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In Ancient Egypt
THE ROLE OF THE CHANTRESS ($MW IN ANCIENT EGYPT SUZANNE LYNN ONSTINE A thesis submined in confonnity with the requirements for the degm of Ph.D. Graduate Department of Near and Middle Eastern Civiliations University of Toronto %) Copyright by Suzanne Lynn Onstine (200 1) . ~bsPdhorbasgmadr~ exclusive liceacc aiiowhg the ' Nationai hiof hada to reproduce, loan, distnia sdl copies of this thesis in miaof#m, pspa or elccmnic f-. L'atm criucrve la propri&C du droit d'autear qui protcge cette thtse. Ni la thèse Y des extraits substrrntiets deceMne&iveatetreimprimCs ouraitnmcrtrepoduitssanssoai aut&ntiom The Role of the Chmaes (fm~in Ancient Emt A doctorai dissertacion by Suzanne Lynn On*, submitted to the Department of Near and Middle Eastern Civilizations, University of Toronto, 200 1. The specitic nanire of the tiUe Wytor "cimûes", which occurrPd fcom the Middle Kingdom onwatd is imsiigated thrwgh the use of a dalabase cataloging 861 woinen whheld the title. Sorting the &ta based on a variety of delails has yielded pattern regatding their cbnological and demographical distribution. The changes in rhe social status and numbers of wbmen wbo bore the Weindicale that the Egyptians perceivecl the role and ams of the titk âiffefcntiy thugh tirne. Infomiation an the tities of ihe chantressw' family memkrs bas ailowed the author to make iderences cawming llse social status of the mmen who heu the title "chanms". MiMid Kingdom tifle-holders wverc of modest backgrounds and were quite rare. Eighteenth DMasty women were of the highest ranking families. The number of wamen who held the titk was also comparatively smaii, Nimeenth Dynasty women came [rom more modesi backgrounds and were more nwnennis. -
Ancient Egyptian Chronology.Pdf
Ancient Egyptian Chronology HANDBOOK OF ORIENTAL STUDIES SECTION ONE THE NEAR AND MIDDLE EAST Ancient Near East Editor-in-Chief W. H. van Soldt Editors G. Beckman • C. Leitz • B. A. Levine P. Michalowski • P. Miglus Middle East R. S. O’Fahey • C. H. M. Versteegh VOLUME EIGHTY-THREE Ancient Egyptian Chronology Edited by Erik Hornung, Rolf Krauss, and David A. Warburton BRILL LEIDEN • BOSTON 2006 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Ancient Egyptian chronology / edited by Erik Hornung, Rolf Krauss, and David A. Warburton; with the assistance of Marianne Eaton-Krauss. p. cm. — (Handbook of Oriental studies. Section 1, The Near and Middle East ; v. 83) Includes bibliographical references and index. ISBN-13: 978-90-04-11385-5 ISBN-10: 90-04-11385-1 1. Egypt—History—To 332 B.C.—Chronology. 2. Chronology, Egyptian. 3. Egypt—Antiquities. I. Hornung, Erik. II. Krauss, Rolf. III. Warburton, David. IV. Eaton-Krauss, Marianne. DT83.A6564 2006 932.002'02—dc22 2006049915 ISSN 0169-9423 ISBN-10 90 04 11385 1 ISBN-13 978 90 04 11385 5 © Copyright 2006 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers, and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Brill provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. -
Selected Proceedings from the 2003 Annual Conference of the International Leadership Association, November 6-8, Guadalajara, Jalisco, Mexico
Selected Proceedings from the 2003 annual conference of the International Leadership Association, November 6-8, Guadalajara, Jalisco, Mexico Origins of Leadership: Akhenaten, Ancient Leadership and Sacred Texts Leon F. “Skip” Rowland, Doctoral Candidate Leon F. “Skip” Rowland, “Origins of Leadership: Akhenaten, Ancient Leadership and Sacred Texts” presented at the International Leadership Association conference November 6-8 2003 in Guadalajara, Jalisco, Mexico. Available online at: http://www.ila-net.org/Publications/Proceedings/2003/lrowland.pdf - 1 - Introduction This paper presents an ancient international leader who used sacred texts to effect cultural change in all the major social institutions of ancient Egypt. The purpose of this paper is to help shape the future of leadership by presenting a form new to traditional leadership studies: that of an ancient Egyptian leader. This new face, Amenhotep IV, later known as Akhenaten, who founded a new place, Akhetaten, provided a new context for our study of international leadership. Guiding Questions Who was Akhenaten? What was the context of the times in which Akhenaten lived? What was Akhenaten’s religious heresy? What are sacred texts? What do they teach? How did Akhenaten use sacred texts to change Egyptian culture? What can researchers, practitioners, and educators learn from a study of Akhenaten? Methodology I conducted a cross-disciplinary literature review from anthropology, history, Egyptology, religion and spirituality, political science, social psychology, psychohistory, and leadership studies on the subject of Akhenaten and the Amarna Period of Ancient Egypt. I also reviewed the literature to understand the concept of “sacred texts” both in Egyptian culture and Western culture and consulted books of ancient literature to uncover the “sacred texts” of Egypt that would have conceivably been known to a Pharaoh during the 14th century B.C.E., after 1500 years of the written record – for example, the Instructions of Ptah-Hotep from around 2300 B.C.E. -
WHO WAS WHO AMONG the ROYAL MUMMIES by Edward F
THE oi.uchicago.edu ORIENTAL INSTITUTE NEWS & NOTES NO. 144 WINTER 1995 ©THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO WHO WAS WHO AMONG THE ROYAL MUMMIES By Edward F. Wente, Professor, The Oriental Institute and the Department of Near Eastern Languages and Civilizations The University of Chicago had an early association with the mummies. With the exception of the mummy of Thutmose IV, royal mummies, albeit an indirect one. On the Midway in the which a certain Dr. Khayat x-rayed in 1903, and the mummy area in front of where Rockefeller Chapel now stands there of Amenhotep I, x-rayed by Dr. Douglas Derry in the 1930s, was an exhibit of the 1893 World Columbian Exposition known none of the other royal mummies had ever been radiographed as "A Street in Cairo." To lure visitors into the pavilion a plac until Dr. James E. Harris, Chairman of the Department of Orth ard placed at the entrance displayed an over life-sized odontics at the University of Michigan, and his team from the photograph of the "Mummy of Rameses II, the Oppressor of University of Michigan and Alexandria University began x the Israelites." Elsewhere on the exterior of the building were raying the royal mummies in the Cairo Museum in 1967. The the words "Royal Mummies Found Lately in Egypt," giving inadequacy of Smith's approach in determining age at death the impression that the visitor had already been hinted at by would be seeing the genuine Smith in his catalogue, where mummies, which only twelve he indicated that the x-ray of years earlier had been re Thutmose IV suggested that moved by Egyptologists from a this king's age at death might cache in the desert escarpment have been older than his pre of Deir el-Bahri in western vious visual examination of the Thebes. -
Aegyptiaca in Der Nördlichen Levante Eine Studie Zur Kontextualisierung Und Rezeption Ägyptischer Und Ägyptisierender Objekte in Der Bronzezeit
Orbis Biblicus et Orientalis 41 Series Archaeologica Alexander Ahrens Aegyptiaca in der nördlichen Levante Eine Studie zur Kontextualisierung und Rezeption ägyptischer und ägyptisierender Objekte in der Bronzezeit PEETERS 102290_OBO_Archaeol_41_00_COVER.indd All Pages 07/09/2020 10:24 AEGYPTIACA IN DER NÖRDLICHEN LEVANTE ORBIS BIBLICUS ET ORIENTALIS. Series Archaeologica Begründet von Othmar Keel Herausgegeben von Susanne Bickel, Catherine Mittermayer, Mirko Novák, Thomas C. Römer und Christoph Uehlinger im Auftrag der Schweizerischen Gesellschaft für Orientalische Altertumswissenschaft und der Stiftung Bibel+Orient in Zusammenarbeit mit dem Ägyptologischen Seminar der Universität Basel, dem Institut für Archäologische Wissenschaften, Abteilung Vorderasiatische Archäologie, der Universität Bern, dem Departement für Biblische Studien der Universität Freiburg Schweiz, dem Institut romand des sciences bibliques der Universität Lausanne, und dem Religionswissenschaftlichen Seminar der Universität Zürich. Zum Autor Alexander Ahrens (*1976), Studium der Vorderasiatischen Archäologie, Ägyptologie, Altorientalistik und Biblischen Archäologie an der Eberhard-Karls-Universität Tübingen (M.A. 2005). Stipendiat der Landes- graduiertenförderung Baden-Württemberg, Kollegiat des Graduiertenkollegs Formen von Prestige in Kulturen des Altertums an der Ludwig-Maximilians-Universität München von 2005–2008. Mitarbeiter an der Außen- stelle Damaskus der Orient-Abteilung des Deutschen Archäologischen Institutes von 2008–2012, danach Mitarbeiter und Forschungsassistent -
Aegyptiannamesfemale.Pdf
Aahotep Fareeza Kesi Mukantagara OJufemi Sobkneferu Aat Fayrouz Khamaat Mukarramma Olabisi Sopdu Abana Femi Khamereernebty Muminah Olufemi Sotepenre Abar Fukayna Khamerernebty Mut Omorose Sponnesis Acenath Gehane Khasnebu Mutemhab Oni Sslama Adjedaa Gilukhepa Khedebneithireretbeneret Mutemwia Oseye Stateira Afshan Habibah Khenemet Mutemwiya Pakhet Subira Ahhotep Hafsah Khensa Mutneferu Panya Suma Ahhotpe Halima Khent Mutnefret Pasht Sutailja Ahmose- Meryetamun Hapu Khenteyetka Mutnodjme Pebatma Tabes Ahmose-Nefertiri Haqikah Khentkaues Mutnodjmet Peksater Tabesheribet Ahmose Hasina Khentkawes Muttuy Peshet Tabesheritbet Ahwere Hathor Khepri Muyet Phoenix Tabia Ain Hatnofer Khnemetamun Nabirye Pili Tabiry Ajalae Hatshepsut Khnumet Naeemah Pipuy Tabubu Akila Hebeny Khonsu Nailah Ptolema Taheret Alexandria Hehenhit Khutenptah Nait Ptolemais Tahirah Amanishakheto Hehet Kissa Nakht Qalhata Tahpenes Amenemopet Henetmire Kiya Nakhtsebastetru Qemanub Taimhotep Amenia Henhenet Koss Naneferher Quibilah Tairetdjeret Amenirdis Hentempet Kthyopia Nany Rabiah Tais Amenkhenwast Hentmira Lapis Nathifa Rai Taiuhery Amenti Henttawy Layla Naunakht Ramla Takhaaenbbastet Amessis Henttimehu Lotus Naunakhte Rashida Takharu Amosis Hentutwedjebu Maahorneferure Naunet Raziya Takhat Amunet Henut Maalana Nebefer Reddjedet Takheredeneset Amunnefret Henutdemit Maat Nebet Rehema Tale Anat Henutmehyt Maatkare Nebetawy Renenet Talibah Anhai Henutmire Maatneferure Nebethetepet Renenutet Tamin Anhay Henutnofret Maetkare Nebethut Reonet Tamutnefret Anippe Henutsen Mafuane -
In the Tomb of Nefertari: Conservation of the Wall Paintings
IN THE TOMB OF NEFERTAR1 IN THE TOMB OF NEFERTARI OF CONSERVATION THE WALL PAINTINGS THE J.PAUL GETTY MUSEUM AND THE GETTY CONSERVATION INSTITUTTE 1992 © 1992 The j. Paul Getty Trust Photo Credits: Guillermo Aldana, figs. I, 2, 4, 8-17, 30, 34-36, 38, cover, 401 Wilshire Boulevard, Suite 900 endsheets, title page, copyright page, table of contents; Archives of Late Egyp Santa Monica, California 90401 -1455 tian Art, Robert S. Bianchi, New York, figs. 18, 20, 22-27, 31-33,37; Cleveland Museum of Art, fig. 29; Image processing by Earthsat, fig. 7; Metropolitan Kurt Hauser, Designer Museum of Art, New York, figs. 6, 19, 28; Museo Egizio, Turin, figs. 5, 21 (Lovera Elizabeth Burke Kahn, Production Coordinator Giacomo, photographer), half-title page. Eileen Delson, Production Artist Beverly Lazor-Bahr, Illustrator Cover: Queen Nefertari. Chamber C, south wall (detail), before treatment was completed. Endsheets: Ceiling pattern, yellow five-pointed stars on dark blue Typography by Wilsted & Taylor, Oakland, California ground. Half-title page: Stereo view of tomb entrance taken by Don Michele Printing by Westland Graphics, Burbank, California Piccio/Francesco Ballerini, circa 1904. Title page: View of Chamber K, looking Library of Congress Catalogmg-in-Publication Data north. Copyright page: Chamber C, south wall, after final treatment-Table of In the tomb of Nefertari : conservation of the wall paintings, Contents page: Chamber C, south wall (detail), after final treatment. Tomb of p. cm. Nefertari, Western Thebes, Egypt. "Published on the occasion of an exhibition at the J. Paul Getty Published on the occasion of an exhibition atthej. -
'Ancient Egyptian Autobiographies Chiefly of the Middle Kingdom: a Study and an Anthology'
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 1988 Ancient Egyptian Autobiographies Chiefly of the Middle Kingdom: A Study and an Anthology Lichtheim, Miriam Abstract: By a selection of sixty ancient Egyptian autobiographical inscriptions, presented in new transla- tions, the author examines the growth of the autobiographical genre during the Old and Middle Kingdoms, from ca. 2500 to ca. 1800 B.C. The Old Kingdom created the basic form: the autobiography as an inte- gral part of the inscriptional and pictorial program of tombs - the planned and often sumptuous tombs of the well-to-do, who filled the major positions in the royal administration. After the decline oftheOld Kingdom, the rising middle class diversified the genre, and loci other than tombs, notably free-standing stelae and rock faces of quarries, also became carriers of autobiographical self-presentations. The cult of Osiris added yet another dimension: autobiographical stelae erected near the Osiris temple at Abydos and specifically designed to place their owners in the care of the god-of-the-dead. The texts of thesestelae often describe their position as being ”at the terrace of the great god”, a description which has caused much scholarly rumination. Just what was the terrace of the great god? This study demonstrates that the texts themselves furnish the conclusive answer. Finally, the reader meets a magnate of Middle Egypt in his splendid tomb, whose carefully stylized autobiography is a classic of Middle Kingdom oratory. Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-141274 Monograph Published Version Originally published at: Lichtheim, Miriam (1988). -
In the Shadow of Osiris: Non-Royal Mortuary Landscapes at South
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 1-1-2014 In the Shadow of Osiris: Non-Royal Mortuary Landscapes at South Abydos During the Late Middle and New Kingdoms Kevin Michael Cahail University of Pennsylvania, [email protected] Follow this and additional works at: http://repository.upenn.edu/edissertations Part of the History of Art, Architecture, and Archaeology Commons, and the Islamic World and Near East History Commons Recommended Citation Cahail, Kevin Michael, "In the Shadow of Osiris: Non-Royal Mortuary Landscapes at South Abydos During the Late Middle and New Kingdoms" (2014). Publicly Accessible Penn Dissertations. 1222. http://repository.upenn.edu/edissertations/1222 This paper is posted at ScholarlyCommons. http://repository.upenn.edu/edissertations/1222 For more information, please contact [email protected]. In the Shadow of Osiris: Non-Royal Mortuary Landscapes at South Abydos During the Late Middle and New Kingdoms Abstract Kevin M. Cahail Dr. Josef W. Wegner The site of South Abydos was home to royal mortuary complexes of both the late Middle, and New Kingdoms, belonging to Senwosret III and Ahmose. Thanks to both recent and past excavations, both of these royal establishments are fairly well understood. Yet, we lack a clear picture of the mortuary practices of the non- royal individuals living and working in the shadow of these institutions. For both periods, the main question is where the tombs of the non-royal citizens might exist. Additionally for the Middle Kingdom is the related issue of how these people commemorated their dead ancestors. Divided into two parts, this dissertation looks at the ways in which non-royal individuals living at South Abydos during these two periods dealt with burial and funerary commemoration. -
Pharaoh: King of Ancient Egypt Educator’S Resource Pharaoh: King of Ancient Egypt
Educator’s Resource Pharaoh: King of Ancient Egypt Educator’s Resource Pharaoh: King of Ancient Egypt Written by Kevin Sweeney, Fourth-Grade Teacher, Hawken School, Pharaoh: King of Ancient Egypt is a collaboration with Lyndhurst, Ohio, with the assistance of Cleveland Museum of Art staff the British Museum. Presented by Baker Hostetler, with Hajnal Eppley, Assistant Director, School and Teacher Engagement, additional support from the and Dale Hilton, Director of Teaching and Learning. Selz Foundation. Developed in conjunction with the exhibition Pharaoh: King of Ancient Egypt (on view through June 12, 2016), this educational resource introduces students to objects produced thousands of years ago for specific functions. By comparing Cleveland Museum of Art works from the exhibition with others from the museum’s permanent collection, students can practice skills required by state and national academic standards. In this resource, teachers will find images, selected information, and Common Core–aligned prompts for class- room use. The Cleveland Museum of Art 11150 East Blvd., Cleveland, OH 44106 www.clevelandart.org/learn Part I: Thinking about Egypt The Egyptian civilization was the longest lived in the ancient world. It began along the Nile River in northeastern Africa about 3300 BCE1 and thrived for more than 3,000 years. Seasonal rains in the southern highlands inundated the Nile every year, causing the river to overflow its banks. When the floodwaters receded, a layer of rich black topsoil covered the flood plain. This fertile land enabled the Egyptians to develop a successful farming economy. Other natural factors contributed to ancient Egypt’s rise to promi- nence. -
Amenhotep Son of Hapu: Self-Presentation Through Statues and Their Texts in Pursuit of Semi-Divine Intermediary Status
AMENHOTEP SON OF HAPU: SELF-PRESENTATION THROUGH STATUES AND THEIR TEXTS IN PURSUIT OF SEMI-DIVINE INTERMEDIARY STATUS By ELEANOR BETH SIMMANCE A thesis submitted to the University of Birmingham for the degree of Master of Research (Egyptology) Institute of Archaeology and Antiquity College of Arts and Law University of Birmingham April 2014 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract The name of Amenhotep son of Hapu is well-known to scholars. He was similarly distinguished in ancient times as one who reached extraordinary heights during life and whose memory was preserved for centuries after death. This thesis engages with the premise that an individual constructed monuments for commemoration and memorialisation, and thus that the individual was governed by this motive during their creation. Two statues of Amenhotep in particular are believed to have served as mediators between human and god, and by exploring the ways in which he presented himself on the nine contemporary statues which are currently known (all but one originating at Karnak) it is argued that he deliberately portrayed himself as a suitable intermediary, encouraging this form of remembrance. -
Southampton Ancient Egypt Society
The newsletter of The HOTEP Southampton Issue 16: February 2017 Ancient Egypt 2017 Society Review of the January meeting All our speakers are made well aware On Saturday 21 January we welcomed of the length of our meetings at the time of Alan Reiblein, from Manchester, to talk booking and are asked to prepare a 90- about Egyptian Wall Painting. He started minute presentation. From his website it by explaining how there was a wealth of out- appeared that Alan was an experienced of-copyright material available free of charge speaker but his talk was of barely one hour’s from the American Library of Congress which duration and not as well illustrated as it could had provided him with many translations of have been. When it finished at 3.30 I tried to ancient and Classical texts. Alan used extracts extend the afternoon by means of questions from these to give us an overview of how and some input of my own but I suspect that Egyptian art was viewed by the Greeks and some members of the audience, which how Classical appreciation of non-Greek art included several visitors who had been drawn influenced the way modern scholars have to the Society by the appeal of the subject, interpreted Egyptian styles, especially the will have gone away disappointed. If you have conventions regarding the portrayal of the had a good, or bad, experience with a talk we human figure. He compared the similar would be glad to know because personal conventions of representing three-dimensional recommendation is the best guarantee of objects in two dimensions adopted by other finding the best speakers and avoiding the contemporaneous societies.