Socio-Psychological Dimensions of Major Characters in Three of John
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The Influence of Kitchen Sink Drama in John Osborne's
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 23, Issue 9, Ver. 7 (September. 2018) 77-80 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org The Influence of Kitchen Sink Drama In John Osborne’s “ Look Back In Anger” Sadaf Zaman Lecturer University of Bisha Kingdom of Saudi Arabia Corresponding Author: Sadaf Zaman ----------------------------------------------------------------------------------------------------------------------------- ---------- Date of Submission:16-09-2018 Date of acceptance: 01-10-2018 ----------------------------------------------------------------------------------------------------------------------- ---------------- John Osborne was born in London, England in 1929 to Thomas Osborne, an advertisement writer, and Nellie Beatrice, a working class barmaid. His father died in 1941. Osborne used the proceeds from a life insurance settlement to send himself to Belmont College, a private boarding school. Osborne was expelled after only a few years for attacking the headmaster. He received a certificate of completion for his upper school work, but never attended a college or university. After returning home, Osborne worked several odd jobs before he found a niche in the theater. He began working with Anthony Creighton's provincial touring company where he was a stage hand, actor, and writer. Osborne co-wrote two plays -- The Devil Inside Him and Personal Enemy -- before writing and submittingLook Back in Anger for production. The play, written in a short period of only a few weeks, was summarily rejected by the agents and production companies to whom Osborne first submitted the play. It was eventually picked up by George Devine for production with his failing Royal Court Theater. Both Osborne and the Royal Court Theater were struggling to survive financially and both saw the production of Look Back in Anger as a risk. -
Enemy Images
ENEMY IMAGES A Resource Manual on Reducing Enmity By Psychologists for Social Responsibility 208 I Street, NE - Washington DC 20002 We don’t see things as they are; We see things as we are. Anais Nin An exaggerated, literally diabolical image of another country—a country that is actually composed of human beings not so very different from the citizens of one’s own country—is in my judgment the very taproot of war in the present-day world. Ralph K. White, Ph.D. Author of Fearful Warriors We are members of a human race that possesses the knowledge required to feed itself and to provide education and a life of relative health, comfort, and cooperation for all in the context of a globally peaceful and ecologically sustainable planet. Yet, we are still polarized and compartmentalized, torn by racial, ethnic, and class hostilities, religious and sectarian antagonism, and competing special-interest groups and ideologies and steeped in politics as usual, lacking the collective will to extricate ourselves from this quagmire. Elena Mustakova-Possardt, Ed.D. Author of Critical Consciousness: Study of Morality in Global Historical Context The challenge to those of us who set a very high priority on moving towards peace is to induce more of our colleagues and our fellow citizens to agree with us—and to bring our skills and resources to bear on government without the support of a national consensus. M. Brewster Smith, Ph.D. Kurt Lewin Memorial Address, 1986 TABLE OF CONTENTS Preface Acknowledgements Introduction Section I: Globalization and Enmity: Toward a Culture of Peace Transcending Beliefs in the Intrinsic Nature of War The United Nations Culture of Peace Initiative Enemy Images and Nonviolence The Nature of Template Enemy Images: The Mask of Enmity Enemy Images and Identity Formation Section II: Effects of Enemy Images: Theory and Examples 1. -
[9K2L]⋙ John Osborne Plays 3: a Patriot for Me; Luther; Inadmissible
John Osborne Plays 3: A Patriot for Me; Luther; Inadmissible Evidence (Faber Contemporary Classics) John Osborne Click here if your download doesn"t start automatically John Osborne Plays 3: A Patriot for Me; Luther; Inadmissible Evidence (Faber Contemporary Classics) John Osborne John Osborne Plays 3: A Patriot for Me; Luther; Inadmissible Evidence (Faber Contemporary Classics) John Osborne This third collection of John Osborne's dramatic work includes three classic plays for the stage which confirm his reputation as one of the greatest British playwrights of the twentieth century. A Patriot for Me 'It is a landmark play in its open treatment of homosexuality and in the breadth of its historical canvas... few post-war plays have dealt so brilliantly with the way the individual, in rejecting the ethos of his society, also uncannily reflects it.' Guardian Luther 'The language is urgent and sinewy, packed with images that derive from bone, blood and marrow; the prose, especially in Luther's sermons, throbs with a rhetorical zeal that has not been heard in English historical drama since the seventeenth century.' Kenneth Tynan Inadmissible Evidence 'This is a work of stunning and intemperate power, a great bellow of rage and pain... there is a self-lacerating honesty about his writing that few other playwrights have come close to matching.' Daily Telegraph Download John Osborne Plays 3: A Patriot for Me; Luther; In ...pdf Read Online John Osborne Plays 3: A Patriot for Me; Luther; ...pdf Download and Read Free Online John Osborne Plays 3: A Patriot for Me; Luther; Inadmissible Evidence (Faber Contemporary Classics) John Osborne From reader reviews: Joann Huertas: Have you spare time for just a day? What do you do when you have more or little spare time? Sure, you can choose the suitable activity regarding spend your time. -
Conrad Von Hötzendorf and the “Smoking Gun”: a Biographical Examination of Responsibility and Traditions of Violence Against Civilians in the Habsburg Army 55
1914: Austria-Hungary, the Origins, and the First Year of World War I Günter Bischof, Ferdinand Karlhofer (Eds.) Samuel R. Williamson, Jr. (Guest Editor) CONTEMPORARY AUSTRIAN STUDIES | VOLUME 23 uno press innsbruck university press Copyright © 2014 by University of New Orleans Press, New Orleans, Louisiana, USA All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form, or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without prior permission in writing from the publisher. All inquiries should be addressed to UNO Press, University of New Orleans, LA 138, 2000 Lakeshore Drive. New Orleans, LA, 70119, USA. www.unopress.org. Printed in the United States of America Design by Allison Reu Cover photo: “In enemy position on the Piave levy” (Italy), June 18, 1918 WK1/ALB079/23142, Photo Kriegsvermessung 5, K.u.k. Kriegspressequartier, Lichtbildstelle Vienna Cover photo used with permission from the Austrian National Library – Picture Archives and Graphics Department, Vienna Published in the United States by Published and distributed in Europe University of New Orleans Press by Innsbruck University Press ISBN: 9781608010264 ISBN: 9783902936356 uno press Contemporary Austrian Studies Sponsored by the University of New Orleans and Universität Innsbruck Editors Günter Bischof, CenterAustria, University of New Orleans Ferdinand Karlhofer, Universität Innsbruck Assistant Editor Markus Habermann -
Proquest Dissertations
"SHADES OF ANGER: AN EXAMINATION OF FOUR PROTAGONISTS IN THE PLAYS OF JOHN OSBORNE WITHIN THE CONTEXT OF ANGER." by Barbara Joseph Thesis presented to the School of Graduate Studies as partial fulfilment of the Master of Arts Degree in English Literature e*<K6 tf'O* BIB1.I0THEQUES 0 LIBRARIES % University of Ottawa 1972 Barbara Joseph, 1972. UMI Number: EC56021 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform EC56021 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 BARBARA JOSEPH ENGLISH Resume of thesis "SHADES OF ANGER: an examination of four protagonists in the plays of John Osborne within the context ol anger." Osborne used the emotion or anger to create four highly effective protagonists. He primarily established his successlul use of the emotion in Look Back in Anger in the character of Jimmy Porter and he used the same basic emotion in the creation of his other protagonists, only with some slight variations; so that Archie Rice in The Entertainer, Bill Maitland in inadmissible Evidence and Luther irom the play of the same name are extensions of the Porter anger. -
John Osborne Plays 3: a Patriot for Me; Luther; Inadmissible Evidence
John Osborne Plays 3: A Patriot for Me; Luther; Inadmissible Evidence (Faber Contemporary Classics) PDF Kindle Book Download, PDF Download, Read PDF, Download PDF, Kindle Download John Osborne Plays 3: A Patriot for Me; Luther; Inadmissible Evidence (Faber Contemporary Classics) PDF Kindle Are you a student? Or are researchers who need many recommended John Osborne Plays 3: A Patriot for Me; Luther; Inadmissible Evidence (Faber Contemporary Classics) PDF Kindle books to establish your data? Well, of course you need many books to advocate your research and task. But, do you have enough time to looking for certain books needed? You must travel around many book station and library to find several books. It is very tiring, doesn’t it? And it also wastes your time. Then, we suggest you to use John Osborne Plays 3: A Patriot for Me; Luther; Inadmissible Evidence (Faber Contemporary Classics) PDF Download. Wow, is it ringing a bell? Download PDF File Download Kindle File Download ePub File Read John Osborne Plays 3: A Patriot for Me; Luther; Inadmissible Evidence (Faber Contemporary Classics) PDF Online by ... for free with a 30 day free trial. Read eBook on the web, iPad, iPhone and Android. Title John Osborne Plays 3: A Patriot for Me; Luther; Inadmissible Evidence (Faber Contemporary Classics) PDF ePub Authors ... Formats PDF, EPUB Pages 368. In this bestselling and charming debut People from one of Free Download John Osborne Plays 3: A Patriot for Me; Luther; Inadmissible Evidence (Faber Contemporary Classics) PDF full text Download John Osborne Plays 3: A Patriot for Me; Luther; Inadmissible Evidence (Faber Contemporary Classics) full text or read online books in PDF, .. -
John Osborne
John Osborne: A Preliminary Inventory of His Papers at the Harry Ransom Humanities Research Center Descriptive Summary Creator: Osborne, John, 1929-1994 Title John Osborne Papers Dates: 1956-1994 Extent 50 boxes, 8 oversize boxes, 3 oversize flat file folders (32.676 linear feet) Abstract: The papers of this British playwright consist of manuscripts of many of his works, correspondence, newspaper and magazine articles, scrapbooks, posters, programs, and business documents. Language English. Access Open for research Administrative Information Acquisition Reg. No. 13432 Processed by Liz Murray, 1995 Repository: Harry Ransom Humanities Research Center, University of Texas at Austin Osborne, John, 1929-1994 Scope and Contents John Osborne's work as a playwright, author, actor, producer, director, and contributor to numerous newspapers and periodicals is represented in this collection, which consists of holograph manuscripts and notebooks, typescripts, page and galley proofs, correspondence, newspaper and magazine articles, scrapbooks, posters, programs, and business documents. The material spans five decades beginning in the mid-1950s just prior to his important play, Look Back in Anger (1956). Credited with launching a dramatic renaissance in Britain, Osborne's literary style is known for its verbal pyrotechnics and repeated themes of anger, defeat, and disillusionment. Osborne's skill at sulphuric prose is also present in his correspondence where passionate beliefs are expressed with eloquent vitriol. Osborne's three books, consisting of two autobiographies and a volume of collected prose; nearly all of his plays dating from his early Look Back in Anger to his last, DéjàVu; significant correspondence; and journalism are well represented in this collection. Frequently, both holograph and typescript material are present for his books, plays, and other writings, providing continuity from conception to publication. -
Look Back in Anger by John Osborne
PILOT THEATRE LOOK BACK IN ANGER RESOURCES Introduction On May 8th 1956, Look Back in Anger opened at the Royal Court Theatre as the third production of the newly formed English Stage Company. The English Stage Company had been founded in 1955 to promote the production of new plays by contemporary authors that might not find production in the commercial West End theatre (London's equivalent of Broadway in New York City). West End theatre provided quality acting and high standards of production, but very little drama that related to life in contemporary England. Most plays of the time were generally innocuous light comedies, thrillers, and foreign imports—fourteen American shows in 1955 alone. Osborne had submitted copies of Look Back in Anger to every agent in London and to many West End producers and had been rejected by all. When the script arrived at the Royal Court, the Artistic Director George Devine and his young assistant director Tony Richardson knew it was exactly what they were looking for. Look Back in Anger was viewed as a play that would, as Devine later put it, "blow a hole in the old theatre." Critical reception was strongly mixed: some detested the play and the central character, but most recognized Osborne as an important new talent and the play as emotionally powerful. They also recognized the play as one that fervently spoke of the concerns of the young in post-war England. The first production of Look Back in Anger was not initially financially successful, although after an excerpt was shown on BBC the box office was overwhelmed. -
A Double Universe: the Doppleganger and the Angst of an Uncanny World in John Osborne’S Play the World of Paul Slicky
Vol. 3(7), pp. 215-222, July 2015 DOI: 10.14662/IJELC2015.058 International Journal of English Copy© right 2015 Literature and Culture Author(s) retain the copyright of this article ISSN: 2360-7831 http://www.academicresearchjournals.org/IJELC/Index.htm Review A Double Universe: The Doppleganger and the Angst of an Uncanny World in John Osborne’s play The World of Paul Slicky Saranya Mukherjee Guest Lecturer (Department of English) for P.G.Students in St. Paul‟s Cathedral Mission College.MA, M.Phil.(English Dept.), University of Calcutta. E-mail: [email protected] Accepted 13 July 2015 An in-depth psychological study of plays and protagonists of John Osborne gives a primeval notion of an uncanny alienation. The theory is partially based on Sigmund Freud’s notion of Das Unheimliche, which he discusses in The Uncanny first published in Imago, 1919. Freud’s essay is grounded on analyses of Ernst Theodor Wilhelm Hoffmann’s story. The present study would delve deep into the notion of angst and the reason of the anxiety that almost all Osborne-Protagonist suffer. Before analyzing the play under discussion, namely, The World of Paul Slicky the paper, in its introductory pages would deal with the notion of Doppleganger and uncanny which are the two fundamental theoretical tools to establish the argument. In the following paper it will be shown, how they are related to Osborne’s protagonists; how the plays are but a mere way to express the fuming self of the double- folded psyche of a crossed mind. How the known notions’ evaporation leads to the temporal fragmentation getting its fuel from the anxiety that causes the angst and its aberrations and hence split in concerned characters. -
Drama and Cultural Transfer: John Osborne in Vienna”
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES Diplomarbeit Titel der Diplomarbeit “Drama and Cultural Transfer: John Osborne in Vienna” Verfasserin Maria Kasser Angestrebter akademischer Grad Magistra der Philosophie (Mag. Phil.) Wien, im August 2008 Studienzahl lt. Studienblatt: A 190 344 313 Studienrichtung lt. Studienblatt: Lehramtstudium, UF Englisch, UF Geschichte, Sozialkunde, Polit. Bildung Betreuer: o. Univ. Prof. Dr. Ewald Mengel ii iii Hinweis Diese Diplomarbeit hat nachgewiesen, dass die betreffende Kandidatin befähigt ist, wissenschaftliche Themen selbständig sowie inhaltlich und methodisch vertretbar zu bearbeiten. Da die Korrekturen der/des Beurteilenden nicht eingetragen sind und das Gutachten nicht beiliegt, ist daher nicht erkenntlich, mit welcher Note diese Arbeit abgeschlossen wurde. Das Spektrum reicht von sehr gut bis genügend. Es wird gebeten, diesen Hinweis bei der Lektüre zu beachten. Hiermit bestätige ich diese Arbeit nach bestem Wissen und Gewissen selbständig verfasst und die Regeln der wissenschaftlichen Praxis eingehalten zu haben. iv v Danksagung An dieser Stelle möchte ich mich bei all jenen bedanken, die mich während meines Studiums an der Universität Wien unterstützt haben: Ich danke allen meinen Professoren an der Universität Wien. Im Besonderen natürlich Dr. Ewald Mengel , dem ich dieses interessante Thema zu verdanken habe, und der mich in der Diplomarbeitsphase tatkräftig unterstützt hat. Bei meinen Eltern, Josef und Veronika Kasser , dafür, dass sie mir das Studium ermöglicht und immer an mich geglaubt haben. Bei meiner Schwester Johanna , die mit ihrem Ehrgeiz und ihrer Zielstrebigkeit immer ein Vorbild für mich war. Bei meinem Bruder Jürgen , für seine Gelassenheit, die sich auch auf mich übertragen hat. -
Four in Gay History
Hubert Kennedy Four in Gay History Peremptory Publications Concord, CA 2003 © 2003 by Hubert Kennedy Four in Gay History is a Peremptory Publications ebook. It may be freely distributed, but no changes may be made in it. Comments and suggestions are welcome. Please write to [email protected]. 2 Contents Introduction 4 A Latter-Day Hadrian: Fitzroy Davis and Der Kreis 6 German Gay Activist Visits San Francisco – In 1931 9 Karol Szymanowski, His Boy-Love Novel, and the Boy He Loved 14 Johann Baptist von Schweitzer: The Queer Marx Loved to Hate 26 3 Introduction Most of my research in gay history was into the lives of Karl Heinrich Ulrichs or John Henry Mackay or James Mills Peirce, but I also had occasion to write articles that do not deal directly with that trinity. Four of them are collected here. The first recalls Fitzroy Davis, whom I met in New England shortly before his death in 1980. When I moved to San Francisco in 1986, I immediately joined the San Francisco Bay Area Gay and Lesbian Historical Society. My article on Davis was my first contribu- tion to its Newsletter (which later evolved into OurStories). I welcomed the opportunity to identify him as “Hadrian,” the author of eleven articles in the trilingual Swiss journal Der Kreis. Otherwise that identification might have been lost forever, for there was noth- ing in any of his “Hadrian” articles that would lead one to suspect that Fitzroy Davis was their author. Later I also pointed out this identification in my book The Ideal Gay Man: The Story of Der Kreis (1999). -
Knowlesad032.Pdf
Copyright by Adam Daniel Knowles 2003 The Dissertation Committee for Adam Daniel Knowles Certifies that this is the approved version of the following dissertation: MEMORIES OF ENGLAND: BRITISH IDENTITY AND THE RHETORIC OF DECLINE IN POSTWAR BRITISH DRAMA, 1956-1982 Committee: _____________________________________ Elizabeth Cullingford, Co-Supervisor _____________________________________ Elizabeth Richmond-Garza, Co-Supervisor _____________________________________ Mia Carter _____________________________________ Alan Friedman _____________________________________ Wm. Roger Louis MEMORIES OF ENGLAND: BRITISH IDENTITY AND THE RHETORIC OF DECLINE IN POSTWAR BRITISH DRAMA, 1956-1982 by Adam Daniel Knowles, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2003 MEMORIES OF ENGLAND: BRITISH IDENTITY AND THE RHETORIC OF DECLINE IN POSTWAR BRITISH DRAMA, 1956-1982 Publication No. ___________ Adam Daniel Knowles, Ph.D. The University of Texas at Austin, 2003 Supervisors: Elizabeth Cullingford and Elizabeth Richmond-Garza I take the near coincidence in 1956 of the premiere of John Osborne’s Look Back in Anger and the Suez crisis as a starting point for a study of the context, reception and politics of a selection plays by Osborne, John Arden and Margaretta D’Arcy, Howard Brenton, David Hare and Caryl Churchill. The end of my study is marked by Margaret Thatcher’s consolidation of power in the early eighties and the 1982 Falklands War. My analysis focuses on how these plays represent forms of British national identity that developed during the era of Britain’s imperial strength and how they show these formations changing after World War II.