WHAT’S INSIDE Dear Patrons | 7 Ronald K. Brown/ EVIDENCE | 11 BODYTRAFFIC | 17 TITAS/DANCE UNBOUND: Donors | 25 Board of Trustees/ Staff | 33 ATTPAC Staff | 35

cover photo MOMIX, VIVAMOMIX by Todd Burnsed

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DEAR PATRONS © Carter Rose

SURPRISING | CAPTIVATING | INTERNATIONAL – Words that speak to what sets TITAS/DANCE UNBOUND apart. Forward-thinking, surprising, intriguing and relevant are all precepts that guide the curation of the annual seasons we put together.

Dance is such a special art form. Athletic, difficult, luscious, inspiring and surprising – time and time again, these are the descriptions I hear from audience members. For more than 37 years, TITAS/DANCE UNBOUND continues to present the coolest, the most innovative, the most remarkable dance artists touring the world today. First-time audience members say they had no idea dance was so cool, something our longtime subscribers have always known.

The 2019/2020 season won’t disappoint. Creative, soulful, gymnastic and breathtaking imagery makes this a very special set of international companies. Funny, stunning, inspiring and exciting, we proudly present a season of ten extraordinary companies from China, South Korea, Canada, Mexico, France and the United States. It is a season rich in creativity and soul- stirring performances.

Success is rooted in collaboration. Together, TITAS/DANCE UNBOUND and the AT&T Performing Arts Center are dedicated to cultivating talent, new work, and advancing the Arts in our ever-expanding cultural landscape. We are committed, both individually and jointly, to supporting a collaborative community that fosters the creative process. Tonight’s presentation exemplifies our commitment to that process, and to innovative programming. We are building Blended Audiences by bringing the world to Dallas. Thank you for actively engaging in the Arts, and for being a part of the TITAS/DANCE UNBOUND and AT&T Performing Arts Center families.

Sincerely,

Charles Santos, Executive Director/Artistic Director TITAS/DANCE UNBOUND

What we do together truly does make a difference.

TITAS/DANCE UNBOUND IN ASSOCIATION WITH AT&T PERFORMING ARTS CENTER 7

FRIDAY | SEPTEMBER 20 2019 | WINSPEAR OPERA HOUSE

Artistic Director RONALD K. BROWN

Associate Artistic Director ARCELL CABUAG

Dancers MICHAEL BATTLE, ARCELL CABUAG, VALERIEANE LOUISY LOUIS-JOSEPH, ANNIQUE ROBERTS, KEON THOULOUIS

Guest Artists DEMETRIUS BURNS, KIRVEN DOUTHIT-BOYD, FANA TESFAGIORGIS

Rehearsal Director ANNIQUE ROBERTS

Assistant Rehearsal Directors KEON THOULOUIS & SHAYLA CALDWEL

Technical Director TSUBASA KAMEI

Costume Designers OMOTAYO WUMNI OLAIY

TITAS/DANCE UNBOUND IN ASSOCIATION WITH AT&T PERFORMING ARTS CENTER 11 FRIDAY | SEPTEMBER 20 2019 | WINSPEAR OPERA HOUSE

Booking Agent: Pamela Green PMG ARTS MANAGEMENT PO Box. 52346 DURHAM, NC 27717 Tel: 919-813-6092, Fax: 919-908-8200 Email: [email protected] www.pmgartsmgt.com

CONTACT INFORMATION EVIDENCE, A DANCE COMPANY Ronald K. Brown, Artistic Director 1368 Fulton Street Brooklyn, NY 11216 General: [email protected] www.evidencedance.com

In Partnership with RestorationART & The Joyce Theater Special thanks to Charles Santos and the administrative and technical staff of TITAS/DANCE UNBOUND Additional thanks to the Joyce Theater, Linda Shelton, Margaret Hollenbeck, Jean Ross, Jane Penn, Ross Leclaire, Bedford Stuyvesant Restoration Corporation, RestorationArt, Colvin Granum, Dr. Indira Etwaroo, the RestorationART team, Reginald Van Lee, Pamela M. Green, Sharon Luckman, Alison Riley, Bruce Gordon, Tawana Tibbs, Fund for the City of New York, Mary McCormick, Doris Duke Charitable Foundations, The Bay and Paul Foundations, Inc., Joseph and Joan Cullman Foundation for the Arts, Inc., Newman’s Own Foundation, GE Foundation, Vera Wells, Janet Cox, Pierre Apraxine, the EVIDENCE Circle of Friends, Fatima Jones, Torya Beard, Ayodele Casel, Elena Comendador, Freddie Moore, Paunika Jones, Karen Thornton, Zinda Williams, Toni Sands, Uri Sands, Glenn Sims and Linda Celeste Sims.

12 TITAS/DANCE UNBOUND IN ASSOCIATION WITH AT&T PERFORMING ARTS CENTER FRIDAY | SEPTEMBER 20 2019 | WINSPEAR OPERA HOUSE Program GATEKEEPERS (1999)

Choreography by: Ronald K. Brown Music by: Wunmi Costume Design by: Omotayo Wunmi Olaiya Original Lighting by: Dalila Kee Lighting Re-Creation by: Tsubasa Kamei Performance: The Company

Originally commissioned and performed by Philadanco in 1999. Restaging support made possible by the Nathan Cummings Foundation and the Verizon Foundation.

–Pause–

MERCY (2019)

Choreography by: Ronald K. Brown Music by: Meshell Ndegeocello Lighting by: Tsubasa Kamei Costumes by: Omotayo Wunmi Olaiya

Costume construction by: Zinda Williams Performance: The Company

Mercy premiered on July 5, 2019 at Bard Summerstage and is co-commissioned by the Richard B.Fisher Center for the Performing Arts at Bard College, The John F. Kennedy Center for the Performing Arts, Carolina Performing Arts, UNC Chapel Hill, and The Joyce Theater’s Stephen and Cathy Weinroth Fund for New York.

–INTERMISSION–

GRACE (1999/2004) Choreography by: Ronald K. Brown Music by: Duke Ellington, Roy Davis, Jr., Fela Anikulapo Kuti Costume Design by: Omotayo Wunmi Olaiya Original Lighting by: William H. Grant Lighting Re-Creation by: Brenda Gray Performance: The Company

Originally choreographed for the Alvin Ailey American Dance Theatre in 1999, Grace became a part of the EVIDENCE repertory in 2003.

TITAS/DANCE UNBOUND IN ASSOCIATION WITH AT&T PERFORMING ARTS CENTER 13 ABOUT THE COMPANY

Founded by Ronald K. Brown in 1985 and tours to some 30 communities in the United based in Brooklyn, New York, EVIDENCE, A States annually. It has traveled to Cuba, Brazil, DANCE COMPANY focuses on the fusion of England, France, Greece, Hungary, Hawaii, African dance with contemporary choreography Ireland, Holland, Mexico, Columbia, South and spoken word. This work provides a unique Africa, Nigeria, Senegal, and in 2010 joined the view of human struggles, tragedies, and triumphs. U.S. State Department’s DanceMotion USA Brown uses movement as a way to reinforce the tour to perform, teach master classes and conduct importance of community in African American demonstrations. Annually, the company reaches culture and to acquaint audiences with the and audience of more than 30,000. beauty of African forms and rhythms. Evidence

WHO’S WHO IN THE COMPANY

RONALD K. BROWN ARCELL CABUAG (Associate (Founder/ Artistic Director) Artistic Director/Dancer) is a founded Evidence, A Dance Filipino American native of Company in 1985. He has San Jose, California. In 1995, worked with Mary Anthony he moved to New York and Dance Theater, Jennifer attended the Alvin Ailey Muller/The Works and other American Dance Center where choreographers and artists. Brown has set works he was first introduced to Ronald K. Brown. His on Alvin Ailey American Dance Theater, Ailey II, professional experience prior includes: Rock the Cleo Parker Robinson Ensemble, Dayton House for Paramount Pictures (California), Contemporary Dance Company, Jennifer The Shoji Tabuchi Show in (Branson, MO), and Muller/The Works, Jeune Ballet d’Afrique the Richard Rodgers Centennial Production of Noire, Ko-Thi Dance Company, Philadanco, The King and I. Arcell can be seen in the episode Muntu Dance Theater of Chicago, Ballet Choreographed on Law and Order SVU, and a Hispanico, MalPaso and TU Dance. Codorinu commercial with PILOBOLUS shot and aired in Barcelona. He serves his community He won an AUDELCO Award for his a dance professor at Long Island University choreography in Regina Taylor’s award-winning (Brooklyn Campus), and the Co-Artistic Director play Crowns, received two Black Theater of the Restoration Dance Youth Ensemble at Alliance Awards, and a Fred & Adele Astaire Restoration ART, and a master-class instructor Award for Outstanding Choreography in the locally and abroad. Cabuag has also set Tony Award winning Broadway and national EVIDENCE repertory at UMASS, Boston Arts touring production of The Gershwins’ Porgy & Academy, the Peridance Certificate Program, The Bess, adapted by Suzan Lori Parks, arrangement Ailey Fordham BFA Program, UArts, and Boston by Diedre Murray & directed by Diane Paulus. Conservatory. Cabuag has assisted Brown in creating repertory on Philadanco Dance In addition Brown was named Def Dance Company, MUNTU, Ballet Hispanico, the Alvin Jam Workshop 2000 Mentor of the Year Ailey American Dance Theater, MalPaso of and has received; the Doris Duke Artist Havana Cuba, and is the associate choreographer Award, John Simon Guggenheim Memorial for the Tony Award winning Broadway and Fellowship, National Endowment for the National touring production of The Gershwins’ Arts Choreographers Fellowship, New York Porgy and Bess. Arcell joined EVIDENCE in Foundation for the Arts Fellowship, United 1997 and won a New York Dance and States Artists Fellowship, a New York Dance Performance “Bessie” Award in 2004. and Performance “Bessie” Award, and The Ailey Apex Award. Brown is a member of Stage “I am forever grateful for the unconditional support Directors & Choreographers Society and is the from my family, friends, teachers and ancestral Co-Artistic Director of the Restoration Dance angels that have paved my path… ALWAYS follow Youth Ensemble at Restoration ART. your bliss.”

14 TITAS/DANCE UNBOUND IN ASSOCIATION WITH AT&T PERFORMING ARTS CENTER WHO'S WHO IN THE COMPANY

ANNIQUE ROBERTS “I give my endless gratitude to my mom Janet (Rehearsal Director/ Dancer) is Cynthia Thoulouis and my entire family in Trinidad from Atlanta, Georgia and a for being such a strong support in my life.” graduate of Tri-Cities High School for the Visual and MICHAEL BATTLE Performing Arts. She attended (Dancer) of Detroit, Michigan the Junior Division Summer began his dance training at Intensive Program at The Ailey School and the the Detroit School of the School at Jacob’s Pillow. She graduated Magna Arts at the age of 14, under Cum Laude with a BFA in Dance from Howard the guidance of instructors University under the direction of Dr. Sherrill Mayowa Lisa Reynolds and Berryman Johnson. There she performed works Nicole Burrell. Battle has received scholarships by distinguished choreographers such as Ronald from the Blue Lake Fine ArtsCamp/Foreign K. Brown, Kevin Iega Jeff, Christopher Huggins, Exchange Program, Alvin Ailey American Dance and Eleo Pomare. Annique joined Garth Fagan Theater Summer Intensive, Dance Theatre of Dance in January 2004 and became senior Harlem, and the American Dance Festival dancer in 2006. She also taught at the Garth Summer Intensive. In 2008 he received an Fagan Dance School and was featured in the apprenticeship with the Lula Washington Dance August 2008 issue of Dance Magazine. Annique Theatre. He 2009 he joined the Lula Washington joined Evidence in January 2010. She was Dance Theatre company becoming a company nominated for a 2013 New York Dance and member, as well as the artistic director’s assistant Performance Award (Bessie) for Best Performer in 2009. In 2010 he made his debut performance and featured in the February 2013 edition of at the Hollywood Bowl Festival working with TimeOut NY. Annique also holds an MA in Arts the world renowned jazz composer Terence Administration from Savannah College of Art & Blanchard. In 2014 he was cast to perform in the Design. She currently serves on the Friends of Broadway musical, Hairspray on the world’s Theater and Dance at Howard University biggest ship at sea with Royal Caribbean Cruise Alumni Board and Jacob’s Pillow’s School Line. Michael has performed works by Donald Advancement Committee McKayle, Lula Washington, Christopher Huggins, Daniel Catanach, Ray Mercer, Dwight Rhoden, KEON THOULOUIS Tiffany Billings, Frit & Frat, Pat Taylor, Tamica (Rehearsal Director/ Dancer) Washington-Miller, Vincent Patterson and Born and raised in Brooklyn, many others. Michael is celebrating his first New York Before attending season with EVIDENCE The Juillard School, he began his training while being a part DEMETRIUS BURNS of a small neighborhood dance (Dancer) was born in ensemble “Honey Plus One” (Keon was the plus Anniston, AL and grew up in one) under the beloved direction, of the departed, Boston, MA. He graduated Ms. Velda Honeywell. He furthered his dance from Boston Arts Academy training at Fiorello La Guardia High School of and the Boston Conservatory Music and the Performing Arts, where he studied on scholarship where he ballet and Graham based modern. He also attended choreographed Urinetown on the musical theatre the Alvin Ailey American Dance Center on department. He spent several summers at the scholarship, and is a second level Arts Recognition Earl Mosley Institute of the Arts (EMIA) as a recipient. Keon also worked with prestigious student, intern, and dance instructor. While at teachers and notable choreographers, and also EMIA he performed at Jacobs Pillow with Earl performed with recording artist, Tamia. In Mosley’s Life Dance Company and repertory by addition, Keon appeared in the televised Michael Ronald K. Brown. Demetrius attended the Bates Jackson 30th anniversary special and danced with Dance Festival, Jacobs Pillow social dance the King of Pop himself, along with, Mya, Usher, program with the American Dance Guild Jill Scott, Whitney Houston, Deborah Cox and Scholarship under the direction of Camille A. Al Jarreau. Keon joined EVIDENCE in 2001- Brown and Moncell Durden, and the Jacobs 2008 and returned in 2014. Pillows Improvisation Traditions and Innovation

TITAS/DANCE UNBOUND IN ASSOCIATION WITH AT&T PERFORMING ARTS CENTER 15 WHO’S WHO IN THE COMPANY program under the direction of Jawole Zollar. by Ronni Favors at the New York City Center. Demetrius is a recipient of the EVIDENCE Valériane also worked with Chester Whitmore, Dance Company Beth Young Scholarship and is Frit & Frat, Augusto Soledade BRAZZDANCE, celebrating his third season with EVIDENCE. Davalois Fearon Dance, Bloodline Dance Theatre, Frank Muhuel Dance Company and KIRVEN DOUTHIT-BOYD Will Brown Zen Flow Movement. She is a (Guest Artist Dancer) of recipient of the EVIDENCE Dance Workshop Boston, Massachusetts began Series Beth Young Scholarship, and has his formal dance training at apprenticed with EVIDENCE before joining the Boston Arts Academy in the company. She is celebrating her first season 1998, and joined Boston with EVIDENCE, A Dance Company. Youth Moves in 1999. He has trained on scholarship at The Boston FANA TESFAGIORGIS Conservatory, and The Ailey School. Mr. (Dancer) is a graduate of the Douthit-Boyd has danced with Battleworks Ailey/Fordham BFA Program Dance Company, Ailey II, and was a member of in Dance, with a minor in the Alvin Ailey American Dance Theater from journalism. She began 2004-2015. While dancing with AAADT, training at Ballet Madison, Kirven has originated roles in Ronald K. Brown’s under the direction of Ife My Heart, Dancing Spirit and Four Corners. Charmaine Ristow, and attended Interlochen He now resides in St. Louis, Missouri where he Arts Academy. Ms. Tesfagiorgis also trained at is the Co-Artistic Director of Dance at the summer and winter intensives at Earl Mosley’s Center of Creative Arts. Institute of the Arts, Alonzo King LINES Ballet, and Lar Lubovitch Dance Company. VALERIANE LOUISY Professionally, she has danced with The Alvin LOUIS-JOSEPH (Dancer) is Ailey American Dance Theater, Ailey II, The a native of Nanterre, France. Black Irish Project, Ebony Williams and Upon moving to New York, Company, Brian Harlan Brooks, and Nimbus she studied at the Alvin Ailey Dance Works. Fana has been a rehearsal assistant School and graduated from for Hope Boykin, Clifton Brown, Earl Mosley, the Certificate program, Pedro Ruiz, Matthew Rushing, and Sylvia where she performed works by Ephrat Asherie, Waters. Recently, she appeared in the opening of Darshan Singh Bhuller, Winston D. Brown, the 73rd Annual Tony Awards. Instagram: Amy Hall, Earl Mosley, and Darrell Moultrie. @fanaminea. She performed Alvin Ailey’s Memoria restaged

16 TITAS/DANCE UNBOUND IN ASSOCIATION WITH AT&T PERFORMING ARTS CENTER FRIDAY . SATURDAY | OCTOBER 25 . 26 2019 | MOODY PERFORMANCE HALL

The Company

ARTISTIC DIRECTORS Lillian Rose Barbeito and Tina Finkelman Berkett

PERFORMERS Tina Finkelman Berkett, Joseph Davis, Haley Heckethorn, Myles Lavallee, Natalie Leibert, Guzmán Rosado, Tara Youngman, Jamal White

COMPANY MANAGER Callen Gosselin

ARTISTIC ASSOCIATE Guzmán Rosado

PRODUCTION MANAGER Burke Wilmore

REPRESENTATION Margaret Selby President, Selby/Artists Mgmt 212.382.3260| [email protected]

TITAS/DANCE UNBOUND IN ASSOCIATION WITH AT&T PERFORMING ARTS CENTER 17 FRIDAY . SATURDAY | OCTOBER 25 . 26 2019 | MOODY PERFORMANCE HALL

Program (d)elusive minds Choreography And Set Design: Fernando Hernando Magadan Choreographer’s Assistant: Katherine Cowie and Dominc Santia Music: Schubert / Trio Pour Piano, Violon Et Violoncelle En Mi Bemol, Op. 100 Music And Sound Edition: Fernando Hernando Magadan Composition: Fernando Hernando Magadan and Harmen Straatman Text: Inspired by All the stories by Dora García’s Inserts in Real Time Lighting Design: Peter Lemmens Performers: Tina Finkelman Berkett and Guzmán Rosado

Premiere: November 13th 2014 – Korzo/NDT

**(d)elusive minds is an original Korzo production in collaboration with Nederlands Dans Theater

(d)elusive minds is based on the true story of Santiago, a mental patient with Capgras Delusion, a type of Schizophrenia where the person becomes convinced that a family member has been replaced by an identical imposter. In a delusional fit, Santiago killed his wife, whom he deeply loved. For the following fifteen years he spent in prison, he wrote a letter to his wife every single day, convinced she was still alive. Today he still is looking for his wife. Inspired by this story and many other extraordinary stories, this work explores the line between reality and fiction, health and insanity, and the deceiving characteristics of appearances.

- PAUSE -

Snap Choreography: Micaela Taylor Lighting Design: Burke Wilmore Costume Design: BODYTRAFFIC Music: James Brown Original Music And Sound Edition: SCHOCKE

Performers: Tina Finkelman Berkett, Joseph Davis, Haley Heckethorn, Natalie Leibert, Jamal White

This work was generously underwritten by LA Dance Advocates: The Bishton Family Foundation, Pat & Carol Kinsella, Anita Mann Kohl and Allen Kohl, Greg Niles and Renae Williams Niles, and Catharine Soros.

Snap was made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation.

General Operating Support was made possible by the New England Foundation for the Arts’ National Dance Project with funding from the Doris Duke Charitable Foundation

18 TITAS/DANCE UNBOUND IN ASSOCIATION WITH AT&T PERFORMING ARTS CENTER FRIDAY . SATURDAY | OCTOBER 25 . 26 2019 | MOODY PERFORMANCE HALL

—INTERMISSION—

Resolve Choreography: Wewolf Lighting Design: Burke Wilmore Music: DJ Tennis

Performers: Joseph Davis and Guzmán Rosado

This work was generously underwritten by Nigel Lythgoe OBE.

- PAUSE -

A Million Voices Choreography: Matthew Neenan Music: Performed by Peggy Lee; Composed by Robert Sour & Una Mae Carlisle, Johnny Mercer & Harold Arlen, C. Farrow, Irving Berlin, Mike Stoller & Jerry Leiber, Adrian Zing & Benny Goodman, Arthur Hamilton Lighting Design: Burke Wilmore Costumes: BODYTRAFFIC

Performers: Tina Finkelman Berkett, Joseph Davis, Haley Heckethorn, Myles Lavallee, Natalie Leibert, Guzmán Rosado, Jamal White, Tara Youngman

Premiere: The Wallis Annenberg Center for the Performing Arts, Beverly Hills, California, 2018

A Million Voices is inspired by the great music of Peggy Lee. Lee’s music, in response to the political climate of her time, reminds us that even during dark times, life is worth enjoying.

This work was made possible in part by Made in Wickenburg Residency Program at Del E. Webb Center for the Performing Arts with funding from the RH Johnson Foundation, the National Endowment for the Arts, the Wellik Foundation, WESTAF and Benner-Nawman.

TITAS/DANCE UNBOUND IN ASSOCIATION WITH AT&T PERFORMING ARTS CENTER 19 ABOUT THE COMPANY

BODYTRAFFIC is a world-class contemporary Dance Festival. The season culminated with dance company, known throughout the world performances at the Wallis Annenberg Center for its Los Angeles-grown contagious vivacity. for the Performing Arts in Beverly Hills. BODYTRAFFIC continues to push boundaries and establish Los Angeles as a city known for BODYTRAFFIC’s extensive outreach and dance. Founders and artistic directors Lillian Rose education program touches lives at home in Barbeito and Tina Finkelman Berkett maintain Los Angeles and throughout the world. The a deep commitment to BODYTRAFFIC being company’s artistic directors and dancers provide at forefront of the contemporary dance world. training opportunities for pre-professional and professional dancers, as well as, customized Named “the company of the future” and “one of dance experiences for people of all walks the most talked-about companies – not just in of life, with an emphasis on sharing with LA, but nationwide” by the Los Angeles Times, underserved populations. BODYTRAFFIC is internationally recognized for its high caliber work and palpable love of dance. In 2015, BODYTRAFFIC was selected by the BODYTRAFFIC is home to an exceptionally Obama Administration to be cultural ambassadors versatile family of world-renowned dancers of the United States to Israel and Jordan via who have trained with the likes of Mikhail DanceMotion USASM, a dynamic cultural Baryshnikov, The Juilliard School, Hubbard diplomacy program that supports United States Street Dance Chicago, and more. foreign policy goals by engaging international audiences through educational opportunities, BODYTRAFFIC’s diverse repertory includes cultural exchange, and performance. Produced original works by McArthur Fellow Kyle Abraham, by BAM (Brooklyn Academy of Music), Stijn Celis, Fernando Magadan, Barak Marshall, DanceMotion USASM is a program of the Ohad Naharin, Matthew Neenan, Arthur Pita, Bureau of Educational and Cultural Affairs of Victor Quijada, Hofesh Shechter, Richard Siegal, the U.S. Department of State. BODYTRAFFIC Michaela Taylor, Wewolf, and many more has also served as cultural ambassadors of the incredible choreographers. BODYTRAFFIC United States in South Korea (2016), in Algeria seamlessly pays homage to traditional styles (2017-2018), and in Indonesia (2018). and techniques, while forging the way for contemporary dance of today. BODYTRAFFIC has received generous support from the New England Foundation for the Arts, BODYTRAFFIC has performed for sold-out Princess Grace Foundation, The Joyce Theater audiences at prestigious theaters and festivals Foundation, The Sydney D. Holland Foundation, around the world. In 2016, BODYTRAFFIC Mortimer & Mimi Levitt Foundation, The made its Hollywood Bowl debut with the Jewish Community Foundation of Los Angeles, Los Angeles Philharmonic. In 2017-2018, The Rosalinde and Arthur Gilbert Foundation, the company celebrated its 10th season with Mid Atlantic Arts Foundation, American Jewish an international tour to more than 20 cities, University, Loyola Marymount University, and including Moscow and St. Petersburg for the The Agency. CONTEXT Diana Vishneva Festival, and The Hague, Netherlands for The Holland www.BODYTRAFFIC.com

20 TITAS/DANCE UNBOUND IN ASSOCIATION WITH AT&T PERFORMING ARTS CENTER WHO’S WHO IN THE COMPANY

LILLIAN BARBEITO TINA FINKELMAN (Artistic Director) has a BFA BERKETT (Artistic Director) from The Juilliard School grew up in New York City. where she studied on a 4 year, Under the tutelage of Michele full-tuition scholarship Cuccaro Cain, she trained and awarded by Tomorrow’s learned to love dance. Tina Leaders of America for her attended Barnard College, essay on the world dancing together in harmony. Columbia University and graduated summa cum Lillian had an extensive performance career that laude with degrees in math and economics. Upon began in Santa Fe, New Mexico and took her to graduation, she joined Aszure Barton & Artists Europe, New York, and then finally to Los and performed with the company throughout the Angeles, where she founded BODYTRAFFIC United States, including at Jacob’s Pillow and with Tina Berkett. She is passionate about Spoleto festivals. Tina became Aszure Barton’s mentoring dancers of all ages and abilities and assistant and taught alongside Barton both in the has taught internationally for organizations such U.S. and abroad. She had the incredible honor as CalArts, Idyllwild Arts Academy, L’Ecole de of being a founding member of Mikhail Danse de Quebec, Northwest Dance Project, San Baryshnikov’s Hell’s Kitchen Dance, where she Francisco Conservatory of Dance, UCLA’s also served as the company’s dancer liaison. In Department of World Arts and Cultures and 2007, she moved to Los Angeles and founded Loyola Marymount University where is currently BODYTRAFFIC with Lillian Barbeito. Tina on faculty. Lillian is one of 32 teachers in the often says BODYTRAFFIC is the dream come world who is certified in Anouk van Dijk’s true, that she never knew she had. She is so groundbreaking Countertechnique. She has thankful for the past decade and feels so in debt choreographed over 50 works for high schools, to all who have played a part in this incredible universities, competitions, and professional dance journey. In particular, Tina must thank her companies throughout the U.S. and Canada. family and her son Jack for being her greatest Lillian is deeply grateful to her family, especially inspirations and supports. Grant, Oliver, and Forest, for their love and support.

CHOREOGRAPHERS

MICAELA TAYLOR is a professional dancer/ Heidi Duckler Dance Theatre. Her work has been teacher/choreographer from Los Angeles, CA, presented by Gelsey Kirkland Performing Arts where she trained at Marat Daukayev School of Center, ACE Hotel, Raymond Kabaaz Theatre, Ballet and Los Angeles County High School Grand Performances, and Odyssey Theatre of the Arts. She graduated from Cornish College Ensemble. She is the recipient of the Inaugural of the Arts and earned a Bachelor of Fine Arts EMERGE Choreographic Award and will be degree in dance, 2014. She has worked and choreographing for Gibney Dance Company performed with Ate9 Dance Company, Zoe and BODYTRAFFIC in the 2018/2019 season. Scofield, Camille A. Brown, Kate Wallich, & BODYTRAFFIC. Nonetheless, her choreographic FERNANDO HERNANDO MAGADAN is a passion led her to found Los Angeles based Spanish dancer and choreographer who originally contemporary dance company, The TL Collective trained as a professional gymnast becoming a in 2016. Her individual movement style of Hip National Champion. He studied at the Royal Hop combined with contemporary technique has Conservatory of Dance in Madrid and the led her to find a new way for people to move London Studio Centre before enrolling at which is best described as Contemporary/Pop. the Central School of Ballet in London. After Alongside the launch of The TL Collective, dancing for one year in Santamaria Compañia Taylor has been commissioned to choreograph de Danza, he joined the Nederlands Dans and teach by LA Contemporary Dance Theater 2 in 2001, and was later nominated Company, AMDA College, Springboard Danse for ‘Outstanding Male Artist’ in the Modern Montreal, MoveNYC, Cal State Long Beach, and Dance category at the Critic’s Circle National

TITAS/DANCE UNBOUND IN ASSOCIATION WITH AT&T PERFORMING ARTS CENTER 21 CHOREOGRAPHERS

Dance Awards 2003. Fernando was invited to join Opera Philadelphia, and LaGuardia High the Nederlands Dans Theater 1 in 2004, where he School of Performing Arts (NYC), among danced until 2011. As a choreographer, Fernando others. He has received numerous awards and has created several works, including pieces for grants for his choreography from the National NDT 1 and 2, the Curve Foundation Dance Endowment of the Arts, Dance Advance funded Company (Scotland), Luna Negra Dance Theater by the Pew Charitable Trusts, the Choo San Goh (Chicago), Cross Connection Ballet Company Foundation, and the Independence Foundation. (Copenhagen), Ballet Mainz (Germany), Donlon Matthew has been honored to receive the New Dance Company (Saarbruecken), Arts Umbrella York City Ballet’s Choreographic Institute’s Dance Company and Ballet BC (Vancouver), Fellowship Initiative Award and fellowships Korzo Theater (The Hague). He choreographed from the Pennsylvania Council on the Arts. In Nierka, a multidisciplinary show by visual 2005, Matthew co-founded BalletX with fellow designer Tupac Martir, which premiered in dancer Christine Cox and is now the resident London in 2012. Fernando collaborates with dance company at the prestigious Wilma Theatre. the NDT Education Department and has coordinated the NDT choreographic workshop WEWOLF is a Los Angeles based multi-disciplinary Switch for several years. Between August 2014 dance collective that is focused on creating and and December 2016, he turned back as a dancer working on different projects that bring their with NDT 1. At the moment, Fernando is methods of dance and visual arts together. Even working as a rehearsal director for NDT 2 and is though RubberLegz and James Gregg are from focusing on his work as a freelance choreographer. different backgrounds, they have the same views on the way they see dance and how they want MATTHEW NEENAN began his dance to translate their two voices into one cohesive training at the Boston Ballet School. He choreographic method. The mix of Rubberlegz’s later attended the LaGuardia High School of self made abstract break technique with James’s Performing Arts and the School of American background in contemporary, ballet, and urban Ballet in New York. From 1994-2007, dance has created a new visually dynamic style of Matthew danced with the Pennsylvania Ballet movement. This language has made a splash in where he was also named Choreographer in not only the dance community, but with creators Residence. Matthew’s choreography has been in many different genres of the arts. Wewolf is featured and performed by the Pennsylvania interested in pushing boundaries in their work Ballet, BalletX, The Washington Ballet, yet at the same time inspiring people worldwide Colorado Ballet, Ballet West, Ballet Memphis, with their creativity. They are a fusion of urban Milwaukee Ballet, Oregon Ballet Theatre, and contemporary dance like you have never Tulsa Ballet, Ballet Met, Oklahoma City seen before. Ballet, Juilliard Dance, New York City Ballet’s Choreographic Institute, Sacramento Ballet, Nevada Ballet Theatre, Indiana University,

22 TITAS/DANCE UNBOUND IN ASSOCIATION WITH AT&T PERFORMING ARTS CENTER PERFORMERS

JOSEPH DAVIS was born and Juilliard School, in addition to Nederlands Dans raised in the beautiful hills of Theater and Batsheva Dance Company. Natalie upstate New York, and can be joined Hubbard Street 2 as an apprentice in easily identified from a August 2014 and was promoted to full company distance by his cacophonous member in August 2015 through 2016. She laughter. He began his studies joined BODYTRAFFIC in 2016. at The Draper Center for Dance Education in Rochester, New York and MYLES LAVALLEE began his continued his training at The Juilliard School on training in Arizona at various tuition scholarship from New York City Dance dance schools and later studied Alliance, where he received his BFA under the at the School of American direction of Lawrence Rhodes. Joseph has had the Ballet in New York City for opportunity to perform works of Jirˇí Kylián, two years. In 2011, Myles Crystal Pite, Sol Leon and Paul Lightfoot, Kyle joined Ballet Arizona, where Abraham, Shannon Gillen, Twyla Tharp, Martha he danced for 4 seasons under the direction of Graham, José Limón, Camille A. Brown, Joeri Ib Andersen. In 2015 Myles joined Les Grands Dubbe and Sylvain Emard. He has also performed Ballets Canadiens de Montreal. There he alongside Brian Brooks Moving Company at performed works by Stephan Thosse, Jean New York City Center’s Fall for Dance festival, Christophe Maillot, Ken Osala, Shen Wei and and in Kate Weare’s residency at BAM Fisher Jirˇí Kylián. In 2017, Myles joined Hubbard Street Hall. Joe joined BODYTRAFFIC in 2016. Dance Chicago. There he performed works by Peter Chu, Rena Butler, and Ohad Naharin. HALEY HECKETHORN was Myles has also choreographed for Ballet Arizona born and raised in Las Vegas, for the Artist Relief Fund Benefit and Innovations Nevada. She trained at Bunker program, as well as for Les Grands Ballets in Dance Center as well as Las À Suivre. Myles has also performed as a guest Vegas Academy. In 2013 she artist with Robert Dekker’s Post:Ballet in San moved to Vancouver Canada Francisco. Myles joined BODYTRAFFIC to join the Arts Umbrella in 2019. dance diploma program under the direction of Artemis Gordon. While there she performed GUZMÁN ROSADO started works by Crystal Pite, Sharon Eyal, Cayetano dancing at the International Soto, Lesley Telford, and Nacho Duato. School of Dance of Carmen Haley also participated in Crystal Pite’s young Roche Scaena in Madrid on a choreographers’ program as well as received an scholarship sponsored by the emerging artist scholarship from RBC’s Canada Ministerio de Cultura de Council. In 2016 she joined Pite’s Kidd Pivot as Madrid. Guzmán danced with an apprentice, and later performed with Peter Ballet Joven de Carmen Roche until 1999, when Chu’s Chuthis. Haley joined BODYTRAFFIC he was offered a scholarship to attend the School in 2018. of American Ballet (SAB). After his time at SAB, Edward Villella invited him to dance with Miami NATALIE LEIBERT began City Ballet. From 2002 to 2007, Guzmán danced training at various dance with Companhia Portuguesa de Bailado schools in the Los Angeles area Contemporaneo. In 2007, with André Mesquita including company work with and Teresa Alves da Silva, Guzmán co-founded a Westside Dance Project in cultural platform, Tok’Art. He has performed Redondo Beach, and Pacific extensively as a guest artist throughout Europe. Festival Ballet in Agoura Hills. He teaches ballet, yoga, and movement workshops. She continued training at the Miami City Ballet Guzmán is currently BODYTRAFFIC’s resident School and Alonzo King LINES Ballet Training filmmaker and has won awards for his film work. Program. Leibert has attended workshops and Guzmán joined BODYTRAFFIC in 2012. programs at the San Francisco Conservatory of Dance, the Joffrey Ballet School, the School of American Ballet, Pacific Northwest Ballet and the

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JAMAL WHITE was raised in TARA YOUNGMAN was Atlanta, GA and began his born and raised in North training at Dance Makers of Brunswick, New Jersey, and Atlanta under the direction of began her early training at Denise and Lynise Heard. He Center Stage Dance and studied as a scholarship Theater School, under student at Virginia School of direction of George Warren. the Arts and trained in intensive programs at Tara then went on to graduate Suma Cum Laude Kirov Academy of Ballet, Nashville Ballet, from The Conservatory of Dance at Purchase Martha Graham School of Contemporary Dance, College in NY, where she received her BFA, with Dance Theatre of Harlem, and London a concentration in ballet. During her time at Contemporary Dance School. In 2011, Mr. Purchase, she has had the opportunity to perform White received a B.F.A. in Dance Performance in works by George Balanchine, William from Southern Methodist University, where he Forsythe, Norbert De La Cruz III, Brian Enos, performed works by Arthur Mitchell, George Michelle Thompson Ullerich, and Stuart Balanchine, Pascal Rioult, Alvin Ailey, Robert Loungway. Tara spent summers at BalletX, Joffrey Battle, and Martha Graham. He has also Ballet School, Paul Taylor, Northwest Dance performed in Rasta Thomas’ Rock the Ballet, Project, Complexions Contemporary Ballet, in Missouri Ballet Theater, Lar Lubovitch Dance addition to Springboard Danse Montréal in Company, Alvin Ailey II, and Collage Dance 2018. She is so excited and honored to begin her Collective. Jamal joined BODYTRAFFIC artistic career in Los Angeles. Tara joined in 2017. BODYTRAFFIC in 2019.

PRODUCTION TEAM

BURKE WILMORE (Production Manager & BOARD of DIRECTORS Lighting Designer) is a member of United Scenic Kate Beyda Artists Local 829 and an honors graduate of Mehrnaz Javid Wesleyan University. He has designed or adapted Richard Korngute seven works for BODYTRAFFIC and has also Paul Lester lit the work of Camille A. Brown (Black Girl: Rachel Webber Linguistic Play, Mr. Tol E. Rance, City of Rain). Lesley Wolman He was the resident designer for Battleworks (2001–2010) and to date has lit five of Robert ADVISORY BOARD Battle’s works for Alvin Ailey American Dance Jamie Bishton Theater. For American Repertory Ballet, he lit Glenn Edgerton Midsummer Night’s Dream and Romeo and Juliet. Jane Jelenko He frequently collaborates with Broadway star Glorya Kaufman André de Shields, for whom he lit the Louis Elizabeth Levitt Hirsch Armstrong musical Ambassador Satch, and Nigel Lythgoe OBE designed scenery and lighting for de Shields’ E. Randol Schoenberg production of Ain’t Misbehavin’. Mr. Wilmore Chad Smith designed scenery and lighting for Apollo Club Renae Williams Niles Harlem, and Ellington at Christmas, both at the Apollo Theater. Burke has worked with BODYTRAFFIC since 2012.

24 TITAS/DANCE UNBOUND IN ASSOCIATION WITH AT&T PERFORMING ARTS CENTER TITAS PRESENTS DONORS

As of July 15, 2019 Lauren Embrey/Embrey Carla Nichols Mary Noel Lamont Family Foundation Lynn and Hisashi Nikaidoh Robert Langdon PLATINUM $20K Rishi Ganti~ Joe Pacetti and Tristan Nieves Alexandra and Robert Lavie American Airlines Michael Ginsberg and Sally Pian and Ira Silverman Alan H. Levi, CPA and Beverly Blumenthal Lorri Michel/Sterlizia Joseph Patti E. Kelly Nitsche, DVM City of Dallas, Office of Foundation MPWS Company, LLC/ Maria May Cultural Affairs Gail Griswold~ and Pioneer Wine Company Stacey Mickelson Trammell S. Crow Bill Brice, Jr. Janine and Charles Pulman Regina Montoya and Dallas Morning News Craig and Kathryn Hall/ Deedie Rose Paul Coggins Dallas Tourism Public Hall Group Melissa and Lee Shore Christi Nicolas Improvement District Zoé~ and Todd Hart Karen and Martin Sosland Christi Neill Program Maria and Michael Hasbany Saundra Steinberg~ and Mary and Sean O’Brien Claire Dewar~ Madeline Jobst Matthew Wilner Scott O’Neill Gayle~ and Jim Halperin/ KERA Arlene Switzer Steinfield~ Jay Oppenheimer Heritage Auction Galleries Ann and Fred~ Margolin and David Steinfield Mary and Robert Potter Neiman Marcus Carolyn and David Miller Texas Women’s Foundation/ Tracy Preston DeMetris Sampson~ Susan and Bill Montgomery Roslyn Dawson Thompson Sheri and Andrew Rosen Sheraton Dallas Hotel Harry S. Moss Foundation and Rex Thompson Capera Ryan/Christie’s TACA Dana Nearburg Stacey and Michael~ Titens Auction House Lola~ and Todd Lott/ Ralph Randall Thompson & Knight Charles Santos~ charlieuniformtango Cindy and George Santos Foundation and Rick Bond Donna M. Wilhelm Eugene Sepulveda and Molly Byrne/Turningpoint Gloria Snead Family Fund Steven Tomlinson Foundation Smith Limousine GOLD $10K Simmons Sisters Fund of Jacques Vroom III~ and Mandy Strauss Anonymous The Dallas Foundation Anne Clayton Mary Suhm CBS TV Nancy Whitenack Kate Walker~ Lori White and Audrey and Joel~ Bines/ Lily~ and Jeff Weiss Anthony Tillman BRONZE $2K AlixPartners Roslyn Thompson Anonymous PRODUCER’S CIRCLE Lucilo A. Peña and Linda and Ralph Williams Association of Performing $1K Lee A. Cobb~ Arts Professionals Cultural Anonymous DIRECTOR’S CIRCLE Trammell and Margaret Crow Exchange Fund Steve Atkinson and $500 Museum of Asian Art of Janice Berman Ted Kincaid Naomi Aberly and Larry the University of Texas Arthur Bollon~ and Richard Babb and Lebowitz for the Lebowitz Dallas Rhonda Porterfield Phillip Neely Family Foundation Carol A. Crowe Alana and Ron Brame William Benac Suzanne and Ansel Aberly Read and Steven~ Gendler Howard Brown~ Paula Blackmon Jorge Baldor Mona and Bill~ Graue Kitty~ and Keith Carter Julie Bleicher Rebecca and Chuck Bauer The Jewish Federation of Communities Foundation Lois Anne Bond Mike Birrer Greater Dallas of Texas Mickie and Jeff Bragalone Debra Bishop Ambassador Ron Kirk and Delia and Michael~ Crossley Robert Briggs David Brochu Matrice~ Ellis-Kirk Lenore Diamond~ Rebecca Bruder Mary Dolan National Endowment Veronica Erickson~ Jerry Bywaters Cochran Patsy Fagadau for the Arts Helen and Jerome Frank The Dallas Voice Kim Fredenberg Meaders and Robert Ozarow/ Rebecca and Barron Fletcher Lisa Dawson Alex Hamerman Empire Baking Co. Wanda Gierhart~ Doodlebug Sally Hansen Jacqueline Porter/Park Cities Michelle Gill~ Diana Dutton and Keith Hughes Dance David Glover and Tony Grindl Susan and Greg Swalwell and Terry Jorge Martinez Leslie el-Effendi Donald Paul Jarzemsky Connor, Carter Thomas Steven Goldfine and Julie and Bob England JCB by Jean Charles Boisset and Rod Bowman Deborah Deitsch Perez Bess and Ted Enloe Louise W. Kahn TACA Bowdon Family Kathy and Graham Greene Anna Gomez Endowment Fund Foundation Artist Emilio Gomez~ Maria Gomez and Sheilon King Residency Fund Linda and Scott Greer Luis Escobar Joe Kobell Texas Commission Tracey and David Huntley Jose Gomez and Sarah and Alan Losinger on the Arts Patty and Tom Hussey Francis Luttmer Doug Mitchell and SILVER $5K JCB by Jean-Charles Boisset Paul Hale and Ed Calcote Ric Abel Norman Kaplan Oscar Gomez Kim Noltemy Anonymous Bill Leazer Denise Huddle Thomas Pullano and Arts Midwest Touring Fund Veronica Lewis Leslie Irwin Brad Waites John R. Blanton, Jr. and Veletta Forsythe Lill and Rusty and John Jaggers Raymond Vineyards Deborah Handler John C. Lill Janet and Terry Kafka Debbie and Michael Diane and Hal Brierley Enrique MacGregor and Philanthropic Fund of the Richman Kathy Chamberlain/ Mark Niermann Dallas Jewish Community Genie and Gary Short Chamberlain Ballet Jill~ and Brent Magnuson Foundation Britt Stark Harlan R. Crow Foundation Gail and Guillermo Marmol The Kob Family Suzanne V. Walker Tom and Charlene Marsh Lisa and Peter Kraus Aurelia C. Weiss Family Foundation Michelle Wilson

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CHOREOGRAPHER’S Kenneth Mays Fran Carris Olga Metz CIRCLE $250 Kate McBride Crystal Carter Abbie Meyering C. and Jo Blackburn Monica Simon McCray Dorothy Cawley Margaret Miesch Brady Allen Susan McNabb Richard Cerrone Lynette Miller Heather and Ray Balestri The Meadows Foundation Nancy Childs Paul Miller Jeff Christenson Gift Match Program Mary Cloutier Muriel Mimura Paulette Deutman Donovan Miller Sean Cooper Barry Moore Pedro Fernandez Ben Needham-Wood Sherry Copeland Chet Morrison Marge and Larry Goodman Linda O’Connor Jacqueline Czitrom Geraldine Mullane Debbie and Stratton Horres Joe Parker, III Ruth Dandalides Alejandro Munoz Heather and John Knapowski Rebecca Posten Audrey Decherd Donna Nickels Janice Lombardi Susan Paul and James Kipp Patty Delaney Christina Parker Darrell Mueller Lynnette Rakuskin and Louise Delano Michelle Parker Kathleen Muldoon and Hank Garrett Kathleen Delsanter Diana and Michael Payer Bob Hendler Linna and Richard Robinson William Deniger Riana Pellicane-Hart and Lynn and Mark Oristano Lisa Ryan Constance DePaula Tami Pellicane Annita and Mark Russ Ryan Joyce Sanders and Laura Doolittle Susan Perez Erin A. Smith Bob Lebovitz Stefania Dragomir Annette Pinkerton Norma and Don Stone Patricia Santiago Karen Eaves Marianne Pohle Dale Van Vleck Christine and Ken Sherman Jodie Elder Ellen Presby Marilyn and Larry Waisanen Nancy Somodevilla April Ellis Debra Priest Melanie Spiegel James Engelbrecht JC Puckett COMPOSER’S CIRCLE Dorit and Michael Suffness Debra Engstrom Alejandro Puerto $100 Lenore M. Sullivan and Susan Ernst Susan Rumsey Anonymous Barry N. Henry Neil Erwin and Cynthia Rollow and Anonymous Lester Taub Lauren Partovi Edward Bennett Brenda Anderson James Thomas Osvaldo Fajardo Rochelle Rubin Kathryn Anderson Lynn and Jim Thomas Tony Farrer Keira Scanks Karl Berger Meagan Kirk Thompson Diana Fenves Ninon Schalk The Boeing Company Linda and Hubert Threats Paul Ferraro John Schmerein Gift Match Program Dr. Martin and Judy Tobey Sharon Fisher Alexandra Schwartz Laura Bowers Bruce E. Turner Melissa Fleming Sarah Schweitzer Kathy Brown Douglas Unger Mallory Fosdick and Tanya Scott Teresa Byrd Elizabeth Van Vleck Bobby Gibbs Karen Shumway Jan Callender Nancy Vasto Evelyn Fox Linkie Seltzer Cheryl Chase Georgia Vickers Nancy Franks Dr. D.D. Sety Patricia and James Chatt Barbara and Bill Walton James Garza Efrain Sain Michael Chilen Chalmers Ward Larry Glazer Douglas Stark Laura Vickers Chittick and Michael Weinman Sharon and David Gleeson Patricia Stella Graham Goodkin Donna and Amber Green Richard Stern Cece Cox Ronald Whitehead Shannon Green Bennett Stokes Joan Davidow Michael Wilson Jack Greenman Kevin Tillet Kevin Demel Andrea Wolf Ginny Hajek Fred Toothman Michele DeSalme and Susan Hanlon Grethel Toothman Frederick Toulmin ARTIST’S CIRCLE Vanessa Harrington-Brooks Walker Trigg Nora and Les Elledge $0 and up Jana Hartline Jeffrey Underwood Tammy Elkins Almeida Adiarys Chris Heinbaugh Carolyn and William Linda Evans Chrystal Almeida Karen Hill Vandiver Faynetta Fort Talal Al-Muhanna Pamela Hill Moriah Wallace John Frazier Anonymous Elizabeth Hirsch Liz Wally Barbara and Stowe Gardner Anonymous Elizabeth Jeffett Nancy Walker Wayne Gilbert Renee Baker Mollie Johnson Durward Watson and Daniel Guenther Catherine Barnes Thomas Kemper Michael Kaufman Marcie Guidry Jerod Barnes Dennis Kniery Monda Watson Debbi Haacke Maura Bartley Lois Kowalsky B Weinstein Milinda Hall and Andrea Beck David Leggett Janis and Dennis Wells Jerry Wright Jerome Bell Karin Lesica Joan L Weltman Callie and Zach Hamilton Laura Billingsley Jeff Lewis Mary Westfall Jennifer Heffernan J Blackwell Patricia Magadini Cheryl White Kristi and Ron Hoyl Karyn Bloom Robert Magnusson William Wilcox Maureen and Hilton Frances Branham David Mairs Jack Wrightson Israelson Jean Brock Joan Martin Judy Youngblood and Scott Johnson Brandye Brown Julie and Anthony Matt Dan Butler Kathryn Jordan Nichol Bunn Abby McCartney Bonnie Kudlicki Danny Buraczeski and Hunter McGrath Kelley Lindquist Les Johnson Chris Mcintyre Candace MacMahon Stan Carpenter and ~ denotes TITAS Presents Mitchell Menezes Madeline Mandell Jerry Baden Board of Trustee

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BOARD OF TRUSTEES

BOARD OF TRUSTEES DeMetris Sampson, President Joel Bines Rishi Ganti Jill Magnuson Arthur P. Bollon Steven Gendler Fred Margolin Howard Brown Wanda Gierhart Maria May Kitty Carter Michelle Gill Veronica Phillips-Erickson Lee Cobb Emilio Gomez Charles Santos Michael Crossley Bill Graue Arlene Switzer-Steinfield Claire Dewar Gail Griswold Michael Titens Lenore Diamond Gayle Halperin Jacques Vroom III Matrice Ellis-Kirk Zoe DeRopp Hart Kate Walker Cannon Flowers Lola Lott Lily Cabatu Weiss

HONORARY BOARD Tom Adams Lauren Embrey Sally Hansen Penny Atkiss Bess Enloe Alan Lerner William P. Benac Rebecca Enloe Fletcher Charlene Marsh Beverly Blumenthal Kathryn D. Greene Lynn Nikaidoh Jeanne Marie Clossey Carol Hall Deedie Rose

Charles Santos Executive Director/Artistic Director

Tammy Elkins Director of Finance

John Frazier Operations Manager

Elizabeth Van Vleck Development Officer/Grant Writer

Tom Adams and Gene Leggett Co-Founders of TITAS

700 N. Pearl Street, Suite 1800, Dallas, TX 75201 Administrative Office: 214.978.2855 · Box Office: 214.880.0202 Titas.org

TITAS/DANCE UNBOUND IN ASSOCIATION WITH AT&T PERFORMING ARTS CENTER 33 34 TITAS/DANCE UNBOUND IN ASSOCIATION WITH AT&T PERFORMING ARTS CENTER AT&T PERFORMING ARTS CENTER CENTER STAFF SENIOR STAFF MARKETING Paul Cathey General Manager Cindy Evans Director of Publicity Kelli Criswell Administrative Assistant Brian Irvin Senior Graphic Designer Tracy Hargis Vice President of Human Resources Matt Lyle Digital Marketing Manager Chris Heinbaugh Vice President of External Affairs Chris McDonald Senior Marketing Manager Michelle Holmes Vice President of Marketing Natasha Porizkova Digital Marketing Manager Kathie Parsons Chief Financial Officer Greg Robertson Group Sales Manager Debbie Storey President & CEO Stephanie Spaulding Senior Director of Marketing Bill Spellman Director of Digital Marketing BOX OFFICE & TICKETING SERVICES Blanca Carranza Ticket Services Manager OPERATIONS Ashley Davis Ticket Services Supervisor Graeme Bice Director of Operations John McCoy Ticket Services Manager Richard Bowlin Facilities Technician Supervisor Curtis Meek Sr. Director of Ticket Services & Analytics Jabari Earl Event Manager Alan Pollard Senior Ticket Services Agent Steve Green Facilities Lead Technician Savannah Saxton Ticket Services Supervisor Linda Keogh Administrative Operations Manager Katie Spanos Associate Director of Ticket Services Naomi Link Event Manager Rian Mendez Facilities Technician DEVELOPMENT Chuck Thomas Director of Facilities Kathy Everitt Board & Donor Relations Manager Jennifer Ulich Senior Event Manager Meagan Hemenway Director of Annual Fund Ted Whitehead Safety Operations Manager CORPORATE PARTNERSHIPS PATRON SERVICES Erika Bocanegra Corporate Partnerships Associate Marissa Bateman Front of House Manager Kathryn Cox Director of Corporate Partnerships Robert McDowell Director of Patron Services Jefferson Ferguson Account Manager Charles Moore Senior Front of House Manager EDUCATION & COMMUNITY ENGAGEMENT Anastasia Pharr Senior Front of House Manager Autumn Garrison Director of Ed & Comm Engagement PRODUCTION Ahila Gulasekaram Ed & Comm Engagement Asst. Mgr Alex Benningfield Technical Coordinator I Joya Johnson Ed & Comm Engagement Coordinator Adam Bowlin Carpentry & Rigging Manager EXTERNAL AFFAIRS Tim Callahan Head Carpenter Weston Keifer Technical Director Drew Eubank Communications & External Affairs Manager Patrick Keller Head Flyman Hector Garcia Strategic Services Manager Aaron Johansen Lighting Manager FINANCE & ACCOUNTING Bart McGeehon Production Manager Caleb Adeogun Director of FP&A Candice Miears Technical Coordinator II Don Anderson Controller Eric Miller Production Senior Manager Robin Kong Financial Analyst Bryan Nortin Audio Video Manager Carol Taino-Chew Accounts Payable Coordinator Matt Pearce Technical Coordinator I Lee Terry Head Electrician INFORMATION TECHNOLOGY Jeff Waite Technical Coordinator II Erik Bowers Shared Data Support Specialist Amanda West Director of Production Phillip De Leon Shared Data Services Manager Jonathan White II Head Audio Stewart Fowler Technology Infrastructure Manager John White Head Properties Adam Hourigan Director of Information Technology Stephen Woodward Assistant Technical Director Sterling Vicks IT Support Specialist Matt Winchester Director of Shared Data Services PROGRAMMING Ryan Henry Talent Buyer Anne Kogan Programming Manager Alex Reyes Programming Coordinator Greg Seamon Director of Programming

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