DOCSLIB.ORG

Curriculum Vitae and List of Publications

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Curriculum Vitae and List of Publications 1 CURRICULUM VITAE AND LIST OF PUBLICATIONS • Personal Details Name: Michal Sadan Date and place of birth: 10 May 1958, Israel Regular military service (dates): 26 October 1976 – 26 October 1978 Address and telephone number at work: Achva College Address and telephone number at home: Moshav Lachish, Zip code 79360 Telefax: 972-8-6888294, Cellular: 054-5698038, E-mail: [email protected] • Education 2004-2007: Ph.D. from the Faculty of Humanities, the Chaim Rosenberg School of Jewish Studies, Tel-Aviv University Dissertation: The 'Hebrew Shepherd' - Transformation of Image and Symbol, From the Hebrew Enlightenment Literature to the New Hebrew Culture in Israel Supervisor: Prof. Abraham Shapira 1990-1995: M.A. in Technology and Communication in Education, Bar Ilan University 1984-1989: B.A. in Art History, Tel Aviv University 1980-1984: Senior Teacher of Painting and Photography, College of Art Teachers, Ramat- Hasharon • Employment History 2012 to Present: Pedagogical Coordinator and head of the Jewish and Israeli Culture and Heritage Section in the Center for Teachers' On-going Studies in Jewish Studies & Humanities in Be'er-Sheva 2006 - to Present: Lecturer on various subjects in the field of History of Art and Culture, Art and Jewish-Israeli Culture, Art Education; At Tel Aviv University, Achva College, Sapir College and, BeitBerel College 1997-2005: Director of the Center for Senior Staff Education Development in Kiryat-Gat; Retired in 2005 2 Established the National Center of “The Jewish People Today” as part of the :2000-2002 מעוצב:גופן: נטוי, גופן עבור עברית ושפות אחרות: נטוי Center for Teachers' On-going Studies in Jewish Studies & Humanities in Be'er-Sheva 1995-1997: Pedagogical Coordinator of Shal'on High School in Kiryat Gat Teacher of Art, Art History and Artistic Photography, Shalon High School in :1983-1997 מעוצב:כניסה: לפני: 0 ס''מ, שורה ראשונה: 0 ס''מ Kiryat Gat • Professional Activities 2009 – 2010: Research Member, Hertzel Institute, Haifa University 2009 – 2010: Member of the Steering Committee for assisting new teachers, BeitBerel College 2010: Member of a research group for assessing virtual courses for new teachers, BeitBerel College • Educational Activities (a) Courses Taught: Introduction to the History of Art – Lesson, B.A. in Culture, Creation & Production, Sapir College Introduction to Visual Culture – Lesson, B.A. in Culture, Creation & Production, Sapir College Art, Culture and Society–- Lesson, B.A. in Culture, Creation & Production, Sapir College ,Art and correspondence – Lesson and Pro-Seminar, B.A. in Culture, Creation & Production מעוצב:צבע גופן: אוטומטי Sapir College The Hebrew Shepherd – Lesson and Seminar, General Studies, Sapir College Landscape and Identity – Combination of Lesson and Workshop for Academic Skills, Faculty of Humanities, The General and Interdisciplinary Studies Program, Tel Aviv University Eretz Israel - Between Vision to Reality Tthrough Artistic Expression - Lesson, Faculty of Humanities, The General and Interdisciplinary Studies Program, Tel Aviv University Issues relating to Israeli Culture and Society Through Visual Culture Products - Lesson, School for Overseas Students, Tel Aviv University 3 Artistic Aspects in Jewish and Israeli Culture - Lesson, The Department for M.Ed. in Teaching Jewish and Israeli Culture, Achva College Implementation Methods in Jewish and Israeli Culture Education - Combination of Lesson and Workshop, The Department for M.Ed. in Teaching Jewish and Israeli Culture, Achva College Issues in Art Education - Ffrom Early Childhood to High School Students- Combination of Lesson and Workshop, Early Childhood Studies – Achva College, The School of Art – Hamidrasha and The School of Education, BeitBerel College (b) Research Students: 2010:Supervision of M.Ed. students with their final thesis in Teaching Jewish and Israeli Culture, The Department for M.Ed. in Teaching Jewish and Israeli Culture, Achva college Subjects of Thesis: The four Sons from the Passover Haggada as a starting point for מעוצב:לא סמן meaningful studying of Jewish Cultureal values;, The reflections of period and place on the Architecture and decoration of the Jewish Synagogue, Art and Current Events in Parashat Hashavuha (section of the Torah read on Sabbath in the synagogue); The Jewish Holidays, from Religion to National Ethos - Contemporary Pedagogic Attitudes for a Meaningful Learning Experience; Development of Questioning Skills in Biblical Texts Studies; The Torah Shield – instruction for middle schools pupils; Values in the Four Fasts- from Jewish Tradition to Current Events. • Awards, Citations, Honors :a) Honors, Citation Awards) מעוצב:מספור + רמה: 1 + סגנון מספור: c ,b ,a, … + התחל מ: 1 + Continuation of the Living Expenses Scholarship awarded to students who :2006-2007 יישור: לשמאל + מיושר ב: 36.0 ס''מ + כניסה ב: 72.1 ס''מ excelled on the Dean’s List מעוצב:קו תחתון 2006: Scholarship for academic achievements awarded by "The Ignitz Bobis Foundation"; recommended by the School of Jewish Studies 2006: Scholarship for academic achievements awarded by the “Blas Belaban Scholarship Foundation" 2005-2006: Living expenses scholarship awarded to students who excelled on the Dean’s List 2005: Scholarship for academic achievements awarded by Mr. Gideon Oved 4 2005: Award for final thesis from "The Foundation in the Memory of Dr. Aaron and Attorney Joseph Ben Shemesh”, Jewish National Fund (Keren Kayemet Le’Israel) 2004: Scholarship for academic achievements, “The Researchers Podium", Faculty of Humanities, The Chaim Rosenberg School of Jewish Studies, Tel-Aviv University 2003: Excellence Scholarship, Faculty of Humanities, The Chaim Rosenberg School of Jewish Studies, Tel-Aviv University 2003: Scholarship for academic achievements from the “Ignitz Bobis Foundation"; recommended by the Department of Jewish History 1983: Scholarship from Haifa University; received for a high achievement on the psychometric exam :b) (b) Fellowships) מעוצב:קו תחתון מעוצב:פיסקת רשימה, מספור + רמה: The Nadav Foundation, Tel Aviv University, Research Authority, The Unit for Jewish :2012 1 + סגנון מספור: c ,b ,a, … + התחל Peoplehood Research, School of Education - $1500$ for on-going research מ: 1 + יישור: לשמאל + מיושר ב: 36.0 ס''מ + כניסה ב: 72.1 ס''מ מעוצב:קו תחתון 2011: The Nadav Foundation, Tel Aviv University, Research Authority, The Unit for Jewish Peoplehood Research, School of Education - $1500$ for on-going research 2010: BeitBerel Research Authority - $3000$ for publishing a book 2010: The Nadav Foundation, Tel Aviv University, Research Authority, The Unit for Jewish Peoplehood Research, School of Education - $4000$ for ongoing research 2010: Eliyaho Eilat Foundation - $1500$ for publishing a book, YadItzhak Ben Tzvi • Scientific Publications In the Process of Publishing: Sadan, M' (2010). 'TzlilRoim' – Rohe Vetzon Beshiry Hazemer HAiverimMezmihatHazionutVeadYemyReshitaShelMedinat Haiverim Mezmihat Hazionut Vead Yemy Reshita Shel Medinat Israel ('Shepherd Sounds'- Shepherd and the Herd in the Hebrew Folk Songs since the Raising of Zionism to the Early Years of the State of Israel). Anthology of Articles about Music in Israel. The Institute for Zionism Research in Ben Gurion University.Will be published in February 2013. Published: Sadan M'. (Sep. 2011) 'The Hebrew Shepherd, Harohe Btarbut Haivrit (Pleasantness and Hardship, The Shepherd in the Renewing Hebrew Culture). Jerusalem: Yad Itzhak Ben Tzvi. 5 Sadan, M' (September 2008). 'Kantziure al GvaotSchich Abreik' (a drawing pedestal on the hills of SchichAbreik'), Etmol, 200. Pp.26–29. Sadan, M' (2000). Tochnit L.I.B.A – LemidaYetziratitBegishaHolistit (The L.I.B.A Instruction- Creative Learning in Holistic Attitude). In: S' Tzidkiyahoo and M' Peled. Yozmot Bechinooch Vbeminhal Chinuchi (Initiatives in Education and Educational Management). Beit- Berel: School of Ethical Education for Teachers. Sadan M'(2011). The Israeli Landscape: Patterns and Changes. In: Blumensohn,C'. Site Specific. Raanana: The Open University. pp.39-43. Unreferred Professional Articles and Publications: Sadan, M' (2009). Omanut Bemerchav Yetzira Meshutaf (Art in a Shared Creative Space). In: M' Sadan. Shared Space, Catalog, Shderrot: Sapir College. Sadan M' (2007). Lo Hotemet (Without Signing), Poems. Self-Publication. • Lectures and Presentations at Meetings and Invited Seminars not Followed by Publication Proceedings: th Jully 2013 - Lectured on 'Shepherds and Leaders', The 16 World Congress of Jewish.1 מעוצב:גופן: לא מודגש, גופן עבור עברית ושפות אחרות: לא מודגש, לא Studies, Jerusalem סמן מעוצב:לא סמן 2. February 2013: Lectured on tThe elderly in Ruth Schloss' painting – Between attraction to restraint, the 'Mutar' Conference, Tel-Aviv University. 3. January 2013: Lectured on 'Ben Yeuda Garbuz Corner: Linkages between text and visual image in the contemporary Israeli Visual Culture , the conference 'Hybridity Here and Now: Israeli Language, Culture and Identity'. 4. May 2012: Lectured on 'Text Image and Jewish Identity', Conference for Language and Learning in Changing Society , The Ttenth Convention of the Israeli Association for the Study of Language and Society, Achva College 5. February 2012 – Lectured on "Shepherds and Leaders", in The Museum of the New Hebrew Settlement in Emek Isarel (Hamuseon Lereshit Hahityashvot), Kibbutz Yifat. 6. October 2011 - Lectured on The Israeli Landscape: Patterns and Changes. The Open University 6 7. March 2009: Lectured on "Hebel and Spirit in the Hebrew Shepherd Image", in "Contemporary Spirituality" Conference, Haifa University
Load more

Recommended publications
  • Stories of Becomingan Art Educator
    Stories of Becoming an Art Educator: Opening a Closed As part of my research dissertation I collected tales of Israeli art Door teachers and studied the ways they negotiated their teaching identi- Nurit Cohen Evron ties within and against their schools’ normative discourses. I learned 1 Faculty of the Arts, Beit-Berl College, Israel that being and becoming an art teacher involved an ongoing pro- cess of negotiation between personal and professional experiences, ABstraCT knowledge and beliefs, and the school’s discourse. Their beliefs and This paper describes recollections of my personal experiences in Israel and identities couldn’t be separated from the socio-cultural environments their interplay with my decisions as an art educator. These stories are examples of how the borders between the professional, the personal, and the institu- and the discourses in which and through which they were constantly tional are blurred. Becoming and being an art educator in a country which is (re)constructed (Cohen Evron, 2004). Our identities as teachers are deeply affected by a long-standing, deep-rooted, stubborn, and violent conflict, I neither fixed nor are they an inventory of knowledge or technical pro- struggle to find ways to teach art in a meaningful way and to react to the culture cedures of teaching experience. We continually reconstruct our views of conflict through critical art pedagogy. of ourselves in relation to others, workplace characteristics, profes- sional purposes, and cultures of teaching. Furthermore, we bring to Becoming an Art Educator our teaching profession our personal and institutional biographies The question of what is involved in the process of becoming a good (Connelly & Clandinin, 1999; Sivertsen, 1994).
    [Show full text]
  • ISRAELISCHE GRAFIK.Pdf
    RUBRIK AUSGABE 3 | 2015 21 Yigal Ozeri, geb. 1958 in Israel, lebt in New York Fotos: Slobodan Ciric Fotos: Die INW lädt vom 11. Oktober bis 15. Oktober zu einer Ausstellung ein, welche im Theater Nestroyhof Hamakom, Nestroyplatz 1, 1020 Wien im Rahmen der israelischen Theaterwoche (siehe S. 41) stattfindet und die einen Querschnitt israelischer Grafik bietet. Der Kurator dieser Präsentation ist der in Israel sehr bekannten Kunst- und Kulturmanager Doron Polak. Die Werke sind auch käuflich zu erwerben. Unter dem Titel „Rishumon” gibt es zusätzlich eine bemerkens- werte und berührende Darbietung zweier Künstler, die zeitlose Themen wortlos, begleitet mit Musik von Shaul Ben Amitai, auf die Bühne bringen – schauspielerisch Svetlana Ben und malerische Interpretation Ophira Avisar. Ein Ereignis das man nicht versäumen möge. In der Beilage finden Sie einige Künstler dieser sehenswerten Ausstellung. ISRAELISCHE KUNSTGRAPHIK HENIE WESTBROOK ie führt uns zu einem Rundgang durch Ozeri nützt die Techniken der Graphik, um Lea Nikel lebte und arbeitete in Tel Aviv, bole auf, indem er ihnen über ihren wichtige Stationen der Kunstentwicklung sich neben seinen Collagen wieder seinen Paris und New York, studierte in den Studios Symbolwert hinaus, neue Bedeutung scha. Israels, von den Anfängen in der Man- zeichnerischen Ursprüngen zuzuwenden. mit Streichmann und Stemazky und zeichnet Er situiert sie innerhalb der Modernen Kunst Sdatszeit bis zu zeitgenössischen Arbeiten und Auch Zvika Kantor arbeitet im Druckmedium sich durch einen unverkennbar lyrischen Ex- und platziert sie gleichzeitig innerhalb der is- vermittelt uns die Ausstellung ein who is who parallel zu seinen Computerarbeiten. pressionismus, starker Farbigkeit und kalligra- raelischen Kunst. der israelischen Kunstszene – von der Grün- In der Ausstellung wird eine Graphik von phischen Elementen aus.
    [Show full text]
  • About Your Next Sale
    About your next sale About your sale Title of the sale Interiors 16 Place and date of the sale April 17, 2016| Tel Aviv Hours 7:00 pm Buyer Premium % 15% commission Place and Dates of the exhibition (before the sale) Matsart Tel Aviv Gallery 15 Frishman St. Tel Aviv Opening hours of the exhibition PREVIEW & AUCTION 15 Frishman St. Tel Aviv Sun-Thu 11 am - 6 pm Fri - 11 am - 3 pm Names of the valuators Oren Migdal / Lucien Krief Expert Email + number phone used by customers to ask you questions about the Yehudit Ratzabi sale [email protected] +972-2-625109 / -972-3-3810001 1 Menashe Kadishman 1932-2015 (Israeli) Sheep head acrylic on canvas 30 x 30 cm (12 x 12 in.) signed lower left and again on the reverse Other Notes: Accompanied by a certificate of authenticity signed by the artist. Location: Israel. For estimated delivery time please contact us. $600-800 2 Menashe Kadishman 1932-2015 (Israeli) Herd of sheep panda on paper 36 x 28 cm (14 x 11 in.) signed lower right Other Notes: Location: Israel. For estimated delivery time please contact us. $120-180 3* Yohanan Simon 1905-1976 (Israeli) Surrealist landscape, 1964 oil on canvas 36 x 46 cm (14 x 18 in.) signed in English lower left, signed in Hebrew and dated lower right, inscribed on the reverse Other Notes: Location: USA. For estimated delivery time please contact us. $4,800-5,500 4 Gila Stein b.1945 (Israeli) Mother and child bronze 24 x 16 x 12 cm (9 x 6 x 5 in.) signed and numbered '8/25' Other Notes: Location: Israel.
    [Show full text]
  • The Holidays of the Revolution Myth, Ritual and Identity Among Tel Aviv Communists, 1919-1965
    The Holidays of the Revolution Myth, Ritual and Identity among Tel Aviv Communists, 1919-1965 by Amir Locker-Biletzki A Thesis presented to The University of Guelph In partial fulfilment of requirements for the degree of PhD in History Guelph, Ontario, Canada © Amir Locker-Biletzki, March, 2013 ABSTRACT THE HOLIDAYS OF THE REVOLUTION MYTH, RITUAL AND IDENTITY IN AMONG TEL AVIV COMMUNISTS, 1919-1965 Amir Locker-Biletzki Advisor: University of Guelph, 2013 Alan McDougall The Israeli Communist Party (MKI) and its precursor, the Communist Party of Palestine (PKP), were a unique Arab-Jewish organization. Marginalized and persecuted for most of its formative years, the Communist Party developed, from 1919 to 1965, its own distinctive subculture. Negating and absorbing the Zionist-Socialist and Israeli statist cultures, influenced by both Soviet and left wing European traditions as well as Jewish traditional elements, the Jewish Communists developed their own cycle of holidays. Through the examination of primary sources, ranging from internal Communist documents and newspaper articles to photographs and posters, as well as interviews with contemporaries and comparison with parallel Communist experiences in the United States and in the Arab world – this thesis examines the myths and rituals reflected in the holidays, as practiced by the Jewish Communists in MKI and the Israeli Young Communist League (Banki). The thesis scrutinizes the identity these cultural practices produced. By examining the Jewish holidays, the Israeli civic holidays, May Day, the Soviet November 7th and May 9th holidays, and the rituals concerning the relations between Palestinians and Jews, it is shown that between the years 1919 and 1965 the Jewish Communists created a local, Jewish-Israeli, anti-Zionist patriotic identity.
    [Show full text]
  • The Place of Diasporic Imagery in the Canon of Israeli National Art
    arts Article The National, the Diasporic, and the Canonical: The Place of Diasporic Imagery in the Canon of Israeli National Art Noa Avron Barak Department of Arts, Ben-Gurion University of the Negev, Beer-Sheba 8499000, Israel; [email protected] Received: 9 January 2020; Accepted: 15 March 2020; Published: 26 March 2020 Abstract: This article explores Jerusalem-based art practice from the 1930s to the 1960s, focusing particularly on the German immigrant artists that dominated this field in that period. I describe the distinct aesthetics of this art and explain its role in the Zionist nation-building project. Although Jerusalem’s art scene participated significantly in creating a Jewish–Israeli national identity, it has been accorded little or no place in the canon of national art. Adopting a historiographic approach, I focus on the artist Mordecai Ardon and the activities of the New Bezalel School and the Jerusalem Artists Society. Examining texts and artworks associated with these institutions through the prism of migratory aesthetics, I claim that the art made by Jerusalem’s artists was rooted in their diasporic identities as East or Central European Jews, some German-born, others having settled in Germany as children or young adults. These diasporic identities were formed through their everyday lives as members of a Jewish diaspora in a host country—whether that be the Russian Empire, Poland, or Germany. Under their arrival in Palestine, however, the diasporic Jewish identities of these immigrants (many of whom were not initially Zionists) clashed with the Zionist–Jewish identity that was hegemonic in the nascent field of Israeli art.
    [Show full text]
  • Searching for Home at Château De La Guette and Beyond
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Searching for Home at Château de la Guette and Beyond: Social and Spatial Dimensions of Jewish German and Austrian Children's Journey to Flee Nazi Persecution via Children's Homes in France Sarah Schneider University of Central Florida Part of the Public History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Schneider, Sarah, "Searching for Home at Château de la Guette and Beyond: Social and Spatial Dimensions of Jewish German and Austrian Children's Journey to Flee Nazi Persecution via Children's Homes in France" (2018). Electronic Theses and Dissertations, 2004-2019. 6001. https://stars.library.ucf.edu/etd/6001 SEARCHING FOR HOME AT CHÂTEAU DE LA GUETTE AND BEYOND: SOCIAL AND SPATIAL DIMENSIONS OF JEWISH GERMAN AND AUSTRIAN CHILDREN’S JOURNEY TO FLEE NAZI PERSECUTION VIA CHILDREN’S HOMES IN FRANCE by SARAH SCHNEIDER B.A. Brandeis University, 2013 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2018 Major Professor: Scot A. French ©2018 Sarah Schneider ii ABSTRACT This study examines the experiences of a group of Jewish German and Austrian children who were sent on the Kindertransport to France in an effort to escape Nazi persecution.
    [Show full text]
  • DOR ZLEKHA LEVY 1990 Born in Tel Aviv, Israel
    DOR ZLEKHA LEVY 1990 Born in Tel Aviv, Israel. EDUCATION 2014-2015 Colleagues program, Alma Hebrew College, Tel Aviv, Israel 2010-2014 B.F.A Fine arts and education, Hamidrasha school of Arts, Beit-Berl College, Israel 2004-2008 Fine arts department, Thelma-Yellin high school of the arts, Israel SOLO EXHIBITIONS 2019 Shomer, Hamidrasha Gallery, Tel Aviv Amor, ROOM 25, Tel Aviv (upcoming, opening September 2019) 2018 On one stalk, IDRIS Art Space, Tel Aviv 2017 Maqamat , Tel Aviv Museum of Art 2016 Magen, Braverman Gallery, Tel Aviv GROUP EXHIBITIONS 2019 Deep Feeling, Petach Tikva Museum of Art 2018 Looper, Tel Aviv Museum of Art Contemporary Arabesque, Islamic Art Museum, Jerusalem 2017 I Heard you laughing, Kunsthalle Stavanger, Norway Escape room, Nahum Gutman Museum of Art, Tel Aviv 2016 Art School, Helena Rubinstein Pavilion of Contemporary Art, Tel Aviv Museum Zoom 2016–Young Israeli Artists, Ticho House - Israel Museum, Jerusalem Split Ends, Binyamin Gallery, Tel Aviv 2015 Place Shows, Pasaz Gallery, Tel Aviv Oriental landscape, L’amour Art Space, Paris Smell of the Jasmine, House of the Arts, Tira 2014 Graduate exhibition, Hamidrasha Beit-berl School of arts, Beit-Berl College, Israel Night light festival, Tel Aviv 2013 Ars Campus (IL), Ars Elektronika Festival, Linz Platform Independent Art Fair, Tel Aviv Following the Zionist art prize, the Spaceship Gallery, Tel Aviv PERFORMANCES AND PROJECTS 2019 Speaking in Tongues, Low Tech Nation Hackathon, Hamidrasha Gallery, Tel Aviv 1028 Maqamat, Artissima, Turin 1022 Even, Jerusalem
    [Show full text]
  • JAN. 14 2017 Kunsthall Stavanger Is Proud to Present I Heard You Laughin
    I HEARD YOU LAUGHING / KUNSTHALL STAVANGER / NOV. 9 – JAN. 14 2017 Kunsthall Stavanger is proud to present I Heard You Laughing, an exhibition of video work from the Middle East and in its broad acceptation, curated by Myriam Ben Salah and Martha Kirszenbaum. Artists from the Middle East are often associated with narratives of struggle and rhetoric of the past. Some end up making works that are almost a response to a Western “tacit commission”—a term coined by Moroccan scholar Mohamed Rachdi—arbitrarily linking authenticity with traumatic storytelling. I Heard You Laughing borrows its title from 14th century Persian poet Hafez’s book I Heard God Laughing, in which he lauded the joys of love, humor and irony, three clogged pillars of Middle-Eastern culture that are making a controversial comeback in the works of a younger generation of artists from the region. I Heard You Laughing reflects on the importance of popular culture, the omnipresence of technologies and the role of music and dance, while tackling a form of vernacular ‘disorientalism’ and conveying a certain digital cosmopolitanism. It consists of selected music videos from iconic Middle-Eastern musicians of the 1950s-60s- 70s alongside video works by contemporary artists that reflect the complexities of this often oversimplified ‘East-West’ configuration. Participating artists include: Sarah Abu Abdallah, Sophia Al-Maria, Fatima Al Qadiri and Khalid Al Gharaballi, Meriem Benanni, Bendaly Family, Fairuz, Googoosh, Ferhat Özgür and Dor Zlekha Levy. Fairuz, Laylit Eid, Jingle Bells, c.1965, 2:51 min Beirut, Christmas of 1965. Iconic Lebanese performer Fairuz appears on national television interpreting a ver- sion of the Christmas carol ‘Jingle Bells’.
    [Show full text]
  • Israeli & International Fine Art Auction 20 Dec 2015 7:30 Pm
    139 ISRAELI & INTERNATIONAL FINE ART AUCTION 20 DEC 2015 7:30 PM ISRAELI & INTERNATIONAL FINE ART AUCTION TEL AVIV, DECEMBER 20, 2015, 7:30 PM SALE 139 PREVIEW IN TEL AVIV Thu 10 December 5 pm - 9 pm Fri 11 December 10 am - 2 pm Sun-Thu /13-17 December 10 am - 6 pm Fri 18 December 10 am - 2 pm Sat 19 December 8 pm - 11 pm Sun. 20 December 10 am - 8 pm PREVIEW IN NEW YORK BY APPOINTMENT PREVIEW & AUCTION MATSART GALLERY 15 Frishman St., Tel Aviv tel +972-3-6810001 www.matsart.net בס"ד MATSART AUCTIONEERS & APPRAISERS 21 King David St., Jerusalem 9410145 +972-2-6251049 15 Frishman St., Tel Aviv 6357815 +972-3-6810001 415 East 72 St., New York, NY 10021 +1-718-289-0889 Lucien Krief Owner, Director, Expert MODERN & [email protected] CONTEMPORARY ISRAELI FINE ART DEPARTMENT FINE ART DEPARTMENT Stella Costa Alice Martinov Levin Oren Migdal Senior Director Head of Department Head of Department [email protected] [email protected] Tel Aviv Branch Manager [email protected] Evgeny Kolosov Masha Zakharova Yehudit Ratzabi Assistant Director Auction Administrator Auction Administrator [email protected] [email protected] [email protected] CLIENT SERVICES Miriam Perkal Reizy Goodwin Yoel Noorani Client Accounts Logistics & Shipping Client Services [email protected] Manager Tel Aviv Branch [email protected] [email protected] All lots are sold “as is” and subject to a reserve. Please review the conditions as they appear in the rear of the catalogue or contact us with any questions you may have. Please note that some of the works are located abroad where additional import charges may apply.
    [Show full text]
  • Matsart 09032016 Bd.Pdf
    1 Menashe Kadishman 1932-2015 (Israeli) White sheep head acrylic on canvas 28 x 28 cm (11 x 11 in.) signed lower right and again on the reverse Other Notes: Accompanied by a certificate of authenticity signed by the artist. Location: Israel. For estimated delivery time please contact us. $450-550 2* Yaacov Agam b.1928 (Israeli) Star of David agamorgaph 36 x 36 cm (14 x 14 in.) signed lower right, numbered '6/25' 'A.P' lower left Other Notes: Location: Israel. For estimated delivery time please contact us. $650-750 3 Avi Schwartz b.1938 (Israeli) Watermelons oil on cardboard 50 x 62 cm (20 x 24 in.) signed lower left Other Notes: Location: Israel. For estimated delivery time please contact us. $200-250 4 Ruth Schloss 1922-2013 (Israeli) Maabara gouache and wash on paper 34 x 48 cm (13 x 19 in.) signed in English lower left and in Hebrew lower right Other Notes: Location: Israel. For estimated delivery time please contact us. $800-950 1 5* Samuel Bak b.1933 (Israeli) Untitled, 1980 gouache on paper 24 x 31 cm (9 x 12 in.) signed and dated lower left Other Notes: Location: USA. For estimated delivery time please contact us. $1,500-1,800 6 Yosl Bergner b.1920 (Israeli) Two kleizmers oil on paper mounted on canvas 47 x 41 cm (18 x 16 in.) signed lower right and again on the reverse Other Notes: Location: Israel. For estimated delivery time please contact us. $3,800-4,200 7 Yosl Bergner b.1920 (Israeli) Still life with bottles watercolor on paper 47 x 30 cm (18 x 12 in.) signed lower left Other Notes: Location: Israel.
    [Show full text]
  • Listing At__6 Jan 2012.Pdf
    Stern and Löbl Family Genealogy Website - www.sternmail.co.uk/genealogy/ Name Name Birth location (adopted) Michael (adopted) ? ? ? Chava ? ? Cicely ? South Africa ? Clara ? ? Frederika ? ? Madelaine ? ? Marianne ? ? Mathilda ? ? Morag ? ? Nancy ? ? Naomi ? ? Pauline ? ? Rabbi ? New York, USA ? Rachel ? ? Rosa ? ? Sarah ? ? Susie ? ? Tina ? ? Walter ? ? Yael ? 1 Wife 1 ABELES Rosi ABELES Waltsch ABELES Sara ABELES Waltsch Abenheimer Karl Abenheimer Mannheim Abenheimer Ruth Abenheimer Abraham Abraham ABRAHAM Feist ABRAHAM Meudt, Germany ABRAHAM Fraidgem ABRAHAM Quirnbach, Germany ABRAHAM Harry ABRAHAM ABRAHAM Hertz ABRAHAM ABRAHAM Lisette ABRAHAM ABRAHAM Nathan ABRAHAM Brandoberndorf, Germany ABRAHAM Ruth Helen ABRAHAM San Fransisco, Calif. ABRAHAMOV Adva ABRAHAMOV Kibbutz Yakum, Israel ABRAHAMS Jaqueline ABRAHAMS Glasgow ABRAME Bernard ABRAME ABRAME Smadar ABRAME Afula, Israel Abrams Ellen Abrams ACKERMAN Hannchen ACKERMAN ACKERMANN Emma ACKERMANN Wiesloch ACKERMANN Simon ACKERMANN ADAMKIEWICZ Else ADAMKIEWICZ ADAMKIEWICZ Hugo ADAMKIEWICZ Adanso Isabel Jabat Adanso Adelson Eugene Adelson Adelson Lorraine Adelson Adelson Robert Adelson Adelson Robert Adelson Adler Adler Adler Amy Adler Munich ADLER Anna ADLER Adler Berta Adler ADLER Eva ADLER ADLER Gale ADLER ADLER Jette ADLER Edelfingen ADLER Joel ADLER Floehau Adler Josef Adler Adler Max Adler Wurzburg ADLER Rebeka ADLER Arnetz Gr Adler Richard Adler ADLER Rosalie ADLER Meimbressen, Germany ADLER Ruth ADLER 1 Stern and Löbl Family Genealogy Website - www.sternmail.co.uk/genealogy/ Name
    [Show full text]
  • Syllabus- the Arab-Israeli Conflict
    The Arab-Israeli Conflict HIST 4276, 4276-350, & 6276 (Fall 2019) Professor Beverly Tsacoyianis Class meets M/W 2:20pm-3:45pm, Mitchell 305 Email: [email protected] Office hrs: M/W 10-11am & by appt, Mitchell 119 Immigrant Transit Camp, by Ruth Schloss, 1953. 81x60 cm, oil on canvas. Now at Mishkan LeOmanut (Museum of Art) in Ein Harod. Schloss (1922-2013), born in Germany, emigrated to British Mandate Palestine in 1937 Course Description: This course examines the history of the Arab-Israeli conflict from the mid-nineteenth century to the present day with a focus on the region known today as Israel and Palestine. Topics covered include late Ottoman society, Zionism, WWI, the British Mandate in Palestine, the Holocaust and WWII, the creation of the Jewish state of Israel and of the Palestinian diaspora, the Arab-Israeli wars of 1967 and 1973, the First and Second Intifadas, and related social, political, and cultural developments. Course website: our eCourseware page. Enter with UUID and password. Readings on the syllabus are subject to change with as little as three days’ notice via email to class. Check your university email daily. Consult my note on eCourseware about email etiquette before emailing me. Required Texts: • Charles D. Smith, Palestine and the Arab-Israeli Conflict: A History with Documents, 8th edition (Bedford/St. Martins, 2012) ISBN 9781457613487 • Mark LeVine and Gershon Shafir, eds. Struggle and Survival in Palestine/Israel (University of California Press, 2012) ISBN 9780520262539, referred to below as L/S • All other readings are on eCourseware. Print and bring to class.
    [Show full text]