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The Evolution of Ornette Coleman's Music And
DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY by Nathan A. Frink B.A. Nazareth College of Rochester, 2009 M.A. University of Pittsburgh, 2012 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Nathan A. Frink It was defended on November 16, 2015 and approved by Lawrence Glasco, PhD, Professor, History Adriana Helbig, PhD, Associate Professor, Music Matthew Rosenblum, PhD, Professor, Music Dissertation Advisor: Eric Moe, PhD, Professor, Music ii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Copyright © by Nathan A. Frink 2016 iii DANCING IN HIS HEAD: THE EVOLUTION OF ORNETTE COLEMAN’S MUSIC AND COMPOSITIONAL PHILOSOPHY Nathan A. Frink, PhD University of Pittsburgh, 2016 Ornette Coleman (1930-2015) is frequently referred to as not only a great visionary in jazz music but as also the father of the jazz avant-garde movement. As such, his work has been a topic of discussion for nearly five decades among jazz theorists, musicians, scholars and aficionados. While this music was once controversial and divisive, it eventually found a wealth of supporters within the artistic community and has been incorporated into the jazz narrative and canon. Coleman’s musical practices found their greatest acceptance among the following generations of improvisers who embraced the message of “free jazz” as a natural evolution in style. -
Firing the Canon: Multiple Insularities in Jazz Criticism
FIRING THE CANON: MULTIPLE INSULARITIES IN JAZZ CRITICISM By © 2014 Christopher Robinson Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson, Sherrie Tucker ________________________________ Randal Jelks ________________________________ Tony Bolden ________________________________ John Gennari ________________________________ William J Harris Date Defended: April 7, 2014 The Dissertation Committee for Christopher Robinson certifies that this is the approved version of the following dissertation: Firing the Canon: Multiple Insularities in Jazz Criticism ________________________________ Chairperson, Sherrie Tucker Date approved: April 7, 2014 ii ABSTRACT Whereas many jazz scholars focus on jazz criticism's construction and implications of a single, or insular, jazz canon, this dissertation argues that what many jazz critics do is precisely the opposite. These critics disrupt the sense of a singular and insular jazz canon by challenging it through the creation of what I call an insularity, which is a bounded collection of artists and music with a definable tradition, values and established criteria which regulates what is suitable for inclusion. This dissertation argues that jazz does not consist of a single canon and music that exists beyond the canon's boundaries; rather, jazz contains multiple insularities that challenge the canon and vie for the opportunity to overthrow the canon in order to reach canonical status. This dissertation conceptualizes jazz critics as cultural authorities who create or deconstruct insularities through a variety of race, gender and nation projects. It examines the criticism of Leonard Feather, Val Wilmer and Nathaniel Mackey to highlight the numerous ways in which critics engage with multiple insularities. -
An Analysis of the People and Forces Shaping the Development of New
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João Gilberto
SEPTEMBER 2019 VOLUME 86 / NUMBER 9 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Penrose.DOC 2
Peka Totara Penrose High School Golden Jubilee 1955 –2005 Graeme Hunt Inspiration from One Tree Hill The school crest, a totara in front of the obelisk marking the grave of ‘father of Auckland’ Sir John Logan Campbell on One Tree Hill (Maungakiekie), signals the importance of the pa and reserve to Penrose High School. It was adopted in 1955 along with the Latin motto, ‘Ad Altiora Contende’, which means ‘strive for higher things’. Foundation principal Ron Stacey, a Latin scholar, described the school in 1955 as a ‘young tree groping courageously towards the skies’. ‘We look upward towards the summit of Maungakiekie where all that is finest in both Maori and Pakeha is commemorated for ever in stone and bronze,’ he wrote. In 1999 a red border was added to the crest but the crest itself remained unchanged. In 1987 the school adopted a companion logo based on the kiekie plant which grew on One Tree Hill in pre-European times (hence the Maungakiekie name). The logo arose from a meeting of teachers debating education reform where the school’s core values were identified. The words that appear on the kiekie logo provide a basis for developing the school’s identity. The kiekie, incorporated in the school’s initial charter in 1989, does not replace the crest but rather complements it. School prayer† School hymn† Almighty God, our Heavenly Father, Go forth with God! We pray that you will bless this school, Go forth with God! the day is now Guide and help those who teach, and those who learn, That thou must meet the test of youth: That together, we may seek the truth, Salvation's helm upon thy brow, And grow in understanding of ourselves and other people Go, girded with the living truth. -
JAZZ: a Regional Exploration
JAZZ: A Regional Exploration Scott Yanow GREENWOOD PRESS JAZZ A Regional Exploration GREENWOOD GUIDES TO AMERICAN ROOTS MUSIC JAZZ A Regional Exploration Scott Yanow Norm Cohen Series Editor GREENWOOD PRESS Westport, Connecticut • London Library of Congress Cataloging-in-Publication Data Yanow, Scott. Jazz : a regional exploration / Scott Yanow. p. cm. – (Greenwood guides to American roots music, ISSN 1551-0271) Includes bibliographical references and index. Discography: p. ISBN 0-313-32871-4 (alk. paper) 1 . Jazz—History and criticism. I. Title. II. Series. ML3508.Y39 2005 781.65'0973—dc22 2004018158 British Library Cataloguing in Publication Data is available. Copyright © 2005 by Scott Yanow All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2004018158 ISBN: 0-313-32871-4 ISSN: 1551-0271 First published in 2005 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48-1984). 10 9 8 7 6 5 4 3 2 1 Contents Series Foreword vii Preface xi Chronology xiii Introduction xxiii 1. Sedalia and St. Louis: Ragtime 1 2. New Orleans Jazz 7 3. Chicago: Classic Jazz 15 4. New York: The Classic Jazz and Swing Eras 29 5. Kansas City Swing, the Territory Bands, and the San Francisco Revival 99 6. New York Bebop, Latin, and Cool Jazz 107 7. -
Listening In
N.Z. RADIO N.Z. RADIO NovemberNew 2005 Zealand www.odxa.on.ca DX Times $4.00 Monthly Journal of the D X New Zealand Radio DX League (est 1948) D X ListeningNovember 2005 Volume 58 Number In 1 LEAGUE A monthly publication ofhttp://www.radiodx.com the Ontario DX Association LEAGUE Radio Fun for Everyone Now Available - the 2006 Passport to World Band Radio Inside: Monitoring Russian Satellites MediumwaveNOTE EARLIER Loggings CLOSING from DATEMiscou Island 30TH NOVEMBER 2005 ISSN 1493-7824 Contribution deadline for next issue is Wed 30th Nov 2005. P.O. Box 3011, Auckland CONTENTS FRONT COVER REGULAR COLUMNS Passport to World Band Radio 2006 Bandwatch Under 9 3 with Ken Baird Now available in NZ see below Bandwatch Over 9 9 and pages 23-26 with Phil van de Paverd and review of Fcst SW Reception 13 Passport to World Band Radio 2006 Compiled by Mike Butler by Radio Netherlands Media Network Shortwave Report 15 pages 46/47 with Ian Cattermole Utilities 21 with Evan Murray TV/FM 27 with Adam Claydon Combined Shortwave 33 NOTE THE EARLIER and Broadcast Mailbag CLOSING DATE with Stuart Forsyth\ Broadcast news/DX 41 Compiled by Tony King Usually the 1st Wednesday of US X Band List 42 the Month. However due to the Compiled by Tony King 1st Wednesday in December AGM REPORT 43 with Bryan Clark being later than usual and to get ADCOM News 44 the magazine completed and in with Bryan Clark LEAGUE FINANCIAL 45 the mail before the Christmas REPORT Closedown the closing date will be Wednesday 30th November OTHER List of BBC freq in NZ 14 by Ken Baird Advertisement Marketsquare 20 1 x Wanted Burnet Pollard Books 1 x For Sale WRTH and Passport to On the Shortwaves 32 History World Band Radio by Jerry Berg Pages 23 - 24 - 25 Review of Passport 46 to World Band Radio Order Form Page 26 by Radio Netherland/Media Network. -
Downbeat.Com April 2021 U.K. £6.99
APRIL 2021 U.K. £6.99 DOWNBEAT.COM April 2021 VOLUME 88 / NUMBER 4 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
PHILLIPS End to BEGINNING
MAY 2019—ISSUE 205 YOUR FREE guide TO tHe NYC JAZZ sCENE NYCJAZZRECORD.COM BARRE PHILLIPS END TO BEGINNING janis simon mulatu danny siegel nabatov astatke barker Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2019—ISSUE 205 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 new york@nigHt 4 Laurence Donohue-Greene: interview : janis siegel 6 by jim motavalli [email protected] Andrey Henkin: artist Feature : simon nabatov 7 by john sharpe [email protected] General Inquiries: on The Cover : barre pHillips 8 by andrey henkin [email protected] Advertising: enCore : mulatu astatke 10 by mike cobb [email protected] Calendar: lest we Forget : danny barker 10 by john pietaro [email protected] VOXNews: LAbel spotligHt : pfMENTUM 11 by robert bush [email protected] VOXNEWS by suzanne lorge US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or obituaries 12 by andrey henkin money order to the address above or email [email protected] Cd reviews 14 Staff Writers Duck Baker, Stuart Broomer, Robert Bush, Kevin Canfield, misCellany 33 Marco Cangiano, Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, event Calendar Tom Greenland, George Grella, 34 Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Mike Cobb, Pierre Crépon, George Kanzler, Steven Loewy, Franz Matzner, If jazz is inherently, wonderfully, about uncertainty, about where that next note is going to Annie Murnighan, Eric Wendell come from and how it will interact with all that happening around it, the same can be said for a career in jazz. -
I a COMPARATIVE STUDY of the JAZZ TRUMPET STYLES of CLIFFORD BROWN, DONALD BYRD, and FREDDIE HUBBARD an EXAMINATION of IMPROVISA
A COMPARATIVE STUDY OF THE JAZZ TRUMPET STYLES OF CLIFFORD BROWN, DONALD BYRD, AND FREDDIE HUBBARD AN EXAMINATION OF IMPROVISATIONAL STYLE FROM 1953-1964 by JAMES HARRISON MOORE Bachelor of Music, West Virginia University, 2003 Master of Music, University of the Arts, 2006 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2012 i UNIVERSITY OF PITTSBURGH Dietrich School of Arts and Sciences This dissertation was presented by James Harrison Moore It was defended on March 29, 2012 Committee Members: Dean L. Root, Professor, Music Mathew Rosenblum, Professor, Music Lawrence Glasco, Professor, History Dissertation Advisor: Nathan T. Davis, Professor, Music ii Copyright © by James Harrison Moore 2012 iii Nathan T. Davis, PhD A COMPARATIVE STUDY OF THE JAZZ TRUMPET STYLES OF CLIFFORD BROWN, DONALD BYRD, AND FREDDIE HUBBARD: AN EXAMINATION OF IMPROVISATIONAL STYE FROM 1953-1964. James Harrison Moore, PhD University of Pittsburgh, 2012 This study is a comparative examination of the musical lives and improvisational styles of jazz trumpeter Clifford Brown, and two prominent jazz trumpeters whom historians assert were influenced by Brown—Donald Byrd and Freddie Hubbard. Though Brown died in 1956 at the age of 25, the reverence among the jazz community for his improvisational style was so great that generations of modern jazz trumpeters were affected by his playing. It is widely said that Brown remains one of the most influential modern jazz trumpeters of all time. In the case of Donald Byrd, exposure to Brown’s style was significant, but the extent to which Brown’s playing was foundational or transformative has not been examined. -
TJEA NEWSLETTER May 2020.Pdf
Texas Jazz Educators Association Newsletter Highlighting Jazz Activities in the State of Texas May 2020 THE PRESIDENT’S . MESSAGE Dear TJEA Members, I hope this newsletter finds you well. It has been an honor and pleasure serving as TJEA President this past year. Since I joined TJEA as a general member I have witnessed growth every year in jazz education in our state. It has been inspiring to see accomplishments like adding the 2nd All-State Jazz Band, Invited HS & MS Jazz groups, TJEA Hall of Fame, and now, hosting our Symposium at TMEA. I'm excited to see what TJEA will do next! As I sit here and write this letter on International Jazz Day, I can't help but reflect on some of the giants we Sam Houston State University Jazz Ensemble’s latest CD. recently lost in the jazz community as well as those who are currently fighting for their lives. I hope you all have found some silver linings during these times INSIDE THIS EDITION and are taking the time to enjoy your families. We all know family time is precious in our profession. Essentially Ellington participants………………….p.2-3 Temple HS at JEN – New Orleans…………….….p. 3-6 I would like to thank and congratulate our President- Plano West – Downbeat awards…………....….…..p. 7 Elect Mark DeHertogh on organizing a fantastic Clear Lake HS online………………………………....pp. 7-8 Symposium this past February. All clinicians, Distance Learning-David Guidi…………………pp. 9-10 instrumental and vocal, were fantastic. Thank you to Angelina College……….…………….............…pp. 11-12 everyone who worked behind the scenes to make this TJEA – TMEA latest news………………………………p. -
ABBOTSFORD 30Th ANNIVERSARY
NZ GEOMECHANICS NEWS NZ GEOMECHANICS DECEMBER 2009 issue 78 Experience. Innovation. Performance. NZ GEOMECHANICS NEWS Newsletter of the New Zealand Geotechnical Society Inc. ISSN 0111–6851 // INVESTIGATION // ACCESS // SLOPE STABILISATION // DESIGN // DRILLING // GROUTING ABBOTSFORD 30 th ANNIVERSARY ■ Historical Special Feature Historical Special Feature ■ Student Awards Student Awards ■ Rockslide Summer School // ROCK ANCHORING // CATCH FENCES // ROCKFALL NET // SOIL NAILING // SHOTCRETE // BLASTING ABBOTSFORD ■ th AVALON GEOTECHNICAL Debris Flow Barriers 30 ANNIVERSARY Avalon is the industry leader in difficult/high access slope investigation and hazard remediation. Pioneers within the rope access field, Avalon has an experienced team that has been working within the industry since the late 1980’s. Neil McHugh the company director is a qualified Engineering Geologist (B.A M.Sc.Oxford) and has extensive geotechnical experience, working for consultants and contractors internationally. Drawing on a wealth of experience Avalon has been at the forefront in New Zealand since 1995, developing and implementing successful geotechnical solutions and setting the industry benchmark for safety and work Historical Special Feature practises. Reinforcing this Avalon was invited to help establish OSH and AS/NZS Standards. DECEMBER Avalon Industrial Services is the team for in-depth knowledge and high quality cost effective geotechnical engineering problem solving on steep slopes and rock faces. Student Awards Call 07 846 1686 or visit us online at www.avalonltd.co.nz. Avalon Industrial Services Ltd. Experience, Innovation, Performance. 2009 Rockslide Summer School issue 78 Debris Flow Barriers PH. 07 846 1686 / FX. 07 846 1016 PO. BOX 5187 / FRANKTON / HAMILTON 3242 / NEW ZEALAND AVALON NZGS WWW.AVALONLTD.CO.NZ // ROPE ACCESS SERVICES NEW ZEALAND GEOMECHANICS NEWS CONTENTS DECEMBER 2009, ISSUE 78 118 31 89 66 Chairman’s Corner .............................................