Bells of All Nations
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2010 AMTA Conference Promises to Bring You Many Opportunities to Network, Learn, Think, Play, and Re-Energize
Celebrating years Celebrating years ofof musicmusic therapytherapy the past... t of k ou oc R re utu e F th to in with ll nd o Music a R Therapy official conference program RENAISSANCE CLEVELAND HOTEL Program Sponsored by: CLEVELAND, OHIO welcome ...from the Conference Chair elcome and thank you for joining us in Cleveland to celebrate sixty years of music Wtherapy. And there is much to celebrate! Review the past with the historical posters, informative presentations and the inaugural Bitcon Lecture combining history, music and audience involvement. Enjoy the present by taking advantage of networking, making music with friends, new and old, and exploring some of the many exciting opportunities available just a short distance from the hotel. The conference offers an extensive array of opportunities for learning with institutes, continuing education, and concurrent sessions. Take advantage of the exceptional opportunities to prepare yourself for the future as you attend innovative sessions, and talk with colleagues at the clinical practice forum or the poster research session. After being energized and inspired the challenge is to leave Cleveland with both plans and dreams for what we can accomplish individually and together for music therapy as Amy Furman, MM, MT-BC; we roll into the next sixty years. AMTA Vice President and Conference Chair ...from the AMTA President n behalf of the AMTA Board of Directors, as well as local friends, family and colleagues, Oit is my distinct privilege and pleasure to welcome you to Cleveland to “rock out of the past and roll into the future with music therapy”! In my opinion, there is no better time or place to celebrate 60 years of the music therapy profession. -
Brass Bands of the World a Historical Directory
Brass Bands of the World a historical directory Kurow Haka Brass Band, New Zealand, 1901 Gavin Holman January 2019 Introduction Contents Introduction ........................................................................................................................ 6 Angola................................................................................................................................ 12 Australia – Australian Capital Territory ......................................................................... 13 Australia – New South Wales .......................................................................................... 14 Australia – Northern Territory ....................................................................................... 42 Australia – Queensland ................................................................................................... 43 Australia – South Australia ............................................................................................. 58 Australia – Tasmania ....................................................................................................... 68 Australia – Victoria .......................................................................................................... 73 Australia – Western Australia ....................................................................................... 101 Australia – other ............................................................................................................. 105 Austria ............................................................................................................................ -
A Replica of the Stretch Clock Recently Reinstated at the West End of Independence Hall
A replica of the Stretch clock recently reinstated at the west end of Independence Hall. (Photograph taken by the author in summer of 197J.) THE Pennsylvania Magazine OF HISTORY AND BIOGRAPHY The Stretch Qlock and its "Bell at the State House URING the spring of 1973, workmen completed the construc- tion of a replica of a large clock dial and masonry clock D case at the west end of Independence Hall in Philadelphia, the original of which had been installed there in 1753 by a local clockmaker, Thomas Stretch. That equipment, which resembled a giant grandfather's clock, had been removed in about 1830, with no other subsequent effort having been made to reconstruct it. It therefore seems an opportune time to assemble the scattered in- formation regarding the history of that clock and its bell and to present their stories. The acquisition of the original clock and bell by the Pennsylvania colonial Assembly is closely related to the acquisition of the Liberty Bell. Because of this, most historians have tended to focus their writings on that more famous bell, and to pay but little attention to the hard-working, more durable, and equally large clock bell. They have also had a tendency either to claim or imply that the Liberty Bell and the clock bell had been procured in connection with a plan to celebrate the fiftieth anniversary, or "Jubilee Year," of the granting of the Charter of Privileges to the colony by William Penn. But, with one exception, nothing has been found among the surviving records which would support such a contention. -
Vital Series, Mallets
USER MANUAL Produced by Vir2 Instruments 00 Vir2 Instruments is an international team of sound designers, musicians, and programmers who specialize in creating the world’s most advanced virtual instrument libraries. Vir2 is producing the instruments that shape the sound of modern music. 29033 Avenue Sherman, Suite 201 Valencia, CA 91355 Phone:661.295.0761 Web:www.vir2.com 00 MALLETS/ TABLE OF CONTENTS CHAPTER 01: INTRODUCTION TO THE LIBRARY 01 INTRODUCTION TO THE LIBRARY TABLE OF CONTENTS TABLE CHAPTER 02: REQUIREMENTS AND INSTALLATION 02 SYSTEM REQUIREMENTS INSTALLING IN KONTAKT INSTALLING IN KOMPLETE KONTROL & MASCHINE AUTHORIZING UPDATING CHAPTER 03: USING KONTAKT 05 HOW TO ACCESS THE MALLETS LIBRARY FROM KONTAKT USING KONTAKT IN STANDALONE MODE USING KONTAKT WITH YOUR D.A.W. USING KONTAKT WITH ANOTHER HOST CHAPTER 04: GETTING STARTED WITH MALLETS 09 MALLETS OVERVIEW INSTRUMENT CONTROLS INSTRUMENTS TURNED ON VS INSTRUMENTS TURNED OFF GLOBAL FILTER TUNE ROLLS LFO CONTROLS EFFECTS TECHNICAL SUPPORT, ETC. 13 TECH SUPPORT FULL VERSION OF KONTAKT 5 LICENSE AGREEMENT CREDITS 14 CREDITS CHAPTER 01 01 02 MALLETS/ INTRODUCTION TO THE LIBRARY Thank you for purchasing Mallets. / INTRODUCTION TO THE LIBRARY / INTRODUCTION TO Vir2 Instruments is proud to present the first instrument in our Vital Series, Mallets. Mallets brings users a collection of highly detailed, mallet-based instruments, and places them all in an intuitive instrument for the Kontakt CHAPTER 01 Player. Offering multiple mallet types for the Marimba, Xylophone, Glockenspiel, Tubular Bells, Glass Marimba, Song Bells, Vibraphone, and Crotales, Mallets is extremely versatile. Furthermore, each of the aforementioned instruments are available within one single instance of the instrument, allowing for the layering of each instrument for the exploration of endless tonal color. -
Selective Analysis of 20Th Century Contemporary Percussion Ensembles Designated for Three Or More Players
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1968 Selective analysis of 20th century contemporary percussion ensembles designated for three or more players Raymond Francis Lindsey The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Lindsey, Raymond Francis, "Selective analysis of 20th century contemporary percussion ensembles designated for three or more players" (1968). Graduate Student Theses, Dissertations, & Professional Papers. 3513. https://scholarworks.umt.edu/etd/3513 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. A SELECTIVE ANALYSIS OF 2 0 ^ CENTURY CONTEMPORARY PERCUSSION ENSEMBLES DESIGNATED FOR THREE OR MORE PLAYERS by Raymond Francis Lindsey B.M* University of Montana 1965 Presented in partial fulfillment of the requirements for the degree of Master of Music University of Montana 1968 Approved by; L L u ' ! JP. 4 . Chairman, Board of Exami4/ers Deah/, Graduate School 1 :: iosa Date UMI Number: EP35093 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. -
SAVED by the BELL ! the RESURRECTION of the WHITECHAPEL BELL FOUNDRY a Proposal by Factum Foundation & the United Kingdom Historic Building Preservation Trust
SAVED BY THE BELL ! THE RESURRECTION OF THE WHITECHAPEL BELL FOUNDRY a proposal by Factum Foundation & The United Kingdom Historic Building Preservation Trust Prepared by Skene Catling de la Peña June 2018 Robeson House, 10a Newton Road, London W2 5LS Plaques on the wall above the old blacksmith’s shop, honouring the lives of foundry workers over the centuries. Their bells still ring out through London. A final board now reads, “Whitechapel Bell Foundry, 1570-2017”. Memorial plaques in the Bell Foundry workshop honouring former workers. Cover: Whitechapel Bell Foundry Courtyard, 2016. Photograph by John Claridge. Back Cover: Chains in the Whitechapel Bell Foundry, 2016. Photograph by John Claridge. CONTENTS Overview – Executive Summary 5 Introduction 7 1 A Brief History of the Bell Foundry in Whitechapel 9 2 The Whitechapel Bell Foundry – Summary of the Situation 11 3 The Partners: UKHBPT and Factum Foundation 12 3 . 1 The United Kingdom Historic Building Preservation Trust (UKHBPT) 12 3 . 2 Factum Foundation 13 4 A 21st Century Bell Foundry 15 4 .1 Scanning and Input Methods 19 4 . 2 Output Methods 19 4 . 3 Statements by Participating Foundrymen 21 4 . 3 . 1 Nigel Taylor of WBF – The Future of the Whitechapel Bell Foundry 21 4 . 3 . 2 . Andrew Lacey – Centre for the Study of Historical Casting Techniques 23 4 . 4 Digital Restoration 25 4 . 5 Archive for Campanology 25 4 . 6 Projects for the Whitechapel Bell Foundry 27 5 Architectural Approach 28 5 .1 Architectural Approach to the Resurrection of the Bell Foundry in Whitechapel – Introduction 28 5 . 2 Architects – Practice Profiles: 29 Skene Catling de la Peña 29 Purcell Architects 30 5 . -
About CHANGE RINGING
All about CHANGE RINGING Provide a pop-up display explaining change-ringing to those attending and visiting the church. Page 6 METHODS RINGING METHODSThe mechanics of a bell It is traditional to start and Theswinging mechanics full-circle of a bell swinging means finish ringing with rounds full-circlethat we meansneed tothat restrict we need its to restrictmove its moveto one to oneposition. position. Not possible: Possible: Possible: Possible: The traditional notation shows each bell as a number starting at ‘1’ for the treble 1 2 3 4 5 6 7 8 1 2 3 4 5 6 7 8 1 2 3 4 5 6 7 8 1 2 3 4 5 6 7 8 (lightest bell) and running down the numbers to the tenor (heaviest bell). | X | | | | | | X X X | X X X X Bells are usually tuned to the major scale. If there are more than 9 bells, letters 4 8 2Provide 6 7 a1 pop-up 3 5 display 1 3explaining 2 4 5 change-ringi 6 7 8 ng to1 those3 2 attending 5 4 7 and6 8visiting 2the 1 church. 4 3 Page6 5 78 7 The basic method incorporating this rule is called … are substituted, so 0 = 10, E =11, T = 12, A = 13, B = 14, C = 15, D = 16. The1 2 basic3 4 5 6 method 7 8 incorporating this rule is called … X X X X Strokes 2 1Provide 4 3 a6 pop-up 5 8 display7 Now,explaining if change-ringiwe drawng ato linethose attendingjoining and up visiting the the church. -
Shanghai, China Overview Introduction
Shanghai, China Overview Introduction The name Shanghai still conjures images of romance, mystery and adventure, but for decades it was an austere backwater. After the success of Mao Zedong's communist revolution in 1949, the authorities clamped down hard on Shanghai, castigating China's second city for its prewar status as a playground of gangsters and colonial adventurers. And so it was. In its heyday, the 1920s and '30s, cosmopolitan Shanghai was a dynamic melting pot for people, ideas and money from all over the planet. Business boomed, fortunes were made, and everything seemed possible. It was a time of breakneck industrial progress, swaggering confidence and smoky jazz venues. Thanks to economic reforms implemented in the 1980s by Deng Xiaoping, Shanghai's commercial potential has reemerged and is flourishing again. Stand today on the historic Bund and look across the Huangpu River. The soaring 1,614-ft/492-m Shanghai World Financial Center tower looms over the ambitious skyline of the Pudong financial district. Alongside it are other key landmarks: the glittering, 88- story Jinmao Building; the rocket-shaped Oriental Pearl TV Tower; and the Shanghai Stock Exchange. The 128-story Shanghai Tower is the tallest building in China (and, after the Burj Khalifa in Dubai, the second-tallest in the world). Glass-and-steel skyscrapers reach for the clouds, Mercedes sedans cruise the neon-lit streets, luxury- brand boutiques stock all the stylish trappings available in New York, and the restaurant, bar and clubbing scene pulsates with an energy all its own. Perhaps more than any other city in Asia, Shanghai has the confidence and sheer determination to forge a glittering future as one of the world's most important commercial centers. -
A Proposed Campanile for Kansas State College
A PROPOSED CAMPANILE FOR KANSAS STATE COLLEGE by NILES FRANKLIN 1.1ESCH B. S., Kansas State College of Agriculture and Applied Science, 1932 A THESIS submitted in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE KANSAS STATE COLLEGE OF AGRICULTURE AND APPLIED SCIENCE 1932 LV e.(2 1932 Rif7 ii. TABLE OF CONTENTS Page INTRODUCTION 1 THE EARLY HISTORY OF BELLS 3 BELL FOUNDING 4 BELL TUNING 7 THE EARLY HISTORY OF CAMPANILES 16 METHODS OF PLAYING THE CARILLON 19 THE PROPOSED CAMPANILE 25 The Site 25 Designing the Campanile 27 The Proposed Campanile as Submitted By the Author 37 A Model of the Proposed Campanile 44 SUMMARY '47 ACKNOWLEDGMENTS 54 LITERATURE CITED 54 1. INTRODUCTION The purpose of this thesis is to review and formulate the history and information concerning bells and campaniles which will aid in the designing of a campanile suitable for Kansas State College. It is hoped that the showing of a design for such a structure with the accompanying model will further stimulate the interest of both students, faculty members, and others in the ultimate completion of such a project. The design for such a tower began about two years ago when the senior Architectural Design Class, of which I was a member, was given a problem of designing a campanile for the campus. The problem was of great interest to me and became more so when I learned that the problem had been given to the class with the thought in mind that some day a campanile would be built. -
Church Bells Vol 7 (Bells and Bell Ringing)
December 2, 1876.] Church Bells. 5 Sir ,— Can any of your readers kindly send m e a copy of a set of rules that the Cathedral in 35 mins., consisting of 750 changes (corresponding with the have been found to work well for, (X) a Working M en’s Club and Reading-room; number of months that Mr. Royle lived). The ringers were:— Messrs. W. (3 ) a Clothing and Boot Club ; (3 ) a Coal Club; and (4) for the Belfry ? Cross, treble; Leather, 2nd; Holdgate, 3rd; Yates, 4th ; Lowcoclc, 5th; Moreton Pinkney, Banbury. T h e V i c a r . Brazier, 0th ; Grimshaw, 7th ; Astbury, jun. 8t li; .Cachus, 9th; Withers, tenor. S i r , — W ill you allow me through your columns to thank those who have Conducted by Mr. Cross. W eight of tenor, 25 cwt.; key, D.— Reported. so kindly replied to my letter of the 18th inst.? J. S. H . C h a m b e r l a in . Ringing at St. Giles’s, Cripplegate. Sormead Vicarage, Buntingford. O n Monday, Nov. 20th, twelve members of the Ancient Society of College 1 A. E. J.’ will be much obliged if any one could give her the address of Youths rang at St. Giles’s, Cripplegate, a true peal of Stedman’s Cinques, any establishment where fancy-work done by ladies is sold, and what com consisting of 5014 changes, in 3 hrs. 52 mins. The hand was as under:— mission they charge for selling it. H . W . Haley, sen. treble; H . Haley, jun. 2nd ; G. -
Multi-Percussion in the Undergraduate Percussion Curriculum Benjamin A
University of Miami Scholarly Repository Open Access Dissertations Electronic Theses and Dissertations 2014-12 Multi-percussion in the Undergraduate Percussion Curriculum Benjamin A. Charles University of Miami, [email protected] Follow this and additional works at: http://scholarlyrepository.miami.edu/oa_dissertations Recommended Citation Charles, Benjamin A., "Multi-percussion in the Undergraduate Percussion Curriculum" (2014). Open Access Dissertations. Paper 1324. This Open access is brought to you for free and open access by the Electronic Theses and Dissertations at Scholarly Repository. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of Scholarly Repository. For more information, please contact [email protected]. ! ! UNIVERSITY OF MIAMI ! ! MULTI-PERCUSSION IN THE UNDERGRADUATE PERCUSSION CURRICULUM ! By Benjamin Andrew Charles ! A DOCTORAL ESSAY ! ! Submitted to the Faculty of the University of Miami in partial fulfillment of the requirements for the degree of Doctor of Musical Arts ! ! ! ! ! ! ! ! ! Coral Gables,! Florida ! December 2014 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ©2014 Benjamin Andrew Charles ! All Rights Reserved UNIVERSITY! OF MIAMI ! ! A doctoral essay proposal submitted in partial fulfillment of the requirements for the degree of Doctor of Musical! Arts ! ! MULTI-PERCUSSION IN THE UNDERGRADUATE PERCUSSION CURRICULUM! ! Benjamin Andrew Charles ! ! !Approved: ! _________________________ __________________________ -
Philippe LEROUX Y R a L a E H P O T S I R H C
Philippe LEROUX y r a l A e h p o t s i r h C : o t o h P Gérard Billaudot Éditeur Octobre 2014 P h i l i p p e L E R O U X ( 1 9 5 9 ) CATALOGUE DES ŒUVRES C ATALOGUE OF WORKS W ERKVERZEICHNIS C ATALOGO DE OBRAS 14 rue de l’Échiquier - 75010 PARIS - FRANCE Tél. : (33) 01.47.70.14.46 - Télécopie : (33) 01.45.23.22.54 www.billaudot.com [email protected] - [email protected] B I O G R A P H I E P H I L I P P E L E RO U X ( 1 9 5 9 ) Philippe Leroux entre au Conservatoire National Supérieur de Musique de Paris en 1978 dans les classes d'Ivo Malec, Claude Ballif, Pierre Schäeffer et Guy Reibel où il obtient trois premiers prix. Durant cette période, il étudie également avec Olivier Messiaen, Franco Donatoni, Betsy Jolas, Jean-Claude Eloy et Iannis Xénakis. En 1993, il est nommé pensionnaire à la Villa Médicis où il séjourne jusqu'en octobre 1995. Il est l'auteur d'une soixantaine d'œuvres, symphoniques, acousmatiques, vocales, pour dispositifs électroniques, et de musique de chambre. Celles-ci lui ont été commandées par le Ministère français de la Culture, l'Orchestre Philharmonique de Radio-France, la Südwestfunk Baden-Baden, l'IRCAM, Les Percussions de Strasbourg, l'Ensemble Intercontemporain, l'Ensemble 2e2m, l'INA-GRM, le Nouvel Ensemble Moderne de Montreal, l'Ensemble Ictus, le Festival Musica, l'Ensemble BIT 20, la fondation Koussevitsky, l'Ensemble San Francisco Contemporary Music Players, l'Ensemble Athelas, l'Orchestre National de Lorraine, l'Orchestre Philharmonique de Nice, le CIRM, INTEGRA, le Festival Berlioz, ainsi que par d'autres institutions françaises et étrangères.