E\Ceöd M€Nv€T Fguvg

Total Page:16

File Type:pdf, Size:1020Kb

E\Ceöd M€Nv€T Fguvg AKBANK-FILMFEST-13x27cm.pdf 1 2/18/13 4:27 PM C M Y CM MY CY CMY K 'E\CEÖDCĉÖNÖQNOCM MNVTXGUCPCVC32. ‹STANBUL FİLM FEST‹VAL‹ 32ND ISTANBUL FGUVGMQNOCMVÖTFİLM FESTIVAL 30 MART/MARCH 'E\CEÖDCĉÖJGTDKTnCNÖĉCPÖ[NC14 NİSAN/APRIL 2013 VCO[ÖNFÖTĆ-58fPE5RQPUQTW 32. İstanbul Film FestivaliEDüO×\RU (F]DF×EDü×QHüHOLIHVWLYDOOHUGLOHU İstanbul Kültür Sanat Vakfı 32. İstanbul Film Festivali’nin gerçekleştirilmesine büyük katkı sağlayan TC Kültür ve Turizm Bakanlığı’na teşekkür eder. The Istanbul Foundation for Culture and Arts would like to thank festıval sponsor the Ministry of Culture and Tourism, whose contribution has made the 32nd Istanbul Film Festival possible. Değerli destekleri için TC Istanbul Valiliği, TC İstanbul İl Kültür ve Turizm Müdürlüğü, İstanbul Büyükşehir Belediyesi, TC Beyoğlu Kaymakamlığı ve Beyoğlu Belediyesi’ne teşekkür ederiz. Acknowledging the kind contributions of the Governorship of Istanbul, Istanbul Provincial Directorate of Culture and Tourism, Istanbul Metropolitan Municipality, Beyoğlu District Governorship and Municipality of Beyoğlu. leadıng sponsor offıcıal sponsors Havayolu Havayolu İletişim Communication Taşıyıcı Carrier festıval hotel sponsor theme sponsors wıth the hıghest contrıbutıon theme sponsors specıal screenıng sponsor technologıcal equıpment sponsor meetıngs on the brıdge sponsor acknowledgıng prıze provıders the kınd collaboratıon of Uluslararası Yarışma Altın Lale Ödülü International Competition Golden Tulip Award Ulusal Yarışma Jüri Özel Ödülü National Competition Special Jury Prize Seyfi Teoman En İyi İlk Film Ödülü Seyfi Teoman Best Debut Film Prize Radikal Halk Ödülü Radikal People’s Choice Award Sinemada İnsan Hakları Avrupa Konseyi Sinema Ödülü (FACE) Human Rights in Cinema Film Award of the Council of Europe (FACE) FILMNEWEUROPE.COM press sponsors tv sponsors magazıne sponsors radıo sponsors servıce sponsor Stratejik Araştırma Strategic Research . we acknowledge theır kınd support towards the ındoor-outdoor promotıon of the festıval. Dijital platform sponsoru Digital platform sponsoru İÇİNDEKİLER CONTENTS Sunuş 14 Presentations Yaşam Boyu Başarı ve 21 Lifetime Achievement and Sinema Onur Ödülleri Cinema Honorary Awards Jüriler 29 Juries Uluslararası Yarışma 37 International Competition Sinemada İnsan Hakları Yarışması 53 Human Rights in Cinema Competition 2012-2013 turkısh cınema 2012-2013 Ulusal Yarışma 67 National Competition Yarışma Dışı 77 Out of Competition Yeni Türkiye Sineması 78 New Turkish Cinema Belgeseller 81 Documentaries Hisar Kısa Film Seçkisi 88 Hisar Short Film Selection Sinema Onur Ödülleri 91 Cinema Honorary Awards : specıal screenıng: Türk Klasikleri Yeniden 95 Turkish Classics Revisited Akbank Galaları 99 Akbank Galas Ustalar 109 Masters Dünya Festivallerinden 119 From the World of Festivals Yeni Bir Bakış 135 New Visions NTV Belgesel Kuşağı 149 Documentary Time with NTV Mayınlı Bölge 163 Mined Zone Edebiyattan Beyazperdeye 173 From Literature to Silver Screen Antidepresan 181 Antidepressant Kadın Hikâyeleri 189 Stories of Women Gerçek Mucizedir: Carlos Reygadas 197 Reality is a Miracle: Carlos Reygadas Çocuk Mönüsü 205 Kids’ Menu Geceyarısı Çılgınlığı 209 Midnight Madness Anılarına 219 In Memoriam Ben Kentli-Vatandaş Değil Miyim? 223 Am I Not A Citizen? – Barbarlık, Sivil Uyanış ve Şehir Barbarism, Civic Awakening and the City Etkinlikler 235 Events Köprüde Buluşmalar 243 Meetings on the Bridge Yapımcı ve Dağıtımcı Adresleri 269 Producer & Distributor Contacts Teşekkürler 285 Acknowledgements Yönetmen Dizini 289 Index of Directors Film Dizini 293 Index of Films SUNUŞ PRESENTATION İstanbul Kültür Sanat Vakfı bu yıl festival I am delighted to announce that the afişlerinde yeni bir işbirliğinin ürünlerine Istanbul Foundation for Culture and Arts yer veriyor. Bu yıldan itibaren afiş is entering a whole new area of artistic görsellerimizin, sanatın farklı dallarından collaboration this year in the design isimlerin desenlerini, yapıtlarını, of its festival posters. From this year fotoğraflarını içermelerini istedik. Bu onward, our poster visuals will feature hayalimizi sanatçıların el yazılarını da the drawings, works and photographs of kullanarak gerçekleştiren Bülent Erkmen’in artists from a variety of disciplines. We tasarladığı bu çalışmaların, izleyicilerimiz hope our audiences will enjoy Bülent tarafından beğeniyle karşılanacağını ümit Erkmen’s new design concept, which ediyoruz. also incorporates the handwriting of artists, as much as we do. BÜLENT ECZACIBAŞI 32. İstanbul Film Festivali’nin afişinde yönetmen ve fotoğraf sanatçısı Nuri The poster for the 32nd Istanbul Film chaırman of iksv Bilge Ceylan’ın “Babam İçin” serisinden Festival features a close-up of the “Uykusuz Gece” adlı fotoğrafından bir photograph “Sleepless Night” from film kesit görünüyor. Bülent Erkmen, Ceylan’ın director and photographic artist Nuri el yazısını bir film şeridi gibi yerleştirdiği Bilge Ceylan’s “For My Father” series and bu afişteki fotoğraf seçimiyle ilgili şunları Ceylan’s handwriting, which Erkmen söylüyor: uses to create the effect of a filmstrip. Explaining his choice of photograph, “Uykusuz bir gecede baktığını görmeyen Erkmen says, “Cinema is what is seen by açık bir gözün gördükleridir sinema. Gecenin an open eye blinded in a sleepless night. karanlığında yastığın yumuşaklığına gömülen Dreamy assurance of a blanket wrapped başa kadar çekilmiş yorganın bedeni saran around our body and pulled over our head hayalperest güveni, sinema karanlığında sunk in a pillow in the darkness of the night koltuğa gömülme anında karşılığını bulur.” is reciprocated by the moment of sinking Erkmen’in bu yaklaşımı, aslında yalnızca in our chair in the darkness of the movie sinema sanatının değil, 32 yıldır Nisan theatre”. aylarında izleyicilerini böyle hayalperest ve güvenle dolu bir dünyaya davet eden In fact, Erkmen’s assessment is not only İstanbul Film Festivali’nin de doğasını relevant to cinematographic art, it also yansıtıyor. Bu yıl da on altı gün boyunca captures the nature of the Istanbul Film gözlerinizin bugüne dek görmediklerini Festival, which for 32 years has invited gösteren, size birçok yeni renk sunan bir viewers every April into this world of festival geçirmenizi diliyoruz. “dreamy assurance”. This year, too, over the course of 16 days, we hope you will Destekleriyle çalışmalarımıza kaynak enjoy a festival that opens your eyes sağlayan tüm kurum ve kuruluşlara, to what they have never seen before festivalin gerçekleştirilmesinde emeği and introduces you to a myriad of new olan tüm arkadaşlarımıza ve festivali bir colours. kez daha heyecanla kucaklayan değerli izleyicilerimize içten teşekkürlerimizi I would like to take this opportunity sunuyorum. to express our deepest gratitude to the institutions and companies that provide the support and resources that make our work possible, to all our friends and colleagues who contribute to the organisation of the festival, and to our invaluable public, who, once again, has embraced our festival with such enthusiasm. SUNUŞ PRESENTATION 32. İstanbul Film Festivali programında The 32nd Istanbul Film Festival will again yine heyecan verici filmler var. Filmlerin feature exhilarating films. As creators of yaratıcıları Peter Weir, Costa-Gavras, films master filmmakers such as Peter Carlos Reygadas, Bille August gibi usta Weir, Costa-Gavras, Carlos Reygadas sinemacıları şehrimizde ağırlamanın and Bille August will visit our city, the coşkusunu izleyicilerimiz kadar biz de audience’s joy extends to us. hissediyoruz. Not only with film screenings, but also Sadece film gösterimleriyle değil with the events we are organising, we düzenlediğimiz etkinliklerle de günümüzün are trying to comprehend how cinema is hız odaklı dünyasında sinemanın nasıl evolving as part of today’s speed-focused değiştiğini anlamaya çalışıyoruz. Danis world. While Danis Tanovic will give Tanovic, olmayan bütçeyle film yapmanın hints on making a film with no budget, AZİZE TAN yollarını anlatırken, Can Candan ve Can Candan and his fellow filmmakers belgeselci meslektaşları kitle fonlaması will be telling us how they make use of festıval dırector yöntemiyle filmlerini nasıl hayata crowdfunding to produce their films. geçirdiklerini paylaşacak. Sinema sanatı The art of film is resisting imkânsızlıklara karşı direniyor. Mark impossibilities. Mark Cousins, in his Cousins, geçen yıl festivalde gösterilen epic documentary The Story of Film, epik belgeseli Sinemanın Hikâyesi’nde, had claimed that “with all its talk of box gişe rekorları muhabbeti yüzünden office, the film business would have filmleri yönetenin para, pazarlama, us believe that money drives movies, ihtişam, galalar, kırmızı halılar olduğunu marketing, glamour, premieres, red sandığımızı ama filmlerdeki asıl itici carpets… But it doesn’t; money doesn’t gücün fikirlerde olduğunu söylemişti. drive cinema. Ideas do.” True say! Doğru söze ne denir? Sinema o yüzden This is why cinema will not cease to var olmaya devam edecek. O yüzden Cafer exist. This is why filmmakers like Jafar Panahi gibi yönetmenler tüm yasaklara Panahi will not cease to make films in karşın film çekmeye aynen devam edecek spite of prohibitions, and this is why, ve biz de festival filmlerini gösterdiğimiz in spite of our festival theatres keep salonlar arka arkaya kapanmaya devam closing down one by one, we will be etmesine rağmen bu parlak fikirleri filme continuing our struggle to show the dönüştüren ustaların filmlerini göstermek films of master filmmakers who have için çabalamaya devam
Recommended publications
  • 10.9 De Jesus Precarious Girlhood Dissertation Draft
    ! ! "#$%&#'()*!+'#,-((./!"#(0,$1&2'3'45!6$%(47'5)#$.!8#(9$*!(7!:$1'4'4$!;$<$,(91$42! '4!"(*2=>??@!6$%$**'(4&#A!B'4$1&! ! ! ;$*'#C$!.$!D$*)*! ! ! ! ! E!8-$*'*! F4!2-$!! G$,!H(99$4-$'1!I%-((,!(7!B'4$1&! ! ! ! ! "#$*$42$.!'4!"&#2'&,!:),7',,1$42!(7!2-$!6$J)'#$1$42*! :(#!2-$!;$5#$$!(7! ;(%2(#!(7!"-',(*(9-A!K:',1!&4.!G(<'45!F1&5$!I2).'$*L! &2!B(4%(#.'&!M4'<$#*'2A! G(42#$&,N!O)$0$%N!B&4&.&! ! ! ! ! ! P%2(0$#!>?Q@! ! R!;$*'#C$!.$!D$*)*N!>?Q@ ! ! CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Desirée de Jesus Entitled: Precarious Girlhood: Problematizing Reconfigured Tropes of Feminine Development in Post-2009 Recessionary Cinema and submitted in partial fulfillment of the requirements for the degree of Film and Moving Image Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. Lorrie Blair External Examiner Dr. Carrie Rentschler External to Program Dr. Gada Mahrouse Examiner Dr. Rosanna Maule Examiner Dr. Catherine Russell Thesis Supervisor Dr. Masha Salazkina Approved by Dr. Masha Salazkina Chair of Department or Graduate Program Director December 4, 2019 Dr. Rebecca Duclos Dean Faculty of Fine Arts ! ! "#$%&"'%! ()*+,)-./0!1-)23..45!().62*7,8-9-:;!&*+.:<-;/)*4!%).=*0!.<!>*7-:-:*!?*@*2.=7*:8!-:! (.08ABCCD!&*+*00-.:,)E!'-:*7,! ! ?*0-)F*!4*!G*0/0! '.:+.)4-,!H:-@*)0-8EI!BCJD! ! !"##"$%&'()*+(,--.(/#"01#(2+3+44%"&5()*+6+($14(1(4%'&%7%31&)(3*1&'+(%&()*+(3%&+81)%3(9+:%3)%"&(
    [Show full text]
  • International Film Festival April 24 – May 4, 2008 the Washington, Dc International Film Festival
    THE 22ND ANNUAL WASHINGTON, DC INTERNATIONAL FILM FESTIVAL APRIL 24 – MAY 4, 2008 THE WASHINGTON, DC INTERNATIONAL FILM FESTIVAL A world of films…a window into our world. Whether experienced in movie theaters, on DVDs or television in our homes, on our iPods or computers, films are the major communications media of our time. Hollywood films dominate commercial cinema. However, scores of talented filmmakers around the globe produce thou- sands of quality films that speak with a different voice, provide a different point of view, and tell different stories. Presenting these films in the nation’s capital is the purpose of Filmfest DC. Photo: Chad Evans Wyatt Film festivals are a journey of Tony Gittens, Festival Director and Shirin Ghareeb, Assistant Director discovery, a visual and thought provoking adventure into how people see and interpret our world. Every Filmfest DC is different and every film is unique from every other film in the festival. Together, they comprise an amazing representation of human imagination, commitment and talent. The festival has two special focuses this year — Politics & Film and New Latin Ameri- can Cinema. Obviously, politics are especially prominent during this election season and we wanted to explore the role affairs of state play in people’s every day lives. Latin American filmmakers are always a treasure trove of inventive storytelling. The di- verse selection of new work we have gathered from the Spanish-speaking world (in- cluding Spain) are moving, humorous, and insightful. None of this would be possible without the many dedicated people who have shared their time and talents with Filmfest DC.
    [Show full text]
  • Sight & Sound Films of 2007
    Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic
    [Show full text]
  • Amat Escalante
    Amat Escalante Escalante nació por en Barcelona, España, Escalante was born fortuitously in Barcelona, proveniente de una familia compuesta de padre Spain, as his family, composed by a Mexican mexicano y madre americana. La primera etapa father and an American mother. He spent most de su vida transcurrió en Guanajuato, México, y of his early years in Guanajuato, Mexico, but en el año 2001 se mudo a España para estudiar moved to Spain in 2001 to study film editing and edición y sonido en el Centro para Estudios sound at the Center for Cinematographic Studies Cinematográficos de Catalunya (Centre d’Estudis of Catalonia (Centre d’Estudis Cinematogràfics Cinematogràfics de Catalunya, CECC). Después de Catalunya, CECC). After his stint in Barcelona, de su estadía en Barcelona, se matriculó en la he joined the International School of Film and Escuela Internacional de Cine y Televisión (EICTV) Television (EICTV) in Havana, Cuba; Back in en La Habana, Cuba; de regreso en México dirigió Mexico, he directed a short film AMARRADOS un pequeño corto cinematográfico AMARRADOS (2002) that received an award at the 2003 (2002) que recibió una condecoración en Berlinale Berlinale International Film Festival. He worked Internacional Film Festival en su edición 2003. as an assistant of Carlos Reygadas in BATALLA Trabajó como asistente de Carlos Reygadas en EN EL CIELO (2005), which entered the 2005 BATALLA EN EL CIELO (2005) la cual compitió Cannes Film Festival. Reygadas co-produced en el año 2005 en Cannes Film Festival. Reygadas some of Escalante’s first films. One of those coprodujo algunos de los primero filmes de films SANGRE (2005), was included in Un Escalante.
    [Show full text]
  • Costa-Gavras: a Retrospective
    The Museum of Modern Art For Immediate Release March 1990 COSTA-GAVRAS: A RETROSPECTIVE April 13 - 24, 1990 A complete retrospective of twelve feature films by Costa-Gavras, the Greek-born French filmmaker, opens at The Museum of Modern Art on April 13, 1990. Both thought provoking and entertaining, Costa-Gavras's suspenseful mysteries deal with compelling social issues and are often based on actual political incidents. His stories involve the motivations and misuses of power and often explore the concept of trust in personal and public relationships. His films frequently star such popular actors as Fanny Ardant, Jill Clayburgh, Jessica Lange, Jack Lemmon, Yves Montand (who stars in six of the films), Simone Signoret, Sissy Spacek, and Debra Winger. Opening with Z (1969), one of his best-known works, COSTA GAVRAS: A RETROSPECTIVE continues through April 24. New prints of Costa-Gavras's early French films have been made available for this retrospective. These include his first film, The Sleeping Car Murders (1965), a thriller about the hunt for a murderer on an overnight train; the American premiere of the original version of One Man Too Many/Shock Troops (1967), a story of resistance fighters who free a group of political prisoners from a Nazi jail; and Family Business (1986), a drama about the transformation of a family crime ring into the local affiliate of an international syndicate. Also featured are Z (1969), an investigation into the murder of a politician; State of Siege (1972), a fictionalized version of the 1970 kidnapping of an American diplomat in Uruguay; and Special Section -more- 11 West 53 Street, New York, N.Y.
    [Show full text]
  • A DRAMATIC FILM Les Options Possibles, Quel Que Soit Votre Moyen De Transport Preferred Means of Transport (On Foot, Bike, Train, Bus, Train, Tram)
    JOURNAL POWERED BY p.3 p.6 p.9 p.11 p.13 p.14 COMPÉTITION COMPÉTITION PROGRAMMATION MADE IN/WITH SÉLECTION OFFICIELLE COLLABORATIONS, OFFICIELLE DOCUMENTAIRE JEUNE PUBLIC LUXEMBOURG HORS COMPÉTITION EXPO, OFFICIAL DOCUMENTARY YOUNG AUDIENCES COURTS & OFFICIAL SELECTION & MUCH MORE… COMPETITION COMPETITION LONG-MÉTRAGES OUT-OF-COMPETITION LUXEMBOURG CITY FILM FESTIVAL 10E ÉDITION : 5 → 15.03.2020 POWERED BY 3 Le Jury International du Luxembourg City Film Festival, composé de personnalités du monde du cinéma, COMPÉTITION remettra le Grand Prix – by Orange au meilleur des dix OFFICIELLE films de la Compétition Officielle Made up of prominent figures from the world of cinema, OFFICIAL COMPETITION Luxembourg City Film Festival’s International Jury will award the Grand Prix – by Orange to one of the ten films shortlisted for the Official Competition. Avant-Première Avant-Première Kinepolis En présence d’invités / In the presence of guests Programmation détaillée / Entire programme www.luxfilmfest.luLa programmation reste soumise à modifications / The programme is subject to modification. Versions et sous-titres à confirmer / Versions et subtitles to be confirmed. © Jessica Forde, KG Productions KG © Jessica Forde, MASTERCLASS & RETROSPECTIVE © Limelite COSTA-GAVRAS © D.R. LuxFilmFest à l’honneur d’accueillir, pour LuxFilmFest is honoured to welcome one of ABOUT ENDLESSNESS (OM DET OÄNDLIGA) ATLANTIS BY ROY ANDERSSON BY VALENTYN VASYANOVYCH son cycle de rencontres, l’un des plus the greatest European filmmakers to its SE, DE, NO, 2019 — SWEDISH
    [Show full text]
  • Nvdcpizirsnbjrvb9rioq.Pdf
    12 JUL | Sex Fri | 16h00 4 pm Mon Cas My Case, 1986 VISITAS ORIENTADAS GUIDED TOURS FR | 88 min. 14 JUL | Dom Sun | 12h00 12 pm 14 JUL | Dom Sun | 16h00 4 pm Por By António Preto Amor de Perdição Doomed Love, 1978 PT | 261 min. 29 SET | Dom Sun | 12h00 12 pm Por By Regina Guimarães 16 JUL | Ter Tue | 16h00 4 pm A Caixa The Box, 1994 13 OUT | Dom Sun | 12h00 12 pm PT | 96 min. Por By Nuno Grande 17 JUL | Qua Wed | 16h00 4 pm 27 OUT | Dom Sun | 12h00 12 pm O Gebo e a Sombra Gebo and the Shadow, 2012 Por By Ricardo Vieira Lisboa FR | 95 min. 18 JUL | Qui Thu | 16h00 4 pm PROGRAMAÇÃO DE CINEMA Porto da Minha Infância Porto of My Childhood, 2001 CINEMA PROGRAMME PT | 60 min. 25, 27 JUN | Ter, Qui Tue, Thu | 15h00 3 pm 19 JUL | Sex Fri | 16h00 4 pm 26, 28 JUN | Qua, Sex Wed, Fri | 17h00 5 pm Je rentre à la maison I’m Going Home, 2001 29 JUN | Sáb Sat | 16h00 4 pm FR, EN | 89 min. 30 JUN | Dom Sun | 18h00 6 pm Visita ou Memórias e Confissões, 1982 21 JUL | Dom Sun | 16h00 4 pm Visit, or Memories and Confessions, 1982 A Divina Comédia The Divine Comedy, 1991 PT | 68 min. PT | 140 min. 25, 27 JUN | Ter, Qui Tue, Thu | 17h00 23 JUL | Ter Tue | 16h00 4 pm 26, 28 JUN | Qua, Sex Wed, Fri | 15h00 O Velho do Restelo The Old Man from Belém, 29 JUN | Sáb Sat | 18h00 6 pm 2014 30 JUN | Dom Sun | 16h00 4 pm PT | 19 min.
    [Show full text]
  • Scandinavië in Beeld En Geluid
    Themalijst Scandinavië in beeld en geluid De Scandinavische cinema Meer en meer mensen raken in de ban van Scandinavische films. En wie kan ze ongelijk geven. Met filmlanden zoals Zweden en Denemarken die op grote schaal veel internationale successen weten te produceren, heb je al voor dagen aan uitstekend film vermaak. Maar ook Noorwegen en Finland moeten niet worden vergeten. Wellicht zijn de Noorse en Finse films minder toegankelijk, wat stijver en grauwer, maar ook deze landen hebben een paar pareltjes weten te creëren. Zweden Ernst Ingmar Bergman (Uppsala, 14 juli 1918 – Fårö, 30 juli 2007). Ingmar Bergman werd in 1918 geboren als zoon van een Luthers predikant. De kleine Ingmar was zwak en vaak ziek. Net zoals zijn oudere broer rebelleerde thuis kregen, een jeugd die hij later getrouw zou reconstrueren in Fanny en Alexander (1982). Voor Ingmar betekende die rebellie dat hij alleen maar zijn humaniora afmaakte. Aan de universiteit verzeilde hij immers al snel bij het studententheater, een passie die hij tijdens de Tweede Wereldoorlog voortzette Bergmans werk in het theater ook de deuren openen voor een filmcarrière toen zijn scenario Kwelling (Hets, 1942) werd verfilmd door Alf Sjöberg. Toch zou het, het succes van Zomer met Monika (1953) niet te na gesproken, tot 1955 duren vooraleer Bergman internationaal met Glimlach van een Zomernacht doorbrak. Hij had toen al dertien films op zijn actief. In Amerika verkreeg hij godenstatus met Het Zevende Zegel (1957), dat werd binnengehaald als de eerste echt existentiële film. Daarna volgden de gouden jaren met de grote klassiekers: De Maagdenbron (1960), In een donkere spiegel (1961), De Avondmaalgasten (1963), Persona (1966), Het Uur van de Wolf (1967) en Schaamte (1968), om slechts de belangrijkste te noemen.
    [Show full text]
  • Son Kuşak Isveç Sinemasi
    ---- DOSYA ---- SON KUŞAK İSVEÇ SİNEMASI İsveç film endüstrisi, Ingmar Bergman gibi ustaların uluslararası başarılarının uzun yıllar keyfini çıkardı. Günümüzün yeni kuşak yönetmenleri ise kendi markalarını oluşturmaktalar. Küçük bağımsız filmlerden iyi kurgulanmış Hollywood yapımlarına kadar her şeyin üretildiği, izleyicilerin beğenisini kazanan filmlerle hem ulusal hem de uluslararası alanda ödüller kazanmaktalar. Onlar yeni kuşak bir oyuncu grubu da eşlik etmekte. Şimdi onların sinema yolculuklarına kısa bakışlar atalım. Çağdaş İsveçli Yönetmenler Ruben Östlund kayak sporlarını konu edinen ilk filmleriyle ilgi çeken yazar ve yönetmen. İlk uzun metrajlı filmini 2004’te çekmiştir ve o günden bu yana iki ödül kazandığı kurgu kısa ve uzun metrajlı filmler yapmıştır. Oyun (Play, 2011) Tokyo Film Festivali ve Cannes Coup de Coeur’de En İyi Yönetmen ödülüyle birlikte Nordic Council Film Prize ödülünü kazanmıştır. Son prodüksiyonlarından biri olan SEKANS Sinema Kültürü Dergisi Aralık 2018 | Sayı e9 : 227-233 Turist (Force Majeure, 2014) ile, 2014 Cannes Film Festivali'nin “Belirli Bir Bakış” bölümünde Jüri Ödülü’nü; hemen ardından, Kare (The Square, 2017) adlı yapımıyla da 2017 Cannes Film Festivali’nde “Altın Palmiye” ödülünü kazanmıştır. Ruben Östlund’un Turist filminden bir kare. Kayak tatilinde bir aile krizine dönüşen çığ düşme sahnesi. Lisa Langseth seks, sınıf ve iktidar temalarıyla ilgilenen keskin bir yönetmen. Kültür dünyasındaki güç ilişkilerini anlatan ilk filmi Sevilen (Pure, 2010), yükselen yıldız Alicia Vikander’in kariyerinin başlangıcı oldu. Langseth ve Vikander, Otel (Hotell, 2013) için yeniden bir araya geldi. 228 Lukas Moodysson 1998’de Sev Beni (Show Me Love, 1998) filmiyle çıkış yaptı. Birlikte (Together, 2000), Daima Lilya (Lilya 4-ever, 2002) ve Gael Garcia Bernal ile Michelle Williams’ın başrollerini paylaştığı Mamut (Mammoth, 2009) gibi ses getiren filmler yönetti.
    [Show full text]
  • 10 FRANCSS 10 Francs, 28 Rue De L'equerre, Paris, France 75019 France, Tel: + 33 1 487 44 377 Fax: + 33 1 487 48 265
    MIPTV - MIPDOC 2013 PRE-MARKET UNABRIDGED COMPREHENSIVE PRODUCT GUIDE SPONSORED BY: NU IMAGE – MILLENNIUM FILMS SINCE 1998 10 FRANCSS 10 Francs, 28 Rue de l'Equerre, Paris, France 75019 France, Tel: + 33 1 487 44 377 Fax: + 33 1 487 48 265. www.10francs.fr, [email protected] Distributor At MIPTV: Christelle Quillévéré (Sales executive) Market Stand: MEDIA Stand N°H4.35, Tel: + 33 6 628 04 377 Fax: + 33 1 487 48 265 COLORS OF MATH Science, Education (60') Language: English Russian, German, Finnish, Swedish Director: Ekaterina Erementp Producer: EE Films Year of Production: 2011 To most people math appears abstract, mysterious, complicated, inaccessible. But math is nothing but another language to express the world. Math can be sensual. Math can be tasted, it smells, it creates sound and color. One can touch it - and be touched by it... Incredible Casting : Cedric Villani (french - he talks about « Taste »). Anatoly Fomenko (russian - he talks about « Sight »), Aaditya V. Rangan (american - he talks about « Smell »), Gunther Ziegler (german - he talks about « To touch » and « Geométry »), Jean- Michel Bismut (french - he talks about « Sound » … the sound of soul …), Maxime Kontsevich (russian - he talks about « Balance »). WILD ONE Sport & Adventure, Human Stories (52') Language: English Director: Jure Breceljnik Producer: Film IT Country of Origin: 2012 "The quest of a young man, athlete and disabled, to find the love of his mother and resolve the past" In 1977, Philippe Ribière is born in Martinique with the Rubinstein-Taybi Syndrome. Abandoned by his parents, he is left to the hospital, where he is bound to spend the first four years of his life and undergo a series of arm and leg operations.
    [Show full text]
  • Reflections of Urban Poor in Social Realist Films in Turkey
    REFLECTIONS OF URBAN POOR IN SOCIAL REALIST FILMS IN TURKEY A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY YILDIRIM UYSAL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE DEPARTMENT OF SOCIOLOGY OCTOBER 2015 Approval of the Graduate School of Social Sciences Prof. Dr. Meliha Altunışık Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Doctor of Philosophy. Prof. Dr. Sibel Kalaycıoğlu Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Doctor of Philosophy. Prof. Dr. Mehmet Ecevit Supervisor Examining Committee Members Prof. Dr. Kurtuluş Kayalı (AÜ, DTCF) Prof. Dr. Mehmet Ecevit (METU, SOC) Prof. Dr. Tayfun Atay (OKAN Ü., SOC) Assoc.Prof.Dr. Erdoğan Yıldırım (METU, SOC) Prof.Dr. Helga Rittersberger Tılıç (METU, SOC) PLAGIARISM I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name : Yıldırım Uysal Signature : v ABSTRACT THE REFLECTIONS OF URBAN POOR IN SOCIAL REALIST FILMS OF TURKEY Uysal, Yıldırım Ph.D., Department of Sociology Supervisor: Prof. Dr. Mehmet Ecevit October 2015, 362 pages This dissertation is analyzing the reflections of urban poor in social realist films in Turkey, within a perspective that begins at the beginning of 1960s and finishes at the end of 1980s.
    [Show full text]
  • Aniki-Bóbó Manoel De Oliveira
    Aniki-Bóbó Manoel de Oliveira European Cinema Education PEDAGOGICAL for the Youth PACKAGE 2 I – OPENING SUMMARY CINED: A COLLECTION OF FILMS, A FILM PEDAGOGY I – INTRODUCTION • CinED: a collection of films, a film pedagogy p.2 • Why this film? p.3 CinEd has joined a mission of transmitting the 7th art as a cultural object and as a support to understand the • Technical specifications p.3 I - OPENING world. For that reason it was elaborated a common pedagogy, starting from a collection of movies produced in the • What is at stake in this film p.5 European countries, partners to this project. The approach intends to be adapted to our era, marked by a rapid, • Synopsis p.5 major and continuously change, regarding the way of seeing, receiving and producing the images. These last are viewed on a variety of screens: from the biggest – those in the halls, to the smallest – (to smartphones) ticking, of II – THE FILM course, TV sets, computers and tablets screens.The cinema is still a young art whose death has been predicted • Contexts p.6 many times. It is very clear that this didn’t happen. • The Autor: Manoel de Oliveira - The eternal youth of a great Portuguese filmmaker p.7 These changes affect the cinema, transmission must seriously take into account the manner increasingly frag- • The Film in the context of the work: Aniki-Bó p.8 mented of viewing movies, starting from this screen diversity. CinEd publications propose and talk about a sensitive, • Selective filmographyp.9 inductive, interactive and intuitive education providing knowledges, analysis tools and dialog between image and • Affiliations p.10 film possibilities.
    [Show full text]