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09/29/21 EAF1504 | University of Exeter EAF1504 View Online Introduction to Film History Aitken, Ian. 2001. ‘Into the Realm of the Wondrous: French Cinematic Impressionism.’ Pp. 69–90 in European film theory and cinema: a critical introduction. Edinburgh: Edinburgh University Press. Allen, Robert Clyde. 1993. ‘Chapter 2 - Researching Film History.’ Pp. 25–42 in Film history: theory and practice. New York: Knopf. Anon. n.d. ‘EAF1504 Film History Syllabus 2015-16.’ Anon. n.d. French Cinema: The First Wave, 1915-1929 Hardcover ¨C August 21, 1984. Anon. n.d. The Logics of Globalization: Case Studies in International Communication. Lexington Books. Barnouw, Erik, and Subrahmanyam Krishnaswamy. 1980. Indian Film. Vol. A Galaxy book; GB 592. Second ed. New York: Oxford University Press. Bazin, André. 2000. ‘The French Renoir [in] Jean Renoir.’ Pp. 74–91 in Jean Renoir. Manchester: Manchester University Press. Bazin, Andre ́ . 2005a. ‘Bicycle Thief.’ Pp. 47–60 in What is cinema? Vol. 2. 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Bordwell, David. 2009. ‘The Art Cinema as a Mode of Film Practice.’ Pp. 649–57 in Film theory and criticism: introductory readings. New York: Oxford University Press. Bordwell, David. n.d. ‘Doing Film History.’ Retrieved (http://www.davidbordwell.net/essays/doing.php). Brewster, Ben. 1990. ‘Chapter: Deep Staging in French Films 1900-1914.’ Pp. 45–55 in Early cinema: space-frame-narrative. London: BFI Publishing. Cherchi Usai, Paulo. 1997. ‘The Scandinavian Style.’ Pp. 151–59 in The Oxford history of world cinema. Oxford: Oxford University Press. Clair, René. 1985. ‘The Art of Sound.’ Pp. 92–95 in Film sound : theory and practice. Clair, Rene ́ , Raymond Cordy, and Henri Marchand. 1931. ‘A Nous La Liberte ́ .’ Dudrah, Rajinder Kumar, and Jigna Desai. 2008. The Bollywood Reader. Maidenhead: McGraw-Hill/Open University Press. Eisenstein, Sergei. 2002. ‘Chapter 2: The Montage of Film Attractions.’ Pp. 25–33 in The European cinema reader. London: Routledge. 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Petro, Patrice. 1989. ‘Weimar Cinema and the Female Spectator.’ Pp. 140–219 in Joyless 5/8 09/29/21 EAF1504 | University of Exeter streets: women and melodramatic representation in Weimar Germany. Princeton: Princeton University Press. Popple, Simon, and Joe Kember. 2004. Early Cinema: From Factory Gate to Dream Factory. Vol. Short cuts. London: Wallflower. Powrie, Phil. 2006a. The Cinema of France. Vol. 24 frames. London: Wallflower. Powrie, Phil. 2006b. The Cinema of France. Vol. 24 frames. London: Wallflower. Pudovkin, Vsevolod Illarionovich, Nikolai Batalov, Vera Baranovskaya, Alexander Chistyakov, Anna Zemtsova, Ivan Koval-Samborsky, and Vsevolod Illarionovich Pudovkin. 1926. ‘Mother.’ Ray, Satyajit. 1976. Our Films, Their Films. Bombay: Orient Longman. Ray, Satyajit, Karuna Banerjee, Pinaki Sen Gupta, Smaran Ghosal, and Bibhutibhushan Banerjee. n.d. ‘Aparajito.’ Renoir, Jean. n.d. ‘La Bete Humaine.’ Richie, Donald. 1965. ‘Sanjuro.’ Pp. 156–62 in The films of Akira Kurosawa. Berkeley,Calif: University of California Press. Roberts, Ian. 2008a. ‘Chapter 3 - Demons Without and Within: F.W. Murnau’s Nosferatu.’ Pp. 35–51