Douglas Keith, Leers Triumph Jacques Brel Is
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Donna Harler-Smith Education
Donna Harler-Smith Education: B.A. in Music – Denison University With High Honors – 1966 M.M. in Voice – College Conservatory of Music at the University of Cincinnati With Highest Honors – 1968 Previous teaching experience: Holyoke Community College – Springfield, MA – 1968-69 Instructor University of Massachusetts – Amherst, MA – 1971-72 Visiting Instructor Amherst College – Amherst, MA – 1972-75 Adjunct Instructor Indiana University – Bloomington, IN – 1975-76 Visiting Instructor University of Nebraska-Lincoln – Lincoln, NE – 1976 – present Assistant Professor and Associate Professor Currently Professor Areas of Specialization 20th/21st Century Music Performances of World Premiers including Eurydice by Charles Fussell; The Moons of Jupiter, Lady Daibu, To Awaken an Old Lady, Three Chinese Songs, Aquella Cativa, The Kraken, Remembering Rivers, Voyages through the Inland Sea, Sarah’s Wing, Lagu Obo and The Giving Tree by Randall Snyder; London: 1941 by Robert Beadell; Thirteen Ways of Looking at a Blackbird by Joseph Landers; The Death of Mozart by James Willey: Moralities by Hans Werner Henze; The Sandbox by John Holland; The snow by Phoebe Hamann; Black Elk by James Berenholz Performances of Pierrot Lunaire by Arnold Schönberg, Drei Volkstexte by Anton von Webern and Threni by Igor Stravinsky French Mélodie Performances of works by Debussy, Satie, Poulenc, Ravel, Massenet, Gounod, Chaminade, Charpentier, Hüe, Honegger, Caplet, Hahn, Lalo, Chabrier, Chausson Canteloube, Fauré, Saint-Saëns, Delibes, Hahn, Franck, Bizet, and Berlioz American -
1. Andrew Lloyd Webber
JANÁČKOVA AKADEMIE MÚZICKÝCH UMĚNÍ V BRNĚ Divadelní fakulta Ateliér muzikálového herectví Mgr. Petra Štěpána Herectví v hudebních filmech podle muzikálů Andrew Lloyda Webbera Diplomová práce Autor práce: Pavlína Palmovská Vedoucí práce: Mgr. Miroslav Ondra Oponent práce: Mgr. Petr Štěpán Brno 2017 Bibliografický záznam PALMOVSKÁ, Pavlína. Herectví v hudebních filmech podle muzikálů Andrew Lloyda Webbera [Acting in musical films based on stage musicals by Andrew Lloyd Webber]. Brno: Janáčkova akademie múzických umění v Brně, Divadelní fakulta, Ateliér muzikálového herectví, 2017. 104 s. Vedoucí diplomové práce Mgr. Miroslav Ondra. Anotace Diplomová práce ,,Herectví v hudebních filmech podle muzikálů Andrew Lloyda Webbera“ zkoumá adaptace muzikálů A. L. Webbera na filmovém plátně. Zaměřuje se na vznik těchto filmů, snaží se popsat spolupráci autora hudby u vzniku snímků, shrnuje kritický ohlas. Speciální pozornost je věnována herectví (analýzy jednotlivých hereckých výkonů, metody herectví, přístupy ke ztvárnění postav). Autorka bude čerpat z vlastní recepce zmíněných filmových děl, z kritik, analýz, teoretické i historiografické literatury. Klíčová slova Andrew Lloyd Webber, Filmový muzikál, Filmové herectví, Jesus Christ Superstar – 1973, Evita – 1996, Josef a jeho úžasný pestrobarevný plášť – 1999, Fantom opery – 2004 Annotation The thesis „Acting in musical films based on stage musicals by Andrew Lloyd Webber“ researches adaptations for screen of musicals by A. L. Webber. It focuses on the origin of these films, tries to describe participation of the musical author in birth of film scenes and sums up critical reaction. Special attention is devoted to acting (to analysis of individual acting, methods of acting and of access to portrayal of characters). The author of the thesis is going to draw inspiration from her own reception of mentioned works of film art, from criticism works, analyzes and from theoretical and historiographic literature. -
ROYALE THEATER, 242-250 West 45Th Street, Manhattan
Landmarks Preservation Commission December 15, 1987; Designation List 198 LP-1372 ROYALE THEATER, 242-250 West 45th Street, Manhattan. Built 1926-27; architect Herbert J. Krapp. Landmark Site: Borough of Manhattan Tax Map Block 1016, Lot 55. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Royale Theater and the proposed designation of the related Landmark Site (Item No. 68). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-two witnesses spoke or had statements read into the record in favor of designation. One witness spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indica ted that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Royale Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in 1926- 27, the Royale was among the half-dozen theaters constructed by the Chanin Organization in the mid-1920s, to the designs of Herbert J. Krapp, that typified the development of the Times Square/Broadway theater district. Founded by Irwin S. Chanin, the Chanin organization was a major cons true tion company in New York. During the 1920s, Chanin branched out into the building of theaters, and helped create much of the ambience of the heart of the theater district. -
THE MUSICAL FILM GENRE \' I' 1955-1979
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE THE MUSICAL FILM GENRE \' i' 1955-1979 A thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Mass Communication by Cathy Rabin June, 1980 The thesis of Cathy Rabin is approved: Dr. JolmlAllyn Dr. Susan Hem:y rt. ftolm Schultheiss, Carmittee Chairperson - California State University Northridge ii ACKNOWLEDGEMENTS Gratitude is extended to Dr. Susan Henry for her con cern and the dedication of her time and knowledge through out this study. The author wishes to express thanks to Dr. John Schultheiss and Dr. John Allyn for their assistance and for serving on this thesis committee. The author also wishes to acknowledge Dr. Timothy E. Scheurer for his previous work in the field and his assis tance on this thesis. iii TABLE OF CONTENTS Page ACKNOWLEDGEMENTS iii LIST OF CHARTS . vi-i ABSTRACT viii Chapter 1 INTRODUCTION 1 SIGNIFICANCE . • • . • . • • . 3 KEY POINTS • • . • • • • • • • . • • • 4 BACKGROUND OF THE STUDY • • • • · 5 DE F I N I T I 0 NS. • • • • • • • • · • • • 6 STUDY LIMITATIONS • • • • • . 8 ORGANIZATION • • • • • • · 9 CONCLUSIONS • • . • • . • • • • • • 10 2 REVIEW OF LITERATURE 13 INTRODUCTION' • • . • • • · 13 INDICES .••• ·. • . • . • • • • • 13 FILM MUSICALS: BOOKS . • • • . • • 17 FILM MUSICALS: ARTICLES........ 20 FILM DEVELOPMENTS • . • . • • • 22 ROCK MUSIC AND FILM • • • • . • • • 26 STATE OF THE ART OF MUSICALS . • • • • 30 ADDITIONAL SOURCES .••••.... • 32 SUMMARY ••••. ~.......... 32 METHODOLOGY SOURCES • . • • . • • 34 METHODOLOGY -
BACKTRACK MUSICALS – Lpsjuly 2021
BACKTRACK MUSICALS – LPs Sept. 2021 The Old Grammar School, High Street, Rye, E. Sussex, TN31 7JF Tel: 01797 222777 website: www.backtrackrye.com e-mail: [email protected] GUARANTEE: All items in this catalogue are guaranteed. If you are not completely happy with your purchase, we will refund your money. All items are new and unplayed Stereo recordings unless otherwise stated. Second-Hand items are only listed if in Mint or Excellent condition. POSTAGE & PACKING: Free to U.K. customers. Overseas orders will be charged at actual cost plus £1 per order to cover handling charges - please write, fax or e-mail for details. QUANTITY DISCOUNTS: All orders over £50 qualify for 10% discount; orders over £100 -15%, over £200 -20% and over £350 -25% off. (Single items listed at £50 or more will not qualify for discount, unless part of a larger order) ALTERNATIVES: As some items are in short supply, if possible please list alternative choices. Items may be reserved by telephone before sending payment. ABBREVIATIONS OF COUNTRIES OF ORIGIN: A = Australia; B = Belgium; C = Canada; DK = Denmark; E = England; F = France; G = Germany; GK = Greece; H = Holland; I = Italy; J = Japan; S = Spain; SA - South Africa; US = USA. EC, EEC or EU = European Community. GENERAL ABBREVIATIONS USED IN THE CATALOGUE: F/O = Fold Out (Gatefold) Sleeve; S/H = Second-Hand (Used); w. = with. CDs/LPs WANTED: Mint condition used items are always wanted. Please send your list of items for disposal and you will receive Cash/Part Exchange quotes by return. We also welcome “wants” lists and will try to find rarer items at reasonable prices. -
South Village Historic District Designation Report December 17, 2013
South Village Historic District Designation Report December 17, 2013 Cover Photographs: 200 and 202 Bleecker Street (c. 1825-26); streetscape along LaGuardia Place with 510 LaGuardia Place in the foreground (1871-72, Henry Fernbach); 149 Bleecker Street (c. 1831); Mills House No. 1, 156 Bleecker Street (1896-97, Ernest Flagg); 508 LaGuardia Place (1891, Brunner & Tryon); 177 to 171 Bleecker Street (1887-88, Alexander I. Finkle); 500 LaGuardia Place (1870, Samuel Lynch). Christopher D. Brazee, December 2013 South Village Historic District Designation Report Essay prepared by Christopher D. Brazee, Cynthia Danza, Gale Harris, Virginia Kurshan. Jennifer L. Most, Theresa C. Noonan, Matthew A. Postal, Donald G. Presa, and Jay Shockley Architects’ and Builders’ Appendix prepared by Marianne S. Percival Building Profiles prepared by Christopher D. Brazee, Jennifer L. Most, and Marianne S. Percival, with additional research by Jay Shockley Mary Beth Betts, Director of Research Photographs by Christopher D. Brazee Map by Jennifer L. Most Commissioners Robert B. Tierney, Chair Frederick Bland Christopher Moore Diana Chapin Margery Perlmutter Michael Devonshire Elizabeth Ryan Joan Gerner Roberta Washington Michael Goldblum Kate Daly, Executive Director Mark Silberman, Counsel Sarah Carroll, Director of Preservation TABLE OF CONTENTS SOUTH VILLAGE HISTORIC DISTRICT MAP .............................................. FACING PAGE 1 TESTIMONY AT THE PUBLIC HEARING ................................................................................ 1 SOUTH -
Role: Holka Na Útěku
JANÁČKOVA AKADEMIE MÚZICKÝCH UMĚNÍ V BRNĚ Divadelní fakulta Ateliér muzikálového herectví Mgr. Petra Štěpána Role: Holka na útěku Gene Terruso, Jacques Brel – volně na motivy díla M.Shumana a E.Blau v muzikálu Světlo pod Café Brel Obhajoba absolventské role Autor práce: Pavlína Palmovská Oponent práce: Prof. PhDr. Václav Cejpek Brno 2017 Anotace: Reflexe Pavlíny Palmovské v absolventské roli: Holka na útěku v muzikálu Světlo pod Café Brel. Tato reflexe se snaží přiblížit průběh zkoušení inscenace a spolupráci s americkým režisérem Genem Terrusem. Dále popisuji mou práci na roli. V závěru zmiňuji můj přínos ze zkoušení inscenace. Annotation: Reflection by Pavlína Palmovská about graduate’s role: Runaway in the musical Light under Café Brel. This reflection tries to explain the course of training time and cooperation with the American director Gene Terruso. I also describe my role. Finally, I recall the personal contribution for me. 2 Absolventský výkon: Holka na útěku Inscenace: Světlo pod Café Brel – Gene Terruso, Jacques Brel Premiéra: 12.2.2017 v Divadle na Orlí REALIZAČNÍ TÝM : Hudba a texty : Jacques Brel Scénář a režie : Gene Terruso – volně na motivy díla Morta Shumana a Erika Blau Překlad : Michal Zahálka, Miroslav Ondra Dramaturgie : Miroslav Ondra Aranžmá a hudební nastudování : Tomáš Küfhaber Hudební příprava : Dada Klementová, Lenka Císařová Choreografie : Hana Litterová Kostýmy : Lucie Sedláčková Scénografie : Lenka Řezníčková Produkce a asistent režie : Michaela Rusňáková Světelný design : Tomáš Příkrý Projekce : Nikola Pracná Zvuk : Dušan Souček 3 OSOBY A OBSAZENÍ : Pianista : Tomáš Küfhaber j.h. Gentleman : Robin Schenk Lady : Diana Velčická / Martina Pawerová Herečka : Veronika Morávková / Marianna Polyáková Voják : Patrik Földeši j.h. -
19 Yorick's Skull
19 YORICK’S SKULL (Part 2) By Frank Gagliano (A Four-Day New York Odyssey: With Sondheim, Goldoni, Jacques Brel, Odets and Yorick’s Skull) BREL “AH, I can see me now, So cold and so alone; As the flowers slowly die, In my field of little bones. AH, I can see me now; I can see me at the end Of this voyage that I' m on Without a love, without a friend. .” THE BREL INFLUENCE I wrote an original musical, FROM THE BODONI COUNTY SONGBOOK ANTHOLOGY, with the late composer Claibe Richardson, which I subtitled, “a 21st Century combination Our Town/Spoon River/Jacques Brel —on acid.!” The Brel part of my musical revue had to do with my characters stepping out to sing their angst away—as the characters do in JACQUES BREL IS ALIVE AND WELL AND LIVING IN PARIS; as even a dead man humorously sings from his coffin, quoted above (from the song “Funeral Tango”). What also holds my BODONI COUNTY together is the county itself that the characters all live in, and in their common objective: To get out. What holds together JACQUES BREL IS ALIVE AND WELL AND LIVING IN PARIS is — Jacques Brel. 20 Jacques Brel was a Belgian-born troubadour who set his own French lyrics to his own music. Then he performed them—as nobody else in the world could. He was dramatic, handsome, charismatic, astonishing, playful, romantic, cynical, brutal, passionate, compassionate. His songs were about love sought, love gained, love lost, love denied, love confused, the despair of love, the giddiness and silliness of love; death; the waste and stupidity of war; the loneliness and despair of old age—among other things. -
Jacques Brel Is Alive and Well and Living in Paris
Pierce Studio inside the Trust Art Education Center Jacques Brel is Alive and Well and Living in Paris Production Conception, English Lyrics and Additional Material by Eric Blau and Mort Shuman Based on Jacques Brel’s Lyrics and Commentary Music by Jacques Brel April 29 - May 9 Copyright © 2015 Playbill Online Inc. All marks used by permission. NEVER UNDERESTIMATE THE POWER OF A GREAT PERFORMANCE. Affiliated with the University of Pittsburgh School of Medicine, UPMC is ranked among the nation’s best hospitals by U.S. News & World Report. SYS411939_gh_upmc_pict_theatre_ad_color.indd 1 4/16/14 12:41 PM PICT Classic Theatre presents Jacques Brel is Alive and Well and Living in Paris Production Conception, English Lyrics, and Additional Material by Eric Blau and Mort Shuman Based on Jacques Brel’s Lyrics and Commentary Music by Jacques Brel Directed by Alan Stanford Music Direction by Douglas Levine Daina Michelle Griffith* Justin Lonesome* Caroline Nicolian* Jonathan Visser* Scenic Designer Lighting Designer Costume Designer Alan Stanford Steve Cuden Lindsey Tejan Sound Designer Production Manager / Props Master Kris Buggey Technical Director James Thome George DeShetler, Jr. Stage Manager Scenic Artist Cory F. Goddard* Assistant Stage Manager Jennifer Kirkpatrick Liam Nute JACQUES BREL IS ALIVE AND WELL AND LIVING IN PARIS is presented by special arrangement with Dramatists Play Service, Inc., New York. *Member of the Actor’s Equity Association, the Union of Professional Actors and Stage Managers in the United States. Cast Daina Michelle Griffith* Justin Lonesome* Caroline Nicolian* Jonathan Visser* BAND John Marcinizyn ..........................Guitar (Most performances) Zach Reeder .................................Guitar (April 29 at 10 a.m.