Phil PowrieP : Publications
Updated May 2021 Books (23)
(2022) 2020 2017 2017 Meaningful melodies: when The French film musical. London: Music in contemporary French Selected essays on French music takes over in film. Bloomsbury. Link cinema: the crystal-song. cinema. Beijing: Encyclopaedia Basingstoke: Palgrave Basingstoke: Palgrave of China Publishing. Translated Macmillan. Macmillan. Link into Chinese by Li Lina.
2016 2014 2009 2008 Bicultural literature and film in French cinema, 4 vols. London: Pierre Batcheff and stardom in Composing for the screen in French and English. London: Routledge. Link 1920s French cinema. Edinburgh Germany and the USSR: cultural Routledge. View and buy from University Press. Link politics and propaganda. the publisher. Link Bloomington: Indiana University Press. Link
2007 2006 2006 2006 Carmen on film: a cultural Changing tunes: the use of pre- Carmen on screen: an annotated The films of Luc Besson: master history. Bloomington: Indiana existing music in film. Aldershot: filmography and bibliography. of spectacle. Manchester University Press. Link Ashgate. Link Woodbridge: Boydell and University Press. Link Brewer. Link
2006 2004 2002 2001 The cinema of France. London: The trouble with men: French cinema: a student’s Jean-Jacques Beineix. Wallflower Press/Columbia masculinities in European and guide. London: Arnold/ Manchester University Press. University Press. Link Hollywood cinema. London: Bloomsbury. Reprinted 2008. Link Wallflower Press/ Columbia Link University Press. Link
1999 1997 1997 1993 French cinema in the 1990s: French cinema in the 1980s: René Daumal’s Mugle and The Compo pub. School of Modern continuity and difference. Oxford nostalgia and the crisis of Silk. Translated with an Languages Publications, University Press. Link masculinity. Oxford: Clarendon Introduction by Phil Powrie. University of Newcastle upon Press. Link Lewiston: Edwin Mellen. Link Tyne.
1991 1990 1989 1988 Contemporary French fiction by René Daumal: étude d’une René Daumal, The lie of the truth René Daumal and Roger Gilbert- women: feminist perspectives. obsession. Geneva: Droz. Link and other parables from the way Lecomte. London: Grant & Manchester University Press. of liberation. Translated by Phil Cutler/Boydell & Brewer. Link Link Powrie. New York: Hanuman Books. Link
Journal articles and book chapters (100)
(2023) (2022) (2022) (2021) ‘French film music’, in The ‘Re(Viewing French Cinema’, in ‘Z music: the 1970s French (with Eric Rebillard) ‘Pierre Bloomsbury Encyclopedia of What Have the French Ever Done political thriller’, in Music, Batcheff, les Lacoudems, et les Popular Music of the World, for Us? Edited by J. West-Sooby, Ideology and Production aventures d’Émile-Émile’, 1895 vol.13, Genres: International, Adelaide: Wakefield Press. Conditions in European Cinema Revue d’Histoire du Cinéma, 93. edited by D. Horn, London: of the Cold War Era, edited by Bloomsbury. M. Baumgartner and E. Boczkowska, London: Routledge.
2021 2020 2020 2019 (with Marie Cadalanu) ‘The ‘Editorial: Music in French ‘Mayerling et le regard de ‘Carmen, de l’hétérotopie à la Marseille operetta’, in Musicals Cinema’ and (with Marie Danielle Darrieux’, in Danielle métatopie’, Mise au point: at the margins: genre, Cadalanu) ‘Crooning 1936–1956: Darrieux: la traversée d’un siècle, Cahiers de l’AFFECAV 12. Link boundaries, canons, edited by J. the film musicals of Tino Rossi edited by G. Le Gras and G. Lobalzo Wright and M. Shearer, and Georges Guétary’, French Sellier, Bordeaux: Presses London: Bloomsbury, 73-85. Link Screen Studies 20(3-4): 151-157, universitaires de Bordeaux. Link 197-221. Link
2019 2019 2018 2018 ‘From heterotopia to metatopia: ‘La chanson-cristal et la ‘La musique classique et le (with Mary Harrod) ‘Editorial: staging death in Carmen’, in répétition’, Connaît-on la cinéma: Un grand amour de New directions in contemporary French Literature on Screen, chanson? Usages de la chanson Beethoven (1936) et Louise French comedies: from nation, edited by Homer B. Pettey and R. dans les cinémas d’Europe et (1938) d’Abel Gance’, Écrans, 8- sex and class to ethnicity, Barton Palmer, Manchester: d’Amérique Latine depuis 1960, 9: 41-57. Link community and the vagaries of Manchester University Press, 90- edited by S. Dufays, D. Nasta and the postmodern’, Studies in 106. Link M. Cadalanu, Bern: Peter Lang, French Cinema 18(1): 1-17. Link 33-48. Link
2018‘ 2018 2018 2017 Looking back at the (French) ‘La canción-cristal y la ‘« Losing the plot » : le loser (with Éric Rebillard) ‘Josephine opera-film’, Open Screens 1(1): repetición’, Conozco la canción: français et les masculinités à Baker and Pierre Batcheff in La 1-39. Link melodías populares en los cines l’écran’, in La figure du loser Sirène des tropiques (1927)’, posclásicos de América Latina u dans le film et la littérature in The Josephine Baker critical Europa, edited by P. Piedras and d’expression française, edited by reader: selected writings on the S. Dufays, Buenos Aires: Libraria, C. Edwards and F. Cévaër, entertainer and activist, edited 21-35. Link Limoges: Presses universitaires by M. G. Henderson and C. B. de Limoges, 31-52. Link Regester, Jefferson: McFarland & Co, 185-197. Link
2017 2016 2016 2015 ‘Mobilising desire: the operetta ‘L’Une chante, l’autre pas: music, ‘La chanson-cristal’, in La ‘Money talks: the logorrheic films of Pills and Tabet in 1930s movement and the utopian chanson dans le film français et masquerade in two films from France’, Historical Journal of Film community’, in Agnès Varda francophone depuis la Nouvelle 1934’, sp.no. ‘Money matters’, Radio and Television, 37(3): 436- unlimited: image, music, media, Vague, edited by R. Lagabrielle Studies in French Cinema 15(3): 454. Link edited by M.-C. Barnet, Oxford: and T. Obergöker, Würzburg: 207-224. Link Legenda, 45–64. Link | Author Königshausen & Neumann, 65– version 84. Link | Author version
2015 2015 2014 2014 (with Diane Gabrysiak) ‘Editorial. ‘Soundscapes of loss: songs in (with Guido Heldt) Introduction: ‘Luis Mariano et l’exotisme Money: now you see it, now you contemporary French cinema’, A trailers, titles, and end ordinaire’, in S. Layerle and R. don’t’, sp.no. ‘Money matters’, companion to contemporary credits’, Music, Sound, and the Moine (eds), Voyez comment on Studies in French Cinema 15(3): French cinema, edited by A. Fox, Moving Image 8(2): 111-120. chante!: films musicaux et 197-206. Link M. Marie, R. Moine, and H. Link cinéphilies populaires en France Radner, Chichester: Wiley- (1945–1958), Paris: Presses Blackwell, 527-546. Link | Author Sorbonne Nouvelle, 19-29. Link | version Author version
2014 2013 2013 2011 ‘Les chansons préexistantes dans ‘The French musical: swing and ‘The ecstatic pan’, in A (with Keith Reader) ‘Teaching le cinéma français’, in Musiques big bands in the cinema of the companion to François Truffaut, and research in French de films: nouveaux enjeux, edited 40s and 50s’, Screen 54(2): 1-23. edited by D. Andrew and A. cinema’, French Studies in and by S. Abhervé, N.T.Binh, J. Link Gillain, Chichester: Wiley- for the twenty-first century, Mouré, Paris: Les Impressions Blackwell, 184-204. Link | Author edited by P. Lane and M. Nouvelles, 46-59. Link version Worton, Liverpool: Liverpool University Press, 171-83. Author version
2011 2011 2011 2011 ‘La musique dans les films de ‘Le moment haptique: analyse ‘Heterotopic spaces and ‘Algeria and women in two Beineix’, Studio Beineix, Lyon: d’une chanson de Paolo Conte nomadic gazes in Varda: from 1960s film adaptations of the Fage, 95-103. Author version dans 5 x 2’, sp.no. ‘Musique et Cléo de 5 à 7 to Les Glaneurs et Carmen narrative’, French cinéma: harmonie et La Glaneuse’, sp. no. ‘Watch this Cultural Studies 22(2): 127-36. contrepoints’, Inter-Lignes, 21- space: women’s Link 38. Link | Author version conceptualisations of space in contemporary French film and visual art’, L’Esprit créateur 51(1): 68-82. Link
2010 2010 2009 2008 (with Eric Rebillard) ‘Josephine ‘Unfamiliar places: ‘Le gender et la musique dans les (with Eric Rebillard) ‘Pierre Baker and Pierre Batcheff in La “heterospection” and recent fictions patrimoniales depuis les Batcheff, the surrealist star’, Sirène des tropiques (1927)’, French films on children’, 57-68; années 1980’, in Les Fictions Studies in French Cinema 8(2): in Not so silent: women in ‘Four decades of teaching and patrimoniales sur grand et petit 159-77. Link cinema before sound, edited by research in French cinema’, 353- écran: contours et enjeux d’un S. Bull and A. Söderbergh 71 in Studies in French cinema: genre intermédiatique, edited by Widding, Stockholm: Stockholm UK perspectives 1985-2010, P. Beylot and R. Moine, Presses University Press, 236-47. Link edited by W. Higbee and S. Universitaires de Bordeaux, 123- 37. Link | Author version Leahy, Bristol: Intellect Press. Link
2008 2008 2008 2007 (with Eric Rebillard) ‘Marcel (with Eric Rebillard) ‘Josephine ‘The haptic moment: sparring ‘La musique dans le film L’Herbier au carrefour des avant- Baker and Pierre Batcheff in La with Paolo Conte in Ozon’s 5×2’, historique contemporain’, in gardes: Feu Mathias Pascal et le Sirène des tropiques (1927)’, sp. no. ‘Cinema and the senses’, La Fiction éclatée, vol 2. Petits et dédoublement’, in Marcel Studies in French Cinema 8(3): Paragraph 31(3): 206-22. Link grands écrans français et L’Herbier: l’art du cinéma, edited 245-64. Link francophones: de l’esthétique à by L. Véray. Paris: Association l’économie, edited by J.-P. Française de Recherche sur Bertin-Maghit and G. Sellier, l’Histoire du Cinéma, 79-90. Link Paris: Institut National de | Author version l’Audiovisuel/ L’Harmattan, 205- 14. Link | Author version
2007 2007 2006 2006 ‘La famille (du cinéma) en ‘French neo-noir’, in European ‘The Father with the movie ‘Outing the synch: music and désordre: Roudinesco and film noir: transgression, camera: Cet été-là, space in the French heritage contemporary French cinema’, dissonance and hybridity, edited Mouchette and the “force film’, European film music, Affaires de famille: the family in by A. Spicer, Manchester: utérine de l’œil”’, Marie edited by M. Mera and D. contemporary French culture and Manchester University Press, 55- Cardinal: new perspectives, Burnand, Aldershot: Ashgate, 86- theory, edited by M-C. Barnet 83. Link | Author version edited by E. Webb, Bern: Peter 99. Link | Author version and E. Welch, Amsterdam: Lang, 31-52. Link | Author Rodopi, 283-307. Link | Author version version
2006 2005 2005 2005 ‘Embodying the nation: Viviane ‘Unfamiliar places: ‘Space, the crowd and ‘La communauté impossible, ou Romance in Carmen (France, “heterospection” and recent prostitution in Carmen (France, pourquoi le film musical français 1945, Christian-Jaque) and Rita French films on children’, sp. no. 1910)’, Revisiting space: space se fait rare’, Le cinéma français Hayworth in The Loves of ‘The child in film and television’, and place in European cinema, face aux genres, edited by R. Carmen (USA, 1948, Charles Screen 46(3): 341-52. Link edited by W. Everett and A. Moine, Paris: Association Vidor)’, in Image into identity: Goodbody, Bern: Peter Lang, 99- Française de Recherche sur le constructing and assigning 113. Link | Author version Cinéma, 213-22. Link | Author identity in a culture of modernity, version edited by M. Wintle, Amsterdam: Rodopi, 223-236. Link | Author version
2005 2005 2004 2004 ‘Blonde abjection: spectatorship ‘”I’m only here for the beer”: (with Eric Rebillard) ‘Sauvage et ‘Politics and embodiment and the abject anal-space-in- post-tourism and the recycling of mignon: a star study of Pierre in Karmen Geï (2001)’, Quarterly between’, in Pop fiction: the French heritage films’, in The Batcheff’, in Buñuel, siglo XXI, Review of Film and Video 21(4): song in cinema, edited by M. media and the tourist edited by I. Santaolalla et al., 283-91. Link Caley and S. Lannin, Exeter: imagination: converging Zaragoza: Institución Fernando Intellect, 99-119. Link | Author cultures, edited by D. Crouch, F. el Católico/ Prensas version Thompson and R. Jackson, Universitarias de Zaragoza, 413- London: Routledge, 143-153. 418. Link | Author version Link | Author version
2004 2004 2003 2003 ‘La Tragédie de Carmen (Peter ‘Fifteen years of fifties cinema’, ‘Thirty years of doctoral theses ‘The w/hole and the abject’, Brook, 1983) and embodiment’, Studies in French Cinema 4(1): 5- on French cinema’, Studies in Paragraph 26(1-2): 232- Studies in European Cinema 1(3): 13. Link French Cinema 3(3): 199-203. 44. Link 141-51. Link Link
2003 2003 2003 2003 ‘The Sting in the tale’, Popular ‘The kiss-curl and the resisting ‘The disintegration of ‘La Roue/The Wheel (1923)’ and music and film, edited by I. Inglis, eyes: reassessing Carmen community: a brief history of ‘Le Dernier combat/ The Last London: Wallflower Press, 39-59. (Feyder, 1926)’, Studies in French popular music in French cinema Battle (1983)’, in The 1001 films Link | Author version Cinema 3(1): 15-23. Link 1945-present’, in Popular music in France from chanson to you must see before you die, techno: culture, identity and London: Quintet, 50 & 698. Link society, edited by H. Dauncey and S. Cannon, Aldershot: Ashgate, 97-122. Link| Author version
2003 2002 2002 2002 ‘Cinema’, in French popular ‘Transtitial woman: new ‘Towards an ethics of ‘Out of this world (cinema): culture: an introduction, edited representations of women in intermediality: text, intertext French cinema studies now’, by H. Dauncey, London: Arnold, contemporary French cinema’, and identification in La Journal of Romance Studies 1(3): 119-34. Link | Author version Esprit Créateur 42(3): 81-91. Link Dentellière’, Literature/Film 143-52. Link Quarterly 30(2): 92-97. Link
2002 2002 2001 2001 ‘Jean-Jacques Beineix’, in Fifty ‘Diva: A new psychoanalytical ‘The god, the king, the fool and ‘Marius et Jeannette: nostalgia contemporary film-makers, approach’, Studies in French ØØ: the oedipal trajectory in the and utopia’, France on film: edited by Y. Tasker, London: Cinema 2(1): 50-58. Link films of Beineix’, Gender in the reflections on popular French Routledge, 33-41. Link | Author French cinema, edited by A. cinema, edited by L. Mazdon, version Hughes and J. Williams, Oxford: London: Wallflower Press, 133- Berg, 195-208. Link | Author 144. Link | Author version version
2000 2000 2000 1998 ‘The “family portrait”: trauma ‘On the threshold between past ‘Bleu, blanc, rouge: masochism Contributions on French cinema and the punctum in Distant and present: “alternative and the distinction between for Encyclopaedia of Voices, Still Lives, in The seeing heritage”’, British cinema: past verbal and visual automatism’, contemporary French culture, century: film, vision, and identity, and present, edited by A. Higson Australian Journal of French edited by A. Hughes and K. edited by W. Everett, and J. Ashby, London: Routledge, Studies 37(1): 40-51. Link Reader, London: Routledge. Link Amsterdam: Rodopi, 20-35. Link 316-326. Link | Author version | Author version
1998 1998 1996 1996 ‘Masculinity in the shadow of the ‘Heritage, history and the “new ‘The surrealist poème-objet’, ‘Ten years on: Mauvais Sang and slashed eye: surrealist film realism”’, Modern & in Surrealism: surrealist visuality, the crisis of masculinity’, Modern criticism at the crossroads’, Contemporary France 6(4): 479- edited by S. Levy, Keele & Contemporary France 4(2): Screen 39(2): 153-63. Link 92. Link University Press, pp.57-77. Link | 161-70. Link Author version
1996. ‘Parody and violation in 1995 1994 1993 René Daumal’s Mugle’, sp.no. ‘Godard’s Prénom: (with Jane Bidder] ‘Lesbian ‘Interpreting from a video ‘Surrealism’, Aura, 24-35. Carmen: masochism and the speculations on/in Claudine source: teaching and evaluation’, male gaze’, sp.no. European Married’, Women’s in Integrating new approaches: film’, Forum for Modern Studies 23(1): 57-68. Link the teaching of French in higher Language Studies 31(1): 64-73. education, London: AFLS/CILT, Link 79-94.
1993 1993 1992 1992 ‘Francesco Rosi’s Carmen and ‘Diva’s deluxe disasters’, special (with G. E. Hare) ‘Developing ‘Rereading between the lines: a the fantasy of realism’, Word no. on French cinema, transferable personal skills in a postscript on La Femme and Image 9(1): 19-28. Link Nottingham French business studies option of a rompue’, Modern Language Studies 32(1): 109-20. Link French undergraduate degree’, Review 87(2): 320-29. Link in French and the enterprise path: developing transferable and professional skills, London: AFLS/CILT, 63-80. Link
1992 1992 1992 1992 ‘Reflections on/from the ruined ‘Interpreting in the ‘Configurations of melodrama: ‘Angela Carter/Chantal Chawaf: eye’, SuperReal: The British undergraduate French degree: a nostalgia and hysteria in Jean de rewriting the domestic’, New Journal of Surrealism 1: 6-13. national survey 1990-1991’, Florette/Manon des Comparisons 11: 127-36. Author version Francophonie 4: 18-22. Sources’, French Studies 46(3): 296-305. Link
1991 1991 1990 1990 (with D.S. Place) ‘Comparing ‘Film-Form-Mind: the Hegelian (with G.E. Hare) ‘Working in the ‘Truffaut’s Vivement notes: interactive translating’, follies of Roger Gilbert-Lecomte’, permanent revolution: business Dimanche! (1983), or, how to sp.no. ‘The Teaching of Quarterly Review of Film and and administrative French as a take away with one hand what Translation’, UEA Papers in Video 12(4): 19-32. Link complement to a you give with the other’, Modern Linguistics 31-32: 77-86. communicatively based core & Contemporary France 43: 37- language course’, Association for 46. French Language Studies Newsletter 26: 19-22.
1990 1990 1990 1990 ‘Sexuality in Swann in Love’, in ‘Other voices: in defence of ‘Myth versus allegory: the ‘Breton’s vertical labyrinth: French Cultural Studies 1: 247- feminist literary criticism’, problematisation of narrative in towards a psycho-semiosis’, 56. Link French Studies Bulletin 37: 13-15. Chantal Chawaf’s Le Soleil et la Romanic Review 81(4): 454-65. Link terre’, in The body and the text: Link Hélène Cixous, reading and teaching, edited by H. Wilcox, K. McWatters, A. Thompson, L. Williams, New York: Harvester/Wheatsheaf, 78-86. Link
1990 1989 1989 1989 ‘Ad libbing ! using ‘Salon terrorism and the ‘René Daumal and the ‘A womb of one’s own: the advertisements as part of a recycling of intellectual pataphysics of liberation’, metaphor of the womb-room as French business course’, The commodities: the case of Le Neophilologus 73(4): 532-40. a reading-effect in texts by Language Learning Journal 1: 83- Grand Jeu and Surrealism’, Link contemporary French women 85. Link sp.no. ‘Surrealism’, La writers’, Paragraph 12(3): 197- Chouette 22: 53-62. Link 213. Link
1988 1988 1986 1986 ‘Marketing history: Swann in ‘Automatic writing: Breton, The Twentieth Century, from ‘Crossing the divide: Love’, Film Criticism 12(3): 33-45. Daumal, Hegel’, French 1945’, The Year’s Work in language/culture integration’, Link Studies 42(2): 177-93. Link Modern Language Studies 48: Association for French Language 260-81. Link Studies Newsletter 15: 20-33.