PROGRAM BIOGRAPHY

Dr. Robert Mayerovitch is a professor of piano as well as the pianist of Sonatine Maurice Ravel the resident Elysian Trio and the violin-piano duo Lyceum2. Modéré (1875-1937) Mouvement de menuet His performing awards include first prize in the Bartók–Kabalevsky Animé International Piano Competition, the Montreal Symphony Competition and the Canadian Broadcasting Corporation Competition. Sonata in C Minor, Op. 111 Ludwig van Beethoven His doctorate is from Indiana University, where he studied with, Maestoso – Allegro con brio ed appassionato (1770-1827) assisted and later substituted for Menahem Pressler, renowned pianist Arietta: Adagio molto semplice e cantabile of the Beaux Arts Trio. His doctoral topic was "Brahms' Op. 8 Piano Trio: A Stylistic Evolution" in which he explored Brahms' maturation as evidenced by two dramatically different versions of the same piece, ~intermission~ written about 29 years apart.

In addition to his performing career as chamber musician and soloist, Carnaval, Op. 9 Robert Schumann Mayerovitch has extensive experience as a clinician and lecturer. He is Préambule (1810-1856) a co-author of the critically acclaimed book "A Symposium for Pianists and Teachers: Strategies to Develop the Mind and Body for Optimal Pierrot Performance." He has presented workshops around the world in such Arlequin diverse places as Beijing, China; Thessaloniki, Greece; Porto Alegre, Valse noble Brazil; Glasgow, Scotland; and Baku, Azerbaijan. Topics of particular Eusebius note include "Rules of Pianists' (and Other Animals') Thumbs" and "The Florestan Choreography of Attention," which explore focused problem solving Coquette and emphasize the strong relationship of musical expertise to life skills. Réplique (Sphinxs) Papillons A.S.C.H. – S.C.H.A. (Lettres dansantes) Chiarina Chopin Estrella Reconnaissance Pantalon et Colombine Valse allemande — Paganini Aveu Promenade Pause Marche des „Davidsbündler” contre les Philistins