DOCSLIB.ORG

Chris Brown Ft.Jorden Spark No Air

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Chris Brown Ft.Jorden Spark No Air Chris brown ft.jorden spark no air Continue 2008 song by Jordyn Sparks and Chris Brown No AirSingle Jordyn Sparks and Chris Brown from the album Jordin SparksB-side Save MeReleasedFebruary 11, 2008 (2008-02-11)Recorded2007GenrePopR-BLength4:23Label19Jive'ombaSonySongwriter (s) James Fauntleroy IIErik Bluik2th GriggsHarvey Jr. Damon ThomasSthive Russell (s)The UnderdogsJordin Sparks Singles Chronology Tattoo (200 00 7) No Air (2008) One Step at a Time (2008) Jordin Sparks UK Singles Chronology Tattoo (2008) No Air (2008) Tattoo (2008) Jordin Sparks European chronology singles No Air (2008) 2008) Tattoo (2008) Chris Brown Singles Singles Shawty Get Loose (2008) No Air (2008) Get Like Me (2008) No Air is a song by American singers Jordyn Sparks and Chris Brown. The song was written by Eric Griggs, James Fauntroy II, Harvey Mason Jr., Damon Thomas and Steve Russell. It was released in the United States on February 11, 2008 and is the second single from Sparks' self-titled debut album. No Air has received mixed positive reviews from critics. The song reached number one in New York, sixth in the United States and eighth in Australia. In addition, in the U.S., the song has sold 3,596,000 copies, making Sparks the first American Idol alumnus to reach three million marks. The song was also the most commercially successful song of 2008. The single is certified platinum or higher in eight countries. No Air won the Favorite Forces award at the 35th People's Choice Awards, where it was also nominated for Favorite Pop Song. The song also earned Sparks her first Grammy nomination for Best Pop Collaboration with Vocals at the 51st Grammy Awards. Accompanying music video director Chris Robinson won Best Heartbreak Video at the BET Pre-Awards 2008, and was nominated for Best Female Video at the 2008 MTV Video Music Awards. No Air was covered by the American band, Boyce Avenue and country singer Rissie Palmer in 2008, as well as on the television show Glee in 2009. The composition and critical reception of No Air sampled the song, which included the vocals of Sparks and Brown during the chorus. Problems with playing this file? See the media report. No Air is a pop song written by James Fauntroy II, Stephen Russell, Eric Blu2th Griggs, Harvey Mason Jr. and Damon Thomas. The song was originally written for the male singer, but after Jordyn Sparks heard the song and expressed interest in the song, Mason agreed to give it to Sparks on the condition that they would make it a duet, and proposed to Chris Brown as a singing partner. After the chords of F♯-E-G♯m-B, the song is written in the key of F' Mixolydian. His signature time is a common time. Sparks and Brown's vocals range from F♯3 notes to F♯5 notes. Nick Levin of Digital Spy called the song a ballad about the power of the RCB and said that full use of her impressive set of pipes. Bill Lamb of About.com wrote: Since the beginning of Jordin's echo vocals, it sounds like No Air so easily and easily that he needs special effects and production tricks to hide the fact that there really aren't many songs here. BBC Music's Steve Perkins awarded the song five stars and said that by the time No Air gets to the final stretch, the title actually seems pretty prescient, since Jordyn and Chris Yedelling are off at the top of their voices to such an extent that you wonder how they hide their need to choke on big light buckets of precious oxygen every thirty seconds. Other nominations included Best Pop Collaboration with Vocals at the 51st Grammy Awards, a nomination for Outstanding Duo, Group or Collaboration at the 40th NAACP Image Awards and a Best Collaboration nomination for the 2009 MTV Australia Awards. He also received two nominations for the 35th People's Choice Awards for Favorite Pop Song and Favorite United Forces, winning a second award. In 2008, Billboard placed the song at number twenty-seven on the 40 Biggest Duets of All Time special list. On the U.S. chart, No Air entered the Billboard Hot 100 at number thirty-two in a week dated February 23, 2008. After several weeks of charting, the song peaked at number three, becoming the highest singles on the charts to date. It also became her first single to enter the Hot R'B/Hip-Hop Songs chart, where it peaked at number four. No Air peaked at the Pop Songs chart, where it reached number two. The song was certified platinum by the Recording Industry Association of America (RIAA), making Sparks the first Member of American Idol to reach the three millionth mark. It also became Brown's first single, reaching three million. Across April 2014, 3,596,000 copies were sold in the United States. In the UK, the song debuted at number 58 on the UK Singles Chart on 20 April 2008, the week ended April 26, 2008, before dropping 27 places to 85 the following week. In its sixth week on the chart, No Air peaked at number three on the chart. It also reached number three in the Canadian Hot 100. In Australia, the song peaked at number five on the chart. He held this position for a total of four weeks before losing the position of Katy Perry I Kissed a Girl. The song has since been certified platinum by the Australian Recording Industry Association (ARIA) for sending 70,000 units. No Air charted at number six in the week of March The following week, the song peaked at number one in a week dated March 17, 2008, becoming Sparks' first number one single in the country and remained at the top of the chart for seven consecutive weeks. The single went platinum in a week dated April 14, 2008, after six weeks on the chart. The single spent 19 weeks on the chart and has since been certified double platinum by the Recording Industry Association of New York (RIANZ) for 30,000 units. The music video for the song was shot by Chris Robinson and filmed in New York. Photos from the shooting were leaked to the Internet the next day. The video premiered on February 25, 2008 on Yahoo! Music; However, on February 20, 2008, it leaked to the Internet. It all starts with Sparks playing the piano in his house. Suddenly she stops playing and makes a phone call to her cell phone, which directs her to the answer machine. The camera cuts the phone, which she allegedly calls, which was left on the counter in the steam room. Sparks leaves a message asking Brown to call her when he can. Her profile silhouette is then seen on the left side of the grey background as the song begins to play. Sparks then appears in her window drawing the shape of a heart on a misty glass window as she begins to sing the song. Brown then appears on video wiping a misty mirror in his bathroom as he begins to sing his first verse. Brown's silhouetted profile is then seen entering on the right side of the gray background scene, and both of their silhouetted profiles collide with each other. The video then cuts to Brown, who is shown donning a jacket leaving the house as he walks around New York. Sparks then appears standing near the Brooklyn Bridge. She gets in her car and starts driving around the city. Meanwhile, Brown is still in the daytime, arriving at Sparks' house. In the climax sequence, Brown confronts Sparks with her piano and the two passionately sing the final chorus to each other. Brown then walks away, and the video ends with two silhouettes on a gray background, snatching away from each other. The video is also interspersed with scenes of Brown singing alone in a recording studio with drums, guitars and piano from which he plays and at the very end when the song above Sparks is seen sitting on the floor in his house and kneeling head down in sadness. At the 2008 BET Pre-Awards, No Air won the award for Best Video Heartbreak. He was also nominated for Best Female Video at the 2008 MTV Video Music Awards. Promoting and embracing Sparks performed No Air with Chris Brown during the American Idol Top 8 live results show on April 10, 2008. In September 2008, Sparks traveled to Australia to perform the song on Australian Idol on September 15, 2008. After her speech, was awarded her platinum sales certification for No Air. The song has also been added to her set-list opening of Alicia Keys' As I Am Tour in North America, Australia and New York. Sparks also performed the song during Jesse and Jordyn LIVE's US tour. No Air was covered by American country singer Rissie Palmer for her self-titled album, released on October 7, 2008. Released as the first single to remake the album on May 27, 2008, Palmer performed the song for 15 weeks on the Hot Country Songs charts, peaking at number 47. Acoustic rock band Boyce Avenue also recorded a song for their EP Acoustic Sessions Vol. 2, released on September 16, 2008. The song was also featured on FOX Glee's Throwdown episode. The single peaked at number 52 on both the ARIA Singles Chart and the UK Singles Chart, as well as number twenty-nine on the Irish singles chart. No Air was also covered by Serena Ryder and the Beauties as a bonus track on the Is It OK? album (Deluxe version) The song also featured on the twenty-second series of Never Mind Buzzcocks, when host Simon Amstell and Phill Jupitus lip synced the track, with a montage of Bill Bailey in the background.
Load more

Recommended publications
  • Palm Beach International Airport (PBI)
    Agenda Item:~ PALM BEACH COUNTY BOARD OF COUNTY COMMISSIONERS AGENDA ITEM SUMMARY -===================================================================== Meeting Date: January 12, 2021 [ ] Consent [ X] Regular [ ] Ordinance [ ] Public Hearing Submitted By: Department of Airports ---------------------------------------------------------------------- I. EXECUTIVE BRIEF Motion and Title: Staff recommends motion to approve: a Contract for Air Service Development Consulting Services (Contract) with Ailevon Pacific Aviation Consulting LLC (Ailevon), a Florida limited liability company, commencing on February 1, 2021, and expiring on January 31, 2024, with one 24-month option to renew for an amount not to exceed $200,000 per contract year for a total not to exceed amount of $600,000 for the initial term. Summary: This Contract provides for professional and technical consulting services on an as-needed basis in support of the air service development program for the Palm Beach International Airport (PBI). Ailevon's principal place of business is Atlanta, GA. Air service development consulting services may include, but are not limited to, air service strategy and planning, airline route study and forecasting, competitive service analysis, business case development for new/expanded air service, development of incentive programs, catchment area demographic and leakage studies and analysis of air traffic demand and airfare data. The Contract provides for a not to exceed amount of $200,000 per contract year with an initial three-year term and an option to renew for an additional 24 months at the County's sole option. Due to lack of availability of qualified Small/Minority/Women Owned Business Enterprises providing the services required by this Contract, the Office of Equal Business Opportunity issued a waiver of Affirmative Procurement Initiatives on July 30, 2020.
    [Show full text]
  • Top 40 Singles Top 40 Albums
    12 May 2008 CHART #1616 Top 40 Singles Top 40 Albums Forever Don't Hold Back Unbreakable: 2008 NZ Tour Edition 50th Anniversary 1 Chris Brown 21 The Potbelleez 1 Westlife 21 Gray Bartlett Last week 5 / 3 weeks SBME Last week 22 / 12 weeks MOS/Universal Last week 10 / 22 weeks Platinum x1 / SBME Last week 17 / 3 weeks EMI Take A Bow Stop And Stare Rockferry Past, Present, Future 2 Rihanna 22 OneRepublic 2 Duffy 22 Tiki Taane Last week 4 / 2 weeks Universal Last week 18 / 17 weeks Universal Last week 3 / 5 weeks Gold x1 / Universal Last week 22 / 25 weeks Gold x1 / DirtyDub/Rhythm/DRM... Love In This Club Tattoo Flight Of The Conchords Rejoice 3 Usher feat. Young Jeezy 23 Jordin Sparks 3 Flight Of The Conchords 23 Katherine Jenkins Last week 1 / 10 weeks Gold x1 / SBME Last week 36 / 2 weeks SBME Last week 1 / 3 weeks Gold x1 / SubPop/Rhythmethod Last week 32 / 3 weeks Universal No Air Sorry Believe Legend: The Very Best Of 4 Jordin Sparks feat. Chris Brown 24 Buckcherry 4 Geoff Sewell 24 Willie Nelson Last week 2 / 10 weeks Platinum x1 / SBME Last week 26 / 6 weeks Universal Last week 2 / 4 weeks Gold x1 / SewellMusic/Ode Last week 18 / 6 weeks Gold x1 / SBME Lollipop What Is It? Back To Black: Deluxe Edition E=MC2 5 Lil Wayne 25 Baby Bash feat. Sean Kingston 5 Amy Winehouse 25 Mariah Carey Last week 6 / 3 weeks Universal Last week 33 / 6 weeks SBME Last week 6 / 49 weeks Platinum x2 / Universal Last week 20 / 3 weeks Universal 4 Minutes Party People The Swing Sessions Watershed 6 Madonna feat.
    [Show full text]
  • Air Automated Manifest System
    AIR AUTOMATED MANIFEST SYSTEM FREQUENTLY ASKED QUESTIONS 1. Systems to be Used 2 2. Required and Voluntary Participation 2 3. When Air AMS Filing Required 4 4. Participant Procedures 4 5. Bond Requirements 5 6. Air AMS Documentation 6 7. Compliance Dates 7 8. Enforced Compliance Procedures – Phase 1 7 9. Enforced Compliance Procedures – Phase 2 9 10. Delivery Authorization 9 11. Split Shipments 10 12. Cargo that Fails to Arrive in the United States 11 13. Consolidated Shipments 11 14. Order of Receipt of Master and House Air Waybill 12 15. Simple and Master Air Waybill Format 12 16. House Air Waybill Format 13 17. In-bond Authorization 13 18. Permits to Transfer (Local Transfer) 15 19. Incomplete House Air Waybills 16 20. Manifest Holds 17 21. Foreign Cargo Remaining On Board (FROB) 17 22. Flights Without Cargo 18 23. Air AMS Problem Resolution 18 24. Scheduled Air AMS Downtime 19 25. Presentation of Documents 20 26. Manifest Discrepancy Reporting 20 27. Freight Report Inbound and Freight Report Change 20 28. Carrier Nomination/Agent Field 21 29. Emergency/Forced Landings 21 30. Location of Data Input 22 31. Duplicate Air Waybills 22 32. Quantity to Be Reported 22 33. Freight Status Information Messages 24 34. Carrier Codes 24 35. Company Material/Postal Mail/Letters and Documents 25 36. Code-Share Flights 25 37. Shipper/Consignee Information 27 38. Express Consignment Operations 29 1 Updated 07/25/2005 Updated Questions # 36 U.S. Customs and Border Protection (CBP) has received numerous questions concerning the regulations promulgated pursuant to the Trade Act of 2002.
    [Show full text]
  • In the Transition from Stage to Arena, Live Music Is Remade
    Intimate live girls Halligan, B Title Intimate live girls Authors Halligan, B Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/33518/ Published Date 2015 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Intimate Live Girls Benjamin Halligan Keywords: aura, intimacy, kissing, authenticity, liveness, social media, spectacle, Miley Cyrus, Katy Perry, Terry Richardson, Peter Gabriel Abstract: The arena concert requires a particular type of liveness of performance in order to transcend impersonal mass entertainment. Liveness here looks to authenticity and happenstance, privileges personal communications and seeks to live in the moment, and in this way the live performance then meets and matches or even surpasses the virtual life of the artist or group. The concert must be both mass spectacle and an individual and singular experience for those witnessing and participating in it. Without these latter essential attributes, which can be read as the auratic and authentic replacing the virtual, the arena concert falls short of ontological expectations of live music. In recent years the mise-en-scène of the arena concert has become calibrated to female artists with, seemingly, a concomitant feminisation of the event. In this, the space is often given over to intimacy, empathy, and presented as an insight into the life, and even philosophy, of the performer.
    [Show full text]
  • Diggin' You Like Those Ol' Soul Records: Meshell Ndegeocello and the Expanding Definition of Funk in Postsoul America
    Diggin’ You Like Those Ol’ Soul Records 181 Diggin’ You Like Those Ol’ Soul Records: Meshell Ndegeocello and the Expanding Definition of Funk in Postsoul America Tammy L. Kernodle Today’s absolutist varieties of Black Nationalism have run into trouble when faced with the need to make sense of the increasingly distinct forms of black culture produced from various diaspora populations. The unashamedly hybrid character of these black cultures continually confounds any simplistic (essentialist or antiessentialist) understanding of the relationship between racial identity and racial nonidentity, between folk cultural authenticity and pop cultural betrayal. Paul Gilroy1 Funk, from its beginnings as terminology used to describe a specific genre of black music, has been equated with the following things: blackness, mascu- linity, personal and collective freedom, and the groove. Even as the genre and terminology gave way to new forms of expression, the performance aesthetic developed by myriad bands throughout the 1960s and 1970s remained an im- portant part of post-1970s black popular culture. In the early 1990s, rhythm and blues (R&B) splintered into a new substyle that reached back to the live instru- mentation and infectious grooves of funk but also reflected a new racial and social consciousness that was rooted in the experiences of the postsoul genera- tion. One of the pivotal albums advancing this style was Meshell Ndegeocello’s Plantation Lullabies (1993). Ndegeocello’s sound was an amalgamation of 0026-3079/2013/5204-181$2.50/0 American Studies, 52:4 (2013): 181-204 181 182 Tammy L. Kernodle several things. She was one part Bootsy Collins, inspiring listeners to dance to her infectious bass lines; one part Nina Simone, schooling one about life, love, hardship, and struggle in post–Civil Rights Movement America; and one part Sarah Vaughn, experimenting with the numerous timbral colors of her voice.
    [Show full text]
  • From the Outside, You Can't See Any Difference Between a Run-Flat Tire
    FEATURE Few 10 Tech Drive wer blowouts Run-Flats Offer Convenience and Peace of Mind. If you had X-ray vision, you could see that the sidewall on a 3 Series run-flat is different from that of a conventional tire. Few things are more frightening to a driver than a blowout because several bad things start happening all at once. A trained, experienced driver may be able to bring his or her vehicle to a safe stop after a blowout. However, many drivers just hang on and hope for the best, or, worse, slam on the brakes. Even for an experienced driver, a blowout while driving on a highway with other vehicles nearby is scary. “Run-flat” tires, which still support the car and provide control even when air pressure is lost, greatly reduce the danger of a blowout. Although run-flats have been available for many years, interest in these tires has surged recently. BMW has offered run-flat tires as standard or optional equipment on selected models since the late 1990s. Equipped with run-flats, a BMW can be driven some distance even though the tire has no air in it. However, the maximum recommended speed for a run-flat without air is 50 mph. So, your customer can drive to your shop for tire replace - ment, just not at high speed. In addition to their other benefits, run-flats eliminate the hassle and potential risk of pulling onto the shoulder of a busy highway to replace a flat tire. These tires even offer a convenience benefit, freeing up trunk space because a spare tire and jack are not necessary with run-flats.
    [Show full text]
  • Answer Document for Practice Test 1
    11_559400 ch05.qxd 6/30/04 1:59 PM Page 113 - Answer Document for Practice Test 1 English Language Arts 1 A B C D 6 F G H J 11 A B C D 16 F G H J 21 A B C D 26 F G H J 2 F G H J 7 A B C D 12 F G H J 17 A B C D 22 F G H J 27 A B C D 3 A B C D 8 F G H J 13 A B C D 18 F G H J 23 A B C D 28 F G H J 4 F G H J 9 A B C D 14 F G H J 19 A B C D 24 F G H J 5 A B C D 10 F G H J 15 A B C D 20 F G H J 25 A B C D 29 30 31 - CUT HERE - 36 F G H J 41 A B C D 46 F G H J 51 A B C D 32 F G H J 37 A B C D 42 F G H J 47 A B C D 33 A B C D 38 F G H J 43 A B C D 48 F G H J 34 F G H J 39 A B C D 44 F G H J 49 A B C D 35 A B C D 40 F G H J 45 A B C D 50 F G H J 1 Use a lined 8 ⁄2 × 11 sheet of paper to write your essay.
    [Show full text]
  • New Guidance for Residential Air Cleaners- ASHRAE Journal Sep 2019
    TECHNICAL FEATURE ©ASHRAE www.ashrae.org. Used with permission from ASHRAE Journal at www.epa.gov. This article may not be copied nor distributed in either paper or digital form without ASHRAE’s permission. For more information about ASHRAE, visit www.ashrae.org. New Guidance for Residential Air Cleaners BY LEW HARRIMAN, FELLOW/LIFE MEMBER ASHRAE; BRENT STEPHENS, PH.D, MEMBER ASHRAE; TERRY BRENNAN, MEMBER ASHRAE As HVAC&R professionals, we in the ASHRAE community are sometimes asked ques- tions about residential indoor air quality (IAQ) and how to improve it. What contami- nants are most hazardous? How do I get rid of a particular smell? Should I use this air cleaner or that filter? Sadly, our friends and family generally lose patience when we helpfully suggest: “Well, it’s complicated. But just read Chapters 46, 60 and 62 in the ASHRAE Handbook—HVAC Applications, because there’s great information in there.” In general, we find that information seekers are frustrated by such helpful advice. Usually, the question is repeated (with some heat) in a form such as: “You’re the professional. Can’t you boil it down? What should I DO in my HOUSE?” Fortunately, two new resources can help you better mainstream and social media. When you get questions answer such questions. First, the ASHRAE Residential from friends and family about residential air filtration Indoor Air Quality Guide1 is a comprehensive summary of and air cleaners, you may find the U.S. Enivronmental IAQ for homes and apartments, written by our mem- Protection Agency’s recently updated publications help- ber colleagues and published by ASHRAE in 2018.
    [Show full text]
  • Vip Hospitality
    SYNDICATED SUITE PACKAGE FRIDAY 18TH DECEMBER International RnB superstar Chris Brown is coming to New Zealand for his One Hell Of A Nite tour with special guest August Alsina. Brown last performed in New Zealand in 2008 with Rihanna at Vector Arena, selling over 20,000 tickets - the first show selling out in minutes. Brown has had huge success here with four No. 1 singles - “Yeah 3x” (2010), “With You” (2007), “Forever”(2008) and “Run It” (2005); as well as two collaborative No.1 singles – “Kiss Kiss” (with T-Pain in 2007) and “No Air” (with Jordin Sparks in 2007). This Grammy Award-winning and multi-platinum-selling singer/songwriter has had six albums reach the NZ top 10, with 2012’s Fortune debuting at No.1. Adding the coveted Grammy Award to his collection, Brown is the recipient of more than 40 awards, including a Billboard Music Award for Top RnB Artist, in addition to the 2012 BET Awards for Best Male RnB Artist and the 2012 MTV Video Music Awards for Best Male Video and Best Choreography for “Turn Up the Music”. Chris Brown is currently performing at sold-out shows on his One Hell Of A Nite tour in the States, bringing incredible dancing and singing to ecstatic audiences. Don’t miss your chance to see this superstar who will be performing all of his hits in this energy-packed, must-see live show! Our SYNDICATED VIP packages are available for individuals or groups. Available only on selected shows (dependent on interest). Package includes: • Two hour pre-show hosting in shared VIP suite with other like minded people • Gold Concert tickets • Complimentary drink on arrival • Chef’s delicious themed gourmet menu • Souvenir VIP lanyard • Official VIP merchandise • Red carpet entry to your VIP suite • Dedicated event hosts $359 + gst per guest Please contact Rebecca Widdison to book: 09 358 1250, [email protected] VIP HOSPITALITY.
    [Show full text]
  • Pdf, 639.57 KB
    00:00:00 Music Music “Oh No, Ross and Carrie! Theme Song” by Brian Keith Dalton. A jaunty, upbeat instrumental. 00:00:09 Ross Host Hello! And welcome to Oh No Ross and Carrie—the show where Blocher we don’t just report on fringe science, spirituality, and claims of the paranormal, but we take part ourselves! 00:00:17 Carrie Host Yep! When they make the claims, we show up, so you don’t have Poppy to. I’m Ross Blocher. 00:00:21 Ross Host And I’m… Carrie Poppy. 00:00:23 Carrie Host [Laughs.] Begrudgingly. 00:00:25 Ross Host Well, now I’m gonna get it. 00:00:26 Crosstalk Crosstalk Ross: You know, “You are not Carrie Poppy!” Carrie: From that one little girl. [They laugh.] 00:00:29 Ross Host You know, I think—I think it happened once before camp, and she just resumed right where she left off. 00:00:34 Carrie Host [Laughing.] Ooh, okay. 00:00:36 Ross Host “You are not Carrie Poppy!” 00:00:37 Carrie Host I’ll be honest, this is not the episode for that little girl, anyway. 00:00:40 Ross Host A fair point. Well, actually—that’s a—that’s a good transition. So, we’re—in this episode, we’re very excited. [Carrie agrees.] We’ve got an interview guest that we hinted at that we might have. Isis Aquarian. 00:00:52 Carrie Host Isis was the archivist and historian and a ranking member of the Source family. 00:00:57 Ross Host You may have listened to our episode on the Source family reunion dinner, held at Gratitude in Beverly Hills.
    [Show full text]
  • Karaoke Song Book Karaoke Nights Frankfurt’S #1 Karaoke
    KARAOKE SONG BOOK KARAOKE NIGHTS FRANKFURT’S #1 KARAOKE SONGS BY TITLE THERE’S NO PARTY LIKE AN WAXY’S PARTY! Want to sing? Simply find a song and give it to our DJ or host! If the song isn’t in the book, just ask we may have it! We do get busy, so we may only be able to take 1 song! Sing, dance and be merry, but please take care of your belongings! Are you celebrating something? Let us know! Enjoying the party? Fancy trying out hosting or KJ (karaoke jockey)? Then speak to a member of our karaoke team. Most importantly grab a drink, be yourself and have fun! Contact [email protected] for any other information... YYOUOU AARERE THETHE GINGIN TOTO MY MY TONICTONIC A I L C S E P - S F - I S S H B I & R C - H S I P D S A - L B IRISH PUB A U - S R G E R S o'reilly's Englische Titel / English Songs 10CC 30H!3 & Ke$ha A Perfect Circle Donna Blah Blah Blah A Stranger Dreadlock Holiday My First Kiss Pet I'm Mandy 311 The Noose I'm Not In Love Beyond The Gray Sky A Tribe Called Quest Rubber Bullets 3Oh!3 & Katy Perry Can I Kick It Things We Do For Love Starstrukk A1 Wall Street Shuffle 3OH!3 & Ke$ha Caught In Middle 1910 Fruitgum Factory My First Kiss Caught In The Middle Simon Says 3T Everytime 1975 Anything Like A Rose Girls 4 Non Blondes Make It Good Robbers What's Up No More Sex....
    [Show full text]
  • BACHELORARBEIT Erstellung Eines Fundraising
    BACHELORARBEIT Herr Timm Tappe Erstellung eines Fundrai- sing-Konzeptes am Beispiel von Dunkelziffer e.V. 2013 Fakultät: Medien BACHELORARBEIT Erstellung eines Fundraising- Konzeptes am Beispiel von Dunkelziffer e.V. Autor/in: Herr Timm Tappe Studiengang: angewandte Medienwirtschaft Seminargruppe: AM09wS1-B Erstprüfer: Prof. Herbert E. Graus Zweitprüfer: Jörg Schoch Einreichung: Mittweida, 23.07.2013 Faculty of Media BACHELOR THESIS Creating a fundraising con- cept at the example of Dunkelziffer e.V. author: Mr. Timm Tappe course of studies: Angewandte Medienwirtschaft seminar group: AM09wS1-B first examiner: Prof. Herbert E. Graus second examiner: Jörg Schoch submission: Mittweida, 23.07.2013 Bibliografische Angaben Tappe, Timm Erstellung eines Fundraising-Konzeptes am Beispiel von Dunkelziffer e.V. Creating a fundraising concept at the example of Dunkelziffer e.V. 47 Seiten, Hochschule Mittweida, University of Applied Sciences, Fakultät Medien, Bachelorarbeit, 2013 Abstract Die vorliegende Arbeit beschäftigt sich damit, wie der aktuelle Fundraisingmarkt aus- sieht und welche Veränderungen in der Zukunft zu erwarten sind. Anhand neuester Studien und Erkenntnisse werden diese mit den bisherigen Instrumenten des gemein- nützigen Vereins Dunkelziffer e.V. im Fundraising verglichen. Anhand der Analyse wird abschließend eine Handlungsempfehlung für den Verein Dunkelziffer e.V. ausgespro- chen. Inhaltsverzeichnis I Inhaltsverzeichnis Inhaltsverzeichnis.......................................................................................................
    [Show full text]