DOCSLIB.ORG

M [email protected] : 052-8313191 : ,04

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
M Bardavid@Baram.Org.Il : 052-8313191 : ,04 - 10:00-14:00 ’ 10:00-16:00 ,’-’ : [email protected] : 052-8313191 : ,04-6988295 . www.bardavid-museum.org.il : 2012 3 2 - , " " . , . . , , , : . , .)1951-1949( . , ." " , . . ." " , . . . , "" . . " " 10 - . , . "" , . , . ” “ 2006- . ”Jaffa“ - 2010- . ," " " " : , .” “ : , , " " " " . " , ." ,1861 " ( , .) . 5 4 : – ’ - - , ,)2000( ”“ . , , )’( . “ : , .” . ? , , . , . . . - - , . - - . . , , ? , ; , - - , . - . ”“ 7 6 ,”” , . , . – – - , . , , . , , , . , . , . , , , , , . – , . )1995( ”“ . , . , - – , . , - . “ . - , ’ – , , ,” 1 3 . . . , , , . , , , , , , , . , , , , , , , , , . . , - . , 2 . , , , , , , , , .1995 , , ,) ( tsova : ,” :“ , , .3 Roger I. Simon, Remembrance, Learning, and Ethics, New York: Palgrave The Touch of the Past .1 .Macmillan, 2005 , ,- , .2 , , . , 9 8 , : . . . . , ”“ - , , : – . , . , . , ’ , ,” “ , . , ,- , . , ,”“ , , . , . . , , . , - . ( : , )” , ( , . ) ( )( ) . : . . , : , - , , . , , , , , . . . – , , , “ : 4 , .” .4/11/2011 , , .4 11 10 , : , “ , ,”“ . . . , , , , ’‘ .)Tom Nairn( 5 ”. . , , , ’‘ “ , – - 6.” , : . , , . . , 1949 , , . , , , . , . ; . .” “ , , , - - . . . . . : , , . . , . - : “ְ . , ְִ ֵ ִ ”. , “” , , , , , . “ , ,” “ . , . ‘ ?’ ‘ ? ? ? - , , . : ”?’ ‘ ?’ ‘ ?’ ? . ? . “ , . , ? , , , . . . . , .” . , , . , . , .12 ' ,2005 , / , , .6 .Tom Nairn, Faces of Nationalism: Janus Revisited Verso, 1997 .5 13 12 .” “ , ,”“ . , , . ? , , , “ ,” ” ” . ? ,1951- , ? , ” “ , )1924-1847( , ,” , “ . - . “ , , , .)’‘ ( , , . , , 7 .”- – - ”- ”- , , , , , . . . , , - , , , , . . , .9 ' , .7 15 14 Baram wall II 2011-2012, ,2012-2011 II Oil on canvas in five parts Girl with red flag, oil on canvas, 110x90 110x90 , , 17 16 The dining hall, oil on canvas, 110x180 110x180 , , 19 18 The Synagogue, oil on canvas, 110x180 110x180 , , 21 20 The Church, oil on canvas, 110x180 110x180 , , 23 22 2012-2000 Man with red flag, oil on canvas, 110x90 110x90 , , 25 24 Dervishes )2001(, oil on canvas, 130x100 100x130 , ,)2001( Man with cat eating couscous )2001( )2001( Collection of Taly & Dr. Daniel Lombrozo ‘ Oil on canvas, 60x80 60x80 , Ramat HaSharon Collection of Neomi Aviv, Tel Aviv , 27 26 Shavouot )2007(, oil on canvas, 90x70 70x90 , ,)2007( Rose of wind )2002(, oil on canvas, 90x90 90x90 , ,)2002( Estate of Yossi Binyaminof Collection of Pamela & Prof. Ilan Bank ‘ Courtesy of N&N Aman Gallery, Tel Aviv , & Ramat HaSharon 29 28 Sigal & Micha )2004( )2004( Oil on canvas, 110x140 140x110 , Collection of Micha & Sigal Shwartz, Rishon LeZion , 31 30 indian )2012( )2012( Painting clowns )2004( )2004( Japanese ink & acrylic on giclee print, 76x61 76x61 ,‘ Aquarelle & acrylic on giclee print, 76x61 76x61 ,‘ Private collection, Rishon LeZion , Private collection, Rishon LeZion , 33 32 Donkeys )2008( )2008( Donkey )2004( )2004( Japanese ink & acrylic on giclee print, 61x76 61x76 ,‘ Japanese ink & acrylic on giclee print, 61x76 61x76 ,‘ Private collection, Rishon LeZion , Private collection, Rishon LeZion , 35 34 Shomer )2003( oil on canvas, 80x80 80x80 , )2003( Tal )2008( oil on canvas ,70x90 70x90 , )2008( Collection of Joelle Tibi, Paris , ‘ Collection of Dr. Tal Nisimov, Tel Aviv , ‘ 37 36 Oum Tosca )2001( )2001( Aquarelle, acrylic & varnish on paper & wood 30.5x24.5 30.5x24.5 Almost sweet life )2002( )2002( Collection of Micha & Sigal Shwartz Aquarelle & acrylic on paper, 25x16.5 25x16.5.
Load more

Recommended publications
  • TEL AVIV PANTONE 425U Gris PANTONE 653C Bleu Bleu PANTONE 653 C
    ART MODERNE ET CONTEMPORAIN TRIPLEX PARIS - NEW YORK TEL AVIV Bleu PANTONE 653 C Gris PANTONE 425 U Bleu PANTONE 653 C Gris PANTONE 425 U ART MODERNE et CONTEMPORAIN Ecole de Paris Tableaux, dessins et sculptures Le Mardi 19 Juin 2012 à 19h. 5, Avenue d’Eylau 75116 Paris Expositions privées: Lundi 18 juin de 10 h. à 18h. Mardi 19 juin de 10h. à 15h. 5, Avenue d’ Eylau 75116 Paris Expert pour les tableaux: Cécile RITZENTHALER Tel: +33 (0) 6 85 07 00 36 [email protected] Assistée d’Alix PIGNON-HERIARD Tel: +33 (0) 1 47 27 76 72 Fax: 33 (0) 1 47 27 70 89 [email protected] EXPERTISES SUR RDV ESTIMATIONS CONDITIONS REPORTS ORDRES D’ACHAt RESERVATION DE PLACES Catalogue en ligne sur notre site www.millon-associes.com בס’’ד MODERN AND CONTEMPORARY FINE ART NEW YORK : Tuesday, June 19, 2012 1 pm TEL AV IV : Tuesday, 19 June 2012 20:00 PARIS : Mardi, 19 Juin 2012 19h AUCTION MATSART USA 444 W. 55th St. New York, NY 10019 PREVIEW IN NEW YORK 444 W. 55th St. New York, NY. 10019 tel. +1-347-705-9820 Thursday June 14 6-8 pm opening reception Friday June 15 11 am – 5 pm Saturday June 16 closed Sunday June 17 11 am – 5 pm Monday June 18 11 am – 5 pm Other times by appointment: 1 347 705 9820 PREVIEW AND SALES ROOM IN TEL AVIV 15 Frishman St., Tel Aviv +972-2-6251049 Thursday June 14 6-10 pm opening reception Friday June 15 11 am – 3 pm Saturday June 16 closed Sunday June 17 11 am – 6 pm Monday June 18 11 am – 6 pm tuesday June 19 (auction day) 11 am – 2 pm Bleu PREVIEW ANDPANTONE 653 C SALES ROOM IN PARIS Gris 5, avenuePANTONE d’Eylau, 425 U 75016 Paris Monday 18 June 10 am – 6 pm tuesday 19 June 10 am – 3 pm live Auction 123 will be held simultaneously bid worldwide and selected items will be exhibited www.artonline.com at each of three locations as noted in the catalog.
    [Show full text]
  • Program December 2019
    View this email in your browser PROGRAM DECEMBER 2019 Film Solidarity - Tel Aviv Human Rights Film Festival 2019 (5.-10.12.2019) --> Born in Evin by Maryam Zaree Jerusalem Jewish Film Festival 2019 (21.-26.12.2019) --> The Tobacconist by Nikolaus Leytner Film Programmer's Exchange: Israel - Austria (25.-31.12.2019, Jerusalem, Holon) --> Alessandra Thiele, Film Museum Vienna; Paul Ploechl, Moviemento Linz --> The Trial; Welcome in Vienna; Untitled; The Paper Bridge; You Will Never Understand This Music Salon Romano: Live Show (1.12.2019, Tel Aviv) --> Giuseppe Leonardi Piano Recitals (2.12.2019 Jerusalem, 3.12.2019, Akko) --> Hanna Bachmann Viennese Ball - A Shiny Evening Full of Dance & Music (7.12.2019, Be'er Sheva) --> Paul Armin Edelmann, Christina Maria Fercher Piano Recitals (20.12.&21.12.2019, Jerusalem) --> Trio KlaVis: Jenny Lippl, Miha Ferk, Sabina Hasanova Lecture & Workshop Residency Program: Tights: Dance & Thoughts (1.12.-21.12.2019, Jaffa) --> Lilly Pfalzer Lecture on Human Rights (19.12.2019, Haifa) --> Moriz Kopetzki Exhibitions Photo IS:RAEL - International Photography Festival (until 7.12., Tel Aviv) --> Robert Rutöd Jonathan Monk: Exhibition Model Six - The Tel Aviv Version (12.12.2019-1.2.2020,Tel Aviv) --> Lisa Großkopf Silent Night! Holy Night! The Christmas Carol and its Message of Peace 200 Years after its First Performance (until 31.12.2019, Jerusalem) Fateful Choices: Arts from the Gurlitt Trove (until 15.1.2020, Jerusalem) --> Oskar Kokoschka A New Age: The Spiritual in Art ( until 2.2.2020, Tel Aviv) --> Muntean/Rosenblum FILM Solidarity - Tel Aviv Human Rights Film Festival 2019 feat. Born in Evin (5.-10.12.2019) Jährlich lenkt das Solidarity Film Festival die Aufmerksamkeit seines Publikums auf gesellschaftspolitische und soziale Konflikte dieser Welt.
    [Show full text]
  • Stories of Becomingan Art Educator
    Stories of Becoming an Art Educator: Opening a Closed As part of my research dissertation I collected tales of Israeli art Door teachers and studied the ways they negotiated their teaching identi- Nurit Cohen Evron ties within and against their schools’ normative discourses. I learned 1 Faculty of the Arts, Beit-Berl College, Israel that being and becoming an art teacher involved an ongoing pro- cess of negotiation between personal and professional experiences, ABstraCT knowledge and beliefs, and the school’s discourse. Their beliefs and This paper describes recollections of my personal experiences in Israel and identities couldn’t be separated from the socio-cultural environments their interplay with my decisions as an art educator. These stories are examples of how the borders between the professional, the personal, and the institu- and the discourses in which and through which they were constantly tional are blurred. Becoming and being an art educator in a country which is (re)constructed (Cohen Evron, 2004). Our identities as teachers are deeply affected by a long-standing, deep-rooted, stubborn, and violent conflict, I neither fixed nor are they an inventory of knowledge or technical pro- struggle to find ways to teach art in a meaningful way and to react to the culture cedures of teaching experience. We continually reconstruct our views of conflict through critical art pedagogy. of ourselves in relation to others, workplace characteristics, profes- sional purposes, and cultures of teaching. Furthermore, we bring to Becoming an Art Educator our teaching profession our personal and institutional biographies The question of what is involved in the process of becoming a good (Connelly & Clandinin, 1999; Sivertsen, 1994).
    [Show full text]
  • ISRAELISCHE GRAFIK.Pdf
    RUBRIK AUSGABE 3 | 2015 21 Yigal Ozeri, geb. 1958 in Israel, lebt in New York Fotos: Slobodan Ciric Fotos: Die INW lädt vom 11. Oktober bis 15. Oktober zu einer Ausstellung ein, welche im Theater Nestroyhof Hamakom, Nestroyplatz 1, 1020 Wien im Rahmen der israelischen Theaterwoche (siehe S. 41) stattfindet und die einen Querschnitt israelischer Grafik bietet. Der Kurator dieser Präsentation ist der in Israel sehr bekannten Kunst- und Kulturmanager Doron Polak. Die Werke sind auch käuflich zu erwerben. Unter dem Titel „Rishumon” gibt es zusätzlich eine bemerkens- werte und berührende Darbietung zweier Künstler, die zeitlose Themen wortlos, begleitet mit Musik von Shaul Ben Amitai, auf die Bühne bringen – schauspielerisch Svetlana Ben und malerische Interpretation Ophira Avisar. Ein Ereignis das man nicht versäumen möge. In der Beilage finden Sie einige Künstler dieser sehenswerten Ausstellung. ISRAELISCHE KUNSTGRAPHIK HENIE WESTBROOK ie führt uns zu einem Rundgang durch Ozeri nützt die Techniken der Graphik, um Lea Nikel lebte und arbeitete in Tel Aviv, bole auf, indem er ihnen über ihren wichtige Stationen der Kunstentwicklung sich neben seinen Collagen wieder seinen Paris und New York, studierte in den Studios Symbolwert hinaus, neue Bedeutung scha. Israels, von den Anfängen in der Man- zeichnerischen Ursprüngen zuzuwenden. mit Streichmann und Stemazky und zeichnet Er situiert sie innerhalb der Modernen Kunst Sdatszeit bis zu zeitgenössischen Arbeiten und Auch Zvika Kantor arbeitet im Druckmedium sich durch einen unverkennbar lyrischen Ex- und platziert sie gleichzeitig innerhalb der is- vermittelt uns die Ausstellung ein who is who parallel zu seinen Computerarbeiten. pressionismus, starker Farbigkeit und kalligra- raelischen Kunst. der israelischen Kunstszene – von der Grün- In der Ausstellung wird eine Graphik von phischen Elementen aus.
    [Show full text]
  • Israeli) Star of Hope Agamograph 29 X 31 Cm (11 X 12 In.) Signed Lower Right, Numbered '8/25' Lower Left
    1* Yaacov Agam b.1928 (Israeli) Star of Hope agamograph 29 x 31 cm (11 x 12 in.) signed lower right, numbered '8/25' lower left $1,500-1,800 2* Yaacov Agam b.1928 (Israeli) Untitled color silkscreen mounted on panel 57 x 62 cm (22 x 24 in.) signed lower right, numbered 'L/CXLIV' lower left $400-500 3 Menashe Kadishman 1932-2015 (Israeli) Sheep head acrylic on canvas 30 x 30 cm (12 x 12 in.) signed lower left and again on the reverse $450-550 4 Menashe Kadishman 1932-2015 (Israeli) Motherland charcoal on paper 27 x 35 cm (11 x 14 in.) signed lower right $150-220 5 Menashe Kadishman 1932-2015 (Israeli) Valley of sadness pencil on paper 27 x 35 cm (11 x 14 in.) signed lower right $100-150 6* Ruth Schloss 1922-2013 (Israeli) 1 Girl in red dress, 1965 oil on canvas 74 x 50 cm (29 x 20 in.) signed lower right Provenance: Private collection, USA. $3,500-4,000 7 Sami Briss b.1930 (Israeli, French) Doves oil on wood 8 x 10 cm (3 x 4 in.) signed lower center $500-650 8 Nahum Gilboa b.1917 (Israeli) Rural landscape with wooden bridge mixed media on canvasboard 23 x 30 cm (9 x 12 in.) signed lower right, signed and titled on the reverse $1,800-2,200 9 Audrey Bergner b.1927 (Israeli) Flutist oil on canvas 40 x 30 cm (16 x 12 in.) signed lower right, signed and titled on the reverse $4,800-5,500 10 Yohanan Simon 1905-1976 (Israeli) Vegetarian Evolution, 1971 oil on canvas 46 x 54 cm (18 x 21 in.) signed in English lower left, signed in Hebrew and dated lower right, signed, dated and titled on the stretcher $8,000-10,000 11* Yohanan Simon 1905-1976 (Israeli) Wedding, 1969 2 oil on canvas 15 x 23 cm (6 x 9 in.) signed in English lower left and in Hebrew lower right $2,200-2,500 12 Menashe Kadishman 1932-2015 (Israeli) Fallow deer iron cut-out 34 x 30 x 2 cm (13 x 12 x 1 in.) initialled $1,400-1,600 13 Naftali Bezem b.
    [Show full text]
  • About Your Next Sale
    About your next sale About your sale Title of the sale Interiors 16 Place and date of the sale April 17, 2016| Tel Aviv Hours 7:00 pm Buyer Premium % 15% commission Place and Dates of the exhibition (before the sale) Matsart Tel Aviv Gallery 15 Frishman St. Tel Aviv Opening hours of the exhibition PREVIEW & AUCTION 15 Frishman St. Tel Aviv Sun-Thu 11 am - 6 pm Fri - 11 am - 3 pm Names of the valuators Oren Migdal / Lucien Krief Expert Email + number phone used by customers to ask you questions about the Yehudit Ratzabi sale [email protected] +972-2-625109 / -972-3-3810001 1 Menashe Kadishman 1932-2015 (Israeli) Sheep head acrylic on canvas 30 x 30 cm (12 x 12 in.) signed lower left and again on the reverse Other Notes: Accompanied by a certificate of authenticity signed by the artist. Location: Israel. For estimated delivery time please contact us. $600-800 2 Menashe Kadishman 1932-2015 (Israeli) Herd of sheep panda on paper 36 x 28 cm (14 x 11 in.) signed lower right Other Notes: Location: Israel. For estimated delivery time please contact us. $120-180 3* Yohanan Simon 1905-1976 (Israeli) Surrealist landscape, 1964 oil on canvas 36 x 46 cm (14 x 18 in.) signed in English lower left, signed in Hebrew and dated lower right, inscribed on the reverse Other Notes: Location: USA. For estimated delivery time please contact us. $4,800-5,500 4 Gila Stein b.1945 (Israeli) Mother and child bronze 24 x 16 x 12 cm (9 x 6 x 5 in.) signed and numbered '8/25' Other Notes: Location: Israel.
    [Show full text]
  • The Mosse/Weinstein Center for Jewish Studies at the University of Wisconsin-Madison, in Collaboration with 92Y Presents
    The Mosse/Weinstein Center for Jewish Studies at the University of Wisconsin-Madison, in Collaboration With 92Y Presents: The 7th Biennial Conney Conference on Jewish Arts Converging Movements at 92Y March 31-April 3 2019 | 92Y, 1395 Lexington Ave New York, NY 10128 Keynote Speaker, Dr. Naomi Jackson, author, Converging Movements Modern Dance and Jewish Culture at the 92Y This year’s conference held in collaboration with the historic 92Y in New York City, celebrates 15 years since the founding of The Conney Project on Jewish Arts at the University of Wisconsin Madison Center for Jewish Studies. The 2019 conference is framed within the historical context of 92Y with a focus on the practices, histories and current state of the Jewish Arts across a diverse spectrum of genres and experience. This year’s conference features artists, scholars and performers across the arts, including visual art, dance, literature, theater, poetry, music and film, as seen through the lens of Jewish identity. Conference Conveners: Douglas Rosenberg, Professor and Chair of Art, UW Madison Teryl Dobbs, Professor, School of Music, UW Madison Center for Jewish Studies, UW Madison National Advisory Board: Chair, Ruth Weisberg, Professor of Art, USC Richard McBee, artist and writer Laura Kruger, Curator, Hebrew Union College, Matthew Baigell, author, Professor Emeritus at Rutgers University Judith Brin-Ingber, Scholar, Seeing Israeli and Jewish Dance Robert Skloot, Holocaust Theater Scholar, UW Madison Emeritus Professor 2 Dear Colleagues, It is my pleasure to welcome you to the 7th biennial Conney Conference on Jewish Arts. Our mission is to create a vibrant and respectful space for artists and scholars to present new research in the interdisciplinary field of Jewish arts and by extension, to participate in shaping the ever-evolving field into a robust contemporary discourse.
    [Show full text]
  • The Holidays of the Revolution Myth, Ritual and Identity Among Tel Aviv Communists, 1919-1965
    The Holidays of the Revolution Myth, Ritual and Identity among Tel Aviv Communists, 1919-1965 by Amir Locker-Biletzki A Thesis presented to The University of Guelph In partial fulfilment of requirements for the degree of PhD in History Guelph, Ontario, Canada © Amir Locker-Biletzki, March, 2013 ABSTRACT THE HOLIDAYS OF THE REVOLUTION MYTH, RITUAL AND IDENTITY IN AMONG TEL AVIV COMMUNISTS, 1919-1965 Amir Locker-Biletzki Advisor: University of Guelph, 2013 Alan McDougall The Israeli Communist Party (MKI) and its precursor, the Communist Party of Palestine (PKP), were a unique Arab-Jewish organization. Marginalized and persecuted for most of its formative years, the Communist Party developed, from 1919 to 1965, its own distinctive subculture. Negating and absorbing the Zionist-Socialist and Israeli statist cultures, influenced by both Soviet and left wing European traditions as well as Jewish traditional elements, the Jewish Communists developed their own cycle of holidays. Through the examination of primary sources, ranging from internal Communist documents and newspaper articles to photographs and posters, as well as interviews with contemporaries and comparison with parallel Communist experiences in the United States and in the Arab world – this thesis examines the myths and rituals reflected in the holidays, as practiced by the Jewish Communists in MKI and the Israeli Young Communist League (Banki). The thesis scrutinizes the identity these cultural practices produced. By examining the Jewish holidays, the Israeli civic holidays, May Day, the Soviet November 7th and May 9th holidays, and the rituals concerning the relations between Palestinians and Jews, it is shown that between the years 1919 and 1965 the Jewish Communists created a local, Jewish-Israeli, anti-Zionist patriotic identity.
    [Show full text]
  • The Place of Diasporic Imagery in the Canon of Israeli National Art
    arts Article The National, the Diasporic, and the Canonical: The Place of Diasporic Imagery in the Canon of Israeli National Art Noa Avron Barak Department of Arts, Ben-Gurion University of the Negev, Beer-Sheba 8499000, Israel; [email protected] Received: 9 January 2020; Accepted: 15 March 2020; Published: 26 March 2020 Abstract: This article explores Jerusalem-based art practice from the 1930s to the 1960s, focusing particularly on the German immigrant artists that dominated this field in that period. I describe the distinct aesthetics of this art and explain its role in the Zionist nation-building project. Although Jerusalem’s art scene participated significantly in creating a Jewish–Israeli national identity, it has been accorded little or no place in the canon of national art. Adopting a historiographic approach, I focus on the artist Mordecai Ardon and the activities of the New Bezalel School and the Jerusalem Artists Society. Examining texts and artworks associated with these institutions through the prism of migratory aesthetics, I claim that the art made by Jerusalem’s artists was rooted in their diasporic identities as East or Central European Jews, some German-born, others having settled in Germany as children or young adults. These diasporic identities were formed through their everyday lives as members of a Jewish diaspora in a host country—whether that be the Russian Empire, Poland, or Germany. Under their arrival in Palestine, however, the diasporic Jewish identities of these immigrants (many of whom were not initially Zionists) clashed with the Zionist–Jewish identity that was hegemonic in the nascent field of Israeli art.
    [Show full text]
  • Searching for Home at Château De La Guette and Beyond
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Searching for Home at Château de la Guette and Beyond: Social and Spatial Dimensions of Jewish German and Austrian Children's Journey to Flee Nazi Persecution via Children's Homes in France Sarah Schneider University of Central Florida Part of the Public History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Schneider, Sarah, "Searching for Home at Château de la Guette and Beyond: Social and Spatial Dimensions of Jewish German and Austrian Children's Journey to Flee Nazi Persecution via Children's Homes in France" (2018). Electronic Theses and Dissertations, 2004-2019. 6001. https://stars.library.ucf.edu/etd/6001 SEARCHING FOR HOME AT CHÂTEAU DE LA GUETTE AND BEYOND: SOCIAL AND SPATIAL DIMENSIONS OF JEWISH GERMAN AND AUSTRIAN CHILDREN’S JOURNEY TO FLEE NAZI PERSECUTION VIA CHILDREN’S HOMES IN FRANCE by SARAH SCHNEIDER B.A. Brandeis University, 2013 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2018 Major Professor: Scot A. French ©2018 Sarah Schneider ii ABSTRACT This study examines the experiences of a group of Jewish German and Austrian children who were sent on the Kindertransport to France in an effort to escape Nazi persecution.
    [Show full text]
  • DOR ZLEKHA LEVY 1990 Born in Tel Aviv, Israel
    DOR ZLEKHA LEVY 1990 Born in Tel Aviv, Israel. EDUCATION 2014-2015 Colleagues program, Alma Hebrew College, Tel Aviv, Israel 2010-2014 B.F.A Fine arts and education, Hamidrasha school of Arts, Beit-Berl College, Israel 2004-2008 Fine arts department, Thelma-Yellin high school of the arts, Israel SOLO EXHIBITIONS 2019 Shomer, Hamidrasha Gallery, Tel Aviv Amor, ROOM 25, Tel Aviv (upcoming, opening September 2019) 2018 On one stalk, IDRIS Art Space, Tel Aviv 2017 Maqamat , Tel Aviv Museum of Art 2016 Magen, Braverman Gallery, Tel Aviv GROUP EXHIBITIONS 2019 Deep Feeling, Petach Tikva Museum of Art 2018 Looper, Tel Aviv Museum of Art Contemporary Arabesque, Islamic Art Museum, Jerusalem 2017 I Heard you laughing, Kunsthalle Stavanger, Norway Escape room, Nahum Gutman Museum of Art, Tel Aviv 2016 Art School, Helena Rubinstein Pavilion of Contemporary Art, Tel Aviv Museum Zoom 2016–Young Israeli Artists, Ticho House - Israel Museum, Jerusalem Split Ends, Binyamin Gallery, Tel Aviv 2015 Place Shows, Pasaz Gallery, Tel Aviv Oriental landscape, L’amour Art Space, Paris Smell of the Jasmine, House of the Arts, Tira 2014 Graduate exhibition, Hamidrasha Beit-berl School of arts, Beit-Berl College, Israel Night light festival, Tel Aviv 2013 Ars Campus (IL), Ars Elektronika Festival, Linz Platform Independent Art Fair, Tel Aviv Following the Zionist art prize, the Spaceship Gallery, Tel Aviv PERFORMANCES AND PROJECTS 2019 Speaking in Tongues, Low Tech Nation Hackathon, Hamidrasha Gallery, Tel Aviv 1028 Maqamat, Artissima, Turin 1022 Even, Jerusalem
    [Show full text]
  • JAN. 14 2017 Kunsthall Stavanger Is Proud to Present I Heard You Laughin
    I HEARD YOU LAUGHING / KUNSTHALL STAVANGER / NOV. 9 – JAN. 14 2017 Kunsthall Stavanger is proud to present I Heard You Laughing, an exhibition of video work from the Middle East and in its broad acceptation, curated by Myriam Ben Salah and Martha Kirszenbaum. Artists from the Middle East are often associated with narratives of struggle and rhetoric of the past. Some end up making works that are almost a response to a Western “tacit commission”—a term coined by Moroccan scholar Mohamed Rachdi—arbitrarily linking authenticity with traumatic storytelling. I Heard You Laughing borrows its title from 14th century Persian poet Hafez’s book I Heard God Laughing, in which he lauded the joys of love, humor and irony, three clogged pillars of Middle-Eastern culture that are making a controversial comeback in the works of a younger generation of artists from the region. I Heard You Laughing reflects on the importance of popular culture, the omnipresence of technologies and the role of music and dance, while tackling a form of vernacular ‘disorientalism’ and conveying a certain digital cosmopolitanism. It consists of selected music videos from iconic Middle-Eastern musicians of the 1950s-60s- 70s alongside video works by contemporary artists that reflect the complexities of this often oversimplified ‘East-West’ configuration. Participating artists include: Sarah Abu Abdallah, Sophia Al-Maria, Fatima Al Qadiri and Khalid Al Gharaballi, Meriem Benanni, Bendaly Family, Fairuz, Googoosh, Ferhat Özgür and Dor Zlekha Levy. Fairuz, Laylit Eid, Jingle Bells, c.1965, 2:51 min Beirut, Christmas of 1965. Iconic Lebanese performer Fairuz appears on national television interpreting a ver- sion of the Christmas carol ‘Jingle Bells’.
    [Show full text]