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For the Common Man Chicago Sinfonietta Paul Freeman, Music Director and Conductor Harvey Felder, Guest Conductor
Sunday, October 3, 2010, 2:30 pm – Dominican University Monday, October 4, 2010, 7:30 pm – Symphony Center For the Common Man Chicago Sinfonietta Paul Freeman, Music Director and Conductor Harvey Felder, Guest Conductor Fanfare for the Common Man ............................................................................Aaron Copland Neue slavische Tänze (Slavonic Dances), op.72 no.7 (15) ........................Antonín Dvořák 7. In C major - SrbskÈ Kolo Fire and Blood, for Violin and Orchestra .............................................. Michael Daugherty 1. Volcano 2. River Rouge 3. Assembly Line Tai Murray, violin Intermission Sundown’s Promise (for Taiko and Orchestra) ................................................. Renée Baker I. Company Song VII. Transcendence II. Wa ( peace/balance) VIII. No Mi Kai (Drinking party) III. Wabi IX. Chant IV. Sabi X. Sitting V. Pride XI. Walking VI. Enkai (Banquet Feast) XII. Learning to see the Invisible XIII. Shime (Ending of celebration) JASC Tsukasa Taiko, Japanese drums and Shamisen Nicole LeGette, butoh dancer On the Waterfront: Symphonic Suite from the Film ............................ Leonard Bernstein Lead Season Sponsor Lead Media Sponsor Sponsors Bettiann Gardner Please hold your applause for a brief silence after each work. This will help everyone to enjoy every note. chicagosinfonietta.org facebook.com/chicagosinfonietta Chicago Sinfonietta 1 THE MAESTRO’S FINAL SEASON These 2010 season-opening performances mark the beginning of a season of transition as our beloved Founder and Music Director Paul Freeman takes the podium for the final time. Throughout the year Maestro Freeman will be conduct- ing pieces that have become personal favorites of his, many of which he probably introduced to you, our audience. We will also be sharing some of his compelling life story and reprinting some amazing photos from the Sinfonietta archive. -
The Genetic Heterogeneity of Brachydactyly Type A1: Identifying the Molecular Pathways
The genetic heterogeneity of brachydactyly type A1: Identifying the molecular pathways Lemuel Jean Racacho Thesis submitted to the Faculty of Graduate Studies and Postdoctoral Studies in partial fulfillment of the requirements for the Doctorate in Philosophy degree in Biochemistry Specialization in Human and Molecular Genetics Department of Biochemistry, Microbiology and Immunology Faculty of Medicine University of Ottawa © Lemuel Jean Racacho, Ottawa, Canada, 2015 Abstract Brachydactyly type A1 (BDA1) is a rare autosomal dominant trait characterized by the shortening of the middle phalanges of digits 2-5 and of the proximal phalange of digit 1 in both hands and feet. Many of the brachymesophalangies including BDA1 have been associated with genetic perturbations along the BMP-SMAD signaling pathway. The goal of this thesis is to identify the molecular pathways that are associated with the BDA1 phenotype through the genetic assessment of BDA1-affected families. We identified four missense mutations that are clustered with other reported BDA1 mutations in the central region of the N-terminal signaling peptide of IHH. We also identified a missense mutation in GDF5 cosegregating with a semi-dominant form of BDA1. In two families we reported two novel BDA1-associated sequence variants in BMPR1B, the gene which codes for the receptor of GDF5. In 2002, we reported a BDA1 trait linked to chromosome 5p13.3 in a Canadian kindred (BDA1B; MIM %607004) but we did not discover a BDA1-causal variant in any of the protein coding genes within the 2.8 Mb critical region. To provide a higher sensitivity of detection, we performed a targeted enrichment of the BDA1B locus followed by high-throughput sequencing. -
CAROLS for CHRISTMAS Carols and Seasonal Readings for Christmas and Winter
Gerald Neufeld conductor Alison MacNeill accompanist CAROLS FOR CHRISTMAS Carols and Seasonal Readings for Christmas and Winter Sunday November 30, 2014 WINTER’S EVE TRIO St. George’s Anglican Church | 3:00 pm Sharlene Wallace Harp Joe Macerollo Accordion George Koller Bass concert sponsors soloist sponsors government & community support Program CAROLS FOR CHRISTMAS Carols and Seasonal Readings for Christmas and Winter Hodie . Gregorian Chant Wolcum Yole, from Ceremony of Carols . Benjamin Britten Herself a rose, who bore the Rose . Christina Rossetti Laurie McDonald, reader As dew in Aprille, from Ceremony of Carols . Benjamin Britten Birth of Jesus . Luke 2, 1–20 Scott Worsfold, reader This little Babe, from Ceremony of Carols . Benjamin Britten Interlude, from Ceremony of Carols . Benjamin Britten Greensleeves . .. Traditional Winter’s Eve Trio What Child is this . arr . John Stainer Winter’s Eve Trio, choir and audience 1. What child is this, who laid to rest 2. Why lies He in such mean estate, On Mary’s lap is sleeping? Where ox and ass are feeding? Whom angels greet with anthem sweet, Good Christian, fear: for sinners here While shepherds watch are keeping? The silent Word is pleading; This, this is Christ, the King; Nails, spear shall pierce Him through, Whom shepherds guard and angels sing; The Cross be born for me, for you; Haste, haste to bring Him laud, Hail, hail the Word made flesh, The Babe, the Son of Mary! The Babe, the Son of Mary! 3. So bring Him incense, gold, and myrrh, Come peasant, king to own Him; The King of kings salvation brings; Let loving hearts enthrone Him. -
Geoffrey Baer, Who Each Friday Night Will Welcome Local Contestants Whose Knowledge of Trivia About Our City Will Be Put to the Test
From the President & CEO The Guide The Member Magazine Dear Member, for WTTW and WFMT This month, WTTW is excited to premiere a new series for Chicago trivia buffs and Renée Crown Public Media Center curious explorers alike. On March 26, join us for The Great Chicago Quiz Show hosted by 5400 North Saint Louis Avenue Chicago, Illinois 60625 WTTW’s Geoffrey Baer, who each Friday night will welcome local contestants whose knowledge of trivia about our city will be put to the test. And on premiere night and after, visit Main Switchboard (773) 583-5000 wttw.com/quiz where you can play along at home. Turn to Member and Viewer Services page 4 for a behind-the-scenes interview with Geoffrey and (773) 509-1111 x 6 producer Eddie Griffin. We’ll also mark Women’s History Month with American Websites wttw.com Masters profiles of novelist Flannery O’Connor and wfmt.com choreographer Twyla Tharp; a POV documentary, And She Could Be Next, that explores a defiant movement of women of Publisher color transforming politics; and Not Done: Women Remaking Anne Gleason America, tracing the last five years of women’s fight for Art Director Tom Peth equality. On wttw.com, other Women’s History Month subjects include Emily Taft Douglas, WTTW Contributors a pioneering female Illinois politician, actress, and wife of Senator Paul Douglas who served Julia Maish in the U.S. House of Representatives; the past and present of Chicago’s Women’s Park and Lisa Tipton WFMT Contributors Gardens, designed by a team of female architects and featuring a statue by Louise Bourgeois; Andrea Lamoreaux and restaurateur Niquenya Collins and her newly launched Afro-Caribbean restaurant and catering business, Cocoa Chili. -
Georgia's International Representatives
AWARD-WINNING TRADE SERVICES 2015 GEORGIA’S INTERNATIONAL REPRESENTATIVES CONNECTING GEORGIA TO THE WORLD’S KEY MARKETS A MESSAGE FROM THE COMMISSIONER GLOBE AWARD As you know, Georgia is a leader in the global marketplace. A critical component hing O nc p u po to maintaining this status is our international footprint. Our international a r L t a u Georgia’s second annual GLOBE (Georgia Launching Opportunities By i representatives not only market Georgia as the No. 1 state in the nation to do n g i Exporting) Award recognizes 44 companies who entered into a new r business, but as a leader in international trade, innovation, workforce, tourism, t o i e e international market in 2014. The 2015 winners from 17 different Georgia arts, music and film. By having such a significant international presence, we can G s G .L counties collectively expanded into 214 new markets, representing 104 continue to create jobs and investment opportunities in communities across .O.B.E. different countries and territories. Among the winners, a few of the most Georgia. b y d popular new markets included Colombia, Korea and the United Kingdom. r ex a p w This past year, state representatives traveled to all of our strategic markets orting a for activities ranging from gubernatorial and trade missions to trade shows, conventions and high-level business meetings. Last summer, Governor Nathan Deal led a delegation of government, philanthropic and business leaders to Israel, and I led an education and agriculture-focused mission to China. In addition to numerous other countries, GDEcD’s International 2015 GLOBE Award Winners Trade division exhibited at tradeshows in Brazil, Canada, Chile, Colombia, Germany and Mexico while our International Investment team called on companies in Canada, China, Europe, Japan, Korea and the United Kingdom. -
Annual Review 2007-2008
• ABRSM ANN.REV. 07-08 23/4/08 15:53 Page 40 Annual Review 2007-2008 The Associated Board of the Royal Schools of Music • ABRSM ANN.REV. 07-08 17/4/08 12:48 Page 1 Contents About the Associated Board n 3 Who’s Who n 3 Highlights of the Year n 4 Chief Executive’s Review n 5 Message from the Chairman n 8 Exams and Assessments n 9 Online Innovation n 13 Commitment to Excellence n 15 Publishing n 16 Professional Development n 19 Nurturing Relationships n 22 Financial Summary n 24 New Diploma Holders n 25 Scholarships, Bursaries and Awards n 29 New CT ABRSM Holders n 30 Prize Winners n 30 Examiners n 34 CT ABRSM Course Leaders and Mentors n 36 Representatives n 37 Editor-in-chief n Leslie East Editor n Ruth Garner Design n www.9thplanetdesign.co.uk Print n Caligraving Ltd Annual Review for the year ended 31 January 2008 2 n • ABRSM ANN.REV. 07-08 17/4/08 12:48 Page 2 About the Who’s Who Associated Board The Associated Board of the Royal Schools of Music is a Patron charitable company established for the benefit of music Her Majesty The Queen education by four Royal Schools of Music in the UK: President Royal Academy of Music His Royal Highness The Prince of Wales Royal College of Music Royal Northern College of Music Governing Body Royal Scottish Academy of Music and Drama Lord Sutherland of Houndwood KT, Chairman The Associated Board’s core activity is the operation of an Professor Edward Gregson, Principal of RNCM authoritative and internationally recognized system of Dr Colin Lawson, Director of RCM exams and assessments to encourage and motivate players Professor Sir Curtis Price KBE, Principal of RAM and singers at all levels through the provision of goals and Philip Ramsbottom the measurement of progress. -
Grandjany-Memorial-Competition
Grandjany Memorial Competition 2020 Application May 19 through 22, 2020 Application Deadline: March 1, 2020 Applications will be accepted from advanced students who are: • Members of the American Harp Society • Age 35 or younger as of March 1, 2020 Please include the following with your application packet via email to: [email protected]. 1. .pdf scan of this application 2. a link (or several links) to unpublished/private Youtube video(s) of the required pieces. (Recordings do not have to be completed in one sitting for all pieces, nor do they have to be professionally recorded. A smartphone recording from a quiet room is sufficient.) Please entitle the tracks with your first initial & last name & first word of piece (“ASmithChildren” or “ASmithMenuet”). 3. .mp3 recordings extracted from the video(s) of the required pieces Please entitle the tracks with your first initial & last name & first word of piece (“ASmithChildren” or “ASmithMenuet”). 4. a current bio 5. a current resumé 6. a headshot for use at the AHS National Conference and any publicity done for both the AAA and the American Harp Society and American Harp Society Foundation, including websites 7. any current works you would be prepared to play on the Winners’ Recital in Chicago on May 22, 2020 besides the required pieces 8. $40 application fee (see below) French-born American harpist and composer Marcel Grandjany (1891–1975) helped create the American Harp Society, which he organized with a Founding Committee that met for the first time in 1962 at his New York apartment. To this day the American Harp Society has had a profound influence on the shaping of young harpists and the promotion of the harp as a serious musical instrument. -
Harp Seattle 2018 Booklet WEB ONLY.Pub
General Information for HARP SEATTLE 2018 About Harp Seattle Rental Harps Harp Seattle is a three-day festival at Dusty Strings Music Once you register, you can indicate on your registration Store & School in Seattle, WA for harpers of all levels to form if you would like to rent a harp, and if so, what kind. participate in an event that has been part of the folk harp We will contact you a month before the event to set up community for over a decade. Seasoned performers pre- your rental. Availability is first-come-first-served. sent workshops created to enhance the skills and knowledge of players at all levels so there’s something for everyone. Refund Policy You may cancel your registration for a full refund less a Location $25 administrative fee through September 5 th , 2018. You All workshops, concerts, and happenings take place at may cancel your registration for a 50% refund less a $25 Dusty Strings Music Store & School, 3406 Fremont Avenue administrative fee through October 1 st , 2016. No refunds N, Seattle, except for the tour of the manufacturing facility, are available for partial attendance or for cancellations which is located at 3450 16 th Avenue W in the Interbay made after October 1 st . All workshops, presenters, and neighborhood. See page 12 for directions and parking times are subject to change. information for both locations. Harp Valet Registration Harp valets are ready to assist you with dropping off your Registration includes an all-access pass to the weekend’s harp on Friday morning, October 5 th and picking it up on workshops, concerts, and happenings. -
Download Program Book
American Harp Society 2009 8TH SUMMER IN S T I TUTE 1 8 T H N AT I ONAL COMPET I T I ON A Revival of the Early Masters June 28 - July 2 Westminster Brigham Young College University Salt Lake City Provo UTAH American Harp Society 2009 8TH SUMMER IN S T I TUTE 1 8 T H N AT I ONAL COMPET I T I ON A Revival of the Early Masters EXPANDING TH E H A R P ’ S Re P E RTOIR E Lucy Scandrett AHS President Jan Bishop Conference Coordinator ShruDeLi Ownbey, David Day, Anamae Anderson Institute Coordinators June 28 - July 2 Westminster Brigham Young College University Salt Lake City Provo 1250 East 1700 South Harold B. Lee Library Salt Lake City, Utah 84105 Provo, Utah 84602 Acknowledgments We acknowledge the following individuals and organizations for the generous donation of their time, effort, and resources. Lyon & Healy Harps The welcome reception, competition harps, Lyon & Healy Awards, and technician Jason Azem Salvi Harps Competition harps Local AHS Chapter Refreshments for the Board of Directors, Executive Committee, competitors, and AHS Competition judges; flowers Lyon & Healy West Institute logo design, competition support, time Westminster College Jeff Brown Brigham Young University Website, all printed materials and graphics, recording events, ice cream bar and special events day, International Harp Archives expertise, program designer Lindsay Weaver Vanderbilt Music Company Sponsoring Sarah Bullen’s participation Anderson Insurance Two $1,000 scholarships Cherie Campbell Food coordinator Julie Keyes Volunteer coordinator Toni MacKay Registration -
Concert & Dance Listings • Cd Reviews • Free Events
CONCERT & DANCE LISTINGS • CD REVIEWS • FREE EVENTS FREE BI-MONTHLY Volume 4 Number 6 Nov-Dec 2004 THESOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING & OTHER RELATED FOLK ARTS IN THE GREATER LOS ANGELES AREA “Don’t you know that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers Music and Poetry Quench the Thirst of Our Soul FESTIVAL IN THE DESERT BY ENRICO DEL ZOTTO usic and poetry rarely cross paths with war. For desert dwellers, poetry has long been another way of making war, just as their sword dances are a choreographic represen- M tation of real conflict. Just as the mastery of insideinside thisthis issue:issue: space and territory has always depended on the control of wells and water resources, words have been constantly fed and nourished with metaphors SomeThe Thoughts Cradle onof and elegies. It’s as if life in this desolate immensity forces you to quench two thirsts rather than one; that of the body and that KoreanCante Folk Flamenco Music of the soul. The Annual Festival in the Desert quenches our thirst of the spirit…Francis Dordor The Los Angeles The annual Festival in the Desert has been held on the edge Put On Your of the Sahara in Mali since January 2001. Based on the tradi- tional gatherings of the Touareg (or Tuareg) people of Mali, KlezmerDancing SceneShoes this 3-day event brings together participants from not only the Tuareg tradition, but from throughout Africa and the world. Past performers have included Habib Koité, Manu Chao, Robert Plant, Ali Farka Toure, and Blackfire, a Navajo band PLUS:PLUS: from Arizona. -
The Music of Randall Thompson a Documented
THE MUSIC OF RANDALL THOMPSON (1899-1984) A DOCUMENTED CATALOGUE By Carl B. Schmidt Elizabeth K. Schmidt In memory of RANDALL THOMPSON ' for VARNEY THOMPSON ELLIOTT (†) CLINTON ELLIOTT III EDWARD SAMUEL WHITNEY THOMPSON (†) ROSEMARY THOMPSON (†) RANDALL THOMPSON JR. HAROLD C. SCHMIDT (†) and for E. C. SCHIRMER MUSIC COMPANY a division of ECS Publishing Group © 2014 by E. C. Schirmer Music Company, Inc., a division of ECS Publishing 1727 Larkin Williams Road, Fenton, MO 63026-2024 All rights reserved. Published 2014 Printed in the United States of America ISBN 978-0-911318-02-9 Library of Congress Cataloging-in-Publication Data Schmidt, Carl B. The music of Randall Thompson (1899-1984) : a documented catalogue / by Carl B. Schmidt [and] Elizabeth K. Schmidt. pages cm Includes bibliographical references and index. ISBN 978-0-911318-02-9 1. Thompson, Randall, 1899-1984--Bibliography. I. Schmidt, Elizabeth K. II. Title. ML134.T42S36 2015 016.78092--dc23 2014044640 Since I first went to Rome in 1922, Italian culture, the Italian people and the Italian language have been the strongest single influence on my intellectual and artistic development as a person and as a composer. So true is this that I cannot imagine what my life would be without all the bonds that bind me in loyalty and devotion to Italy and to my Italian friends. 13 June 1959 letter from Thompson to Alfredo Trinchieri Thompson always makes you think there is nothing as beautiful, as rich, or as varied as the sounds of the human voice. Alfred Frankenstein, San Francisco Chronicle (24 May 1958) It is one of the lovely pieces our country has produced, that any country, indeed, has produced in our century. -
The Late Choral Works of Igor Stravinsky
THE LATE CHORAL WORKS OF IGOR STRAVINSKY: A RECEPTION HISTORY _________________________________________________________ A Thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia ________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts ____________________________ by RUSTY DALE ELDER Dr. Michael Budds, Thesis Supervisor DECEMBER 2008 The undersigned, as appointed by the dean of the Graduate School, have examined the thesis entitled THE LATE CHORAL WORKS OF IGOR STRAVINSKY: A RECEPTION HISTORY presented by Rusty Dale Elder, a candidate for the degree of Master of Arts, and hereby certify that, in their opinion, it is worthy of acceptance. _________________________________________ Professor Michael Budds ________________________________________ Professor Judith Mabary _______________________________________ Professor Timothy Langen ACKNOWLEDGEMENTS I would like to express my deepest gratitude to each member of the faculty who participated in the creation of this thesis. First and foremost, I wish to recognize the ex- traordinary contribution of Dr. Michael Budds: without his expertise, patience, and en- couragement this study would not have been possible. Also critical to this thesis was Dr. Judith Mabary, whose insightful questions and keen editorial skills greatly improved my text. I also wish to thank Professor Timothy Langen for his thoughtful observations and support. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS……………………………………………………………...ii ABSTRACT……………………………………………………………………………...v CHAPTER 1. INTRODUCTION: THE PROBLEM OF STRAVINSKY’S LATE WORKS…....1 Methodology The Nature of Relevant Literature 2. “A BAD BOY ALL THE WAY”: STRAVINSKY’S SECOND COMPOSITIONAL CRISIS……………………………………………………....31 3. AFTER THE BOMB: IN MEMORIAM DYLAN THOMAS………………………45 4. “MURDER IN THE CATHEDRAL”: CANTICUM SACRUM AD HONOREM SANCTI MARCI NOMINIS………………………………………………………...60 5.