Peggy Guggenheim Collection
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PROVIDED IN 473 HOTEL IN VENICE, ABANO, MONTEGROTTO AND CORTINA Year 7, n. 01, winter 2018 winter 01, n. 7, Year Live Venice is a periodical of AVA Associazione Veneziana Albergatori | nr. Reg.Stampa 17 nr.R.G. 2022/2012 Trib.Ve | Publisher and Managing Editor Riccardo Gelli | Graphic design and pagination Leonardo Bosello | Printed by Grafiche Carrer Snc in Venice | If not specified, images are property of the Publisher | All rights reserved The best of Venice up to APRIL 2018 EXHIBITS EVENTS SUGGESTIONS SHOPPING MUSIC MOBILITY Kimono rouge et noir di Antonia Sautter Antonia di noir et rouge Kimono © Ph. O. Di Pietrantonio, Pietrantonio, Di O. Ph. © www.live-venice.it 2 EXHIBITS Freespace: the 16. International The World that Architecture Exhibition wasn’t there On show works that exemplifies or the art qualities of architecture he 16th International Architecture address the unspoken wishes of strangers. before TExhibition will take place from May Freespace celebrates architecture’s 26th to November 25th 2018 (Preview capacity to find additional and unexpected Columbus May 24th and 25th) in the Giardini and the generosity in each project - even within Arsenale, and around other venues in Venice. the most private, defensive, exclusive or Yvonne Farrell and Shelley McNamara commercially restricted conditions. The pre-Columbian titled the 16th International Architecture Freespace provides the opportunity Art on show Exhibition Freespace, and explained their to emphasise nature’s free gifts of light - choice with the following words: «Freespace sunlight and moonlight, air, gravity, materials unitl the end describes a generosity of spirit and a sense of - natural and man-made resources. humanity at the core of architecture’s agenda, Freespace encourages reviewing ways of June at focusing on the quality of space itself». of thinking, new ways of seeing the world, Loredan Palace Freespace focuses on architecture’s of inventing solutions where architecture ability to provide free and additional spatial provides for the well being and dignity of he large exhibition of gifts to those who use it and on its ability to each citizen of this fragile planet. Tmasterpieces in the Ligabue Collection comes to Venice to illustrate The World Save the date of Biennale 2018 That Wasn’t There: from the 9th International Kids’ Carnival 46th International Theatre Festival Olmecs to the Maya, Aztecs Biennale Carnevale Biennale Teatro and Incas. Hosted at Palazzo Loredan, at Istituto Veneto di 3/02/2018 – 11/02/2018 20/07/2018 – 05/08/2018 Scienze Lettere ed Arti, untill 16th International Architecture 75th International Film Festival the end of June, customs and Exhibition Biennale Cinema cosmogonies of Mesoamerican and Biennale Architettura 29/08/2018 – 08/09/2018 South American cultures before Columbus, narrated by over 150 works of art. From 12 January to 30 June 2018, the 26/05/2018 – 25/11/2018 62Th International Festival of Palazzo Loredan, headquarters of the Istituto 12th International Festival of Contemporary Music Veneto di Scienze Lettere ed Arti, will host The Contemporary Dance Biennale Musica World That Wasn’t There. Pre-Columbian Art in Biennale Danza 28/09/2018 – 07/10/2018 the Ligabue Collection, a stunning exhibition 22/06/2018 – 01/07/2018 exploring the many, diverse Pre-Columbian cultures that flourished for thousands of years on the American continent before the SET UP! Second edition encounter with the Europeans. Just before the dawn of the 16th-century Music and performing arts at Punta della Dogana Europe was shaken by an epoch-making riday 23 and Saturday 24 concerts. Among the many international discovery: the “Indies”, February, from 8pm until 2am, Set artists invited for the 2018 edition: Ernst as Christopher Up!F makes its comeback for a second Reijseger, OoopopoiooO, Sequoyah Columbus mistakenly edition, allowing you to see Punta della Tiger, Alessandro Sciarroni, Laibach, called the coast he Dogana like never before, in between two Chris Imler. reached on 12 October 1492. He actually had exhibitions! Tickets available for presale from stumbled on a “world that wasn’t there”. The empty museum will host a January 2018 on ticketlandia.it or on This encounter was between two great series of site-specific performances and palazzograssi.it civilisations that are part of a single humanity. And humanity is made up of peoples with shared and different features, The artist’s “actor” role! highlighted through the works on show in this exhibition promoted by the Fondazione Dancing with myself from April 8th Giancarlo Ligabue with the Ligabue Group as main sponsor. The exhibition describes the rom , Punta della Sunday 8 April 2018 ancient cultures of so-called Mesoamerica Dogana presents Dancing with myself, a F (most of Mexico, Guatemala, Belize, and part collective show of works from the Pinault of Honduras and El Salvador), the area of Collection conceived in collaboration with modern-day Panama, and the Andes (from the Folkwang Museum in Essen, Germany, Colombia, Ecuador, Peru and Bolivia as far faces the primordial importance of the as Chile and Argentina): from the cultures artist’s role as actor and material of his own of Chavín to Tiahuanaco and Moche up to creations, from the 1970s to today. the Incas. Approximately 100 works from the Pinault Collection are on display alongside a selection of works on loan from the FONDAZIONE GIANCARLO LIgaBUE Folkwang Museum. San Marco 3319 30124 Venice From April 9 until December 3 from 10 am Tel. 041.2705616 [email protected] - www.fondazioneligabue.it to 7 pm. Closed on Thursday. Ticket office open until 6 pm. In this box: Albert Oehlen, Untitled, © 2016 Pinault Collection Above, from the top: Small statue of a pelota player Jalisco Culture, Western Mexico. Recent Preclassical Period: between 100 b.C. and il 250 a.D.. Ceramica ad ingobbio bianco-crema e rosso mattone. Height 47,9 cm, width 29 cm, length 15,1 cm. Venezia, Collezione Ligabue. Bookings PALAZZO GRASSI : tel + 39.041.2001057 Pendant Tairona Culture 800 - 1300 a.D. Oro, in lega con altri metalli. Oggetto a forma d’aquila con le www.palazzograssi.it [email protected] ali aperte e con collane al collo. Height: 10,5 cm. Venezia, Collezione Ligabue. tel +39 041 2401308 [email protected] Bottle with the figure of a Shaman Chavin-Cupisnique Culture 1000 b.C. Ceramica, cottura ossiriduzione. Height: 22,5 cm. Venezia, Collezione Ligabue. EXHIBITS 3 The world in a bead: to be seen in Murano The widest glass beads collection at Museo del Vetro n extraordinary concentration of technique and inventiveness, the Venetian beads, some of which incomplete, 8957 intact beads and 274 Aglass beads, small and precious artefacts of many types and of a rare beauty and fragments and 492 mazzi di conterie. boasting many types, have long been a part of Venetian glass-making history and still Above: Vetro a lume beads, XIX century, Giovanni Battista e Giacomo today represent a lively and important production. Franchini. Vetro a lume beads linked with cotton string, spherical shape The publication of the first detailed catalogue of these artistic objects a few months with linear decoration. Sizes: diameter x length from 11x11mm to ago and is now the basis for the dazzling exhibition in the spaces of the former conterie 12x26mm. Left: Perle di vetro a lume soffiato (blown glass bead), XIX Century. in the lagoon museum, open from 8 December 2017 to 15 April 2018. Spherical and “olive” shape with various monocromatic decorations. The world of glass beads is unique: they are decorative objects but were also Sizes: diameter x length from 13x12mm to 20x20mm. valuable trading goods exported in large quantities in the Right: Perla di vetro a lume with murrina insertion XIX Century. Cylindrical shape, with star, flower and cross decoration. Sizes: diameter nineteenth century to the colonies of West Africa, India x length from 13,5x8mm to 15x7mm. and the Americas; sought after and coveted as jewels, in exchange for these glass beads the natives of Museo del Vetro, Fondamenta Giustinian 8 - 30141 Murano (Venice) America agreed to cede the territory we know Up to March 31st, open daily from 10am to 5pm today as Manhattan. From April 1st, open daily from 10am to 6pm Info and bookings The ’s collection Museo del Vetro di Murano www.museovetro.visitmuve.it [email protected] consists of 85 sample cases containing 14,182 beads, 848082000 (from Italy) +3904142730892 (from abroad) three cloth panels from 1863, a gift from the Società Vaporetto: Line 4.1/4.2/3 Murano Museo stop delle Fabbriche Unite containing 2015 beads and Facebook: www.facebook.com/visitmuve - Twitter: @visitmuve_it / @visitmuve_en 266 mazzi di conterie, with 91 bunches of lampwork Instagram: www.instagram.com/visitmuve - #MUVEcortocircuito / #AttornoalVETRO Concerning glass and its reflection in painting 230 hand made glass pieces, 30 paintings to taste the parallelism n unprecedented parallelism between glass and paintings from the civic collections, and in particular from Apainting is at the centre of the new exhibition that of the Galleria Internazionale d’Arte Moderna organised by the City of Venice and the Fondazione di Ca’ Pesaro, but also from other prestigious public Musei Civici di Venezia for the Centro Culturale and private collections: the Pinacoteca di Barletta, the Candiani in Mestre MAXXI in Rome, the Civic Museums of Pesaro and n the case of the exhibition Around glass and the Fondazione CRTrieste. its reflection in painting, which will run from 16 «This exhibition – writes Gabriella Belli – reveals December 2017 to 27 May 2018, a number how the painters of every era have seen how glass of masterpieces of glass art – over 230 pieces made can offer a preferential aesthetic reference able to using the most varied techniques that reflect changes “reflect” their own conceptual developments in an in custom and taste over the centuries, drawn from original way.