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HNA April 11 Cover-Final.Indd
historians of netherlandish art NEWSLETTER AND REVIEW OF BOOKS Dedicated to the Study of Netherlandish, German and Franco-Flemish Art and Architecture, 1350-1750 Vol. 28, No. 1 April 2011 Jacob Cats (1741-1799), Summer Landscape, pen and brown ink and wash, 270-359 mm. Hamburger Kunsthalle. Photo: Christoph Irrgang Exhibited in “Bruegel, Rembrandt & Co. Niederländische Zeichnungen 1450-1850”, June 17 – September 11, 2011, on the occasion of the publication of Annemarie Stefes, Niederländische Zeichnungen 1450-1850, Kupferstichkabinett der Hamburger Kunsthalle (see under New Titles) HNA Newsletter, Vol. 23, No. 2, November 2006 1 historians of netherlandish art 23 S. Adelaide Avenue, Highland Park, NJ 08904 Telephone/Fax: (732) 937-8394 E-Mail: [email protected] www.hnanews.org Historians of Netherlandish Art Offi cers President - Stephanie Dickey (2009–2013) Bader Chair in Northern Baroque Art Queen’s University Kingston ON K7L 3N6 Canada Vice-President - Amy Golahny (2009–2013) Lycoming College Williamsport, PA 17701 Treasurer - Rebecca Brienen University of Miami Art & Art History Department PO Box 248106 Coral Gables FL 33124-2618 European Treasurer and Liaison - Fiona Healy Seminarstrasse 7 D-55127 Mainz Germany Board Members Contents Dagmar Eichberger (2008–2012) HNA News ............................................................................1 Wayne Franits (2009–2013) Matt Kavaler (2008–2012) Personalia ............................................................................... 2 Henry Luttikhuizen (2009 and 2010–2014) Exhibitions -
Mitteilungen Der Residenzen-Kommission Der
__________________________________________________ MITTEILUNGEN DER RESIDENZEN-KOMMISSION DER AKADEMIE DER WISSENSCHAFTEN ZU GÖTTINGEN JAHRGANG 10 (2000) NR. 1 MITTEILUNGEN DER RESIDENZEN-KOMMISSION DER AKADEMIE DER WISSENSCHAFTEN ZU GÖTTINGEN JAHRGANG 10 (2000) NR. 1 RESIDENZEN-KOMMISSION ARBEITSSTELLE KIEL ISSN 0941-0937 Herstellung: Vervielfältigungsstelle der Christian-Albrechts-Universität zu Kiel Titelvignette: Ansicht der Klosteranlage Wienhausen bei Celle von Süden. Kupferstich Merian (1654) INHALT Vorwort ................................................................................................................................ 7 Erziehung und Bildung bei Hofe. 7. Symposium der Residenzen-Kommission in Celle..... 9 Aus der Arbeit der Kommission...........................................................................................13 Die Arbeit der anderen.........................................................................................................15 Politische und soziale Integration am Wiener Hof: Adelige Bestattung als Teil der höfischen Symbol- und Kommunikationsordnung (1620-1850) 1. Kommunikation und Symbole. Ein kulturwissenschaftlicher Horizont der Fragen und Begriffe, von Rudolf Schlögl, Konstanz...................................................15 2. Adelsintegration und Bestattungen, von Mark Hengerer, Konstanz...............................21 Places of Power: Royal Residences and Landscape in Medieval Iberia, von Rita Gomez, Lissabon ...............................................................................................36 -
Autocratie Ou Polyarchie ? La Lütte Pour Le Pouvoir Politique En Flandre
Autocratie ou polyarchie ? La lütte pour le pouvoir politique en Flandre de 1482 a 1492, d'apres des documents inedits par W. P. BLOCKMANS «II n'y a guere d'opoque, dans nos annales, plus confuse, plus mal oclaircie, que celle dont le point de dopart est la mort de Charles le Hardi, duc de Bourgogne, et qui finit ä l'avenement au trone de son petit-fils, l'archiduc Philippe le Beau» (i). Plus d'un siecle apres le moment oü Gachard 6crivit ces lignes dans l'introduction de son impressionnante odition de lettres concernant la pöriode envisagoe, nos connaissances ne se sont pas beaucoup otendues au-delä de ce que le grand archiviste en commu- niqua. Et pourtant, cette meme poriode nous semble cruciale dans l'histoire de notre pays, parce que les forces essentielles des gouvernants et des gouvern6s y atteignent un point culminant en un affrontement parfois violent Je tiens ä exprimer ici ma profonde gratitude envers Messieurs A. Verfaulst, M.-A. Arnould, J. Buntinx et ä M. et Mme R. Wellens- De Donder qui, par leurs nombreux conseils et par leurs remarques judicieuses, ont contribud d'une maniere substantielle ä l'elabo- ration de cette publication. (i) L.P. GACHARD, Lettres ineditcs de Maximilien, duc d'Autriche, roi des Romains et empereur, sur les affaires des Pays-Bas, de 1477 ä 1508, dans : Bulletin de la Commission royale d'Histoire, 2e Serie, II, 1851, pp. 263-452 et III, 1851, pp. 193-328, notamment p. 263. 258 W. P. BLOCKMANS et extremement long. L'issue de ce conflit, proparo par bien d'autres, determina les relations du pouvoir pendant plusieurs ddcennies. -
A Royal Crusade History: the Livre D'eracles and Edward IV's Exile In
A Royal Crusade History: The Livre d’Eracles and Edward IV’s Exile in Burgundy Erin K. Donovan The English King Edward IV (1442-83) had throughout his reign many political, familial, and cultural connections with the Flanders-based court of Burgundy, headed at the time by Duke Charles the Bold. In 1468, King Edward arranged for his sister Margaret of York to marry Duke Charles of Burgundy. The same year he was inducted into Charles’s powerful Burgundian chivalric Order of the Golden Fleece and reciprocally inducted Charles into the English Order of the Garter. In 1470, he was forced into exile for five months when the Earl of Warwick, Richard Neville, placed the former King Henry VI back on the throne. After first unsuccessfully trying to find shelter in Calais, Edward landed in Holland where he was hospitably taken in by Burgundian nobleman Louis de Gruuthuse (also known as Louis de Bruges) at his home in The Hague, and afterwards in Flanders at Louis’s home in Bruges.1 Between 1470 and 1471, Edward was witness to and inspired by the flourishing Flemish culture of art and fashion, including the manuscript illuminations that his host Louis was beginning voraciously to consume at the time. While Edward was in exile he was penniless, and thus unable to commission works of art. However, after his victorious return to the throne in 1471 he had the full resources of his realm at his command again, and over time I would like to extend my deep thanks to the many participants of the British Library’s Royal Manuscripts Conference, held 12-13 December 2011, who provided me with fruitful suggestions to extend my paper’s analysis. -
Jean Froissart, Chroniques 1992-2013
UNIVERSITÀ DEGLI STUDI DI TORINO DIPARTIMENTO DI LINGUE E LETTERATURE STRANIERE E CULTURE MODERNE CORSO DI LAUREA IN SCIENZE DEL TURISMO A.A. 2013/2014 TESI DI LAUREA TRIENNALE _____________________________________________ CHRONIQUES DI JEAN FROISSART --- BIBLIOGRAFIA RECENTE _____________________________________________ Relatore Prof. Giovanni Matteo Roccati Candidato Loris Bergagna Matricola: 703780 2 SOMMARIO Premessa ……………………………………………………………………………….. p. 3 Classificazione della bibliografia ……………………………………………………... p. 6 Chroniques di Jean Froissart - Bibliografia recente (1992-2013) ………………… p. 9 Edizioni ………………………………………………………………………………….. p. 10 Studi sui testimoni (manoscritti, produzione libraria) ………………………………..p. 13 Traduzioni ………………………………………………………………………………. p. 15 Studi generali sulle Chroniques ………………………………………………………. p. 17 Diffusione e ricezione dell’opera ………………………………………………………p. 18 Scrittura …………………………………………………………………………………. p. 21 Tematiche generali …………………………………………………………………….. p. 23 Eventi ……………………………………………………………………………………. p. 32 Personaggi ……………………………………………………………………………… p. 36 Riferimenti geografici e all’ambiente naturale ………………………………………. p. 41 Rapporto con altri autori ………………………………………………………………. p. 45 Rapporto testo-immagine ………………………………………………………………p. 46 Conclusioni ………………………………………………………………………………p. 52 Indice bibliografico ………………………………………………………………………p. 53 3 PREMESSA Lo scopo della presente tesi di laurea è di fornire la bibliografia, analizzata metodicamente, concernente le Chroniques di Jean Froissart, uscita nel periodo compreso -
The Catalogue of Medieval
Katarzyna Płonka-Bałus THE CATALOGUE OF MEDIEVAL ILLUMINATED MANUSCRIPTS AND MINIATURES IN THE PRINCES CZARTORYSKI LIBRARY AND MUSEUM, PART 1: THE NETHERLANDS (15TH-16TH CENTURIES) UNIVERSITAS, KRAKÓW 2010, 164 PP., 24 COLOURED PANELS WITH ILLUSTRATIONS, 64 BLACK AND WHITE ILLUSTRATIONS. In the age of concise Internet catalogues and databases created as a part of short-term projects or grants and almost purposefully left as unfinished “open-works,” the book of Ka- tarzyna Płonka-Bałus presents itself as an accomplished result of a thoroughly thought-out and documented project. The Catalogue of Medieval Illuminated Manuscripts and Min- iatures in the Princes Czartoryski Library and Museum, Part 1: The Netherlands (15th-16th Centuries) is the result of long-term research conducted by the author, who during the past ten years devoted a book and a series of articles to several manuscripts from the collection.1 Indeed, the catalogue is another step towards a systematic description of the illuminated manuscripts at the Princes Czartoryski Library and Museum, the goal first announced by the 2001 exhibition “the Puławy Collection of Izabela Czartoryska’s Illuminated Manuscripts” co-organized by the author and Barbara Miodońska.2 The first overview of the Czartoryski collection by Maria Jarosławiecka-Gąsiorowska was published in the 1934 issue of the Bulletin de la Société Française de Reproduction des Manuscrits à Peintures.3 It played a crucial role in the dissemination of scholarly awareness The Catalogue of Medieval Illuminated Manuscripts and Miniatures in the Princes Czartoryski Library and Museum Library in the Princes Czartoryski and Miniatures Manuscripts Illuminated of Medieval Catalogue The of the collection internationally, but, as the research on European miniature painting pro- gressed, its specific findings required verification. -
The Ghosts of Chroniclers Past: The
Document generated on 03/02/2020 11:15 a.m. Mémoires du livre Studies in Book Culture The Ghosts of Chroniclers Past: The Transmission and Legacy of the Chroniques of Jean Froissart in the Anchiennes Cronicques d’Engleterre compiled by Jean de Wavrin Caroline Prud’Homme Textual Histories Article abstract Histoires textuelles Compared to Georges Chastellain or Jean Molinet, Jean de Wavrin is not a very well Volume 4, Number 2, Spring 2013 known figure of burgundian historiography; he is nonetheless the author of the Anchiennes cronicques d’Engleterre, an extensive historical compilation in six URI: https://id.erudit.org/iderudit/1016738ar volumes that has not yet been edited in full. About 40% of the text is derived from the DOI: https://doi.org/10.7202/1016738ar Chroniques of Jean Froissart. This article investigates the transmission and the transformation of Froissart’s See table of contents Chroniques into the Wavrin compilation through a close reading of an episode (the Flemish wars of 1379-85, Froissart, Book II; Wavrin, volume III) in manuscript context. It evaluates the extent to which Wavrin is faithful to Froissart, and explores complex issues of manuscript transmission. This article also examines Wavrin’s Publisher(s) compiling method and his interventions on his source text taking into account the Groupe de recherches et d’études sur le livre au Québec impact of these interventions on the reader, and the relationship between the materiality of the manuscript and its content. ISSN 1920-602X (digital) Explore this journal Cite this article Prud’Homme, C. (2013). The Ghosts of Chroniclers Past: The Transmission and Legacy of the Chroniques of Jean Froissart in the Anchiennes Cronicques d’Engleterre compiled by Jean de Wavrin. -
Illuminated Manuscripts from Belgium and the Netherlands August 24, 2010 to November 7, 2010 the J
Illuminated Manuscripts from Belgium and the Netherlands August 24, 2010 to November 7, 2010 The J. Paul Getty Museum at the Getty Center 6 6 1. Unknown 2. Unknown BELG BELG IUM IUM Eadmer of Canterbury Writing, about 1140 - 1150 Inhabited Initial Q, about 1140 - 1150 from Life and Conversations of Anselm of Canterbury from Life and Conversations of Anselm of Canterbury Tempera colors, gold paint, and ink on parchment Tempera colors, gold paint, and ink on parchment Leaf: 17.8 x 10.8 cm (7 x 4 1/4 in.) Leaf: 17.8 x 10.8 cm (7 x 4 1/4 in.) The J. Paul Getty Museum, Los Angeles The J. Paul Getty Museum, Los Angeles Ms. Ludwig XI 6, fol. 2v (83.MN.125.2v) Ms. Ludwig XI 6, fol. 3 (83.MN.125.3) 6 6 3. Unknown 4. Unknown BELG BELG IUM IUM A Man Holding Branches (April), mid-1200s A Man Hunting (May), mid-1200s from Psalter from Psalter Tempera colors, gold leaf, and ink on parchment Tempera colors, gold leaf, and ink on parchment Leaf: 23.5 x 16.5 cm (9 1/4 x 6 1/2 in.) Leaf: 23.5 x 16.5 cm (9 1/4 x 6 1/2 in.) The J. Paul Getty Museum, Los Angeles The J. Paul Getty Museum, Los Angeles Ms. 14, fol. 4v (85.MK.239.4v) Ms. 14, fol. 5 (85.MK.239.5) August 3, 2010 Page 1 of 6 Additional information about some of these works of art can be found by searching getty.edu at http://www.getty.edu/art/gettyguide/ © 2010 J. -
The Ghosts of Chroniclers Past: the Transmission and Legacy of The
Document generated on 09/26/2021 4:02 p.m. Mémoires du livre Studies in Book Culture The Ghosts of Chroniclers Past: The Transmission and Legacy of the Chroniques of Jean Froissart in the Anchiennes Cronicques d’Engleterre compiled by Jean de Wavrin Caroline Prud’Homme Textual Histories Article abstract Histoires textuelles Compared to Georges Chastellain or Jean Molinet, Jean de Wavrin is not a very Volume 4, Number 2, Spring 2013 well known figure of burgundian historiography; he is nonetheless the author of the Anchiennes cronicques d’Engleterre, an extensive historical compilation URI: https://id.erudit.org/iderudit/1016738ar in six volumes that has not yet been edited in full. About 40% of the text is DOI: https://doi.org/10.7202/1016738ar derived from the Chroniques of Jean Froissart. This article investigates the transmission and the transformation of Froissart’s See table of contents Chroniques into the Wavrin compilation through a close reading of an episode (the Flemish wars of 1379-85, Froissart, Book II; Wavrin, volume III) in manuscript context. It evaluates the extent to which Wavrin is faithful to Froissart, and explores complex issues of manuscript transmission. This article Publisher(s) also examines Wavrin’s compiling method and his interventions on his source Groupe de recherches et d’études sur le livre au Québec text taking into account the impact of these interventions on the reader, and the relationship between the materiality of the manuscript and its content. ISSN 1920-602X (digital) Explore this journal Cite this article Prud’Homme, C. (2013). The Ghosts of Chroniclers Past: The Transmission and Legacy of the Chroniques of Jean Froissart in the Anchiennes Cronicques d’Engleterre compiled by Jean de Wavrin. -
Merlin As a Prophet in the Manuscripts of the Chroniques Des Bretons and Jean De Wavrin's Chroniques D'angleterre
Merlin as a prophet in the manuscripts of the Chroniques des Bretons and Jean de Wavrin's Chroniques d'Angleterre Article Published Version Fabry-Tehranchi, I. (2018) Merlin as a prophet in the manuscripts of the Chroniques des Bretons and Jean de Wavrin's Chroniques d'Angleterre. Reading Medieval Studies, 44. pp. 81-143. ISSN 0950-3129 (ISBN 9780704915824) Available at http://centaur.reading.ac.uk/87900/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Publisher: University of Reading All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Merlin as a prophet in the manuscripts of the Chroniques des Bretons and Jean de Wavrin's Chroniques d'Angleterre (15th c.)1 Irène Fabry-Tehranchi British Library In this paper, I will examine how the Prophecies of Merlin by Geoffrey of Monmouth are textually and visually integrated into French prose adaptations of the history of the kings of Britain circulating in Burgundian circles in the 15th century.2 I will study their transmission through codicology, philology and iconography, analysing the translation and interpretation of Merlin's prophecies in the illuminated manuscripts of the anonymous Chroniques des Bretons and Jean de Wavrin's Recueil des Cronicques et Anchiennes Istories de la Grant Bretaigne, also known as Chroniques d'Angleterre. -
The Art Market in the Southern Netherlands in the Fifteenth Century Author(S): Lorne Campbell Source: the Burlington Magazine, Vol
The Art Market in the Southern Netherlands in the Fifteenth Century Author(s): Lorne Campbell Source: The Burlington Magazine, Vol. 118, No. 877 (Apr., 1976), pp. 188-198 Published by: Burlington Magazine Publications Ltd. Stable URL: https://www.jstor.org/stable/878374 Accessed: 05-01-2019 07:22 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Burlington Magazine Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Burlington Magazine This content downloaded from 35.176.47.6 on Sat, 05 Jan 2019 07:22:28 UTC All use subject to https://about.jstor.org/terms EDITORIAL has never had the slightest intention rest, and at a time whenof pricesdoing were relatively full low. justice, in an almost sociological way, to Butthe having variety conceded the Tateand a point range they never of made, 'art' in our time. we may still question whether it is their job to be up to the The Tate believe that they should be up to the minute in minute with their purchases. They show no desire to docu- what they buy. And here they do have a point although they ment our time, so they have not this excuse for blankets and failed to make it. -
A Tüchlein by Justus Van Ghent: the Adoration of the Magi in the Metropolitan Museum of Art Re-Examined
Volume 8, Issue 1 (Winter 2016) A Tüchlein by Justus van Ghent: The Adoration of the Magi in the Metropolitan Museum of Art Re-Examined Sophie Scully [email protected] Christine Seidel [email protected] Recommended Citation: Sophie Scully and Christine Seidel, “A Tüchlein by Justus van Ghent: The Adoration of the Magi in the Metropolitan Museum of Art Re-Examined,” JHNA 8:1 (Winter 2016), DOI: 10.5092/ jhna.2016.8.1.3 Available at https://jhna.org/articles/tuchlein-justus-van-ghent-adoration-of-the-magi-metropoli- tan-museum-of-art-re-examined/ Published by Historians of Netherlandish Art: https://hnanews.org/ Republication Guidelines: https://jhna.org/republication-guidelines/ Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. This PDF provides paragraph numbers as well as page numbers for citation purposes. ISSN: 1949-9833 JHNA 7:2 (Summer 2015) 1 A TÜCHLEIN BY JUSTUS VAN GHENT: THE ADORATION OF THE MAGI IN THE METROPOLITAN MUSEUM OF ART RE-EXAMINED Sophie Scully, Christine Seidel This paper presents the results of a noninvasive technical examination carried out on the Adoration of the Magi at the Metropolitan Museum of Art, New York (fig. 1) in 2014. The tüchlein has been attributed to Justus van Ghent. The exam- ination sought to identify any underdrawing and to further understand the ways in which the painting technique relates to specific working practices found in contemporary tüchlein paintings and in the group of works directly associated with Justus van Ghent, who, next to Hugo van der Goes, is thought to be the most important painter active in Ghent after Jan van Eyck.