 1903 Sail Along, Silv'ry Moon Percy Wenrich Harry Tobias Joy Music Inc 1942 Sail on to Ceylon Herman Paley Edward Madden Starmer Jerome R. Remick & Co. 1916 Sailin' Away on the Henry Clay Egbert Van Alstyne Gus Kahn Starmer Jerome H. Remick & Co. 1917 Sailin' Away on the Henry Clay Egbert Van Alstyne Gus Kahn Starmer Jerome H. Remick & Co. 1917 Sailing Down the Chesapeake Bay George Botsford Jean C. Havez Starmer Jerome H. Remick & Co. 1913 Sailing Home Walter G. Samuels Walter G. Samuels IM Merman Words and Music Inc. 1937 Saint Louis Blues W.C. Handy W.C. Handy NA Tivick Handy Bros. Music Co. Inc. 1914 Includes ukulele arrangement Saint Louis Blues W.C. Handy W.C. Handy Barbelle Handy Bros. Music Co. Inc. 1942 Sakes Alive (March and Two-Step) Stephen Howard G.L. Lansing M. Witmark & Sons 1903 Banjo solo Sally in our Alley Henry Carey Henry Carey Starmer Armstronf Music Publishing Co. 1902 Sally Lou Hugo Frey Hugo Frey Robbins-Engel Inc. 1924 De Sylva Brown and Henderson Sally of My Dreams William Kernell William Kernell Joseph M. Weiss Inc. 1928 Sally Won't You Come Back? Dave Stamper Gene Buck Harms Inc. -
“To Be an American”: How Irving Berlin Assimilated Jewishness and Blackness in His Early Songs
“To Be an American”: How Irving Berlin Assimilated Jewishness and Blackness in his Early Songs A document submitted to The Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music 2011 by Kimberly Gelbwasser B.M., Northwestern University, 2004 M.M., University of Cincinnati, 2006 Committee Chair: Steven Cahn, Ph.D. Abstract During the late nineteenth and early twentieth centuries, millions of immigrants from Central and Eastern Europe as well as the Mediterranean countries arrived in the United States. New York City, in particular, became a hub where various nationalities coexisted and intermingled. Adding to the immigrant population were massive waves of former slaves migrating from the South. In this radically multicultural environment, Irving Berlin, a Jewish- Russian immigrant, became a songwriter. The cultural interaction that had the most profound effect upon Berlin’s early songwriting from 1907 to 1914 was that between his own Jewish population and the African-American population in New York City. In his early songs, Berlin highlights both Jewish and African- American stereotypical identities. Examining stereotypical ethnic markers in Berlin’s early songs reveals how he first revised and then traded his old Jewish identity for a new American identity as the “King of Ragtime.” This document presents two case studies that explore how Berlin not only incorporated stereotypical musical and textual markers of “blackness” within two of his individual Jewish novelty songs, but also converted them later to genres termed “coon” and “ragtime,” which were associated with African Americans. -
Hudson News and Review
HUDSON INSTITUTE News & Review WWW.HUDSON.ORG FALL 2008 FOUR NEW SCHOLARS EXPAND HUDSON’S NATIONAL SECURITY AND FOREIGN POLICY WORK Hudson Institute is proud to announce the arrival of four Senior Fellows, each HUDSON with extensive experience in foreign policy and national security. “These distin- guished scholars highlight the speed and strength with which Hudson’s research SCHOLARS portfolio is growing,” Chairman Allan Tessler says. “National security studies RESPOND were a core part of Herman Kahn’s legacy, and we’re pleased to be extending our work in this vital field.” TO RUSSIAN ANDREW NATSIOS served as Administrator for U.S. Agency for Inter- AGGRESSION national Development from 2001 until 2006, where he oversaw the agency’s AGAINST reconstruction programs in Afghanis tan, Iraq, and Sudan. In 2006, President Bush appointed him Special Coor dinator for International Disaster Assistance GEORGIA and Special Humanitarian Coordinator for the Sudan. Natsios served previously at USAID, first as Director of the Office of Foreign When Russia rolled its tanks and artillery into Georgia on the eve of Disaster Assistance and then as Assistant Administrator for the Bureau for Food the 2008 Olympics—initiating the and Humanitarian Assistance. He also served as a member CONTINUED ON PAGE 23 biggest European conflict since Clockwise from upper left, Douglas Feith, Andrew Natsios, Christopher Ford, and Hassan Mneimneh World War II—Hudson scholars were quickly sought out to dis- cuss the situation. From the inter- nal political ramifications in Rus- sia, to the constantly-changing geostrategic im plic a tions of the crisis, Hudson scholars examined the crisis from every angle. -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
THE CULTURE and MUSIC of AMERICAN CABARET Katherine Yachinich
Trinity University Digital Commons @ Trinity Music Honors Theses Music Department 5-2014 The ulturC e and Music of American Cabaret Katherine Anne Yachinich Trinity University, [email protected] Follow this and additional works at: http://digitalcommons.trinity.edu/music_honors Part of the Music Commons Recommended Citation Yachinich, Katherine Anne, "The ulturC e and Music of American Cabaret" (2014). Music Honors Theses. 5. http://digitalcommons.trinity.edu/music_honors/5 This Thesis open access is brought to you for free and open access by the Music Department at Digital Commons @ Trinity. It has been accepted for inclusion in Music Honors Theses by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. 2 THE CULTURE AND MUSIC OF AMERICAN CABARET Katherine Yachinich A DEPARTMENT HONORS THESIS SUBMITTED TO THE DEPARTMENT OF MUSIC AT TRINITY UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR GRADUATION WITH DEPARTMENTAL HONORS DATE 04/16/2014 Dr. Kimberlyn Montford Dr. David Heller THESIS ADVISOR DEPARTMENT CHAIR Dr. Sheryl Tynes ASSOCIATE VICE PRESIDENT FOR ACADEMIC AFFAIRS, CURRICULUM AND STUDENT ISSUES Student Copyright Declaration: the author has selected the following copyright provision (select only one): [X] This thesis is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs License, which allows some noncommercial copying and distribution of the thesis, given proper attribution. To view a copy of this license, visit http://creativecommons.org/licenses/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. [ ] This thesis is protected under the provisions of U.S. Code Title 17. Any copying of this work other than “fair use” (17 USC 107) is prohibited without the copyright holder’s permission. -
Popeye: Well Blow Me Down V. 2 Free Ebook
FREEPOPEYE: WELL BLOW ME DOWN V. 2 EBOOK E. C. Segar | 168 pages | 17 Dec 2007 | Fantagraphics | 9781560978749 | English | Seattle, United States Popeye: v. 2: Well Blow Me Down by E. C. Segar (Hardback, 2007) Popeye Volume 2: Well Blow Me Down v. 2 (Inglés) Tapa dura – 18 diciembre de E.C. Segar (Autor). PSA SMR Price Guide for Popeye Non- Sports/TCG Card Values - Professional Sports Authenticator (PSA). You are being redirected. Popeye Fountain/Skater V-Bottom Hits The Water For First Time At Lake Of The Ozarks Directed by Dave Fleischer, Seymour Kneitel. With William Costello, William Pennell, Bonnie Poe. Popeye begins his movie career by singing his theme song, demonstrating his strength at a carnival, dancing the hula with Betty Boop, pummeling Bluto, eating his spinach and saving Olive Oyl from certain doom on the railroad tracks. well, blow me down! (YouTube link) Betty Boop Presents Popeye the Sailor was a huge hit when it premiered in the summer of and a succession of Popeye cartoons followed over the next several years. Popeye: Well Blow Me Down v. 2 by E.C. Segar (6-Dec) Hardcover Unknown Binding – January 1, out of 5 stars 2 ratings See all 3 formats and editions Hide other formats and editions. Real life Popeye Jeff Dabe has 49cm forearms aims for Armwrestling championship Popeye Volume 2: Well Blow Me Down v. 2 (Inglés) Tapa dura – 18 diciembre de E.C. Segar (Autor). He does plan to take it in the club’s Miami Boat Show Poker Run in February as well as take it to Arizona for the Desert Storm Poker Run in April. -
Von Tilzer / Gumm Collection
Von Tilzer / Gumm Collection Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 1993 Revised 2016 November Contact information: http://hdl.loc.gov/loc.music/perform.contact Additional search options available at: http://hdl.loc.gov/loc.music/eadmus.mu010017 LC Online Catalog record: http://lccn.loc.gov/2006568222 Processed by the Music Division of the Library of Congress Collection Summary Title: Von Tilzer / Gumm Collection Span Dates: 1878-1959 Bulk Dates: (bulk 1900-1949) Call No.: ML31.V67 Creator: Von Tilzer, Harry, 1872-1946 Creator: Gumm, H. Harold Extent: approximately 11,000 items ; 76 containers ; 26.0 linear feet Language: Material in English Location: Music Division, Library of Congress, Washington, D.C. Summary: The Von Tilzer / Gumm Collection consists of both personal and professional papers of composer and music publisher Harry Von Tilzer (1872-1946) and his brother, H. Harold Gumm (1881 or 82-1973), who was a lawyer, agent, and producer in the entertainment business. After having served as attorney for the Harry Von Tilzer Music Publishing Co. (HVTMPC) for several decades, Harold Gumm served as executor of Harry Von Tilzer's estate and took over the company when Von Tilzer died in 1946. This collection contains the records of the HVTMPC which are inextricably combined not only with Harry Von Tilzer's papers but also with Gumm's papers and those of his firm Goldie & Gumm. Von Tilzer's personal papers include correspondence, writings, legal and financial documents, and drafts of his autobiography. The HVTMPC materials primarily consist of music (manuscript and printed), lyrics (manuscript and typewritten), scripts, legal and financial records, and a catalog of works published by HVTMPC. -
Carl Dengler Scrapbooks
CARL DENGLER COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Processed by Mary J. Counts, spring 2006 and Mathew T. Colbert, fall 2007; Finding aid revised by David Peter Coppen, summer 2021 Carl Dengler and his band, at a performance at The Barn (1950): Tony Cataldo (trumpet), Carl Dengler (drums), Fred Schubert (saxophone), Ray Shiner (clarinet), Ed Gordon (bass), Gene Small (piano). Photograph from the Carl Dengler Collection, Scrapbook 3 (1950-1959). Carl Dengler and His Band, at unidentified performance (ca. 1960s). Photograph from the Carl Dengler Collection, Box 34/15. 2 TABLE OF CONTENTS Description of Collection . 4 Description of Series . 8 INVENTORY SUB-GROUP I: MUSIC LIBRARY Series 1: Manuscript Music . 13 Series 2: Published Sheet Music . 74 Series 3: Original Songs by Carl Dengler . 134 SUB-GROUP II: PAPERS Series 4: Photographs . 139 Series 5: Scrapbooks . 158 Series 6: Correspondence . 160 Series 7: Programs . 161 Series 8: Press Material . 161 Series 9: Association with Alec Wilder . 162 Series 10: Books . 163 Series 11: Awards . 165 Series 12: Ephemera . 165 SUB-GROUP III: SOUND RECORDINGS Series 13: Commercial Recordings . 168 Series 14: Instantaneous Discs . 170 Series 15: Magnetic Reels . 170 Series 16: Audio-cassettes . 176 3 DESCRIPTION OF COLLECTION Shelf location: M4A 1,1-7 and 2,1-8 Extent: 45 linear feet Biographical Sketch (L) Carl Dengler, 1934; (Center) Carl Dengler with Sigmund Romberg, ca. 1942; (Right) Carl Dengler, undated (ca. 1960s). Photographs from the Carl Dengler Collection, Box 34/30, 34/39, 34/11. Musician Carl Dengler—dance band leader*, teacher, composer. -
SMT-V 07 4 I Don't Care If I Never Get Back, by Michael Buchler
“I Don’t Care if I Never Get Back: Optimism and Ascent in ‘Take Me Out to the Ball Game’” SMT-V 7.4 (June 2021) Society for Music Theory: Videocast Journal Michael Buchler (Florida State University) ISSN 2689-5471 DOI: http://doi.org/10.30535/smtv.7.4 Editor: L. Poundie Burstein Associate Editor: Seth Monahan This file includes the abstract, and extensive keyword list, acknowledgements, and bibliography for the video essay, “I Don’t Care if I Never Get Back: Optimism and Ascent in ‘Take Me Out to the Ball Game’” by Michael Buchler. This essay may be found at https://vimeo.com/428807269 or https://vimeo.com/societymusictheory/smtv7-4buchler . SMT-V is the open-access, peer-reviewed video journal of the Society for Music Theory. Founded in 2014, SMT-V publishes video essays that showcase the latest research in music theory in a dynamic, audiovisual format. The journal features a supportive and collaborative production process, and publishes three to four videos per year. The videos may be found at www.smt-v.org . SMT-V is overseen by an Editor who organizes the vetting of the videos, along with an Associate Editor who aids with the technical details. Members of the editorial board help to vet submitted videos. Those wishing to publish a video on SMT-V should first submit a written proposal summarizing the proposed project. If the proposed project is deemed appropriate, the author will be invited to submit a draft of a storyboard or script. Upon acceptance of the script, the author will be invited to produce a full video in conjunction with guidance and assessment from selected members of the Editorial Board. -
Kelly, J.J..Pdf
THE MUSE DONS KHAKI: AMER ICAN SONGS AND MUSIC OF WORLD WAR I by Jacquelin Joan .~~lly Thesis submitted to the Faculty of the Graduate School of the University of Maryland in partial fulfillment of the requirements for the degree of :Master of Arts 1963 ( . I APPROVAL SHEET Title of Thesis: The Muse Dons Khaki: American Songs and Music of World War I Name of Candidate: Jacquelin Master of Date Approved: ojd1 / b J ABSTRACT Title of Thesis: The Muse Dons Khaki: American Songs and Music of World War I Jacquelin Joan Kelly, Master of Arts, 1963 Thesis directed by: Gordon w. Prange, Professor Department of History During the years 1917 and 1918 the United States participated in a 11 war to end all wars. 11 During the conflict the government deliberately enlisted the power of song both at home and on the fighting front to help in the great task of winning the war. The idea of organized singing in the training of the U. s. Arrrry was comparatively new at the time America entered Wor ld War I, but it soon came to be recognized as an integral part of the training itself. The government encouraged singing in the army both on marches and in leisure-time groups because it contributed substantially to the enjoyment, contentment and efficiency of the soldier. The ballads, however, that eased tired muscles after a long days march and boosted morale after a day of heavy fighting were not government sponsored songs, but parodies and GI folk songs that the Sammies themselves composed. -
Newsletter Fall/Winter09:Layout 1
HUDSON INSTITUTE News & Review WWW.HUDSON.ORG FALL/WINTER 2009 HUDSON WELCOMES NEW EXAMINING THE SCHOLARS AND STAFF RUSSIAN MILITARY JOHN SHENEFIELD, former In August, a Hudson Institute conference on the present and Asso ciate Attorney General of the future of the Russian military, held in conjunction with the U.S. United States and former Assist - Army War College, was broadcast live on C-SPAN. The numer- ant Attorney General in charge of ous at ten d ees included members of the media, re searchers, congressional aides, officials from the U.S. Department of State, and representatives of foreign embassies. For nearly five decades, Hudson has had a record of closely ex - amining the Soviet Union and now the Russian Fed eration. Senior Vice President for International Programs and Policy S. Enders Wimbush, himself an analyst of the former Soviet Union, key noted the conference, pointing out that it was being held in trib ute to the late Mary FitzGerald, a Hudson scholar who passed away in April. Fluent in Russian, FitzGerald analyzed Russian and Chinese the Antitrust Division of the U.S. military writings for the Department of Defense. Drawing on Sov- Department of Just ice, joined iet era sources, she defined the revolutionary CONTINUED ON PAGE 27 Hudson as an Ad junct Fel low in September. At Hudson, Shenefield will re- search and publish on anti trust law, regulatory policy, intel li gence, and national security law. “John Shenefield is a leading scho lar and distinguished practitioner of anti trust law,” says Hudson CEO Kenneth Wein