THIS ZINE KILLS FASCISTS When Improperly Ingested Letter from the Editor Table of Contents 1
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Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
Now Exclusively Distributed by ACXDC Street Date: He Had It Coming, 7˝ AVAILABLE NOW!
PRESENTS RELEASES FROM: ACXDC, ARCHAGATHUS, ASSHOLEPARADE, BACKSLIDER, BEARTRAP, BRIAN WALSBY, CAPITALIST CASUALTIES, CHEST PAIN, CONGA FURY, EDDIE BROCK, GET DESTROYED, LAPSE, MAGRUDERGRIND, MALPRACTICE INSURANCE, MEHKAGO N.T., NASHGUL, NOCOMPLY, OSK, P.L.F., RAPE REVENGE, SEX PRISONER, SIDETRACKED, SHITSTORM, SUFFERING LUNA, TORCH RUNNER, TOTAL FUCKING DESTRUCTION, XBRAINIAX Now Exclusively Distributed by ACXDC Street Date: He Had It Coming, 7˝ AVAILABLE NOW! INFORMATION: Artist Hometown: Los Angeles, CA Key Markets: LA & CA, Texas, Arizona, DC, Baltimore MD, New York, Canada, Germany For Fans of: MAGRUDERGRIND, NASUM, NAPALM DEATH, DESPISE YOU ANTI-CHRIST DEMON CORE’s He Had it Coming repress features the original six song EP released in 2005 plus two tracks from the same session off the A Sign Of Impending Doom Compilation. The band formed in 2003, recorded these songs in 2005 and then vanished for awhile on a many- year hiatus, only to resurface and record and release a brilliant new EP and begin touring again in 2011/2012. The original EP is long sought after ARTIST: ACXDC by grindcore and powerviolence fiends around the country and this is your TITLE: He Had It Coming chance to grab the limited repress. LABEL: TO LIVE A LIE CAT#: TLAL64AB Marketing Points: FORMAT: 7˝ GENRE: Grindcore • Hugely Popular Band BOX LOT: NA • Repress of Long Sold Out EP SRLP: $5.48 • Huge Seller UPC: 616983334836 • Two Extra Songs In Additional To Originals EXPORT: NO RESTRICTIONS • Two Bonus Songs Never Before Pressed To Vinyl, In Additional To Originals Tracklist: 1. Dumb N Dumbshit 2. Death Spare Not The Tiger 3. Anti-Christ Demon Core 4. -
The Changing Face of Korean Cinema, 1960 to 2015 / Brian Yecies and Ae-Gyung Shim
The Changing Face of Korean Cinema The rapid development of Korean cinema during the decades of the 1960s and 2000s reveals a dynamic cinematic history that runs parallel to the nation’s politi- cal, social, economic, and cultural transformation during these formative periods. This book examines the ways in which South Korean cinema has undergone a transformation from an antiquated local industry in the 1960s into a thriving international cinema in the twenty-first century. It investigates the circumstances that allowed these two eras to emerge as creative watersheds and demonstrates the forces behind Korea’s positioning of itself as an important contributor to regional and global culture, especially its interplay with Japan, Greater China, and the United States. Beginning with an explanation of the understudied operations of the film industry during its 1960s take-off, it then offers insight into the challenges that producers, directors, and policy makers faced in the 1970s and 1980s during the most volatile part of Park Chung Hee’s authoritarian rule and the subsequent Chun Doo-hwan military government. It moves on to explore the film industry’s profes- sionalization in the 1990s and subsequent international expansion in the 2000s. In doing so, it explores the nexus and tensions of film policy, producing, directing, genres, and the internationalization of Korean cinema over half a century. By highlighting the recent transnational turn in national cinemas, this book underscores the impact of developments pioneered by Korean cinema on the transformation of “Planet Hallyuwood”. It will be of particular interest to students and scholars of Korean Studies and Film Studies. -
Bobby Bergeron: Editor/Tyrant, Layout, Sunday Nights from 8 PM to 11 PM Reviews
PAGE THREE Paranoize is a non-profit independent November 3,, 2016 publication based in New Orleans, I never thought I’d get this far. Louisiana covering metal, punk, hardcore, Paranoize 41. At one time I told sludge, doom, stoner rock and pretty much myself that I’d stop at #40, but anything loud and noisy. apparently that was a lie. Bands/labels are encouraged to send their This issue I just handled the music music in to review, but if we don’t like it, reviews and layout, Jenn Attaway did you can bet that we’ll make fun of you. an excellent interview with Dave Chandler of Saint Vitus, Lizard Advertisements and donations are what interviewed Pavel Chekov, a keep this publication FREE. Go to powerviolence band from Dallas, www.paranoizenola.com or email Texas and Mike Bevis has returned [email protected] to find out with an interview with C Rage! Records, who have just released the how to donate or advertise. awesome Crescent City Carnage compilation LP! You may send all comments, questions, letters, music for review (vinyl, cassette, We lost another one of our own cd), ‘zines for trade, money, various recently. Jerry Clyde Paradis, passed household items, etc. to: away suddenly and peacefully in his Paranoize sleep on August 16th. He’s been in P.O. Box 2334 quite a few bands over the years Marrero, LA 70073-2334 (Substance Abuse, Bile, Lunch, USA Macgillicuddys, Headwoundz, Uptown Ofays, Sour Vein, Gates Of Visit Paranoize on the internet at: Slumber, Stereo Fire Empire, etc.) and www.paranoizenola.com has been a part of our scene since the facebook.com/paranoizenola 80’s. -
Sla Voj Zizek
Demanding the Impossible Demanding the Impossible Sla voj Zizek Edited by Yong-june Park polity Copyright© Indigo Book company 20I3 First published in 20 I 3 by Polity Press Polity Press 65 Bridge Street Cambridge CB2 I UR, UK Polity Press 3 50 Main Street Malden, MA 02148, USA All rights reserved. Except for the quotation of short passages for the purpose of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. ISBN-q: 978-o-7456-7228-I ISBN-q: 978-o-7456-7229-8(pb) A catalogue record for this book is available from the British Library. Typeset in I r on 14 pt Sabon by Servis Filmsetting Ltd, Stockport, Cheshire Printed and bound in Great Britain by T.J. International, Padstow, Cornwall The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. I Iowever, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. For further information on Polity, visit our website: www.politybooks.com Contents Acknowledgments Vll I Politics and Responsibility -
IN FOCUS: Decolonizing Media Studies Decolonize Media: Tactics
IN FOCUS: Decolonizing Media Studies Decolonize Media: Tactics, Manifestos, Histories by NICHOLAS MIRZOEFF and JACK HALBERSTAM, editors, for the Decolonizing Media Collective Figure 1. Photo used by permission of the MTL Collective. ecolonize media! Inspired by Standing Rock, the Decolonize the Curriculum movement in South Africa, and long histories of resistance in the Americas, Palestine, and elsewhere, we propose that the next step for media activism as a whole is to place these spaces of opposition and refusal into extended engagement Dwith current decolonial thought and practices. The “object” of study for this In Focus dossier is not the dominant (media) forms of racial capitalism, but rather decolonial action, thinking, and organizing. In short, putting your thinking body in space of all kinds—public, intellectual, academic—where it is not supposed to be and trying to Press © 2018 by the University of Texas 120 Summer 2018 | 57 | No. 4 www.cmstudies.org Cinema Journal 57 | No. 4 | Summer 2018 decolonize it. We witness the abuses of Harvey Weinstein’s Hollywood and the insidious market uses of Mark Zuckerberg’s social media, and we refuse to engage. In terms of media as such, we propose open-access publishing, open-source software, a return to independent filmmaking, and more strategic and informal uses of social media—all to resist the politics of the casting couch on the one hand and the market domination of all intimate and social relations on the other. We recognize the powerful interventions of hacktivists and the continued potential of web media and their copresence with organizers in reclaiming spaces of all kinds. -
Pmk Distribution September, 2012
PMK DISTRIBUTION SEPTEMBER, 2012. -------------------------------------------------------- CONTENT: LAST DISTRO UPDATE .……………..……………...... page 2 COMPLETE DISTRO LIST .……………. ……………...... page 3 PUNK / HARDCORE / GRIND …………….………………… page 3-15 SLUDGE / METALCORE / BLACK METAL .…………...………………… page 16-19 NOISE / AMBIENT / EXPERIMENTAL .……………………………… page 20-22 OTHER .……………………………… page 23-25 FANZINES / BOOKS .……………………………… page 26 -------------------------------------------------------- MONEY TRANSFER: PayPal Bank Transfer (optionally over 10-20 €/us$) Hidden Cash (no coins) CHEAPEST POSTAGE EUROPE & OVERSEA: 2 € / 3 us$ (1-5 cd / 1-3 mc / 1-3 zine) 3 € / 4 us$ (6-8 cd / 4-6 mc / 4-6 zine) 5 € / 7 us$ (1-2 lp) -------------------------------------------------------- CONTACT: LONCAREVIC GORAN TRG ST. RODOLJUBA 14/16 19370 BOLJEVAC SERBIA / EUROPE [email protected] www.myspace.com/pmkrecords www.discogs.com/label/PMK+Records 1 -------------------------------------------------------- • LAST DISTRO UPDATE • September, ‘12. -------------------------------------------------------- VINYL V/A "AMEBIX BALKANS" - A TRIBUTE TO AMEBIX LP (8 balkan's stench/sludge/black covers legends / http://soundcloud.com/punkgr / artwork by doomsday graphics & lightbearer studios / incl. innersleeve / 10€) OD VRATOT NADOLU "Mercury" 12'' (dystopia ugly style hardcore / macedonia / www.myspace.com/odvratotnadolu / clear vinyl / 10€) NOOTHGRUSH "1994" 12'' (the first more psychedelic sludge recordings / white vinyl / 10€) DAZD "Self titled" 12'' (occult punk/metal / serbia -
Max Ward Collection of Powerviolence Material, 1990S-Early 2000S LSC.2345
http://oac.cdlib.org/findaid/ark:/13030/c81n86bc No online items Finding Aid for the Max Ward Collection of Powerviolence Material, 1990s-early 2000s LSC.2345 Finding aid prepared by Kuhelika Ghosh, 2017 UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] Online finding aid last updated 16 January 2018. Finding Aid for the Max Ward LSC.2345 1 Collection of Powerviolence Material, 1990s-early 2000s ... Title: Max Ward Collection of Powerviolence material Identifier/Call Number: LSC.2345 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 5.6 linear feet(10 boxes, 2 flat oversize boxes) Date (inclusive): 1990s-early 2000s Abstract: The collection documents the emergence of the Powerviolence music scene, a little known subgenre of hardcore punk, which was primarily active in the 1990s through the early 2000s. Materials consists of original fliers, posters, handbills, correspondence, photographs, stickers, zines, and patches collected by San Francisco Bay Area drummer, Max Ward. Language of Materials: Materials are primarily in English with a small amount in Japanese. Physical Location: Stored off-site at SRLF. All requests to access special collections material must be made in advance using the request button located on this page. Creator: Ward, Max Conditions Governing Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. All requests to access special collections material must be made in advance using the request button located on this page. Conditions Governing Reproduction and Use Property rights to the physical object belong to the UCLA Library Special Collections. -
COMING out on JANUARY 15, 2016 New Releases From
Photo by Suren Karapetyan http://www.f666.biz COMING OUT ON JANUARY 15, 2016 new releases from THE SUNSETS • JOHN SANGSTER TERMINAL NATION • CAVE STATE LIFESPITE • PARADISE LOST BACKSLIDER SHORT FAST AND LOUD • ACXDC Exclusively Distributed by THE SUNSETS The Hot Generation Soundtrack Sessions, LP STREET DATE: JANUARY 15, 2016 INFORMATION: Artist Hometown: Newcastle, NSW, Australia Key Markets: All over the world For Fans of: THE EASYBEATS, THE MISSING LINKS, SMALL FACES, THE MOVE, COUNT FIVE While exhumation of the tapes used for the BLACK DIAMONDS box sets was in progress some unmarked magic was found on those tapes containing sides by THE SUNSETS. You most likely already know that if you’ve been following the bouncing ball that are our releases and the release of the previously shelved 1967 THE SUNSETS single, “Animal” / “Uptight, Out of Sight” (BRC 007) that finally saw the light of day late last year. Well, you only got part of the story. Aside from those two snarling sides that were finally released as originally intended there were completely different extended takes on four songs specifically recorded to be used in the movie, THE HOT GENERATION. Being that this was the days prior to studio trickery of recording a song and then chopping it up to be extended, or edited to be a single, THE SUNSETS recorded completely different versions of the songs. Single versions that were specifically for release as sides on 45’s and soundtrack versions that were for use in the Paul Witzig movie, THE HOT GENERATION. Segments of those soundtrack ARTIST: THE SUNSETS versions can be heard accompanying the epic surfing footage all through the movie. -
IEPER FEST SPECIAL WELCOME from Belfast and Derry, to DRIMNAGH, and Donnycarney in Dublin – IRISH HARDCORE IS ALIVE and WELL
IRISH HARDCORE 2014 IEPER FEST SPECIAL WELCOME From Belfast and Derry, to DRIMNAGH, and DonnYCARNEY in Dublin – IRISH HARDCORE IS ALIVE AND WELL. WHAT BRINGS US ALL TOGETHER ARE THE SHOWS PUT ON BY IRISH COLLECTIVES LIKE SIDE-By- SIDE, AND OF COURSE, LARGE SCALE EVENTS SUCH AS IEPER WHERE WE GET TO MEET LIKE MINDED PEOPLE FROM AROUND THE WORLD WE HOPE THAT WITH THIS little ZINE WE CAN GIVE YOU AN INSIGHT INTO WHAT’s HAPPENING WITHIN THE IRISH HARDCORE COMMUNITY. FOR MORE INFO (LISTINGS ETC.), BE SURE TO CHECK OUT THE RISH HARDCORE FA- CEBOOK PAGE: FACEBOOK.COM/irishhardcore. LISTEN TO the bands, book a flight to Dublin, catch a show in fibbers and drink a few bottles of buckfast. Influenced by bands such as No Turning Back, Comeback Kid and Ter- ror, Cork band Harboured were formed in 2012. They released their debut EP 'For The Hearts Still Beat- ing' in Sept 2012' and are currently working on a new release 'Tooth & Nail'. New members has brought a slight change in musical direction for the band but will still be pre- dominantly based around straight-up, no bullshit hardcore. By Shaun Cadogan See: http://harbouredhc.bandcamp.com/ -core scene for a few years now. Aidan (CROWS, SHIT FIT) plays drums; Shaun from Cork hardcore band HARBOURED plays guitar, Karl (HOLLOW TRUTH, FINAL STRAW) doing vocals and Jim (FINAL STRAW) on bass. We play a blend of fast hardcore / powerviolence influenced loosely by the likes of Ceremony/Hungry Lungs/Converge/Punch/Cerce. I n June we finished our material and went into the studio to record our debut self-titled 8- Obstacle are a new Dublin track EP in Temple Bar, Dublin with the bands based 4-piece hardcore punk own Shaun Cadogan handling recording, mixing and band from Cork / Dublin / Don- mastering duties. -
Failure to Protect: a Call for the UN Security Council to Act in North Korea
ea U.S. Committee for Human Rights in North Kor Nobel Peace Prize Laureate (1986) , Former Prime Minister of Norway , Former President of the Czech Republic , el áclav Hav Act in North Korea he Honorable V Failure to Protect Failure A Call for the UN Security Council to T Honorable Kjell Magne Bondevik The Boston University Professor Elie Wiesel, Failure to Protect A Call for the UN Security Council to Act in North Korea DLA Piper US LLP 409334_DLA_NK_CVR 10/19/06 10:35 AM Page 1 409334_DLA_NK_CVR_v2 10/23/06 10:08 AM Page 2 DLA Piper LLP is a global law firm with over 3,200 lawyers in 62 offices and 24 countries around the world. We provide legal assistance to our clients in an extensive range of practice areas including corporate and finance, legislative and regulatory, general business litigation, and strategic counseling on international matters. DLA Piper has created a nonprofit entity to support major international pro bono projects. The initiative, named New Perimeter, has been established as a nonprofit subsidiary of DLA Piper dedicated exclusively to international pro bono work. In the first year of the program alone, the firm committed 13,000 attorney hours at a value of over $5 million, which expanded the firm’s aggregate U.S. pro bono commitment in 2005 to approximately 80,000 hours or an aggregate value of $23 million. U.S. Committee for Human Rights in North Korea The U.S. Committee for Human Rights in North Korea is an independent, nongovernmental organization based in Washington, D.C. -
The North Korean Films of Shin Sang-Ok
第 22 号 『社会システム研究』 2011年 3 月 1 査読論文 The North Korean Films of Shin Sang-ok Johannes Schönherr * Abstract Shin Sang-ok was a prolifi c South Korean fi lm director who suddenly disappeared to North Korea in 1978. Between 1983 and 1986, he made 7 feature fi lms in North Korea and produced 13 films more. In 1986, Shin used the chance of a business trip to Vienna to defect to the United States. In this paper, I briefl y describe North Korean cinema history of the period before Shin arrived in the country, Kim Jong-il’s involvement in fi lm, Shin’s pre-North Korea career and fi nally the main fi lms he made in North Korea and how they affected the development of North Korean cinema. Keywords Shin Sang-ok, Park Chung-hee, Kim Il-sung, Kim Jong-il, North Korean cinema, cinema history, Pulgasari 1. Introduction Shin Sang-ok (1926 – 2006) was a prolifi c movie director and producer all of his adult life, in total he made 74 fi lms in the 52 years he was active (1952 – 2004). He was a truly international film director and worked within or closely collaborated with the film industries of several countries, including South Korea, North Korea, the United States, Hong Kong and Japan, and he had the ability to successfully adapt to all those different settings. Shin is best known today for the most enigmatic years of his life – his period in North * Correspondence to:Johannes Schönherr Free writer (Graduated from New York University Master of the Arts in Cinema Studies 1994) 7-4 Kannawa Higashi, Beppu-shi, Oita 874-0042 Japan E-mail : [email protected] 2 『社会システム研究』(第 22 号) Korea, spanning altogether from 1978 to 1986 though he was only making fi lms from 1983 to 1986.