The Impact of Westernization on Tongan Cultural Values Related to Business
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Segmented Europeanization: the Transnationalization of Public Spheres in Europe ; Trends and Patterns / Michael Brüggemann; Stefanie Sifft; Katharina Kleinen
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Brüggemann, Michael; Sifft, Stefanie; Kleinen von Königslöw, Katharina; Peters, Bernhard; Wimmel, Andreas Working Paper Segmented Europeanization: the transnationalization of public spheres in Europe ; trends and patterns / Michael Brüggemann; Stefanie Sifft; Katharina Kleinen TranState Working Papers, No. 37 Provided in Cooperation with: University of Bremen, Collaborative Research Center 597: Transformations of the State Suggested Citation: Brüggemann, Michael; Sifft, Stefanie; Kleinen von Königslöw, Katharina; Peters, Bernhard; Wimmel, Andreas (2006) : Segmented Europeanization: the transnationalization of public spheres in Europe ; trends and patterns / Michael Brüggemann; Stefanie Sifft; Katharina Kleinen, TranState Working Papers, No. 37, Universität Bremen, Collaborative Research Center 597 - Transformations of the State, Bremen This Version is available at: http://hdl.handle.net/10419/24950 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. -
Title: Expressions of Tangaroa
A voyage in visual form Loretta Reynolds 2010 A thesis submitted to Auckland University of Technology In partial fulfilment of the requirements for the degree of Master of Art & Design (MA&D) School of Art & Design Supervisors: Dale Fitchett and Simon Clark 1 Table of contents Page Table of contents ……………………………………………………………………………………………. 2 Attestation of Authorship …………………………………………………………………………………… 4 Acknowledgements ……………………………………………………………………………................... 5 Abstract ……………………………………………………………………………………………………… 6 Introduction ………………………………….…………………………………………………………… 7 Chapter 1 Tangaroa’s place in traditional Rarotongan theology ………………………………… 11 Chapter 2 The history and the influence of the Church in Rarotonga …………………………… 13 Chapter 3 Tangaroa and cultural patterns in contemporary times......……………………………. 15 3.1 The resurrection of Tangaroa ……………………………………………………………. 15 3.2 Tangaroas importance and his place as an icon of national identity…………………. 16 3.3 Tangaroa in signage and public art………………………………………………………. 25 3.4 Cultural patterns & symbols of the Cook Islands’ used in the project………………… 27 Chapter 4 Methods and processes …………………………………………………………………. 28 2 4.1 Sign writing techniques……………………………………………………………………… 28 4.2 Engaging a contemporary perspective of Tangaroa……………………………………… 29 4.3 Introducing the morphing process to the project………………………………………….. 31 4.4 Testing the morphing idea…………………………….……………………………………… 32 4.5 Expressing the linear traditions of carved wood……………………………………….. 34 Chapter 5. Project exhibition…………………………………………………………………………. -
Human Discovery and Settlement of the Remote Easter Island (SE Pacific)
quaternary Review Human Discovery and Settlement of the Remote Easter Island (SE Pacific) Valentí Rull Laboratory of Paleoecology, Institute of Earth Sciences Jaume Almera (ICTJA-CSIC), C. Solé i Sabarís s/n, 08028 Barcelona, Spain; [email protected] Received: 19 March 2019; Accepted: 27 March 2019; Published: 2 April 2019 Abstract: The discovery and settlement of the tiny and remote Easter Island (Rapa Nui) has been a classical controversy for decades. Present-day aboriginal people and their culture are undoubtedly of Polynesian origin, but it has been debated whether Native Americans discovered the island before the Polynesian settlement. Until recently, the paradigm was that Easter Island was discovered and settled just once by Polynesians in their millennial-scale eastward migration across the Pacific. However, the evidence for cultivation and consumption of an American plant—the sweet potato (Ipomoea batatas)—on the island before the European contact (1722 CE), even prior to the Europe-America contact (1492 CE), revived controversy. This paper reviews the classical archaeological, ethnological and paleoecological literature on the subject and summarizes the information into four main hypotheses to explain the sweet potato enigma: the long-distance dispersal hypothesis, the back-and-forth hypothesis, the Heyerdahl hypothesis, and the newcomers hypothesis. These hypotheses are evaluated in light of the more recent evidence (last decade), including molecular DNA phylogeny and phylogeography of humans and associated plants and animals, physical anthropology (craniometry and dietary analysis), and new paleoecological findings. It is concluded that, with the available evidence, none of the former hypotheses may be rejected and, therefore, all possibilities remain open. -
A History of the Pacific Islands
A HISTORY OF THE PACIFIC ISLANDS I. C. Campbell A HISTORY OF THE PACIFIC ISLANDS Thi s One l N8FG-03S-LXLD A History of the Pacific Islands I. C. CAMPBELL University of California Press Berkeley • Los Angeles Copyrighted material © 1989 I. C. Campbell Published in 1989 in the United States of America by the University of California Press Berkeley and Los Angeles All rights reserved. Apart from any fair use for the purposes of private study, research, criticism or review, no part whatsoever may by reproduced by any process without the express written permission of the author and the University of California Press. Library of Congress Cataloguing-in-Publication Data Campbell, LC. (Ian C), 1947- A history of the Pacific Islands / LC. Campbell, p. cm. "First published in 1989 by the University of Canterbury Press, Christchurch, New Zealand" — T.p. verso. Includes bibliographical references. ISBN 0-520-06900-5 (alk. paper). — ISBN 0-520-06901-3 (pbk. alk. paper) 1. Oceania — History. I. Title DU28.3.C35 1990 990 — dc20 89-5235 CIP Typographic design: The Caxton Press, Christchurch, New Zealand Cover design: Max Hailstone Cartographer: Tony Shatford Printed by: Kyodo-Shing Loong Singapore C opy righted m ateri al 1 CONTENTS List of Maps 6 List of Tables 6 A Note on Orthography and Pronunciation 7 Preface. 1 Chapter One: The Original Inhabitants 13 Chapter Two: Austronesian Colonization 28 Chapter Three: Polynesia: the Age of European Discovery 40 Chapter Four: Polynesia: Trade and Social Change 57 Chapter Five: Polynesia: Missionaries and Kingdoms -
THE HISTORY of the TONGA and FISHING COOPERATIVES in BINGA DISTRICT 1950S-2015
FACULTY OF ARTS DEPARTMENT OF HISTORY EMPOWERMENT OR CONTROL? : THE HISTORY OF THE TONGA AND FISHING COOPERATIVES IN BINGA DISTRICT 1950s-2015 BY HONOUR M.M. SINAMPANDE R131722P DISSERTATION SUBMITTED TO THE FACULTY OF ARTS IN PARTIAL FULLFILMENT OF THE REQUIREMENTS OF THE HONOURS DEGREE IN HISTORY AT MIDLANDS STATE UNIVERSITY. NOVEMBER 2016 ZVISHAVANE: ZIMBABWE SUPERVISOR DR. T.M. MASHINGAIDZE APPROVAL FORM The undersigned certify that they have supervised the student Honour M.M Sinampande (R131722P) dissertation entitled Empowerment or Control? : The history of the Tonga and fishing cooperatives in Binga District 1950-210 submitted in partial fulfillment of the requirements of the Bachelor of Arts in History Honours Degree offered by Midlands State University. Dr. T.M Mashingaidze ……………………… SUPERVISOR DATE …….……………………………………… …………………………….. CHAIRPERSON DATE ….………………………………………… …………………………….. EXTERNAL EXAMINER DATE DECLARATION I, Honour M.M Sinampande declare that, Empowerment or Control? : The history of the Tonga and fishing cooperatives in Binga District 1950s-2015 is my own work and it has never been submitted before any degree or examination in any other university. I declare that all sources which have been used have been acknowledged. I authorize the Midlands State University to lend this to other institution or individuals for purposes of academic research only. Honour M.M Sinampande …………………………………………… 2016 DEDICATION This work is dedicated to my father Mr. H.M Sinampande and my mother Ms. J. Muleya for their inspiration, love and financial support throughout my four year degree programme. ABSTRACT The history of the Tonga have it that, the introduction of the fishing villages initially and then later the cooperative system in Binga District from the 1950s-2015 saw the Zambezi Tonga lose their fishing rights. -
Tsunami Recovery Priority Plan Niuatoputapu Kingdom of Tonga
12/23/13 Microsoft Word - Tsunami recovery priority plan Tonga NTT.doc Tsunami Recovery Priority Plan – Niuatoputapu Tonga 2009 Tsunami Recovery Priority Plan Niuatoputapu Kingdom of Tonga October 2009 1 www.pacificdisaster.net/pdnadmin/data/documents/3687.html 1/42 12/23/13 Microsoft Word - Tsunami recovery priority plan Tonga NTT.doc Tsunami Recovery Priority Plan – Niuatoputapu Tonga 2009 Table of Contents EXECUTIVE SUMMARY …………………………………………………….………. 3 SECTION 0: ACRONYMS AND ABBREVIATIONS ……………………………………………. 4 SECTION 1: INTRODUCTION ………………………………………………………………………… 5 1.1 Background ……………………………………………………………………… 5 1.2 Scope and Content ………………………………………………………….. 7 1.3 Goal ………………………………………………………………………………… 8 1.4 Guiding principles ……………………………………………………………. 8 SECTION 2: COORDINATION ARRANGEMENTS ……………………………………………. 9 SECTION 3: DAMAGE ASSESSMENTS AND PRIORITIES FOR RECOVERY ……….. 11 3.1 Damage assessments ………………………………………………………. 11 3.2 Initial priorities ……………………………………………………………….. 11 3.3 Sectoral analysis …………………………………………………………….. 12 3.4 Logistics …………………………………………………………………………. 16 3.5 Recovery strategies and actions matrix …………………………... 18 SECTION 4: FUNDING ……………………………………………………………………………..…. 23 SECTION 5: RISK ANALYSIS ………………………………………………………………………… 23 SECTION 6: NEXT STEPS …………………………………………………………………………….. 23 SECTION 7: CONCLUSIONS ………………………………………………………………………… 22 ANNEX 1: Immediate and long term needs ……………………………..………………………. 25 ANNEX 2: Summary of indicative external assistance ……………………………………… 33 ANNEX 3: Table of estimated damages …………………………………………………………… -
Tourism and Cultural Identity: the Case of the Polynesian Cultural Center
Athens Journal of Tourism - Volume 1, Issue 2 – Pages 101-120 Tourism and Cultural Identity: The Case of the Polynesian Cultural Center By Jeffery M. Caneen Since Boorstein (1964) the relationship between tourism and culture has been discussed primarily in terms of authenticity. This paper reviews the debate and contrasts it with the anthropological focus on cultural invention and identity. A model is presented to illustrate the relationship between the image of authenticity perceived by tourists and the cultural identity felt by indigenous hosts. A case study of the Polynesian Cultural Center in Laie, Hawaii, USA exemplifies the model’s application. This paper concludes that authenticity is too vague and contentious a concept to usefully guide indigenous people, tourism planners and practitioners in their efforts to protect culture while seeking to gain the economic benefits of tourism. It recommends, rather that preservation and enhancement of identity should be their focus. Keywords: culture, authenticity, identity, Pacific, tourism Introduction The aim of this paper is to propose a new conceptual framework for both understanding and managing the impact of tourism on indigenous host culture. In seminal works on tourism and culture the relationship between the two has been discussed primarily in terms of authenticity. But as Prideaux, et. al. have noted: “authenticity is an elusive concept that lacks a set of central identifying criteria, lacks a standard definition, varies in meaning from place to place, and has varying levels of acceptance by groups within society” (2008, p. 6). While debating the metaphysics of authenticity may have merit, it does little to guide indigenous people, tourism planners and practitioners in their efforts to protect culture while seeking to gain the economic benefits of tourism. -
Sing Like a Catholic
Sing Like a Catholic Sing Like a Catholic Jeffrey A. Tucker CMAA Church Music Association of America Many essays are drawn from articles that appeared in The Wanderer, The New Liturgical Movement, Inside Catholic, and Sacred Music. Cover design by Chad Parish. Copyright © 2009 Church Music Association of America and pub- lished under the Creative Commons Attribution license 3.0. http://creativecommons.org/licenses/by/3.0/ Church Music Association of America 12421 New Point Drive Harbor Cove Richmond, Virginia 23233 Fax 240-363-6480 [email protected] website musicasacra.com ISBN: 978-1-60743-722-2 Contents Preface by Scott Turkington . .ix Introduction by Jeffrey A. Tucker . .xi 1. WHY CHANT? . 1 Why Chant Now? . 3 The Sociology of the Chant Movement . 6 The Mansion of the Past . 9 Music Without Borders . .13 The Musical Intentions of Vatican II . .16 The Changing Music Environment . .21 2. STRATEGY . .25 Israeli Hebrew and Latin Chant . .27 A New Model of Musicianship . .30 Remove the Roadblocks . .34 Three Paths to Sacred Music . .38 The Heroic Generation of Chanters . .41 Pay for Training . .44 3. PARISH LIFE . .49 Why the Stasis? . .51 Sing or Else . .55 Should Liturgy Cater to Our Differing Needs? . .58 To Be Young and Singing . .61 v vi Sing Like a Catholic When the Liturgy Committee Strikes . .65 Father Scorched Earth . .67 Rip Up Those Carpets! . .71 A Letter to Praise and Worship Musicians . .74 4. THE MASS . .81 Music for Real Parishes . .83 Should a Parish Impose Uniformity in Music? . .86 The Gathering Song . .89 The Trouble with Hymns . -
The Multiple Personalities of Daniel J. Boorstin: a Third Image Analysis
The Multiple Personalities of Daniel J. Boorstin: A Third Image Analysis Michael E. Meagher, University o f Missouri, Rolla This article presents a new interpretation of Boorstin's political thought. I contend that there are three Daniel J. Boorstins. and that the third image represents the core of Boorstin's political thought. The third image centers on Boorstin's insistence that an essence guides and directs American politics and thought. Boorstin terms his version of essence "givenness." According to Boorstin, essence, or "givenness," was assigned to America by a Supreme Being. While Louis Hartz bases his concept of "irrational Lockeanism" in the thought of a social contract theorist. Daniel Boorstin bases his notion in the essence of God. Daniel J. Boorstin is often overlooked as a political thinker. Yet there are many reasons for studying his political thought, not the least of which is his grand theory of American life and politics. Boorstin is convinced, like Louis Hartz, that there is an essential substance to American life. Hartz explained American political development in terms of a monolithic American philosophy he termed "irrational Lockeanism." According to Hartz, John Locke has acquired a stranglehold on American life, limiting its develop ment, preventing the appearance of competing philosophies, and at times resulting in a neurotic style of behavior (e.g., the so-called "Red Scare"). Boorstin shares Hartz s belief in an essential substance to American life, but in contrast to Hartz Boorstin bases his version of substance on a more abstract, even mystical foundation. Boorstin labels his version of irra tional Lockeanism "givenness." In America, values are "given;" that is, accepted without hesitation. -
The Magic Flute
The Magic Flute PRODUCTION INFORMATION Music: Wolfgang Amadeus Mozart Text (English): Emanuel Schikaneder English Translation: J.D. McClatchy World Premiere: Vienna, Theater auf der Wieden Austria, September 30, 1791 Final Dress Rehearsal Date: Friday, December 13, 2013 Note: the following times are approximate 10:30am – 12:30pm Cast: Pamina Heidi Stober Queen of the Night Albina Shagimuratova Tamino Alek Shrader Papageno Nathan Gunn Speaker Shenyang Sarastro Eric Owens Production Team: Conductor Jane Glover Production Julie Taymor Set Designer George Tsypin Costume Designer Julie Taymor Lighting Designer Donald Holder Puppet Designers Julie Taymor and Michael Curry Choreographer Mark Dendy 2 Table of Contents Production Information 2 An Introduction to Pathways for Understanding Study Materials 4 Meet the Characters 5 The Story of The Magic Flute Synopsis 6 Guiding Questions 8 The History of Mozart’s The Magic Flute 10 Guided Listening Overture 12 I’m sure that there could never be 13 Such loveliness beyond compare 14 Don’t be afraid, now hear my song 15 The wrath of hell is burning in my bosom 16 Now I know that love can vanish 17 If only I could meet her 18 Pa-pa-ge-na! – Pa-pa-ge-no! 19 The Magic Flute Resources About the Composer 20 The Enlightenment & Singspiel 22 Online Resources 25 Additional Resources The Emergence of Opera 26 Metropolitan Opera Facts 30 Reflections after the Opera 32 A Guide to Voice Parts and Families of the Orchestra 33 Glossary 34 References Works Consulted 38 3 An Introduction to Pathways for Understanding Study Materials The goal of Pathways for Understanding materials is to provide multiple “pathways” for learning about a specific opera as well as the operatic art form, and to allow teachers to create lessons that work best for their particular teaching style, subject area, and class of students. -
Western and Contemporary Global Conceptions of Creativity in Relief Against Approaches from So-Called "Traditional" Cultures¹
ISSUES IN INTEGRATIVE STUDIES No. 15, pp. 1-48 (1997) Western and Contemporary Global Conceptions of Creativity in Relief Against Approaches from So-Called "Traditional" Cultures¹ by Robert Weiner John F. Kennedy University Orinda, CA Abstract: For the past few centuries, many in the West have defined their culture as "modern," "dynamic," and "creative," in opposition to other cultures which they have called "traditional," "backward," and "static." With the increasing globalization of the 20th century, however, this distinction has revealed itself as misleading. This article attempts to determine what distinctions might legitimately be made about conceptions of creativity in so-called "traditional" and so-called "modern" cultures. It seeks to illuminate how creativity (as the West has commonly defined the term) is expressed in "traditional" cultures, and how some traditional activities might cause us to modify the common Western understanding of creativity. "CREAT1VITY" and its derivatives are words which fill today's newspapers, advertisements, books, college course catalogs, business reports, and everyday speech. Like "invention," "innovation," and "discovery," with which it is frequently synonymous, "creativity" is rarely defined, but it is almost always used in a very positive way. So ubiquitous is the word "creativity," that most people are surprised to learn that it was coined little more than a century ago (Ward, 1875) and became common only in the past fifty years (Webb, 1987, p. 19). While the general conception of creativity was being formulated in the West from the Renaissance onward, the term itself was finally invented when European thinkers began to feel that technical invention and scientific discovery revealed some parallels with creation in literature and the arts: in each case, something new seemed to be brought into being, and the processes seemed in some ways similar. -
Cedaw Smokescreens: Gender Politics in Contemporary Tonga
CEDAW Smokescreens: Gender Politics in Contemporary Tonga Helen Lee Tonga remains one of only six countries that have not ratified the Convention on the Elimination of All Forms of Discrimination Against Women (cedaw), which was adopted in 1979 by the United Nations Gen- eral Assembly. In March 2015, the Tongan government made a commit- ment to the United Nations that it would finally ratify cedaw, albeit with some reservations. The prime minister, ‘Akilisi Pōhiva, called it “a historic day for all Tongans . in support of our endeavour to eliminate all forms of discrimination against women and girls” (Matangi Tonga 2015e).1 However, the decision to ratify was met with public protests and peti- tions, and in June, the Privy Council, headed by the king, announced that the proposed ratification was unconstitutional (P Fonua 2015), claiming that under clause 39 of Tonga’s 1875 Constitution, “only the King can lawfully make treaties with foreign states” (Radio New Zealand 2015b). This article asks why so many Tongans, both male and female, are against ratifying cedaw. I argue that their protests conceal much deeper anxieties about gender equality and, more broadly, about democracy and Tonga’s future. In order to understand this resistance to cedaw’s ratification, I explore key issues in Tonga’s contemporary gender politics, including women’s roles in leadership, the economy, and the family, as well as gov- ernment policies addressing gender equality. cedaw in Tonga Most Pacific nations have ratified or acceded to cedaw,2 beginning with New Zealand in 1985 and Sāmoa in 1992. The only remaining Pacific countries are Palau, which signed the convention in 2011 but has not for- mally ratified or acceded to it,3 and Tonga, which has not even signed the The Contemporary Pacic, Volume 29, Number 1, 66–90 © 2017 by University of Hawai‘i Press 66 lee • cedaw smokescreens 67 convention (United Nations 2016).