DOCSLIB.ORG

THIS ZINE KILLS FASCISTS When Improperly Ingested Letter from the Editor Table of Contents 1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
THIS ZINE KILLS FASCISTS When Improperly Ingested Letter from the Editor Table of Contents 1 Issue 25 무료 THIS ZINE KILLS FASCISTS when improperly ingested Letter from the Editor Table of Contents 1. Cover Ah dammit, everything done except this letter. It’s 5am already and Jenny lands in less than 12 hours. In- 2. This Page Issue 25 creasing font size... October 2018 This Broke comes over a year since the last. I prob- 3. Jenny Woo ably wouldn’t have released it right now if it weren’t This zine has been published also for the Jenny Woo tour. There’s also a lot of stuff 6. Glen Matlock at random intervals for the to catch up on, most notably my recent visit to the Oth- past ten years. er Korea one month earlier. And the Olympic torch. 8. Talkbats Founders This issue also has some of the most disturbing stuff 9. Dolmangchi Jon Twitch I’ve published (okay, I’ve published Verv’s writing, so Paul Mutts weirdest I’ve self-published. How many of these arti- 10. Drinking Boys Editor cles violate some security or defamation law? Jon Twitch This issue’s Choose your Broke Adventure is a sequel and Girls Choir of sorts to last issue’s “Excavator Vigilante,” only this Contributing Writers time you’re part of the crazed elderly people fighting 12. Dirty Rockhon Alisa Favi to have Park Geun-hye freed. This zine doesn’t have Verv kind of trigger warnings but as it wades into modern politics, 13. Leper Temple Translator there is a lot of explicit violence and horrible sex stuff 14. Struggle Session Google Translate happening. If you don’t like it, hey, I’m not voting for Kakao Translate those guys. 15. Apteria (yeah, that explains I’ve tried to out-horrible myself by creating a new a lot of things, right?) anti-science movement, the anti-colo group COOCU, 16. K-Pop Killers Photos which enforces some very, very wrong gender and sex Jon Twitch stereotypes in order to increase cancer deaths. There’s 18. Still Alive the internet no way to make that sound better, other than maybe the anti-vaxxer movement started in some punk zine 20. Dan Orozco Layout as a prank. Jon Twitch 22. Seoul Queer Fest On the bright side, I talk about meeting my temporary Contact husband at Seoul Queer Fest, a surprising experience 23. Burlesque jon_dunbar I could never have predicted. Sure, he was a Christian @hotmail.com anti-gay protester, but the moment threw us together. 24. White extinction I also present my burlesque play that I hope someone PDFs of Broke: 25. Good ideas, daehanmindecline would produce. .com/broke There’s also a lot of great music stuff. Usually the first half before the centerfold is all music, but this time it Bootfuck Contributors are crept over the center line, accounting for more than a always welcome. 26. COOCU usual Broke. How many punk zines can brag they have an interview with a former Sex Pistol? None, because 27. Plaid Earth This zine is created zines are incapable of speech and thus can’t brag. using a neverending We’ll see when the next Broke is. Maybe another year, 28. Reviews sequence of Adobe maybe longer, maybe sooner. Maybe the next one will InDesign CC free tri- 30. Crossword, What als. Apparently the be about another interesting music event, or maybe it’ll 30-day timer doesn’t be even more self-indulgent. Anything could happen. You Say? matter if you just keep downloading it Jon Twitch 31. The Other Korea on a PC방 PC. PS) I didn’t start smoking just for that cover image. Choose Your Broke Adventure: tender sits in her throne, a spy from to focus on fighting socialism in all like your predecessors did. Where the North. He has been dismantling its forms. to start? Save the Princess your society, raising the minimum wage, talking with the North, im- You’re all full of Bacchus and gin- I’ll go overseas to ask our allies You’re a 65-year-old woman in prisoning the rich and powerful. seng, and it’s time to take back the for help. GOTO page 3 Korea, the South one. Your Well, as long as you have healthcare government from the people. But I’ll keep the fight on the domestic 2 leader is in jail and a pre- and a pension, you can stay strong you don’t have control of the Army front. GOTO page 4 JonAcoustic Twitch oi! invasion When I first started promoting shows in Korea, starting with the Slackers in 2007, there was a need for me. I was able to communicate and get things done. Since then, things have opened up significantly and we have bands coming here multiple times a month. If the Slack- ers returned, it would be Team New Generation of Ska or Kingston Rud- ieska handling it, so no need for me. Some time ago, I told myself there are only a few bands I would bother to bring here. As it turned out, one of them con- tacted me. Jenny Woo is a globally based sort of musician, based in Europe and highly mobile as a solo- ist. But she’s actually from Edmon- ton, same as me. Back in the late 1990s to 2003, we were in the same circles but didn’t know each other that well. I moved away and she did, and both of us grew up as people and got better at what we do, but Edmonton is still at the core of both of our identities. This tour is an experiment in ver- tical integration, as I’ve taken con- trol of putting on the show and pro- moting it, both in this zine and in a daily newspaper. Probably not that ethical, but whatever. English after the Korean transla- tion (which is probably very poor). Broke: 우는 한자가 한자와 다르지만 한국 성이다. 하지만 아시아의 정체성 이나 뿌리와는 상관없이 이곳의 지역 Jenny Woo 주민들에게는 주목할 만하다. 그래서, 실에도 불구하고.... 하지만 내가 끔찍 만 나는 모순을 보지 못한다. 나는 민 싶었다. 나는 Johnny Cash, Leonard 당신의 민족적 배경은 무엇인가요? 한 사람이 아니라는 이유만으로. 인종 속 음악이 사람들과 사람들이 쓴 단순 Cohen, Corb Lund, 심지어는 약간의 Jenny: 와, 사실 난 “우”가 한국 성이 차별은 무지와 증오의 결과이며, 나는 하고 정직한 음악이라고 생각합니다. 음악의 힘과 힘에 깊은 영감을 받았습 라는 것을 몰랐어... 이제 왜 많은 사람 인종차별이 현장 안팎에서 용인되어야 스킨 헤드 음악은 노동 계급의 삶과 생 니다! 배드랜드 같은 음향을 연주하는 들이 나에게 최고의 김치 요리법을 부 한다고 생각하지 않는다. 그렇다고 해 존을 위한 투쟁에 관한 음악입니다. 그 밴드들 탁하는지 알겠어. 사실, 아버지는 중국 도, 스킨헤드가 되는 것이 인종차별에 들은 일상 생활, 좌절감 및 지역 사회 에서 캐나다로 이주했고, 어머니는 스 맞서는 정치적 싸움과 동의어라고는 생 에 초점을 맞춘 반 상업 장르입니다. 많 Broke: 나는 “스킨헤드걸와 같은 것 코틀랜드에서 이주했습니다. 나는 집에 각하지 않는다. 그보다 훨씬 더한 일입 은 사람들이 acoustic oi!를 장르로 받 은 없으며 스킨헤드의걸 만이 있다”고 서 디섬을 먹고 중국어로 몇 마디를 말 니다. 인종차별주의자가 아니라는 것은 아들일 수는 없지만, 나는 그것을 위해 농담한 친구가 있었습니다. 펑크를 입 하지만 솔직히 말하면 ‘중국’이라고는 우리가 특정한 하위문화와 동일시한다 연주하지는 않는다. 나는 주로 나 자신 은 여자들은 어떤 장소에 있어야 하고, 느끼지 않는다. 나는 캐나다인이 되고 고 해서 우리가 고수해야 하는 것이 아 을 위해 음악을 연주합니다. 그것은 자 무엇을 고칠 수 있다고 생각하나요? 펑크 록에 빠져 있고 특정 민족에 반대 니라, 규범이 되어야 한다. 기 표현의 훌륭한 방법이며, 그것은 나 Jenny: 솔직히 나는 스킨헤드가 여성 하는 것과 훨씬 더 많은 것을 동일시한 의 더 큰 목적입니다. 사람들이 좋아하 들에게 좋은 장면이라고 생각한다. 주 다고 생각한다. Broke: 에드먼턴에서의 초기 펑크 시 면 나는 겸손하고 영광스럽다. 그렇지 류 문화는 여성의 외모와 성욕을 토대 절에 대해 말해보세요. 않다면, 그들은 그저 귀를 기울이지 않 로 여성을 소중히 여기는 경향이 있지 Broke: 또 다른 질문, 어떤 종류의 스 Jenny: 나는 1997년에서 2000년 사 아도 된다. 나는 온라인과 직접적으로 만 스킨 헤드 하위 문화는 충성심, 지 킨헤드인가? 이런 질문들을 처리해야 이에 (펑크)하위문화에 들어갔다. 나는 정당화에 대한 요구를 대부분 무시합니 역 사회 및 성취에 대한 자부심에 기반 할 수도 있고, 아니면 모든 사람들이 “ 펑크 록커로서 사춘기의 반란을 시작했 다. 나는 증명할 것이 없고 인생은 너 을두고 있습니다. 스킨헤드 가치는 내 스킨헤드는 인종차별주의자다”라고 지 지만 가치와 음악 때문에 스킨헤드 하 무 짧습니다. 가 예전의 사람보다 더 강한 버전이 되 나쳐서 지나가고 있는가? 위 문화로 더 많이 옮겼습니다. 나는 지 었다. 말하자면 주류 문화의 여성혐오 Jenny: 나는 우리가 “모든 스킨헤드 역 스킨헤드 장면에서 나이 많고 현명 Broke: 당신의 음악은 또한 대체 국 가 스킨헤드 장면으로 새어나가는 경우 는 인종차별주의자다”라는 서술과는 하며 경험이 풍부한 모든 사람들을 존 가와 캐나다 사람들로부터 크게 끌어옵 가 종종 있고, 스킨헤드 장면 자체는 상 거리가 멀다고 생각한다. 스킨헤드는 경했다. 인터넷이나 지역 음반 가게가 니다. 캐나다에서 온 나는 이런 음악에 당히 여성혐오적일 수 있다. 나는 항상 여전히 비교적 밀교적인 하위문화이며, 많지 않아서 우리가 받은 것은 대부분 대한 기억이 너무 많다. 그럼, 펑크/oi! 반 인종 차별 주의자 또는 반 파시스트 불행히도 스킨헤드가 인종차별과 동의 우리 앞에 온 사람들의 수작업이나 복 와 컨트리/민속은 어떻게 당신의 머리 가 현장에서 가장 절대적인 요구 사항 어라는 것은 언론(그리고 따라서 사람 사 테이프였다. 속에서 교차할까요? 이라는 것이 이상하다는 것을 알았지만 들의 마음 속에)과 매우 관련이 있다. Jenny: 나는 민속 음악과 oi!가 노동 성 차별주의는 여전히 표준입니다. 대 사실, 스킨 헤드는 60 년대 영국의 다문 Broke: 어쿠스틱 오이의 전체 개념은 계급이 노동 계급을 위해 쓴 음악 장 부분의 축제와 콘서트에서 남성보다 무 화 지역에서 태어 났으며 인종에도 불 적어도 외부인에게는 매우 모순적으로 르이기 때문에 자연스럽게 교차한다고 대에 여성이 훨씬 적다는 것을 좌절시 구하고 계급 단결에 관한 것이 었습니 들립니다.
Load more

Recommended publications
  • Razorcake Issue #82 As A
    RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.
    [Show full text]
  • Now Exclusively Distributed by ACXDC Street Date: He Had It Coming, 7˝ AVAILABLE NOW!
    PRESENTS RELEASES FROM: ACXDC, ARCHAGATHUS, ASSHOLEPARADE, BACKSLIDER, BEARTRAP, BRIAN WALSBY, CAPITALIST CASUALTIES, CHEST PAIN, CONGA FURY, EDDIE BROCK, GET DESTROYED, LAPSE, MAGRUDERGRIND, MALPRACTICE INSURANCE, MEHKAGO N.T., NASHGUL, NOCOMPLY, OSK, P.L.F., RAPE REVENGE, SEX PRISONER, SIDETRACKED, SHITSTORM, SUFFERING LUNA, TORCH RUNNER, TOTAL FUCKING DESTRUCTION, XBRAINIAX Now Exclusively Distributed by ACXDC Street Date: He Had It Coming, 7˝ AVAILABLE NOW! INFORMATION: Artist Hometown: Los Angeles, CA Key Markets: LA & CA, Texas, Arizona, DC, Baltimore MD, New York, Canada, Germany For Fans of: MAGRUDERGRIND, NASUM, NAPALM DEATH, DESPISE YOU ANTI-CHRIST DEMON CORE’s He Had it Coming repress features the original six song EP released in 2005 plus two tracks from the same session off the A Sign Of Impending Doom Compilation. The band formed in 2003, recorded these songs in 2005 and then vanished for awhile on a many- year hiatus, only to resurface and record and release a brilliant new EP and begin touring again in 2011/2012. The original EP is long sought after ARTIST: ACXDC by grindcore and powerviolence fiends around the country and this is your TITLE: He Had It Coming chance to grab the limited repress. LABEL: TO LIVE A LIE CAT#: TLAL64AB Marketing Points: FORMAT: 7˝ GENRE: Grindcore • Hugely Popular Band BOX LOT: NA • Repress of Long Sold Out EP SRLP: $5.48 • Huge Seller UPC: 616983334836 • Two Extra Songs In Additional To Originals EXPORT: NO RESTRICTIONS • Two Bonus Songs Never Before Pressed To Vinyl, In Additional To Originals Tracklist: 1. Dumb N Dumbshit 2. Death Spare Not The Tiger 3. Anti-Christ Demon Core 4.
    [Show full text]
  • The Changing Face of Korean Cinema, 1960 to 2015 / Brian Yecies and Ae-Gyung Shim
    The Changing Face of Korean Cinema The rapid development of Korean cinema during the decades of the 1960s and 2000s reveals a dynamic cinematic history that runs parallel to the nation’s politi- cal, social, economic, and cultural transformation during these formative periods. This book examines the ways in which South Korean cinema has undergone a transformation from an antiquated local industry in the 1960s into a thriving international cinema in the twenty-first century. It investigates the circumstances that allowed these two eras to emerge as creative watersheds and demonstrates the forces behind Korea’s positioning of itself as an important contributor to regional and global culture, especially its interplay with Japan, Greater China, and the United States. Beginning with an explanation of the understudied operations of the film industry during its 1960s take-off, it then offers insight into the challenges that producers, directors, and policy makers faced in the 1970s and 1980s during the most volatile part of Park Chung Hee’s authoritarian rule and the subsequent Chun Doo-hwan military government. It moves on to explore the film industry’s profes- sionalization in the 1990s and subsequent international expansion in the 2000s. In doing so, it explores the nexus and tensions of film policy, producing, directing, genres, and the internationalization of Korean cinema over half a century. By highlighting the recent transnational turn in national cinemas, this book underscores the impact of developments pioneered by Korean cinema on the transformation of “Planet Hallyuwood”. It will be of particular interest to students and scholars of Korean Studies and Film Studies.
    [Show full text]
  • Bobby Bergeron: Editor/Tyrant, Layout, Sunday Nights from 8 PM to 11 PM Reviews
    PAGE THREE Paranoize is a non-profit independent November 3,, 2016 publication based in New Orleans, I never thought I’d get this far. Louisiana covering metal, punk, hardcore, Paranoize 41. At one time I told sludge, doom, stoner rock and pretty much myself that I’d stop at #40, but anything loud and noisy. apparently that was a lie. Bands/labels are encouraged to send their This issue I just handled the music music in to review, but if we don’t like it, reviews and layout, Jenn Attaway did you can bet that we’ll make fun of you. an excellent interview with Dave Chandler of Saint Vitus, Lizard Advertisements and donations are what interviewed Pavel Chekov, a keep this publication FREE. Go to powerviolence band from Dallas, www.paranoizenola.com or email Texas and Mike Bevis has returned [email protected] to find out with an interview with C Rage! Records, who have just released the how to donate or advertise. awesome Crescent City Carnage compilation LP! You may send all comments, questions, letters, music for review (vinyl, cassette, We lost another one of our own cd), ‘zines for trade, money, various recently. Jerry Clyde Paradis, passed household items, etc. to: away suddenly and peacefully in his Paranoize sleep on August 16th. He’s been in P.O. Box 2334 quite a few bands over the years Marrero, LA 70073-2334 (Substance Abuse, Bile, Lunch, USA Macgillicuddys, Headwoundz, Uptown Ofays, Sour Vein, Gates Of Visit Paranoize on the internet at: Slumber, Stereo Fire Empire, etc.) and www.paranoizenola.com has been a part of our scene since the facebook.com/paranoizenola 80’s.
    [Show full text]
  • Sla Voj Zizek
    Demanding the Impossible Demanding the Impossible Sla voj Zizek Edited by Yong-june Park polity Copyright© Indigo Book company 20I3 First published in 20 I 3 by Polity Press Polity Press 65 Bridge Street Cambridge CB2 I UR, UK Polity Press 3 50 Main Street Malden, MA 02148, USA All rights reserved. Except for the quotation of short passages for the purpose of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. ISBN-q: 978-o-7456-7228-I ISBN-q: 978-o-7456-7229-8(pb) A catalogue record for this book is available from the British Library. Typeset in I r on 14 pt Sabon by Servis Filmsetting Ltd, Stockport, Cheshire Printed and bound in Great Britain by T.J. International, Padstow, Cornwall The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. I Iowever, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. For further information on Polity, visit our website: www.politybooks.com Contents Acknowledgments Vll I Politics and Responsibility
    [Show full text]
  • IN FOCUS: Decolonizing Media Studies Decolonize Media: Tactics
    IN FOCUS: Decolonizing Media Studies Decolonize Media: Tactics, Manifestos, Histories by NICHOLAS MIRZOEFF and JACK HALBERSTAM, editors, for the Decolonizing Media Collective Figure 1. Photo used by permission of the MTL Collective. ecolonize media! Inspired by Standing Rock, the Decolonize the Curriculum movement in South Africa, and long histories of resistance in the Americas, Palestine, and elsewhere, we propose that the next step for media activism as a whole is to place these spaces of opposition and refusal into extended engagement Dwith current decolonial thought and practices. The “object” of study for this In Focus dossier is not the dominant (media) forms of racial capitalism, but rather decolonial action, thinking, and organizing. In short, putting your thinking body in space of all kinds—public, intellectual, academic—where it is not supposed to be and trying to Press © 2018 by the University of Texas 120 Summer 2018 | 57 | No. 4 www.cmstudies.org Cinema Journal 57 | No. 4 | Summer 2018 decolonize it. We witness the abuses of Harvey Weinstein’s Hollywood and the insidious market uses of Mark Zuckerberg’s social media, and we refuse to engage. In terms of media as such, we propose open-access publishing, open-source software, a return to independent filmmaking, and more strategic and informal uses of social media—all to resist the politics of the casting couch on the one hand and the market domination of all intimate and social relations on the other. We recognize the powerful interventions of hacktivists and the continued potential of web media and their copresence with organizers in reclaiming spaces of all kinds.
    [Show full text]
  • Pmk Distribution September, 2012
    PMK DISTRIBUTION SEPTEMBER, 2012. -------------------------------------------------------- CONTENT: LAST DISTRO UPDATE .……………..……………...... page 2 COMPLETE DISTRO LIST .……………. ……………...... page 3 PUNK / HARDCORE / GRIND …………….………………… page 3-15 SLUDGE / METALCORE / BLACK METAL .…………...………………… page 16-19 NOISE / AMBIENT / EXPERIMENTAL .……………………………… page 20-22 OTHER .……………………………… page 23-25 FANZINES / BOOKS .……………………………… page 26 -------------------------------------------------------- MONEY TRANSFER: PayPal Bank Transfer (optionally over 10-20 €/us$) Hidden Cash (no coins) CHEAPEST POSTAGE EUROPE & OVERSEA: 2 € / 3 us$ (1-5 cd / 1-3 mc / 1-3 zine) 3 € / 4 us$ (6-8 cd / 4-6 mc / 4-6 zine) 5 € / 7 us$ (1-2 lp) -------------------------------------------------------- CONTACT: LONCAREVIC GORAN TRG ST. RODOLJUBA 14/16 19370 BOLJEVAC SERBIA / EUROPE [email protected] www.myspace.com/pmkrecords www.discogs.com/label/PMK+Records 1 -------------------------------------------------------- • LAST DISTRO UPDATE • September, ‘12. -------------------------------------------------------- VINYL V/A "AMEBIX BALKANS" - A TRIBUTE TO AMEBIX LP (8 balkan's stench/sludge/black covers legends / http://soundcloud.com/punkgr / artwork by doomsday graphics & lightbearer studios / incl. innersleeve / 10€) OD VRATOT NADOLU "Mercury" 12'' (dystopia ugly style hardcore / macedonia / www.myspace.com/odvratotnadolu / clear vinyl / 10€) NOOTHGRUSH "1994" 12'' (the first more psychedelic sludge recordings / white vinyl / 10€) DAZD "Self titled" 12'' (occult punk/metal / serbia
    [Show full text]
  • Max Ward Collection of Powerviolence Material, 1990S-Early 2000S LSC.2345
    http://oac.cdlib.org/findaid/ark:/13030/c81n86bc No online items Finding Aid for the Max Ward Collection of Powerviolence Material, 1990s-early 2000s LSC.2345 Finding aid prepared by Kuhelika Ghosh, 2017 UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] Online finding aid last updated 16 January 2018. Finding Aid for the Max Ward LSC.2345 1 Collection of Powerviolence Material, 1990s-early 2000s ... Title: Max Ward Collection of Powerviolence material Identifier/Call Number: LSC.2345 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 5.6 linear feet(10 boxes, 2 flat oversize boxes) Date (inclusive): 1990s-early 2000s Abstract: The collection documents the emergence of the Powerviolence music scene, a little known subgenre of hardcore punk, which was primarily active in the 1990s through the early 2000s. Materials consists of original fliers, posters, handbills, correspondence, photographs, stickers, zines, and patches collected by San Francisco Bay Area drummer, Max Ward. Language of Materials: Materials are primarily in English with a small amount in Japanese. Physical Location: Stored off-site at SRLF. All requests to access special collections material must be made in advance using the request button located on this page. Creator: Ward, Max Conditions Governing Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. All requests to access special collections material must be made in advance using the request button located on this page. Conditions Governing Reproduction and Use Property rights to the physical object belong to the UCLA Library Special Collections.
    [Show full text]
  • COMING out on JANUARY 15, 2016 New Releases From
    Photo by Suren Karapetyan http://www.f666.biz COMING OUT ON JANUARY 15, 2016 new releases from THE SUNSETS • JOHN SANGSTER TERMINAL NATION • CAVE STATE LIFESPITE • PARADISE LOST BACKSLIDER SHORT FAST AND LOUD • ACXDC Exclusively Distributed by THE SUNSETS The Hot Generation Soundtrack Sessions, LP STREET DATE: JANUARY 15, 2016 INFORMATION: Artist Hometown: Newcastle, NSW, Australia Key Markets: All over the world For Fans of: THE EASYBEATS, THE MISSING LINKS, SMALL FACES, THE MOVE, COUNT FIVE While exhumation of the tapes used for the BLACK DIAMONDS box sets was in progress some unmarked magic was found on those tapes containing sides by THE SUNSETS. You most likely already know that if you’ve been following the bouncing ball that are our releases and the release of the previously shelved 1967 THE SUNSETS single, “Animal” / “Uptight, Out of Sight” (BRC 007) that finally saw the light of day late last year. Well, you only got part of the story. Aside from those two snarling sides that were finally released as originally intended there were completely different extended takes on four songs specifically recorded to be used in the movie, THE HOT GENERATION. Being that this was the days prior to studio trickery of recording a song and then chopping it up to be extended, or edited to be a single, THE SUNSETS recorded completely different versions of the songs. Single versions that were specifically for release as sides on 45’s and soundtrack versions that were for use in the Paul Witzig movie, THE HOT GENERATION. Segments of those soundtrack ARTIST: THE SUNSETS versions can be heard accompanying the epic surfing footage all through the movie.
    [Show full text]
  • IEPER FEST SPECIAL WELCOME from Belfast and Derry, to DRIMNAGH, and Donnycarney in Dublin – IRISH HARDCORE IS ALIVE and WELL
    IRISH HARDCORE 2014 IEPER FEST SPECIAL WELCOME From Belfast and Derry, to DRIMNAGH, and DonnYCARNEY in Dublin – IRISH HARDCORE IS ALIVE AND WELL. WHAT BRINGS US ALL TOGETHER ARE THE SHOWS PUT ON BY IRISH COLLECTIVES LIKE SIDE-By- SIDE, AND OF COURSE, LARGE SCALE EVENTS SUCH AS IEPER WHERE WE GET TO MEET LIKE MINDED PEOPLE FROM AROUND THE WORLD WE HOPE THAT WITH THIS little ZINE WE CAN GIVE YOU AN INSIGHT INTO WHAT’s HAPPENING WITHIN THE IRISH HARDCORE COMMUNITY. FOR MORE INFO (LISTINGS ETC.), BE SURE TO CHECK OUT THE RISH HARDCORE FA- CEBOOK PAGE: FACEBOOK.COM/irishhardcore. LISTEN TO the bands, book a flight to Dublin, catch a show in fibbers and drink a few bottles of buckfast. Influenced by bands such as No Turning Back, Comeback Kid and Ter- ror, Cork band Harboured were formed in 2012. They released their debut EP 'For The Hearts Still Beat- ing' in Sept 2012' and are currently working on a new release 'Tooth & Nail'. New members has brought a slight change in musical direction for the band but will still be pre- dominantly based around straight-up, no bullshit hardcore. By Shaun Cadogan See: http://harbouredhc.bandcamp.com/ -core scene for a few years now. Aidan (CROWS, SHIT FIT) plays drums; Shaun from Cork hardcore band HARBOURED plays guitar, Karl (HOLLOW TRUTH, FINAL STRAW) doing vocals and Jim (FINAL STRAW) on bass. We play a blend of fast hardcore / powerviolence influenced loosely by the likes of Ceremony/Hungry Lungs/Converge/Punch/Cerce. I n June we finished our material and went into the studio to record our debut self-titled 8- Obstacle are a new Dublin track EP in Temple Bar, Dublin with the bands based 4-piece hardcore punk own Shaun Cadogan handling recording, mixing and band from Cork / Dublin / Don- mastering duties.
    [Show full text]
  • Failure to Protect: a Call for the UN Security Council to Act in North Korea
    ea U.S. Committee for Human Rights in North Kor Nobel Peace Prize Laureate (1986) , Former Prime Minister of Norway , Former President of the Czech Republic , el áclav Hav Act in North Korea he Honorable V Failure to Protect Failure A Call for the UN Security Council to T Honorable Kjell Magne Bondevik The Boston University Professor Elie Wiesel, Failure to Protect A Call for the UN Security Council to Act in North Korea DLA Piper US LLP 409334_DLA_NK_CVR 10/19/06 10:35 AM Page 1 409334_DLA_NK_CVR_v2 10/23/06 10:08 AM Page 2 DLA Piper LLP is a global law firm with over 3,200 lawyers in 62 offices and 24 countries around the world. We provide legal assistance to our clients in an extensive range of practice areas including corporate and finance, legislative and regulatory, general business litigation, and strategic counseling on international matters. DLA Piper has created a nonprofit entity to support major international pro bono projects. The initiative, named New Perimeter, has been established as a nonprofit subsidiary of DLA Piper dedicated exclusively to international pro bono work. In the first year of the program alone, the firm committed 13,000 attorney hours at a value of over $5 million, which expanded the firm’s aggregate U.S. pro bono commitment in 2005 to approximately 80,000 hours or an aggregate value of $23 million. U.S. Committee for Human Rights in North Korea The U.S. Committee for Human Rights in North Korea is an independent, nongovernmental organization based in Washington, D.C.
    [Show full text]
  • The North Korean Films of Shin Sang-Ok
    第 22 号 『社会システム研究』 2011年 ３ 月 1 査読論文 The North Korean Films of Shin Sang-ok Johannes Schönherr ＊ Abstract Shin Sang-ok was a prolifi c South Korean fi lm director who suddenly disappeared to North Korea in 1978. Between 1983 and 1986, he made 7 feature fi lms in North Korea and produced 13 films more. In 1986, Shin used the chance of a business trip to Vienna to defect to the United States. In this paper, I briefl y describe North Korean cinema history of the period before Shin arrived in the country, Kim Jong-il’s involvement in fi lm, Shin’s pre-North Korea career and fi nally the main fi lms he made in North Korea and how they affected the development of North Korean cinema. Keywords Shin Sang-ok, Park Chung-hee, Kim Il-sung, Kim Jong-il, North Korean cinema, cinema history, Pulgasari 1. Introduction Shin Sang-ok (1926 – 2006) was a prolifi c movie director and producer all of his adult life, in total he made 74 fi lms in the 52 years he was active (1952 – 2004). He was a truly international film director and worked within or closely collaborated with the film industries of several countries, including South Korea, North Korea, the United States, Hong Kong and Japan, and he had the ability to successfully adapt to all those different settings. Shin is best known today for the most enigmatic years of his life – his period in North ＊ Correspondence to：Johannes Schönherr Free writer (Graduated from New York University Master of the Arts in Cinema Studies 1994) 7-4 Kannawa Higashi, Beppu-shi, Oita 874-0042 Japan E-mail : [email protected] 2 『社会システム研究』（第 22 号） Korea, spanning altogether from 1978 to 1986 though he was only making fi lms from 1983 to 1986.
    [Show full text]